by Will Adams
'What's your name?' he asked.
'Please. You heard Mister Griffin.'
'Just your name. That's all I ask.'
She gave him a reluctant smile. 'Claire.'
'Claire! I love that name.' He unbuttoned his shirt gingerly. 'You know it means light in French?'
'Yes.'
'It suits you. My grandmother was Claire. A wonderful woman. Truly wonderful. She had the kindest hands.'
'Is that right?'
'Of course.' He grimaced in pain as he tugged his shirt from his waistband, discarded it. He looked self-consciously down at his stomach, wishing he'd taken more exercise recently. 'So you're an archaeologist then, are you, Claire?'
'I'm not talking to you.'
'I guess you must be if you're working here.'
She gave a sigh. 'I'm project administrator, actually. I speak and write some Arabic, you see.'
'You speak Arabic? How come?'
'My father was in oil. I grew up in the Gulf. You know how easy it is to pick up languages when you're a kid. That's why the reverend asked me along, I think. That plus my medical experience. It always comes in useful in places like these.'
'Places like these?'
Her cheeks flushed, she ducked her eyes. 'Oh, you know.'
'No,' frowned Augustin. 'I'm not sure I do. Unless you mean places too primitive to have doctors of their own?'
'I didn't mean that at all,' she protested. 'Like I said, I grew up in the Middle East. I love it here. It's just, it can be awkward enough for people to go to a doctor back home, especially youngsters. But in a foreign country, you know, when they can't even speak the language…' She tried a smile. 'We Americans, you know. Not the best travellers.'
'So what medical experience do you have, exactly? If I'm to let you check me over.'
She placed her palms on his chest, palpating his ribcage gently, listening intently, checking his expression for signs of pain. 'I was a medical student for five years.'
'Five years? And then you just gave it up?'
'My father fell ill.' She tipped her head to the side, not quite sure why she was confiding so much to this stranger. 'He was out of work at the time. He didn't have… the right kind of insurance. My mother had already passed. He needed looking after.'
'So you stepped in?'
She nodded, her thoughts elsewhere. 'Have you ever looked after someone like that. Someone who's dying?' she asked.
He shook his head. 'I've never looked after anyone except myself.'
'Peterson and his church were great, you know. They did so much for us. They run this wonderful volunteer visitor programme. Honestly, we'd never have managed without them. And a hospice, too; where my father… you know. Plus an orphanage, and shelters for homeless people, lots of things like that. They're good people. They really are. The reverend's a good man.'
'And that's why you're here? To thank them?'
'I suppose.'
'How come I saw you leaving the site yesterday?'
She scratched her nose, pretending not to have heard, or not to understand. But Augustin let the question hang there, and the silence finally got to her. She looked up at him rather sheepishly. 'How do you mean?'
'I came here with the police to do interviews. Griffin was driving away from the site when we arrived. You were with him. Why did he hide you?'
She swallowed unhappily. 'No one hid me.'
'Yes, they did.'
She looked up. Their eyes met for a moment. Augustin felt his heart thump. Claire looked away, equally confused. 'You're fine,' she said, packing her medical supplies onto her tray. 'Bruises and soreness. That's all.'
'You know what happened that night, don't you?' said Augustin. 'You know what happened with Omar and Knox.'
'I don't know what you're talking about.'
'Yes, you do,' he insisted. 'Tell me.'
But she fled for the door instead, pounding on it to be let out.
II
'Seti the First?' asked Lily.
'An early Nineteenth Dynasty pharaoh,' answered Gaille, digging up more sand with her fingers. 'He came to power about fifty years after Akhenaten. He's buried in the Valley of the Kings.'
'What about him?' asked Stafford.
'His tomb appeared relatively simple at first. An entrance shaft leading to a burial chamber with a sump directly in front of it.'
'Just like this, you mean?'
