by Ann Hood
That night, Mary placed the portable CD player in the open window and played Stella’s favorite CD of dance music, the two of them dancing barefoot: the Macarena, the chicken dance, the limbo, and finally Dylan joined them and all three danced to “Shout,” jumping and waving their arms. The sliver of a moon hung above them in the big glorious sky, like a blessing, Mary remembered thinking.
THE MORNING OF Stella’s funeral, Mary’s mother called.
“You have so many people with you,” she’d said. “I know you’ll understand if I go back this morning. The later flight gets in after midnight, and you have so many people with you.”
Mary had frowned, not believing what her mother was telling her. “You’re not coming?” she asked. She still wasn’t able to say her daughter’s name in the same sentence as “funeral” or “died” or “dead.”
“You understand, don’t you?” her mother had said, and Mary thought she heard pleading in her voice. While her mother explained about the connection in Mexico City, how far apart the gates were, how confusing Customs was there, Mary quietly hung up.
Her mother had disappointed her for her entire life. She was not the mother who went to school plays or parents’ nights; she gave praise rarely but never gushed or bragged; she had missed Mary’s wedding because of a strike in San Miguel, where she lived, that forced her to miss her flight to the States. “I’ll send you a nice gift,” she’d said. And she had. The next week a set of Mexican pottery arrived, with half of the plates broken in the journey.
But still, in this most terrible time, Mary had expected her mother to be there in a way she had not been able to so far. When Mary studied the faces in the church, saw the neighbors and colleagues and teachers and relatives and friends, disappointment filled her chest so that she couldn’t breathe. She had to sit down and gulp air. Her mother really had not come.
The flower arrangement her mother sent was the biggest of them all. Purple calla lilies, so many that they threatened to swallow the entire room. If Mary had had the energy, she would have thrown it out, that ostentatious apology. Instead, she purposely left it behind.
IN THE HOT sticky summer right after Stella died, Mary’s mother called her. She had called once a week, offering advice. Usually Mary didn’t speak to her at all.
“What you need,” her mother told her, “is to learn to knit.”
“Right,” Mary said.
Her mother’s colonial house in San Miguel de Allende, Mexico, had a bright blue door that led to a courtyard where a fountain gurgled and big pink flowers bloomed. She had stopped drinking when Mary was a senior in high school. Now that Mary thought about it, that was when her mother started knitting. One day, balls of yarn appeared everywhere. Her mother sat and studied patterns at the kitchen table, drinking coffee and chewing peppermint candies.
“Here’s what I’m hearing,” her mother said. “You can’t work, you can’t think, you can’t read.”
While her mother talked, Mary cried. Not the painful sobbing that had consumed her when Stella first died, but the almost constant crying that had replaced it. Her world, which had been so benign, had turned into a minefield. The grocery store held only the summer berries that Stella loved. Elevators only played Stella’s favorite song. And everywhere she walked she saw someone she had not seen since the funeral. Their faces changed when they saw her. Mary wanted to run from them and from the berries and the songs and the whole world that had once held her and Stella so safely.
“There’s something about knitting,” her mother said. “You have to concentrate, but not really. Your hands keep moving and moving and somehow it calms your brain.”
“Great, Mom,” Mary said. “I’ll look into it.”
Then she’d climbed back into bed.
WHEN MARY GAVE birth to Stella, she promised her that very first night that they would be different. Mary was going to be the mother she’d always wished for, and Stella would be free to be Stella, whatever that meant. She had kept her word too. She had spent afternoons making party hats for stuffed animals, letting her own deadlines go unmet. She had let Stella wear stripes with polka dots, orange earmuffs indoors, tutus to the grocery store.
They looked alike, Mary and Stella. The same shade of brown hair with the same red highlights that showed up in bright sunlight or by midsummer. The same mouths, a little too wide and too large for their narrow faces. But it was that mouth that gave them both such a killer smile. It was Mary’s father’s mouth that they’d both inherited, but in his later life it had turned downward, making him look like one of those sad-faced clowns in bad paintings.
