Engineers were packing charges around the foyer. Entering the Spa through the kitchens, they had avoided the Amerikan-infested steps. It appeared a second queue was forming, stretching off in a different direction, still leading to the front doors. The officer in command, a fat man with a facial birthmark that made him look like a spaniel, introduced himself as Major Andrey Kobylinsky. He strode about, inspecting the work, expressing pride in his unit’s ability to demolish a building with the minimum of explosive matter. As he surveyed, Kobylinsky noted points at which surplus charges should be placed. To Chirkov’s unschooled eye, the Major appeared to contradict himself: his men were plastering the walls with semtex. Kozintsev and Captain Zharov were absorbed in a reading of a twelve-page document which authorised the demolition of the Spa. Dr Dudnikov protested that the First Secretary himself had, within the last minute, commended the Spa and that important work to do with the Amerikan invasion was being carried out in the Pool, but Kobylinsky was far more interested in which pillars should be knocked out to bring down the decadent painted roof. As they worked, the engineers whistled “Girls Just Want to Have Fun”.
Satisfied that the charges were laid correctly, Major Kobylinsky could not resist the temptation to lecture the assembled company on the progress and achievements of his campaign. A three-yard square map of Moscow was unfolded on the floor. It was marked with patches of red as if it were a chessboard pulled out of shape. The red areas signified buildings and constructions Kobylinsky had blown up. Chirkov understood the Major would not be happy until the entire map was shaded in red; then, Kobylinsky believed the crisis would be at an end. He proclaimed that this should have been done immediately the crisis begun, and that the Amerikans were to be thanked for prompting such a visionary enterprise. As the Major lectured, Chirkov noticed Tulbeyev at the main desk with Lyubachevsky, apparently trying to find a pen that worked. They sorted through a pot of pencils and chalks and markers, drawing streaks on a piece of blotting paper. Under the desk were packages wired to detonators. Kobylinsky checked his watch and mused that he was ahead of his schedule; the demolition would take place in one half an hour. Lyubachevsky raised a hand and ventured the opinion that the explosives placed under the main staircase were insufficient for the task of bringing down such a solidly-constructed structure. Barking disagreement, Kobylinsky strutted over and examined the charges in question, finally agreeing that safe was better than sorry and ordering the application of more explosives.
While Kobylinsky was distracted, Tulbeyev crept to the map and knelt over Red Square, scribbling furiously with a precious red felt-tip. He blotched over the Spa, extending an area of devastation to cover half the Square. When Kobylinsky revisited his map, Tulbeyev was unsuspiciously on the other side of the room. One of the engineers, a new set of headphones slung round his neck, piped up with an observation of a cartographical anomaly. Kobylinsky applied his concentration to the map and gurgled to himself. According to this chart, the Spa had already been dealt with by his unit: it was not a building but a raked-over patch of rubble. Another engineer, a baseball cap in his back pocket, volunteered a convincing memory of the destruction, three days ago, of the Spa. Kobylinsky looked again at the map, getting down on his hands and knees and crawling along the most famous thoroughfares of the city. He scratched his head and blinked in his birthmark. Director Kozintsev, arms folded and head high, said that so far as he was concerned the matter was at an end; he requested the engineers to remove their infernal devices from the premises. Kobylinsky had authorisation to destroy the Spa but once, and had demonstrably already acted on that authorisation. The operation could not be repeated without further orders, and, if further orders were requested, questions would be asked as to whether the engineers were as efficient as Kobylinsky would like to claim: most units needed to destroy a building only once for it to remain destroyed. Almost in tears, the bewildered Major finally commanded the removal of the explosives and, with parental tenderness, folded up his map into its case. With no apologies, the engineers withdrew.
That night, Valentina’s Amerikans got out of the steam bath and everyone spent a merry three hours hunting them down. Chirkov and Tulbeyev drew the Pool. The power had failed again and they had to fall back on oil lamps, which made the business all the more unnerving. Irregular and active shadows were all around, whispering in Moldavian of hungry, unquiet creatures. Their progress was a slow spiral; first, they circled the Pool from above, casting light over the complex, but that left too many darks unprobed; then they went in at the Deep End and moved methodically through the labyrinth, weaving between the partitions, stumbling against dissected bodies, ready to shoot hatstands in the brain. Under his breath, Tulbeyev recited a litany he claimed was a Japanese prayer against the dead: sanyo, sony, seiko, Mitsubishi, Panasonic, toshiba . . .
