Perhaps my favorite kind of reading happens at palmy beach resorts. There’s always a stack of used paperbacks at a beach resort. With dog-eared and salt-encrusted pages brittle from exposure to the sun and scores of readers, these books are left out at night in a makeshift library, home perhaps to hermit crabs and wasps. But as e-reader costs come down, I actually expect that we’ll start seeing a bunch of left-behind e-readers instead of paperbacks at beach resorts.
Five or so years from now, you’ll be using someone’s discarded Nook or Kindle to read in a hammock in the lilac-scented wind, swinging in late-afternoon sunlight to a gentle breeze with a gentle book. Their eInk screens will be sun stained, and the saltwater won’t do them any good. The power chargers will go missing, and the wires will get frazzled and frayed. But on the plus side, you’ll be able to surf the web—albeit more slowly than you’d like on your laptop—while listening to tiki music, your stomach rumbling in anticipation of dinner and a frozen margarita.
How about you? Do you have a favorite sunny nook or diner where you prefer to read? Do you prefer reading in train stations, on airplanes, or sitting cross-legged in the aisles of an expansive, book-filled library?
http://jasonmerkoski.com/eb/2.html
The Origin of Ebooks
The ebook revolution started in 2003 when the vice president of research for Sony spent a week trapped in an ice cave after a skiing accident. He had a broken leg and was forced to drink his own urine until he was rescued. As he stared at his cell phone, hoping for a signal, he thought, “If only I had a book about wilderness survival on a cell phone or some other device that I could pull up right away.” And that’s when the idea for Sony’s first e-reader hit him…
That’s not what happened, of course.
The origin of ebooks has more to do with technological inevitability. It’s like the story of printing itself—Johannes Gutenberg was in the right place at the right time and knew enough about minting and metallurgy to make it happen. The founders of the ebook revolution were also each in the right place at the right time.
And because the creation of ebooks involved technology, there’s no one origin story, no pat answer for how they came to be. Like all stories, that of the ebook revolution has as many twisted roots and beginnings as there are people who were part of the story.
You could, for example, trace the roots to the invention of electrophoretic ink. Xerox discovered eInk in the late 1970s but then mothballed their invention when they couldn’t figure out how to sell it. In the late 1990s, pioneers in Cambridge, Massachusetts, rediscovered eInk and improved it, and it’s partly due to their efforts that we have ebooks now.
Even before the dot-com boom got underway, there were predictions that eInk would be commercially ready as early as 2003, and anyone could have been the first to launch an e-reader. But Sony was in the right place at the right time.
Like most companies that sell consumer electronics, Sony has to invent a major new product every year to stay competitive, and eInk technology had matured to such a point by 2003 that Sony decided to use it to manufacture an e-reader. Insiders at Sony have told me that the ebook team’s budget was tiny compared to the budget for Sony’s TV division. In fact, the ebook team had to salvage parts from the Sony Walkman to make the first Sony e-reader. So even if the eInk technology was mature, the Sony e-reader was expensive and only available to the top echelon of the reading population in Japan, where it was first released.
Of course, if an e-reader were to launch anywhere first, it would have to be Japan! The Japanese are among the most techno-literate of all cultures. I’ve traveled to Japan a lot, and I always smile when I encounter new tech marvels there, feeling rather like a bearded German in a fur cap from Gutenberg’s time transplanted to modern-day Tokyo.
I’ve gone to the Sony showroom to see the display of next year’s toys and gadgets, the talking dogs and robot servants, things that you won’t see on shelves in the United States for months or maybe years. I remember once standing outside a Tokyo convenience store for five minutes, trying to figure out the way inside, before noticing a subtle hand-plate recessed into the wall to touch and open the door. Even Japanese toilet technology is extreme—the Japanese are truly techno-obsessed.
But they weren’t obsessed enough for ebooks to take off when the Sony e-reader launched in 2004. The Japanese language is a challenging one, and the Sony device didn’t do a great job of rendering content in that language. Plus, there simply weren’t many ebooks to buy. So Sony took the product to the United States in 2006 and launched a revamped e-reader here.
Now, Amazon had time to watch Sony and learn from its mistakes. Amazon followed what its competitor did best by using eInk displays and basic metaphors like bookmarking and page turns. But Amazon had also accumulated ten years of book knowledge and was sitting on millions of books in its fulfillment centers.
Almost half of all the books bought in North America are sold through Amazon.com. It represents the single biggest chunk of the bookselling pie. Unlike Sony, Amazon had customer brand loyalty for its books, because it had started by selling books online and had worked hard to build its brand. Any early adopter of Amazon.com in the 1990s was given all sorts of freebies with every order, like T-shirts and coffee mugs.
Amazon succeeded at ebooks in part because Kindle was a new business line and capitalized on the company’s success in the bookselling market. Kindle also didn’t have to worry about turning an immediate profit, unlike the Sony eReader. The Kindle organization was in some ways a startup within Amazon and benefited from Jeff Bezos’s venture capital infusions, long-range vision, and full support. Amazon was in digital media for the long haul. Since nearly all of its sales still came from physical media when the Kindle project started, Amazon clearly knew it would have to take a long-term view of digital media, like ebooks, to keep growing.