'And the Royal Tomb, yes. But the thing is, it turned out that the sump wasn't actually a sump at all. It was a shaft that led down to the real tomb chamber. It was just made to look like a sump in an effort to fool potential tomb robbers. Not that it worked, of course.'
'You think that's what this is?' asked Lily. 'A burial shaft?'
'It has to be a possibility,' nodded Gaille. 'I can't believe I didn't think of it before.'
'How deep would it be?'
'The shaft in Seti's tomb was a hundred metres. But that's exceptional. Shaft tombs are usually just a few metres deep. And these hieroglyphs must mean we're near to something.'
'What use will that be?' muttered Stafford. 'It won't lead us out.'
'Probably not,' agreed Gaille. 'But it'll give the water somewhere to drain off to. Unless you've got a better idea?'
'No,' admitted Stafford. 'I don't.'
III
There was no answer to Claire's summons. She pounded the door again. Still nothing. Augustin walked slowly over to her, as unthreateningly as he could. She backed against the wall even so, holding the tray up almost as a shield across her chest so that her medical supplies spilled to the floor all around her feet. 'Let me go,' she squirmed, refusing to meet his eyes.
'Just hear me out.'
'Please.'
'One minute. That's all I'm asking.'
She turned away, discomfited by his closeness, the gentle press of his body wherever it touched hers. 'Okay,' she said. 'One minute.'
'Thank you. I don't care what happened with Knox and Omar. At least, I do, I care tremendously. But that's tomorrow's issue. Right now I need your help because a very good friend of mine is in immediate grave danger, and without your help she may well die.'
Claire frowned in surprise. This wasn't what she'd been expecting at all. 'A friend? Who?'
'A young woman called Gaille Bonnard. She's an archaeologist down in-'
'The hostage?'
'You know about her?'
Claire pulled a face. 'She was all over the TV this morning.'
'You've seen the coverage then?' said Augustin eagerly. 'So you must have noticed her position.'
'What are you talking about?'
'The night before she was abducted, my friend Knox sent her his photographs of whatever it is you've found here.'
'We've found nothing.'
'She enhanced them and sent them back. Look at her posture in the footage! It's exactly the same as-'
'The mosaic!' blurted out Claire.
'You have seen it,' cried Augustin.
'No!' But her denial was absurd and she must have realized it. She pushed Augustin away from her, scrabbled on the floor for her medical supplies.
'Claire,' he pleaded. 'Listen. Gaille's sending us a message, something to do with that mosaic. We can't work out what it is because we've lost our photos. We need to find the originals. Her life may depend on it.'
'I can't help you.'
'Yes, you can. You're a doctor; you trained to be a doctor. Saving lives is your whole purpose. You've got to help her. She may die if you don't.'
'Stop it.'
'You hate what's going on here. I can tell that. You wouldn't have insisted on seeing me otherwise. I'm fine. Forget me. But Gaille isn't. Those other two hostages aren't. They need your help. How can you say no?'
'These people are my friends,' she said, pounding on the door.
'No, they're not, Claire. They're using you because you speak Arabic and have some medical knowledge and because they trust you to be loyal after what they did for your father. Th
at's all. They call themselves Christian, but can you imagine Christ behaving like this? Can you imagine Christ running people down or locking them up? Can you imagine Christ withholding information that could save the lives of two young women and-'
'Let me go!' she begged, as Ramiz finally opened the door. 'Let me go.'
'Please, Claire. Please.'
But she tore herself away from him and out, the door banging closed behind her. He sat down gingerly on the footstool, head in his hands, aware he'd just blown his best chance; and maybe Gaille's too.
FORTY-TWO
I
The windscreen of Naguib's Lada had misted up from the storm. He couldn't see a thing. He opened the windows a slit, put on the heaters, sat there brooding on his meeting with Tarek and the ghaffirs, the implications of what he'd learned. This was getting way over his head. He needed to put it to his boss.
'Can't this wait till morning?' sighed Gamal. 'I'm in the middle of something.'