They had to penetrate the dead centre of the Pool. The Amerikans were in Kozintsev’s cubicle: staring at the bone-and-clay head as if it were a colour television set. Rasputin was on his stand under a black protective cloth which hung like long hair. Chirkov found the combination of the Amerikans and Rasputin unnerving and, almost as a reflex, shot the skeleton in the skull. The report was loud and echoing. The skeleton came apart on the floor and, before Chirkov’s ears stopped hurting, others had come to investigate. Director Kozintsev was concerned for his precious monk and probed urgently under the cloth for damage. Valentina was annoyed by the loss of her specimen but kept her tongue still, especially when her surviving Amerikan turned nasty. The dead man barged out of the cubicle, shouldering partitions apart, wading through gurneys and tables, roaring and slavering. Tarkhanov, incongruous in a silk dressing gown, got in the way and sustained a nasty bite. Tulbeyev dealt with the Amerikan, tripping him with an axe-handle, then straddling his chest and pounding a chisel into the bridge of his nose. He had not done anything to prove Valentina’s theories; after a spell in captivity, he simply seemed more decayed, not evolved. Valentina claimed the thing Chirkov had finished had been a model of biological efficiency, stripped down to essentials, potentially immortal. Now, it looked like a stack of bones.
Even Kozintsev, occupied in the construction of a set of wooden arms for his reanimated favourite, was alarmed by the size of the queue. There were four distinct lines. The Amerikans shuffled constantly, stamping nerveless feet as if to keep warm. Captain Zharov set up a machine-gun emplacement in the foyer, covering the now-barred front doors, although it was strictly for show until he could be supplied with ammunition of the same gauge as the gun. Chirkov and Tulbeyev watched the Amerikans from the balcony. The queue was orderly; when, as occasionally happened, a too-far-gone Amerikan collapsed, it was trampled under by the great mov-ing-up as those behind advanced. Tulbeyev sighted on individual dead with binoculars and listed the treasures he could distinguish. Mobile telephones, digital watches, blue jeans, leather jackets, gold bracelets, gold teeth, ball-point pens. The Square was a paradise for pickpockets. As night fell, it was notable that no lights burned even in the Kremlin.
When the power came back, the emergency radio frequencies broadcast only soothing music. The meeting was more sparsely attended than usual, and Chirkov realised faces had been disappearing steadily, lost to desertion or wastage. Dr. Dudnikov announced that he had been unable to reach anyone on the telephone. Lyubachevsky reported that the threat of demolition had been lifted from the Spa and was unlikely to recur, though there might now prove to be unfortunate official side effects if the institution was formally believed to be a stretch of warm rubble. The kitchens had received a delivery of fresh fish, which was cause for celebration, though the head cook noted as strange the fact that many of the shipment were still flapping and even decapitation seemed not to still them. Valentina, for the hundredth time, requested specimens be secured for study and, after a vote – closer than usual, but still decisive – was disappointed. Tarkhanov’s suicide was entered into the record and the scientists paid tribute to the colleague they fervently believed had repeatedly informed o
n them, reciting his achievements and honours. Tulbeyev suggested a raiding party to relieve the queuing Amerikans of those goods which could be used for barter, but no one was willing to second the proposal, which sent him into a notable sulk. Finally, as was expected, Kozintsev gave an account of his day’s progress with Grigory Yefimovich. He had achieved a certain success with the arms: constructing elementary shoulder joints and nailing them to Rasputin’s stand, then layering rope-and-clay muscles which interleaved with the neck he had fashioned. The head was able to control its arms to the extent of stretching out and bunching up muscle strands in the wrists as if clenching fists which did not, as yet, exist. The Director was also pleased to report that the head almost constantly made sounds with the Jew’s harp, approximating either speech or music. As if to demonstrate the monk’s healing powers, Kozintsev’s sinus trouble had cleared up almost entirely.
