Levey, Michael. Florence, A Portrait. Cambridge, 1996.
Levine, Saul. “The Location of Michelangelo’s David: The Meeting of January 25, 1504.” Art Bulletin, vol. 56, no. 1 (Mar. 1974): 31–49.
———. “Michelangelo’s Marble ‘David’ and the Lost Bronze ‘David’: The Drawings.” Artibus et Historiae, vol. 5, no. 9 (1984): 91–120.
Lewis, R. W. B. The City of Florence. New York, 1995.
Lieberman, Ralph. “Regarding Michelangelo’s ‘Bacchus.’ ” Artibus et Historiae, vol. 22, no. 43 (2001): 65–74.
Lingo, Estelle. “The Evolution of Michelangelo’s Magnifici Tomb: Program Versus Process in the Iconography of the Medici Chapel.” Artibus et Historiae, vol. 16, no. 32 (1995): 91–100.
Lombardo, Josef Vincent. Michelangelo: The Pietà and other Masterpieces. New York, 1965.
Lubkin, Gregory. A Renaissance Court: Milan Under Galeazzo Maria Sforza. Berkeley, Calif., 1994.
Lucas-Dubreton, J. Daily Life in Florence in the Time of the Medici. Translated by A. Lytton Sells. New York, 1961.
MacCulloch, Diarmaid. The Reformation: A History. New York, 2003.
Maguire, Henry. “The History of Medieval Art Without ‘Art’: Introduction.” Gesta, vol. 34, no. 1 (1995): 3–4.
Mallett, Michael, and Nicholas Mann, eds. Lorenzo the Magnificent: Culture and Politics. London, 1996.
Mancinelli, Fabrizio. The Sistine Chapel. Vatican City, 1993.
Martelli, Mario. “La Cultura Letteraria nell Età di Lorenzo.” In Lorenzo the Magnificent: Culture and Politics. Edited by Michael Mallet and Nicholas Mann. London, 1996.
Martin, Thomas. “Michelangelo’s ‘Brutus’ and the Classicizing Portrait Bust in Sixteenth-Century Italy.” Artibus et Historiae, vol. 14, no. 27 (1993): 67–83.
Martindale, Andrew. The Rise of the Artist in the Middle Ages and Early Renaissance. New York, 1972.
Martines, Lauro. April Blood: Florence and the Plot Against the Medici. Oxford, 2003.
———. Fire in the City: Savonarola and the Struggle for the Soul of Renaissance Florence. Oxford, 2006.
———. The Social World of the Florentine Humanists, 1390–1460. Princeton, 1963.
Maude, A. H. “The Cracks in the Ceiling of the Sistine.” Burlington Magazine for Connoisseurs, vol. 13, no. 65 (Aug. 1908): 288–89, 291–92.
Millon, Henry A. and Craig Hugh Smyth. “Michelangelo and St Peter’s-I: Notes on a Plan of the Attic as Originally Built on the South Hemicycle.” Burlington Magazine, vol. 111, no. 797 (Aug. 1969): 484–99, 501.
Morrogh, Andrew. “The Magnifici Tomb: A Key Project in Michelangelo’s Architectural Career.” Art Bulletin, vol. 74, no. 4 (Dec. 1992): 567–98.
Murray, Linda. The High Renaissance and Mannerism. New York, 1967.
Murray, Peter. Architecture of the Italian Renaissance. New York, 1964.
———, ed. Five Early Guides to Rome and Florence, Kentfield, Calif., 1972.
———, and Linda Murray. Art of the Renaissance. New York, 1963.
Nagel, Alexander. “Gifts for Michelangelo and Vittoria Colonna.” Art Bulletin, vol. 79, no. 4 (Dec. 1997): 647–68.
Najemy, John. A History of Florence: 1200–1575. Chichester, U.K., 2010.
———. Italy in the Age of the Renaissance: 1300–1550. New York, 2004.
Nickerson, Angela. A Journey into Michelangelo’s Rome. Berkeley, Calif., 2008.
Norton, Paul F. “The Lost Sleeping Cupid of Michelangelo.” Art Bulletin, vol. 39, no. 4 (Dec. 1957): 251–57.
Norwich, John Julius. Absolute Monarchs. New York, 2011.
