Jacobs sold his first story to Tomorrow magazine in 1950, while still in college. Shortly afterwards, he went to work in public relations for the United Jewish Appeal and then the Weizmann Institute of Science; then a spell with the Village Voice, in its first year of publication, after which he set up shop (briefly) as editor/publisher of his own newspaper (East, in what was not yet known as the East Village). In 1958, he settled down in a job with ABC-TV. Meantime, he had sold his second story, to Esquire, in 1954, and was beginning to appear in other national magazines.
Ballard won the annual short-story contest at Cambridge in 1951. Shortly afterwards, he went to work as an advertising copywriter; then a spell in the RAF, after which he returned to London and became a script-writer for scientific films. In 1956 he made his first sale as a professional fiction writer to Science Fantasy (“Prima Belladonna,” reprinted in the 2nd Annual), and began appearing regularly in the British s-f magazines. Gollancz published his first novel, and then a short-story collection.
In 1962, Jacobs wrote and produced the first satellite-relayed TV show linking European and American broadcasting systems, and beamed to Japan The International World of Sports. He also had a prize-winning story in Playboy. His fiction has since appeared in a wide range of publications, including Midstream, Status, Nugget, Family Circle, and Ladies’ Home Journal.
In 1962, Ballard’s work began to appear in the American magazines (Amazing and Fantastic originally), and Berkley Books did his first novel and two short story collections in paperback. Since then, three more novels have been published (in both countries) and five more collections. Both fiction and, recently, critical writings have appeared in literary and popular publications outside the specially fields his work has been widely anthologized, translated, and reprinted.
In the spring of 1965, Jacobs’ story about the death of gods appeared in Mademoiselle, and Ballard’s story about the drowned giant in Playboy. As I write this, Ballard is discussing a TV show with the BBC, and Jacobs is discussing the possibility of publication of some of his work in the British s-f magazines.
These two men come—literally and literarily—from opposite ends of the earth. Their voices—symbols, images, diction, speech rhythms, narrative techniques—are as different as their backgrounds. But there are no longer any places on earth as remote as Shanghai and New York were thirty-five years ago.
Because each of them is a serious and skillful writer, each man tells his story in a form uniquely his own, in the personal language of his own inner world. Because each of them is a serious and perceptive writer, the stories they tell are vitally related, in the outside, “real” world.
Or (to paraphrase Ciardi): For a writer to be able to talk in his own language (which he is forever inventing) is almost the next thing to a reality.
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* * * *
THE DROWNED GIANT
J. G. BALLARD
On the morning after the storm the body of a drowned giant was washed ashore on the beach five miles to the northwest of the city. The first news of its arrival was brought by a nearby farmer and subsequently confirmed by the local newspaper reporters and the police. Despite this the majority of people, I among them, remained skeptical, but the return of more and more eyewitnesses attesting to the vast size of the giant was finally too much for our curiosity. The library where my colleagues and I were carrying out our research was almost deserted when we set off for the coast shortly after two o’clock, and throughout the day people continued to leave their offices and shops as accounts of the giant circulated around the city.
By the time we reached the dunes above the beach, a substantial crowd had gathered, and we could see the body lying in the shallow water two hundred yards away. At first the estimates of its size seemed greatly exaggerated. It was then at low tide, and almost all the giant’s body was exposed, but he appeared to be little larger than a basking shark. He lay on his back with his arms at his sides, in an attitude of repose, as if asleep on the mirror of wet sand, the reflection of his blanched skin fading as the water receded. In the clear sunlight his body glistened like the white plumage of a seabird.
Puzzled by this spectacle and dissatisfied with the matter-of-fact explanations of the crowd, my friends and I stepped down from the dunes onto the shingle. Everyone seemed reluctant to approach the giant, but half an hour later two fishermen in wading boots walked out across the sand. As their diminutive figures neared the recumbent body, a sudden hubbub of conversation broke out among the spectators. The two men were completely dwarfed by the giant. Although his heels were partly submerged in the sand, the feet rose to at least twice the fishermen’s height, and we immediately realized that this drowned leviathan had the mass and dimensions of the largest sperm whale.
Three fishing smacks had arrived on the scene and with keels raised remained a quarter of a mile offshore, the crews watching from the bows. Their discretion deterred the spectators on the shore from wading out across the sand. Impatiently everyone stepped down from the dunes and waited on the single slopes, eager for a closer view. Around the margins of the figure the sand had been washed away, forming a hollow, as if the giant had fallen out of the sky. The two fishermen were standing between the immense plinths of the feet, waving to us like tourists among the columns of some water-lapped temple on the Nile. For a moment I feared that the giant was merely asleep and might suddenly stir and clap his heels together, but his glazed eyes stared skyward, unaware of the minuscule replicas of himself between his feet.