'It may be important.'
'Well? What?'
'I think there's something going on in Amarna.'
'Not this again!' said Gamal. 'The universe doesn't revolve around you, you realize?'
'That girl we found, she had an Amarna artefact on her. I think she found something here, perhaps an undiscovered site. You know Captain Khaled, the senior tourist policeman here? He's banned the local ghaffirs from-'
'Whoa! Whoa! Whoa! Stop right there. Are you about to suggest what I think you're about to suggest?'
'I'm just saying, I think he knows something. I think we ought to look into it.'
'Into the tourist police?' demanded Gamal. 'Are you crazy? Haven't you learned your lesson from Minya?'
'That was different. That was the army.'
'Listen to me. You've only still got a job thanks to your friends. Go down this road again, they won't step in a second time, believe me. No one will.'
'But I only-'
'Don't you ever listen? I don't want to hear another word! Understand? Not another damned word!'
'Yes, sir,' sighed Naguib. 'I understand.'
II
Claire found Griffin shifting papers from the filing cabinets into cardboard boxes for Michael and Nathan to carry out to the pick-up. 'Well?' he asked sourly. 'How's our guest?'
'He needs a proper doctor.'
Griffin nodded. 'We're booked on tonight's flight to Frankfurt out of Cairo. I'll have Ramiz let him out the moment we're in the air.'
'Where is everyone?'
'Back at the hotel, packing. We need to get there too.' He checked his watch. 'I can give you five minutes to get your stuff together.'
'It's all at the hotel.'
'Good.' He packed the last box, slammed the drawer closed. 'Then let's get moving.' They went out to the pick-up, bumped their way out. Claire glanced anxiously back at the magazine.
'What is it?' asked Griffin, sensing her disquiet.
'He said something to me. About those hostages down in Assiut.'
'He's playing tricks with your mind. I warned you not to talk to him.'
Claire looked around. Mickey and Nathan were jolting around in the back, laughing like children. She thought that about them often, how like children they were. It wasn't their fault that bad things were going on here. They'd taken it for granted they could trust Peterson, because he was a man of God. She couldn't blame them for that: she'd done the same herself. And they were her comrades, her friends, whatever that Frenchman said. Her first loyalty had to be to them. 'Yes,' she agreed, putting Augustin forcibly from her mind. 'You did.'
III
The weather turned with astonishing rapidity. One moment, sunshine was falling hot through the window onto Knox's cheek. The next, the sky was covered by thick black clouds and the temperature was plummeting. Rain played a few opening riffs on the Toyota's roof, then started drumming hard. Their headlights sprang on; their wipers started flick-flacking. They slowed with the traffic around them, picking their way through the fat puddles that formed quickly on the road.
Peterson indicated, then turned off the Nile road along a winding, narrow lane. They lurched from pothole to pothole, sending up huge splashes of spray. The deluge grew more violent, the clouds so black it might have been midnight. After twenty minutes or so they slowed to a crawl, briefly sped up again, then pulled off the lane over a shale verge and onto cloying wet sand. Peterson ratcheted the handbrake, turned off his lights, wipers and ignition, snapped free his seat belt. He opened his door, paused for a deep breath, then hurried out.
Knox sat up, cramps and pins and needles in both legs. A flicker of lightning revealed Peterson splashing his way back along the road, forearm over his head as a makeshift umbrella. Knox gave him a few moments, then opened the door and launched himself out after him into the full fury of the storm.
IV
Claire watched mesmerized the news on the hotel lobby TV, her packed bags by her feet.
'Hurry up,' said Griffin. 'We're on the clock.'
'Look,' she said.
He stared puzzled up at the screen. 'Look at what?'
She hesitated a moment. There were too many people milling around. Then she said quietly: 'Our… guest told me this woman was a friend of his. He said Knox had sent her photographs of what we'd found.'
'Are you crazy?' hissed Griffin. 'You can't talk about that here.'