Two days later, Tulbeyev let the Amerikans in. Chirkov did not know where the Corporal got the idea; he just got up from the gun emplacement, walked across the foyer, and unbarred the doors. Chirkov did not try to stop him, distracted by efforts to jam the wrong type of belt into the machine gun. When all the bolts were loose, Tulbeyev flung the doors back and stood aside. At the front of the queue, ever since the night they had brought in Valentina’s specimens, was the officer. As he waited, his face had run, flesh slipping from his cheeks to form jowly bags around his jaw. He stepped forwards smartly, entering the foyer. Lyubachevs-ky woke up from his cot behind the desk and wondered aloud what was going on. Tulbeyev took a fistful of medals from the officer, and tossed them to the floor after a shrewd assessment. The officer walked purposefully, with a broken-ankled limp, towards the lifts. Next in was the woman in the pinstripe suit Tulbeyev took her hat and perched it on his head. From the next few, the Corporal harvested a silver chain identity bracelet, a woven leather belt, a pocket calculator, an old brooch. He piled the tokens behind him. Amerikans filled the foyer, wedging through the doorway in a triangle behind the officer.
Chirkov assumed the dead would eat him and wished he had seriously tried to go to bed with Technician Sverdlova. He still had two rounds left in his revolver, which meant he could deal with an Amerikan before ensuring his own everlasting peace. There were so many to choose from and none seemed interested in him. The lift was descending and those who couldn’t get into it discovered the stairs. They were all drawn to the basement, to the Pool. Tulbeyev chortled and gasped at each new treasure, sometimes clapping the dead on the shoulders as they yielded their riches, hugging one or two of the more harmless creatures. Lyubachevsky was appalled, but did nothing. Finally, the administrator got together the gumption to issue an order: he told Chirkov to inform the Director of this development. Chirkov assumed that since Kozintsev was, as ever, working in the Pool, he would very soon be extremely aware of this development, but he snapped to and barged through the crowd anyway, choking back the instinct to apologize. The Amerikans mainly got out of his way, and he pushed to the front of the wave shuffling down the basement steps. He broke out of the pack and clattered into the Pool, yelling that the Amerikans were coming. Researchers looked up – he saw Valentina’s eyes flashing annoyance and wondered if it was not too late to ask her for sex – and the crowd edged behind Chirkov, approaching the lip of the Pool.
He vaulted in and sloshed through the mess towards Ko-zintsev’s cubicle. Many partitions were down already and there was a clear path to the Director’s work-space. Valentina pouted at him, then her eyes widened as she saw the assembled legs surrounding the Pool. The Amerikans began to topple in, crushing furniture and corpses beneath them, many unable to stand once they had fallen. The hardiest of them kept on walking, swarming round and overwhelming the technicians. Cries were strangled and blood ran on the bed of the Pool. Chirkov fired wildly, winging an ear off a bearded dead man in a shabby suit, and pushed on towards Kozintsev. When he reached the centre, his first thought was that the cubicle was empty, then he saw what the Director had managed. Combining himself with his work, V.A. Kozintsev had constructed a wooden half-skeleton which fitted over his shoulders, making his own head the heart of the new body he had fashioned for Grigory Yefimovich Rasputin. The head, built out to giant size with exaggerated clay and rubber muscles, wore its black wig and beard, and even had lips and patches of sprayed-on skin. The upper body was wooden and intricate, the torso of a colossus with arms to match, but sticking out at the bottom were the Director’s stick-insect legs. Chirkov thought the body would not be able to support itself but, as he looked, the assemblage stood. He looked up at the caricature of Rasputin’s face. Blue eyes shone, not glass but living.
Valentina was by his side, gasping. He put an arm round her and vowed to himself that if it were necessary she would have the bullet he had saved for himself. He smelled her perfumed hair. Together, they looked up at the holy maniac who had controlled a woman and, through her, an empire, ultimately destroying both. Rasputin looked down on them, then turned away to look at the Amerikans. They crowded round in an orderly fashion, limping pilgrims approaching a shrine. A terrible smile disfigured the crude face. An arm extended, the paddle-sized hand stretching out fingers constructed from surgical implements. The hand fell onto the forehead of the first of the Amerikans, the officer. It covered the dead face completely, fingers curling round the head. Grigory Yefimovich seemed powerful enough to crush the Amerikan’s skull, but instead he just held firm. His eyes rolled up to the chandelier, and a twanging came from inside the wood-and-clay neck, a vibrating monotone that might have been a hymn. As the noise resounded, the gripped Amerikan shook, slabs of putrid meat falling away like layers of onionskin. At last, Rasputin pushed the creature away. The uniform gone with its flesh, it was like Valentina’s skeleton, but leaner, moister, stronger. It stood up and stretched, its infirmities gone, its ankle whole. It clenched and unclenched teeth in a joke-shop grin and leaped away, eager for meat. The next Amerikan took its place under Rasputin’s hand, and was healed too. And the next.