The other reason Amazon succeeded was because it focused on creating an easy, seamless customer experience. Consider trying to use Sony’s e-reader when it was first launched in the United States. To read a book, you had to:
1. Download an application to your PC.
2. Find a book you wanted.
3. Log in.
4. Purchase the book.
5. Authorize your computer to use the Sony device.
6. Download more software from Adobe.
7. Authorize yourself with Adobe.
8. Go back to your library and try to download the book.
9. Synchronize the book with the device (assuming you have the right cable to plug into your computer).
10. Wait a few minutes for it to (hopefully) finish copying.
11. Disconnect the device from your PC. Now you could read the book.
Whew! In comparison, the Kindle is simple: you go to the online store; you find a book you want; you buy it with one click; and then it downloads immediately and you start reading. No hassle; nothing to it. Delivering content to Kindles is that easy because each device has a built-in cell phone that is always on and connected to the national network.
There have been two great inventions so far in the twenty-first century. The iPhone is one of them. And even if I didn’t work for Amazon, I’d say that the Kindle is the second. Ebooks as we know them finally took off because of the Kindle’s embedded cell phone and free data plan. Without a connection to the cloud, I don’t think ebooks would have become mainstream.
A network connection goes beyond making it easier to get content onto an e-reader. It also makes it possible for you to instantly read an ebook loaned to you by a friend or to freely sample the first chapter of millions of ebooks. In addition, the network lets you easily redownload books you’ve previously purchased. You can even accidentally break an e-reader and redownload all your old books onto a new e-reader with no hassle or technical wizardry. The network acts like a safety net for all of a Kindle’s content.
Technically speaking, we could have had ebooks as early as the 1970s. That’s when people started digitizin
g the first ebooks. In fact, I can imagine librarians in their bell-bottom jeans and with their “Whip Inflation Now” pins archiving books onto microfiche. I can imagine a digital revolution for ebooks starting back then. As I mentioned earlier, scientists at Xerox discovered eInk in the 1970s. They could have developed e-reader hardware using electro-phosphorescent displays. Instead of Amazon digitizing the world’s content, the Library of Congress could have been doing it. They could have started digitizing their holdings in the late 1970s, Xerox could have made the device, and the teletype network could have been used to distribute content. Though the process would be considered slow by today’s standards, an average ebook could be transmitted over teletype in about ninety minutes.
But that’s a future that never was.
Sony started the ebook revolution. But if Kindle was to do for reading what the iPod did for music and what TiVo did for digital television, Amazon needed to make a device that not only used the cell phone network, but also took advantage of new game-changing technologies such as eInk, which is touchy and temperamental.
I’m not going to try to fully explain how eInk works, with its vocabulary of ghosting and quantum mechanical waveforms. You see, eInk is actually based on quantum mechanics. I studied quantum mechanics at MIT, and I still don’t fully understand eInk!
Perhaps the most appropriate metaphor for something like eInk, which is at once scientific and magical, is that of the Magic 8 Ball. You shake it up and ask a question, and a ghostly white answer mysteriously floats to the surface. That’s similar to how eInk works. A bright-white particle, usually made from titanium rust, is electrically charged and floats in black ink. But instead of shaking the ball to get the white to rise to the surface, you apply an electrical charge.
If you do this enough times, with hundreds of thousands of tiny bits of titanium rust, you basically get the modern eInk screen. The ink is black, and the charged particles are white, producing the two simplest colors on an eInk screen. To get shades of gray, you apply a quick pulse of electricity, just enough to attract some of the particles, but not all of them.
Arthur C. Clarke could have been describing eInk when he said that “any sufficiently advanced technology is indistinguishable from magic.” True, eInk is complex, but it requires very little power. In fact, an eInk-based device can function on as little as one charge a month. This was the game-changing technological leap that allowed the ebook revolution to start.
Bookmark: Annotations
I don’t annotate my books. Personally, I think that defiles the printed page. But I know that some people see annotations as a cherished way of life, a way of reconnecting with themselves as they were across the span of years. These people can look at their books and see what they highlighted years earlier with their pencils or fluorescent markers.
All e-readers let you annotate to your heart’s content. You can underline whatever you want, and your annotations and highlights will, of course, follow you from device to device. That is, assuming you buy devices from the same manufacturer.
I think Amazon will support its own ecosystem for handling annotations, as will Sony. But there’s no interoperability yet for annotations among different devices, and there may never be. For the next ten years, your annotations will probably be tied to your choice of ebook retailer. Once you choose a retailer, you’re going to be more likely to stick with it, because you’re going to want your annotations, highlights, and all the books that you already purchased to follow you around as part of your ongoing library.
But what happens decades from now if people want to see what you wrote in your books—perhaps because of scholarly, archival, or genealogical interests? If you’re not around anymore, or your account with Amazon or Apple is closed, your annotations will be gone.