'Just look, will you. Don't you see it?'
Griffin turned back to the screen. 'See what?'
'Her posture. The mosaic.'
Colour drained from his complexion. 'Oh, hell,' he muttered. He shook his head. 'No. It's coincidence, that's all. It has to be.'
'That's what I was telling myself,' agreed Claire. 'But it's not coincidence. It's just not. She's trying to send a message.'
'We need to get out, Claire,' pleaded Griffin. 'We need to get to Cairo, catch our plane. I'll explain everything once we're-'
'I'm not coming,' said Claire.
'How do you mean?'
'I'm going back to the site. I'm going to let Pascal out. I'm going to show him the mosaic.'
'I'm sorry, Claire. I can't let you do that.'
She turned to face him, arms folded. 'And how exactly do you plan to stop me?' His eyes flickered to the pick-up, his students piling their luggage onto the back as if wondering if he could enlist them to help abduct her. 'I'll make a scene,' she warned. 'I swear I will. I can speak Arabic, remember? I'll tell everyone what you've been up to.'
'What we've been up to,' he reminded her.
'Yes,' she agreed. 'What we've been up to.'
Moisture glowed on his upper lip. He wiped it away with a finger. 'You wouldn't dare.'
'Try me.'
His expression changed, he tried to wheedle instead. 'At least let me get the guys out first.'
'Give me the magazine key and all his stuff. I'll give you time to catch your plane.'
'The Egyptians will want someone to blame for this, Claire. They'll have no one but you.'
'I'm aware of that.'
'Then come with us. I swear, the moment we're in the air, I'll get Pascal released, I'll make sure he knows everything he needs to know.'
'It might be too late by then.'
A horn tooted outside. Griffin couldn't hold Claire's gaze, he looked away in shame and confusion. 'It's not just me I've got to think of,' he said. 'They're just kids. They need to be looked after.'
'I know,' nodded Claire. She held out her hand for the key and Augustin's belongings. 'You'd best get going,' she said.
FORTY-THREE
I
Knox tailed Peterson to a high wall with a neat row of well-spaced date palms standing like sentries in front. Fatima's Hermopolis compound, as he'd expected. He kept a good distance behind, but even so Peterson may have sensed something because he suddenly whirled and glared into the darkness. Knox froze, trusting the deluge to hide him. Peterson turned forwards again, reached the main gate, oil lamps fluttering weakly either side, a sign inviting visitors t
o ring the bell. But Peterson had no intention of doing that. He hurried past, reached the end of the wall, turned down the side, splashing over the waterlogged sand, looking for another way in. The back gate was evidently locked from the inside and wouldn't open. He completed a full circuit, paused in the shelter of a date palm. After a few moments' reflection, he wedged his boot between the wall and the tree-trunk, lifted himself up, looked over the top to make sure there was no one there, that he could drop down safely on the other side. He hooked a leg over the top, straddled it, lowered himself down before letting go and landing with a splash and a grunt and a clatter. But then only silence.
Knox considered ringing the front bell, raising the alarm. Peterson would have one hell of a time explaining himself. But it wouldn't be a picnic for Knox either; and he couldn't risk getting banged back up in gaol. So he wedged his foot like Peterson had done, grabbed hold of the top, hauled himself over. Peterson had had a minute's head start, but Knox had local knowledge. He took a short cut between the lecture hall and kitchens, reached the courtyard with the sleeping quarters. All the lights were off, but he spotted Peterson beneath an awning when he turned on a pocket torch to consult his print-outs, work out which was Gaille's bedroom. Something clattered inside the kitchens. There was a muffled curse. A cry of exasperation went up. 'Stay where you are,' yelled a man, as doors flew open all around the courtyard. 'Put your hands on your head.' An ambush. Peterson turned and fled, all the policemen chasing after him, shouting orders, waving torches, leaving Gaille's French windows tantalizingly open.