DAVID CASE WAS BORN in upstate New York and since the early 1960s he has lived in London, as well as spending time in Greece and Spain. His acclaimed collection The Cell: Three Tales of Horror appeared in 1969, and it was followed by Fengriffen: A Chilling Tale, Wolf Tracks zn& The Third Grave, the latter appearing from Arkham House in 1981. More recently, a new collection entitled Brotherly Love and Other Tales of Faith and Knowledge was published by Pumpkin Books.
A regular contributor to the legendary Pan Book of Horror Stories during the early 1970s, his powerful novella “Pelican Cay” in Dark Terrors 5 was nominated for a World Fantasy Award in 2001.
Outside the horror genre, Case has written more than three hundred books under at least seventeen pseudonyms, ranging from mild porn to Westerns. Two of his short stories, “Fengriffen” and the classic werewolf thriller “The Hunter”, were filmed as And Now the Screaming Starts! (1973) and Scream of the Wolf (1974), respectively.
Ramsey Campbell has suggested that “Case’s problem as a writer was that he was ahead of his time: the gruesome violence of his tale ‘Among the Wolves’ can hold its own against the most extreme of today’s horror fiction, partly because rather than encouraging the reader to gawk at the spectacle, the gruesomeness of Case’s tale seeks to make one feel what the victim feels.”
Last published thirty years ago, I am delighted to present this disturbing novella to a new generation of horror fans . . .
THERE WAS SOMETHING ABOUT the killings which went beyond horror. All murder is horrible enough, of course, but one recognizes contingencies, one comprehends motivations and provocations and circumstances, and can understand, objectively, how a man may be driven or guided to murder. I feel I can glimpse into the dark minds which direct murder for profit, can dismember the warped violence of hatred and revenge, can pity the remorse of a killer swept helplessly along on uncharted currents and even, with a chill of grisly perception, understand the mangled patterns of a madman’s mind reflected in mutilation or
the insane fear of punishment which drives a sex maniac to destroy his innocent victim in the wake of satiated lust. These things are horrible, indeed, but they are conceivable – are no more than a distortion of normal human emotion, ambition, passion, greed – a magnification of urges which all men feel and most men keep bound and imprisoned in the deepest dungeons of the subconscious, shackled by the sensibilities. Sometimes – all too often – these shadowed impulses strike off the fetters of restraint and burst ravening from the corporal cell to stalk their prey, to command their former gaolers to violence. And then the crime is done. But somehow these murders were different. They invoked a feeling beyond such motivations as rage and fear, beyond even insanity as we have come to define it. It must have been a madman, there can be little doubt of that. No sane mind could have directed such crimes, no creature of chemical balance could have committed them. And yet – how can one express it? – the specific horror of these murders was that they seemed so utterly natural . . .
I knew rather more about these crimes than the average person, through mere circumstance – was in at the start, so to speak; for the morgue was an extension of the museum in which I was pursuing my research. The museum was attached to the university, and the morgue was in awing of the university medical centre. One supposes it was a convenient arrangement. The medical students required cadavers, and unidentified and unclaimed bodies gravitated to the morgue; and for the good of medical progress – but I have no wish to moralize on this point. Things are done, things often are necessary, an accomplished fact is a fact, no more. I mention it only to set the scene, as it were, for my casual and superficial involvement – an involvement, I must admit, due more to morbid curiosity than any more elevated motives. I am a scientist and, quite naturally, I am curious about behaviour which does not fit the natural patterns, which floats suspended at some unexplored level of the sentient sea and defies the tides and waves of society.
The Mammoth Book of Terror Page 53