Dylan used to joke that Mary hadn’t needed him at all to make Stella. “She’s you through and through,” he’d say. The only thing Stella had that was all her own were her blue eyes. Both Mary and Dylan had brown eyes, but Stella’s were bright blue. Not unlike Mary’s mother’s eyes, she knew, but hated to admit. Still, the overall effect was that Stella was a miniature version of Mary, right down to the long narrow feet. Mary wore a size ten shoe, and surely Stella would have too.
For fun, they would sometimes both dress in all black and Stella would make them stand in front of the mirror on the back of Mary’s closet door and grin together. “You look just like me,” Stella would say proudly. And Mary’s heart would seem to expand, as if it might burst through her ribs. She had done just as she promised. She was a good mother. Her daughter loved her.
As a child, Mary’s life was rigid, structured, and controlled by her mother. Breakfast had all the food groups. Shoes and pocketbooks matched. Hair was pulled into two neat braids, made so tightly that Mary suffered headaches after school until she could free them. Then she would sit and rub her head, wincing.
As she got older, Mary understood that all of her mother’s rules, all of the structure she imposed, were an effort to hide her drinking. When she came home from school, Mary sat at the kitchen table to do her homework, in a desperate need to be near her mother. Her mother would make dinner, sipping water as she cooked, The Joy of Cooking propped up on a Lucite cookbook stand. Mary found it ironic that this was her mother’s cookbook of choice since she seemed to take no joy in cooking or eating.
Still, Mary sat at that kitchen table every afternoon, sometimes asking her mother for help even if she didn’t need it, just so that her mother would come close to her. Mary would study her mother’s beautiful face then, the smooth skin and perfect turned-up nose, the shiny blond hair, and fall in love with this stranger each time. Her mother’s Chanel No. 5 would fill Mary, would make her dizzy.
Sometimes at night, her mother passed out on the sofa, and her father would lift her like Sleeping Beauty into his arms and carry her to bed. “Your mother works so hard,” he’d say when he returned. Mary would nod, even though, other than cleaning, she had no idea what her mother did. Then, that night when she was a sophomore in high school, while she was doing the dishes, Mary pressed her own chapped lips to the rosy lipsticked imprint of her mother’s on the water glass. She could taste the crayon taste of the lipstick, and then, sipping, the shock of vodka. All of those afternoons, her mother cooking with such concentration, those nights when she passed out on the sofa, her mother had been drunk. The realization did not shock Mary. Instead, it simply explained everything. Everything except why a woman so beautiful would drink so much.
THAT SAD SUMMER, time passed indifferently. Mary would lie in bed and think of what she should be doing—putting on Stella’s socks for her, cutting the crust off her sandwiches, gushing over a new art project, hustling her off to ballet class. Instead, she was home not knowing what to do with all of the endless hours in each day.
Mary was a writer for the local alternative newspaper, Eight Days a Week, affectionately referred to as Eight Days. She reviewed movies and restaurants and books. Every week since Stella had died, her boss Eddie called and offered her a small assignment. “Just one hundred words,” he’d say. “One hundred words about anything at all.” Holly, the office manager, came
by with gooey cakes she had baked. Mary would glimpse her getting out of her vintage baby blue Bug, with her pale blond hair and big round blue eyes, unfolding her extralong legs and looking teary-eyed at the house, and she would pretend she wasn’t home. Holly would ring the doorbell a dozen times or more before giving up and leaving the sugary red velvet cake or the sweet white one with canned pineapple and maraschino cherries and too-sweet coconut on the front steps.
Mary used to go out several times a week, with her husband Dylan or her girlfriends, or even with Stella, to try a new Thai restaurant or see the latest French film. Her hours were crammed with things to do, to see, to think about. Books, for example. She was always reading two or three at a time. One would be open on the coffee table and another by her bed, and a third, poetry or short stories, was tucked in her bag to read while Stella ran with her friends around the neighborhood playground.