The fishermen then began a circuit of the corpse, strolling past the long white flanks of the legs. After a pause to examine the fingers of the supine hand, they disappeared from sight between the arm and chest, then reemerged to survey the head, shielding their eyes as they gazed up at its Grecian profile. The shallow forehead, straight high-bridged nose, and curling lips reminded me of a Roman copy of Praxiteles, and the elegantly formed cartouches of the nostrils emphasized the resemblance to sculpture.
Abruptly there was a shout from the crowd, and a hundred arms pointed to the sea. With a start I saw that one of the fishermen had climbed onto the giant’s chest and was now strolling about and signaling to the shore. There was a roar of surprise and triumph from the crowd, lost in a rushing avalanche of shingle as everyone surged forward across the sand.
As we approached the recumbent figure, which was lying in a pool of water the size of a field, our excited chatter fell away again, subdued by the huge physical dimensions of this dead colossus. He was stretched out at a slight angle to the shore, his legs carried nearer the beach, and this foreshortening had disguised his true length. Despite the two fishermen standing on his abdomen, the crowd formed itself into a wide circle, groups of people tentatively advancing toward the hands and feet.
My companions and I walked around the seaward side of the giant, whose hips and thorax towered above us like the hull of a stranded ship. His pearl-colored skin, distended by immersion in saltwater, masked the contours of the enormous muscles and tendons. We passed below the left knee, which was flexed slightly, threads of damp seaweed clinging to its sides. Draped loosely across the midriff, and preserving a tenuous propriety, was a shawl of heavy open-weave material, bleached to a pale yellow by the water. A strong odor of brine came from the garment as it steamed in the sun, mingled with the sweet, potent scent of the giant’s skin.
We stopped by his shoulder and gazed up at the motionless profile. The lips were parted slightly, the open eye cloudy and occluded, as if injected with some blue milky liquid, but the delicate arches of the nostrils and eyebrows invested the face with an ornate charm that belied the brutish power of the chest and shoulders.
The ear was suspended in midair over our heads like a sculptured doorway. As I raised my hand to touch the pendulous lobe, someone appeared over the edge of the forehead and shouted down at me. Startled by this apparition, I stepped back, and then saw that a group of youths had climbed up onto the face and were jostling each other in
and out of the orbits.
People were now clambering all over the giant, whose reclining arms provided a double stairway. From the palms they walked along the forearms to the elbows and then crawled over the distended belly of the biceps to the flat promenade of the pectoral muscles which covered the upper half of the smooth hairless chest. From here they climbed up onto the face, hand over hand along the lips and nose, or forayed down the abdomen to meet others who had straddled the ankles and were patrolling the twin columns of the thighs.
We continued our circuit through the crowd and stopped to examine the outstretched right hand. A small pool of water lay in the palm, like the residue of another world, now being kicked away by the people ascending the arm. I tried to read the palm lines that grooved the skin, searching for some clue to the giant’s character, but the distention of the tissues had almost obliterated them, carrying away all trace of the giant’s identity and his last tragic predicament. The huge muscles and wristbones of the hand seemed to deny any sensitivity to their owner, but the delicate flection of the fingers and the well-tended nails, each cut symmetrically to within six inches of the quick, argued a certain refinement of temperament, illustrated in the Grecian features of the face, on which the townsfolk were now sitting like flies.
One youth was even standing, arms waving at his sides, on the very tip of the nose, shouting down at his companions, but the face of the giant still retained its massive composure.
Returning to the shore, we sat down on the shingle and watched the continuous stream of people arriving from the city. Some six or seven fishing boats had collected offshore, and their crews waded in through the shallow water for a closer look at this enormous storm catch. Later a party of police appeared and made a halfhearted attempt to cordon off the beach, but after walking up to the recumbent figure, any such thoughts left their minds, and they went off together with bemused backward glances.
An hour later there were a thousand people present on the beach, at least two hundred of them standing or sitting on the giant, crowded along his arms and legs or circulating in a ceaseless melee across his chest and stomach. A large gang of youths occupied the head, toppling each other off the cheeks and sliding down the smooth planes of the jaw. Two or three straddled the nose, and another crawled into one of the nostrils, from which he emitted barking noises like a demented dog.
That afternoon the police returned and cleared a way through the crowd for a party of scientific experts—authorities on gross anatomy and marine biology—from the university. The gang of youths and most of the people on the giant climbed down, leaving behind a few hardy spirits perched on the tips of the toes and on the forehead. The experts strode around the giant, heads nodding in vigorous consultation, preceded by the policemen who pushed back the press of spectators. When they reached the outstretched hand, the experts hastily demurred.
After they returned to the shore, the crowd once more climbed onto the giant, and was in full possession when we left at five o’clock, covering the arms and legs like a dense flock of gulls sitting on the corpse of a large fish.