That’s sad, because annotations add lasting value in helping to understand a person’s path through life. One of my favorite books is a very dense volume called The Road to Xanadu, which was written in 1927 about Samuel Taylor Coleridge’s mental life. Its author, John Livingston Lowes, analyzed all the books that were in Coleridge’s library and books he borrowed from friends, as well as annotations he made in those books and in his journals, and pieced together how Coleridge came up with every word in every line in just one of his poems. The 600-page book attempts to explain exactly how his imagination worked for that one particular poem. That kind of literary detective work simply wouldn’t be possible without annotations left behind by the original author.
No one I know is planning an archive service for annotations. It’s a potential startup opportunity, although a very niche one. Perhaps such a startup will preserve all our ephemeral electronic annotations for posterity. While the current crop of e-readers offers the ability to add annotations, those notes are often a lot more free-form and messier than text entries on a printed page.
For instance, my mom’s cookbook is stained a hundred hues of saffron and turmeric. It’s speckled with tomato paste from numerous attempts to make pasta sauce and splattered with bits of molten butter from exploding Yorkshire puddings. Every page in the cookbook is a food-encrusted testament to meals we once had.
No ebook can capture the history of so many Thanksgivings and Sunday brunches like my mom’s cookbook can. It’s like a combination of a scratch-and-sniff book and a time machine. The food stains themselves are palpable annotations of former meals, and I’ve got to tell you, I still use a print cookbook for my own cooking. It’s better to have cookie batter on your cookbook than on your iPad.
Other annotations are more wordlike, but they capture you as you once were. On my writing desk I have a Wolf Scout book I used as a kid, from the time I was eight years old. It has a list of activities inside it, such as “List the ways you can save water” or “Name four kinds of books that interest you.” Free-form fields follow each activity, filled with the answers in my own handwriting. Below the form, you can see my mother’s signature and the date. So not only do I know to the day when I first learned to tie an overhand knot or put a Band-Aid on my finger, or learned to use a pair of pliers or notify the police of subversive Communist activity in the neighborhood (I grew up at the end of the Cold War after all), but I also have annotations of most of these events in my own handwriting.
My handwriting in the book is labored, cursive, and bold; graphologists could look at my annotations and perhaps learn something about me. But they’d never learn anything beyond the factual from a sterile ebook annotation. There are paint splatters in this old Scout book, mud smudges, and decals from a Pinewood Derby racer that I built with my dad. How could they possibly fit inside an ebook, unless future e-readers allow you to insert photos inside them? (Let it be known that I never did get my merit badge in spotting Communists.)
Is there a viable future for annotations? Perhaps. I see a glimpse of it in a recently launched web service called ReadSocial. This web-based system lets readers not only annotate a given ebook, but also comment on one another’s annotations. Best of all, it works for a variety of different ebook formats, and it’s as easy to use as logging on to Twitter or Facebook.
By working across multiple ebook vendors and being brand neutral, ReadSocial (or one of its competitors) has the potential to become the de facto annotation engine for ebooks. Such a service may not preserve decals from my Pinewood Derby race car or smells from my mom’s cookbook or, for that matter, annotations from any print book, but it may pave the way toward creating compelling conversations in the margins of ebooks.
And after all, isn’t that what we’re looking for? To find a kindred spirit in the pages of a book—the voice of the author or perhaps another reader—to carry on a conversation with? In this spirit, why not connect with others right now? Click on this link to meet a kindred book lover through the conversation about this chapter online.
http://jasonmerkoski.com/eb/3.html
Launching the Kindle
Working at Amazon was like taking a step back in time to Seattle’s pioneer roots, back
when Seattle was the gateway to the Yukon gold rush. Working on Kindle was like living in the Wild West.
For projects that broke new ground, like Kindle, there didn’t seem to be any law, any sheriff, or any real consequences for making wrong decisions, because nobody knew the right ones. People seemed to wear their six-shooters out in the open, taking potshots at one another while hiding behind Donkey Kong machines. When vice presidents argued in the hallways, trigger fingers twitching, I could almost imagine a tumbleweed blowing between them.
It was also impossible to tell reality from fiction. No outsiders had seen the Kindle because it was created in a perfect vacuum from the very beginning. Everyone was trying to do the right thing, and no ideas were off the table. Nothing was too strange to consider. People who thought fast often got their way and ruled the day. It was an early Wild West of ideas and innovation. It was crazy and anarchic, and I liked it.
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Download a copy of The Diamond Age by Neal Stephenson. It’s the book that all of Kindle’s hardware code names came from. The book is about a character named Fiona and her “illustrated primer,” a machine designed to look like a book but with links to all libraries, all TV shows, and all human knowledge. (Jeff originally wanted the Kindle code names to come from Star Trek, since he’s such a Trekkie, but more literate minds prevailed.) The book is a treasure trove of other code names for Kindle hardware: Nell, Miranda, and Turing.
Burning the Page Page 3