Olszewski, Edward J. “A Design for the Sistine Chapel Ceiling.” Bulletin of the Cleveland Museum of Art, vol. 63, no. 1 (Jan. 1976): 12–26.
Panofsky, Erwin. “The First Two Projects of Michelangelo’s Tomb of Julius II.” Art Bulletin, vol. 19, no. 4 (Dec. 1937): 561–79.
———. Studies in Iconology: Humanistic Themes in the Art of the Renaissance. New York, 1962.
Paoletti, John T., and Gary M. Radke. Art in Renaissance Italy. New York, 1997.
Park, Katharine. “The Criminal and the Saintly Body: Autopsy and Dissection in Renaissance Italy.” Renaissance Quarterly, vol. 47, no. 1 (Spring 1994): 1–33.
Parks, N. Randolph. “The Placement of Michelangelo’s David: A Review of the Documents.” Art Bulletin, vol. 57, no. 4 (Dec. 1975): 560–70.
Partner, Peter. “Florence and the Papacy in the Earlier Fifteenth Century.” In Florentine Studies: Politics and Society in Renaissance Florence. Edited by Nicolai Rubinstein. Evanston, 1968.
———. Renaissance Rome: 1500–1559: A Portrait of a Society. Berkeley, Calif., 1976.
Partridge, Loren, et al. Michelangelo: The Last Judgment: A Glorious Restoration. New York, 1997.
Pastor, Ludwig. History of the Popes. Vols. V–VII. St. Louis, 1902.
Perkins, Charles C. Raphael and Michelangelo: A Critical and Biographical Essay. Boston, 1878.
Pernis, Maria Grazia. “The Young Michelangelo and Lorenzo de ’ Medici’s Circle.” In Lorenzo de Medici: New Perspectives. Edited by Bernard Toscani. New York, 1992.
Pietrangeli, Carlo. The Sistine Chapel: A Glorious Restoration. New York, 1994.
Pirolo, Paola. “Su Alcuni Aspetti della Formazione della Legenda Medicea: Da Cosimo a Lorenzo.” In Lorenzo dopo Lorenzo: La Fortuna Storica di Lorenzo il Magnifico. Edited by Paola Pirolo. Florence, 1992.
Pirolo, Paola, ed. Lorenzo dopo Lorenzo: La Fortuna Storica di Lorenzo il Magnifico. Florence, 1992.
Plebani, Eleonora. Lorenzo e Giuliano de ’ Medici: Tra Potere e Legame di Sangue. Rome, 1993.
Plumb, J. H. The Italian Renaissance. Boston, 1985.
———. “Rome: Splendour and the Papacy.” In The Penguin Book of the Renaissance. Middlesex, 1961.
Polizzotto, Lorenzo. The Elect Nation: The Savonarolan Movement in Florence, 1494–1545. Oxford, 1994.
———. “Lorenzo il Magnifico, Savonarola, and Medicean Dynasticism.” In Lorenzo de Medici: New Perspectives. Edited by Bernard Toscani. New York, 1992.
Pope-Hennessy, John. Donatello: Sculptor. New York, 1993.
———. Italian Renaissance Sculpture. New York, 1971.
———. Raphael. New York, 1971.
Ramsey, P. A., ed. Rome in the Renaissance: The City and the Myth. Binghamton, N.Y., 1982.
Rendina, Claudio. The Popes: Histories and Secrets. Santa Ana, Calif., 2002.
Ridolfi, Roberto. Life of Girolamo Savonarola. Translated by Cecil Grayson. London, 1959.
———. The Life of Machiavelli. Translated by Cecil Grayson. London, 1963.
Robertson, Charles. “Bramante, Michelangelo, and the Sistine Ceiling.” Journal of the Warburg and Courtauld Institutes, vol. 49 (1986): 91–105.
Rocke, Michael. Forbidden Friendships: Homosexuality and Male Culture in Renaissance Florence. New York, 1996.
Roe, Albert S. “A Drawing of the Last Judgment.” Huntington Library Quarterly, vol. 21, no. 1, Blake Bicentennial Issue (Nov. 1957): 37–55.
Roeder, Ralph. “Lorenzo de ’ Medici.” In The Penguin Book of the Renaissance. Harmondsworth, U.K., 1961.