I next visited the beach three days later. My friends at the library had returned to their work, and delegated to me the task of keeping the giant under observation and preparing a report. Perhaps they sensed my particular interest in the case, and it was certainly true that I was eager to return to the beach. There was nothing necrophilic about this, for to all intents the giant was still alive for me, indeed more alive than many of the people watching him. What I found so fascinating was partly his immense scale, the huge volumes of space occupied by his arms and legs, which seemed to confirm the identity of my own miniature limbs, but above all, the mere categorical fact of his existence. Whatever else in our lives might be open to doubt, the giant, dead or alive, existed in an absolute sense, providing a glimpse into a world of similar absolutes of which we spectators on the beach were such imperfect and puny copies.
When I arrived at the beach the crowd was considerably smaller, and some two or three hundred people sat on the shingle, picnicking and watching the groups of visitors who walked out across the sand. The successive tides had carried the giant nearer the shore, swinging his head and shoulders toward the beach, so that he seemed doubly to gain in size, his huge body dwarfing the fishing boats beached beside his feet. The uneven contours of the beach had pushed his spine into a slight arch, expanding his chest and tilting back the head, forcing him into a more expressly heroic posture. The combined effects of seawater and the tumefaction of the tissues had given the face a sleeker and less youthful look. Although the vast proportions of the features made it impossible to assess the age and character of the giant, on my previous visit his classically modeled mouth and nose suggested that he had been a young man of discreet and modest temper. Now, however, he appeared to be at least in early middle age. The puffy cheeks, thicker nose and temples, and narrowing eyes gave him a look of well-fed maturity that even now hinted at a growing corruption to come.
This accelerated postmortem development of the giant’s character, as if the latent elements of his personality had gained sufficient momentum during his life to discharge themselves in a brief final resume continued to fascinate me. It marked the beginning of the giant’s surrender to that all-demanding system of time in which the rest of humanity finds itself, and of which, like the million twisted ripples of a fragmented whirlpool, our finite lives are the concluding products. I took up my position on the shingle directly opposite the giant’s head, from where I could see the new arrivals and the children clambering over the legs and arms.
Among the morning’s visitors were a number of men in leather jackets and cloth caps, who peered up critically at the giant with a professional eye, pacing out his dimensions and making rough calculations in the sand with spars of driftwood. I assumed them to be from the public works department and other municipal bodies, no doubt wondering how to dispose of this monster.
Several rather more smartly attired individuals, circus proprietors and the like, also appeared on the scene, and strolled slowly around the giant, hands in the pockets of their long overcoats, saying nothing to one another. Evidently its bulk was too great even for their matchless enterprise. After they had gone, the children continued to run up and down the arms and legs, and the youths wrestled with each other over the supine face, the damp sand from their feet covering the white skin.
The following day I deliberately postponed my visit until the late afternoon, and when I arrived there were fewer than fifty or sixty people sitting on the shingle. The giant had been carried still closer to the shore, and was now little more than seventy-five yards away, his feet crushing the palisade of a rotting breakwater. The slope of the firmer sand tilted his body toward the sea, the bruised, swollen face averted in an almost conscious gesture. I sat down on a large metal winch which had been shackled to a concrete caisson above the shingle, and looked down at the recumbent figure.
His blanched skin had now lost its pearly translucence and was spattered with dirty sand which replaced that washed away by the night tide. Clumps of seaweed filled the intervals between the fingers and a collection of litter and cuttlebones lay in the crevices below the hips and knees. But despite this, and the continuous thickening of his features, the giant still retained his magnificent Homeric stature. The enormous breadth of the shoulders, and the huge columns of the arms and legs, still carried the figure into another dimension, and the giant seemed a more authentic image of one of the drowned Argonauts or heroes of the Odyssey than the conventional portrait previously in my mind.
I stepped down onto the sand, and walked between the pools of water toward the giant. Two small boys were sitting in the well of the ear, and at the far end a solitary youth stood perched high on one of the toes, surveying me as I approached. As I had hoped when delaying my visit, no one else paid any attention to me, and the people on the shore remained huddled beneath their coats.
The giant’s supine right hand was covered with broke
n shells and sand, in which a score of footprints were visible. The rounded bulk of the hip towered above me, cutting off all sight of the sea. The sweetly acrid odor I had noticed before was now more pungent, and through the opaque skin I could see the serpentine coils of congealed blood vessels. However repellent it seemed, this ceaseless metamorphosis, a macabre life-in-death, alone permitted me to set foot on the corpse.
Using the jutting thumb as a stair rail, I climbed up onto the palm and began my ascent. The skin was harder than I expected, barely yielding to my weight. Quickly I walked up the sloping forearm and the bulging balloon of the biceps. The face of the drowned giant loomed to my right, the cavernous nostrils and huge flanks of the cheeks like the cone of some freakish volcano. ‘~ Safely rounding the shoulder, I stepped out onto the broad promenade of the chest, across which the bony ridges of the rib cage lay like huge rafters. The white skin was dappled by the darkening bruises of countless footprints, in which the patterns of individual heel marks were clearly visible. Someone had built a small sand castle on the center of the sternum, and I climbed onto this partly demolished structure to get a better view of the face.
The Year's Best Science Fiction 11 - [Anthology] Page 28