And Mary used to have ideas about all of these things. She used to believe firmly that Providence needed a good Mexican restaurant. She could pontificate on this for hours. She worried over the demise of the romantic comedy. She had started to prefer nonfiction to fiction. Why was this? she would wonder out loud frequently.
How had she been so passionate about all of these senseless things? Now her brain could no longer organize material. She didn’t understand what she had read or watched or heard. Food tasted like nothing, like air. When she ate, she thought of Stella’s Goodnight Moon book, and of how Stella would say the words before Mary could read them out loud: Goodnight mush. Goodnight nothing. It was as if she could almost hear her daughter’s voice, but not quite, and she would strain to find it in the silent house.
She imagined learning Italian. She imagined writing poetry about her grief. She imagined writing a novel, a novel in which a child is heroically saved. But words, the very things that had always rescued her, failed her.
“HOW’S THE KNITTING?” her mother asked her several weeks after suggesting Mary learn.
It was July by then.
“Haven’t gotten around to it yet,” Mary had mumbled.
“Mary, you need a distraction,” her mother said. In the background Mary heard voices speaking in Spanish. Maybe she should learn Spanish instead of Italian.
“Don’t tell me what I need,” she said. “Okay?”
“Okay,” her mother said.
IN AUGUST, DYLAN surprised her with a trip to Italy.
He had gone back to work right away. The fact that he had a law firm and clients who depended on him made Mary envious. Her office at home, once a walk-in closet off the master bedroom, had slowly returned to its former closet self. Sympathy cards, CDs, copies of books and poems and inspirational plaques, all the things friends had sent them, got stacked up in her office. There was a whole box in there of porcelain angels, brown-haired angels that were supposed to represent Stella but looked fake and trivial to Mary. Stella’s kindergarten teacher had shown up with a shoe box of Stella’s work. Carefully written numbers and words, drawings and workbooks, all of it now in a box in her office.
“I figured,” Dylan had said, clutching the plane tickets in his hands like his life depended on them, “if we’re going to sit and cry all the time, we might as well sit and cry in Italy. Plus, you said something about learning Italian?”
His eyes were red-rimmed and he had lost weight, enough to show more lines in his face. He had one of those faces that wore lines well, and ever since she’d met him Mary had loved those creases. But now they made him look weary. His own eyes were changeable—brown with flecks of gold and green that could take on more color in certain weather or when he wore particular colors. But lately they had stayed flat brown, the bright green and gold almost gone completely.
She couldn’t disappoint him by telling him that even English was hard to manage, that memorizing verb conjugations and vocabulary words would be impossible. The only language she could speak was grief. How could he not know that?
Instead, she said, “I love you.” She did. She loved him. But even that didn’t feel like anything anymore.
THEY SPENT A very peaceful two weeks in a large rented farmhouse, with a cook who came each morning with fresh rolls, who made them fresh espresso and greeted them with a sumptuous dinner when they returned at dusk. The time passed peacefully, though mournfully. The change of scene and change of routine was healing, however, and Mary hoped that they might return with a somewhat changed attitude. But, of course, home only brought back the reality of their loss, their sadness returning powerfully.
That first night, as Mary stood unpacking olive oil and long strands of sun-dried tomatoes, the answering machine messages played into the kitchen.
“My name is Alice. I own Big Alice’s Sit and Knit—”
“The what?” Dylan said.
“Ssshhh,” Mary said.
“—if you come in early Tuesday morning I can teach you to knit myself. Any Tuesday really. Before eleven. See you then.”
“Knitting?” Dylan said. “You can’t even sew on a button.”
Mary rolled her eyes. “My mother.”
THE SECOND TIME Mary showed up at the Sit and Knit, she had her week’s work in a shopping bag. After Alice had sent her on her way the week before, Mary had taken to carrying her knitting everywhere. She was reluctant to admit her mother had been right; knitting quieted her brain. As soon as Stella’s face appeared in front of her, Mary dropped a stitch or tied a knot. Once she even dropped an entire needle and watched in horror as the chain of stitches fell from it to the floor.