———. The Man of the Renaissance: Four Lawgivers: Savonarola, Machiavelli, Castiglione, Aretino. New York, 1933.
Ronen, Avraham. “An Antique Prototype for Michelangelo’s Fall of Man.” Journal of the Warburg and Courtauld Institutes, vol. 37 (1974): 356–58.
Roscoe, William. The Life and Pontificate of Leo X. 2 vols. London, 1893.
———. The Life of Lorenzo de Medici, Called the Magnificent. London, 1889.
Roskill, Mark. Dolce ’s “Aretino” and Venetian Art Theory of the Cinquecento. New York, 1968.
Ross, Janet. Florentine Palaces and their Stories. London, 1905.
———. The Lives of the Early Medici as Told in their Correspondence. Boston, 1911.
Roth, Cecil. The Last Florentine Republic: 1527–30. London, 1925.
Rubin, Patricia. Giorgio Vasari: Art and History. New Ha
ven, 1995.
Rubenstein, Richard E. Aristotle ’s Children: How Christians, Muslims, and Jews Rediscovered Ancient Wisdom and Illuminated the Dark Ages. Orlando, 2003.
Rubinstein, Nicolai. The Palazzo Vecchio, 1298–1532: Government, Architecture, and Imagery in the Civic Palace of the Florentine Republic. Oxford, 1995.
———. The Government of Florence Under the Medici. Oxford, 1977.
Rubinstein, Nicolai, et al. The Age of the Renaissance. London, 1967.
Ruggiers, Paul G. Florence in the Age of Dante. Norman, Okla., 1964.
Ruvoldt, Maria. “Michelangelo’s Dream.” Art Bulletin, vol. 85, no. 1 (Mar. 2003): 86–113.
Saalman, Howard. “Michelangelo: S. Maria del Fiore and St. Peter’s.” Art Bulletin, vol. 57, no. 3 (Sept. 1975): 374–409.
Salmon, Frank. “The Site of Michelangelo’s Laurentian Library.” Journal of the Society of Architectural Historians, vol. 49, no. 4 (Dec. 1990): 407–29.
Schevill, Ferdinand. History of Florence, from the Founding of the City Through the Renaissance. New York, 1961.
———. The Medici. New York, 1949.
Scotti, R. A. Basilica: The Splendor and the Scandal: Building St. Peter’s. New York, 2006.
Seymour, Charles, Jr. Jacopo della Quercia, Sculptor. New Haven, 1973.
———. Michelangelo’s David: A Search for Identity. Pittsburgh, 1967.
Shaw, Christine. Julius II: The Warrior Pope. Cambridge, U.K., 1993.
Shearman, John. Andrea del Sarto. Oxford, 1965.
———. “The Florentine Entrata of Leo X, 1515.” Journal of the Warburg and Courtauld Institutes, vol. 38 (1975): 136–54.
———. Mannerism. London, 1967.
———. Only Connect: Art and the Spectator in the Italian Renaissance. Princeton, 1992.
———. “The Organization of Raphael’s Workshop.” Art Institute of Chicago Museum Studies, vol. 10, The Art Institute of Chicago Centennial Lectures (1983): 40–57.
Shrimplin, Valerie. “Hell in Michelangelo’s ‘Last Judgment.’ ” Artibus et Historiae, vol. 15, no. 30 (1994): 83–107.
Shrimplin-Evangelidis, Valerie. “Michelangelo and Nicodemism: The Florentine Pietà.” Art Bulletin, vol. 71, no. 1 (Mar. 1989): 58–66.
———. “Sun-Symbolism and Cosmology in Michelangelo’s Last Judgment.” Sixteenth Century Journal, vol. 21, no. 4 (Winter 1990): 607–44.
Sperling, Christine M. “Donatello’s Bronze ‘David’ and the Demands of Medici Politics.” Burlington Magazine, vol. 134, no. 1069 (Apr. 1992): 218–24.
Staley, Edgcumbe. The Guilds of Florence. New York, 1967.
Starn, Randolph. “Reinventing Heroes in Renaissance Italy.” Journal of Interdisciplinary History, vol. 17, no. 1, The Evidence of Art: Images and Meaning in History (Summer, 1986): 67–84.