It wasn’t that she didn’t want to think of Stella. She just didn’t want to lose her mind from that thinking. The hospital scenes played over and over, making her want to scream; sometimes she did scream. That was the kind of calming the knitting brought. Yesterday she walked into the supermarket and saw the season’s first Seckel pears, tiny and amber. Stella’s favorites. Mary used to pack two in her lunch every day in the fall. Seeing them, Mary felt the panic rising in her and she turned and walked out quickly, leaving her basket with the bananas and grated Parmesan behind. In the car, after she had cried good and hard, she picked up her knitting and did one full row right there in the parking lot before she drove home.
Standing on the steps of the knitting shop that second morning, waiting for Alice to open for the day, Mary examined her work. She could tell that what she had worked on all week was a mess. In the middle a huge hole gaped at her, and the neat twenty-two stitches Alice had cast on for her had grown into at least twice that. One needle was clogged with yarn, wound so tight she could hardly fit the other needle into one of the loops.
“That’s a mess,” Alice said from behind her. Mary noticed she had on the same outfit, but with a different sweater, this one a sage green. It made Mary aware of how she must look to Alice. She had gained weight since Stella died, a good ten pounds, and wore the same black pants every day because they had an elastic waist. And she was still wearing flip-flops despite the fall chill. But the idea of searching for other shoes exhausted her.
She wiggled her naked toes and held out her knitting.
Alice didn’t even unlock the door. She just took Mary’s knitting and in one firm yank pulled the entire thing apart.
Mary gasped. “In my line of work, you fix things, make them better. You never press the delete button like that.”
Alice unlocked the door and held it open for Mary. “It’s liberating. You’ll see.”
“I worked on that all week,” Mary said.
Alice dropped the yarn into her hands and smiled. “It’s not about finishing, it’s about the knitting. The texture. The needles clacking. The way the rows unfold.”
Already the bell announcing the arrival of customers was ringing, and women began to fill the store. They all seemed to carry half-finished sweaters and socks and scarves. Mary watched them fondle yarn, feeling its weight, holding it up to the light to better appreciate the gradations of color.
Alice took Mary’s arm and gently led he
r to the same seat where she’d spent most of last Tuesday morning.
“That yarn’s a little too tricky, I think,” Alice said. She handed Mary a needle with twenty-two new stitches already cast on. “This yarn is fun. It self-stripes so you won’t get bored.”
Mary hesitated.
“Go ahead,” Alice said.
Mary knit two perfect rows.
“Keep doing it, just like that,” Alice said. Then she went to help another customer.
Mary sat, knitting, the sounds of the other customers’ voices softly buzzing around her. The bell kept tinkling, marking the comings and goings of people. A purple stripe appeared, and then a violet one, and then a deep blue.
She was surprised when she felt someone standing over her.
“You’ve got it,” Alice said. “Now go home and knit.”
Mary frowned. “But what if I mess it up that way again?”
“You won’t,” Alice said.
Mary stood, feeling both elated and terrified.
“Alice?” a woman called from across the room. “How many do I cast on for the eyelash scarf?”
“Fifteen,” Alice said. “Remember, fifteen stitches on number fifteen needles.”
It’s like another language, Mary thought, remembering her idea to learn Italian. The yarn in her hand was soft and lovely. Better than complicated rules of grammar.
“Thank you,” Mary said. “I’ll come next week, if that’s all right.”
A customer handed Alice a scarf made of big loopy yarn.
“I dropped a stitch somewhere,” the woman said, her fingers burrowing through the thick yarn.
“I’ll fix that for you,” Alice said.
Mary turned to go. But Alice’s hand on her arm stopped her.
“Wednesday nights,” Alice said, “I have a knitting circle here. I think you’d like it.”