Steinberg, Leo. “Who’s Who in Michelangelo’s Creation of Adam: A Chronology of the Picture ’s Reluctant Self-Revelation, Part 1.” Art Bulletin, vol. 74, no. 4 (Dec. 1992): 552–66.
Stephens, J. N. The Fall of the Florentine Republic: 1512–1530. New York, 1983.
Summers, David. Michelangelo and the Language of Art. Princeton, 1981.
Symonds, John Addington. The Life of Michelangelo Buonarroti. London, 1893.
Teunissen, John J., and Evelyn J. Hinz. “The Attack on the Pietà: An Archetypal Analysis.” Journal of Aesthetics and Art Criticism, vol. 33, no. 1 (Autumn 1974): 43–50.
Thomas, Anabel. The Painter’s Practice in Renaissance Tuscany. Cambridge, U.K., 1995.
Trexler, Richard. The Libro Cerimoniale of the Florentine Republic by Francesco Filarete and Angelo Manfidi. Geneva, 1978.
———. “Lorenzo de ’ Medici and Savonarola: Martyrs for Florence,” RQ, vol. 31 (1978): 293–308.
———. Public Life in Renaissance Florence. New York, 1980.
———. “True Light Shining vs. Obscurantism in the Study of Michelangelo’s New Sacristy.” Artibus et Historiae, vol. 21, no. 42 (2000): 101–17.
Unger, Miles. Machiavelli: A Biography. New York, 2011.
———. Magnifico: The Brilliant Life and Violent Times of Lorenzo de ’ Medici. New York, 2008.
Ventrone, Paola. Le Tems Revient: ’L Tempo si Rinuova, 2 vols. Florence, 1992.
Verdon, Timothy, and John Henderson, eds. Renaissance: Image and Religious Imagination in the Quattrocento. Syracuse, 1990.
Villari, Pasquale. The Life and Times of Girolamo Savonarola. 2 vols. Translated by Linda Villari. London, 1888.
———. The Life and Times of Niccolò Machiavelli. 2 vols. Translated by Linda Villari. London, 1898.
Waldman, Louis A. Baccio Bandinelli and Art at the Medici Court. Philadelphia, 2004.
Wallace, William E. “Michelangelo at Work: Bernardino Basso, Friend, Scoundrel, and Capomaestro.” In I Tatti Studies: Essays in the Renaissance, vol. 3 (1989): 235–77.
———. Michelangelo at San Lorenzo: The Genius as Entrepreneur. Cambridge, U.K., 1994.
———. Michelangelo: The Artist, the Man, and His Times. Cambridge, U.K., 2010.
———. Michelangelo: The Complete Sculpture, Painting, Architecture. New York, 1998.
Wang, Aileen June. “Michelangelo’s Signature.” Sixteenth Century Journal, vol. 35, no. 2 (2004): 447–73.
Watkins, Renée Neu, ed. Humanism and Liberty: Writings on Freedom from Fifteenth-Century Florence. Columbia, S.C., 1978.
Weinstein, Donald. “The Myth of Florence.” In Florentine Studies: Politics and Society in Renaissance Florence. Edited by Nicolai Rubinstein. Evanston, Ill., 1968.
———. Savonarola and Florence: Prophecy and Patriotism in the Renaissance. Princeton, 1970.
———. “Savonarola, Florence, and the Millenarian Tradition.” Church History, vol. 27, no. 4 (Dec. 1958): 291–305.
Wilde, J. “The Hall of the Great Council of Florence.” Journal of the Warburg and Courtauld Institutes, vol. 7 (1944): 65–81.
Wilde, Johannes. “Michelangelo and Leonardo.” Burlington Magazine, vol. 95, no. 600 (Mar. 1953): 65–75, 77.
———. “Michelangelo’s Designs for the Medici Tombs.” Journal of the Warburg and Courtauld Institutes, vol. 18, no. 1/2 (Jan.–June 1955): 54–66.
Wilkins, David G., and Rebecca L. Wilkins, eds. The Search for a Patron in the Middle Ages and Renaissance. Lewiston, N.Y., 1996.
Wind, Edgar. “The Crucifixion of Haman.” Journal of the Warburg Institute, vol. 1, no. 3 (Jan. 1938): 245–48.
———. The Religious Symbolism of Michelangelo. Oxford, 2000.
———. “Typology in the Sistine Ceiling: A Critical Statement.” Art Bulletin, vol. 33, no. 1 (Mar. 1951): 41–47.
Wittkower, Rudolf. Architectural Principles in the Age of Humanism. New York, 1971.
———. “A Note on Michelangelo’s Pietà in St. Peter’s.” Journal of the Warburg Institute, vol. 2, no. 1 (July, 1938): 80.
Wittkower, Rudolf, and Margot Wittkower. Born Under Saturn: The Character and Conduct of Artists. New York, 1969.
Wölfflin, Heinrich. Classic Art. Ithaca, N.Y., 1986.
———. Principles of Art History: The Problem of the Development of Style in Later Art. Translated by M. D. Hottinger. New York, 1950.
———. Renaissance and Baroque. Ithaca, N.Y., 1966.
Young, G. F. The Medici. New York, 1933.
Ziegler, Joanna E. “Michelangelo and the Medieval Pietà: The Sculpture of Devotion or the Art of Sculpture?” Gesta, vol. 34, no. 1 (1995): 28–36.
———. Sculpture of Compassion: The Pietà and the Beguines in the Southern and Low Countries, c. 1300–c. 1660. Brussels, 1992.
Index
Accademia del Disegno, Florence (Academy of Design), 366, 369, 370
Accademia Gallery, Florence, xii, 77, 104, 110, 118, 231, 376
Acheron, 244n
Adam, 170, 172, 179–80
Adoration of the Magi, The (Leonardo), 157
Agostino di Duccio, 81, 91
Alba, Duke of,
351
Albert, Archbishop, 323
Alberti, Leon Battista, 31, 55, 117n, 150, 286, 315, 319, 321, 342n, 345
Aldovrandi, Gianfrancesco, 38
Alexander VI, Pope, 44, 45, 82, 129, 130, 133, 265
Alidosi, Cardinal Francesco, 143, 144, 146
Ambrose, Saint, 173n
Angiolini, Bartolommeo, 261, 263, 355
Anonimo Magliabecchiano (anonymous), 251n
Apollo Belvedere, 107, 111, 129, 166n, 281, 378
Apollo/David (Michelangelo), 376
Archers Shooting at a Herm (Michelangelo), 262n
architecture, Michelangelo’s conception of, 340–41
Aretino, Pietro, 7
Michelangelo attacked by, 290–91, 302–3, 308
Michelangelo’s correspondence with, 289–90
Ariosto, Ludovico, 1, 7, 369
Aristotle, 164
art, artists:
as freed from social norms, 5
fusion of work and life of, 4, 5, 6
ideology vs., 309
as intellectual and spiritual leaders, 3
Michelangelo’s role in changed image of, 2–3, 4, 6, 194, 374
mystical powers of, 70
patrons and, 150, 186, 194
Renaissance concept of, 76–77, 96, 149–50, 262, 286, 359, 366, 371–72
as seen by Michelangelo, 285–86
Arte della Lana, 81, 82, 91, 117–18
Arte di Calimala, 81
Assumption of the Virgin (Perugino), 271–72
Augustine, Saint, 170, 171, 180n
Avignon, 44, 315
Babylonian Captivity (1309–78), 44, 315
Bacchanal of Children (Michelangelo), 261–62
Bacchus (Michelangelo), 49–50, 51, 52, 54, 55, 56, 58, 59n, 64, 65, 108, 165, 376
Baccio d’Agnolo, 205, 207–8, 344
San Lorenzo facade and, 206, 207
Baglioni, Malatesta, 249
baldachino, St. Peter’s Basilica, 345, 346, 378
Balducci, Baldassare, 49, 56
Balducci, Giovanni, 49, 56
Bandinelli, Baccio, 247
Bandini, Francesco, 364
Baptistery, Florence, 81, 82–83, 105
Last Judgment mosaic of, 278
Barcelona, Treaty of (1527), 246
Bargello National Museum, Florence, xii, 49, 354n, 376
Baroque, 238, 340, 346
Bartolomeo, Fra, 34
Michelangelo Page 48