Damon Albarn

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by Martin Roach


  DAMON ALBARN DISCOGRAPHY

  A complete and comprehensive discography of every track that Damon Albarn has contributed to during the course of his various band, solo and collaborative projects is a sizeable job in itself. This discography is intended to give the key highlights and some indication of the copious volume – and eclectic style – of Damon’s recorded output.

  BLUR - SINGLES

  She’s So High (Food/EMI) 1990

  There’s No Other Way (Food/EMI) 1991

  Bang (Food/EMI) 1991

  Popscene (Food/EMI) 1992

  For Tomorrow (Food/EMI) 1993

  Chemical World (Food/EMI) 1993

  Sunday Sunday (Food/EMI) 1993

  Girls and Boys (Food/EMI) 1994

  To The End (Food/EMI) 1994

  Parklife (Food/EMI) 1994

  End Of A Century (Food/EMI) 1994

  Country House (Food/EMI) 1995

  The Universal (Food/EMI) 1995

  Stereotypes (Food/EMI) 1996

  Charmless (Food/EMI) 1996

  Beetlebum (Food/EMI) 1997

  Song 2 (Food/EMI) 1997

  On Your Own (Food/EMI) 1997

  M.O.R. (Food/EMI) 1997

  Tender (Food/EMI) 1999

  Coffee & TV (Food/EMI) 1999

  No Distance Left To Run (Food/EMI) 1999

  Music Is My Radar (Food/EMI) 2000

  Out Of Time (Parlophone/EMI) 2003

  Crazy Beat (Parlophone/EMI) 2003

  Good Song (Parlophone/EMI) 2003

  Fool’s Day (Parlophone/EMI) 2010

  Under the Westway (Parlophone) 2012

  The Puritan (Parlophone) 2012

  Go Out (Parlophone) 2015

  There Are Too Many of Us (Parlophone) 2015

  Lonesome Street (Parlophone) 2015

  I Broadcast (Parlophone) 2015

  My Terracotta Heart (Parlophone) 2015

  Ong Ong (Parlophone) 2015

  Y’all Doomed (Parlophone) 2015

  BLUR - ALBUMS

  Leisure 1991

  She’s So High/Bang/Slow Down/Repetition/Bad Day/Sing/There’s No Other Way/Fool/Come Together/High Cool/Birthday/Wear Me Down

  Modern Life Is Rubbish 1993

  For Tomorrow/Advert/Colin Zeal/Pressure On Julian/Starshaped/Blue Jeans/Chemical World/Intermission/Sunday Sunday/Oily Water/Miss America/Villa Rosie/Coping/Turn It Up/Resigned Commercial Break

  Parklife 1994

  Girls & Boys/Tracy Jacks/End Of A Century/Parklife/Bank Holiday/Badhead/The Debt Collector/Far Out/To The End/London Loves/Trouble In The Message Centre/Clover Over Dover/Magic America/Jubilee/This Is A Low/Lot 105

  The Great Escape 1995

  Stereotypes/Country House/Best Days/Charmless Man/Fade Away/Top Man/The Universal/Mr Robinson’s Quango/He Thought Of Cars/It Could Be You/Ernold Same/Globe Alone/Dan Abnormal/Entertain Me/Yuko & Hiro

  Blur 1997

  Beetlebum/Song 2/Country Sad Ballad Man/M.O.R./On Your Own/Theme From Retro/You’re So Great/Death Of A Party/Chinese Bombs/I’m Just A Killer For Your Love/Look Inside America/Strange News From Another Star/Movin’ On/Essex Dogs

  Bustin’ + Dronin’ 1998

  CD1 -Movin’ On/Death Of A Party/On Your Own/Beetlebum/Essex Dogs/Death Of A Party/Theme From Retro/Death Of A Party/On Your Own/CD 2 (Live) Popscene/Song 2/On Your Own/Chinese Bombs/Movin’ On/M.O.R.

  13 1999

  Tender/Bugman/Coffee & TV/SwampSong/1992/B.L.U.R.E.M.I./Battle/Mellow Song/Trailerpark/Caramel/Trimm Trabb/No Distance Left To Run/Optigan 1

  Blur: The Best Of … 2000

  Beetlebum/Song 2/There’s No Other Way/The Universal/Coffee & TV/Parklife/End Of A Century/No Distance Left To Run/Tender/Girls & Boys/Charmless Man/She’s So High/Country House/To The End/On Your Own/This Is A Low/For Tomorrow/Music Is My Radar

  Think Tank 2003

  Ambulance/Out Of Time/Crazy Beat/Good Song/On The Way To The Club/Brothers And Sisters/Caravan/We’ve Got A File On You/Moroccan Peoples Revolutionary Bowls Club/Sweet Song/Jets/Gene By Gene/Battery In Your Leg

  Midlife: A Beginner’s Guide to Blur 2009

  Beetlebum/Girls & Boys/For Tomorrow/Coffee & TV/Out of Time/Blue Jeans/Song 2/Bugman/He Thought of Cars/Death of a Party/The Universal/Sing/This Is a Low/Tender/She’s So High/Chemical World/Good Song/Parklife/Advert/Popscene/Stereotypes/Trimm Trabb/Badhead/Strange News from Another Star/Battery in Your Leg

  The Magic Whip 2015

  Lonesome Street/New World Towers/Go Out/Ice Cream Man/Thought I Was a Spaceman/I Broadcast/My Terracotta Heart/There Are Too Many of Us/Ghost Ship/Pyongyang/Ong Ong/Mirrorball

  GORILLAZ – SINGLES

  Clint Eastwood (Parlophone/EMI) 2001

  19-2000 (Parlophone/EMI) 2001

  Rock Da House (Parlophone/EMI) 2001

  Tomorrow Comes Today (Parlophone/EMI) 2002

  Feel Good Inc (Parlophone/EMI) 2005

  Dare (Parlophone/EMI) 2005

  Dirty Harry (Parlophone/EMI) 2005

  Kids With Guns (Parlophone/EMI) 2006

  Stylo (Parlophone) 2010

  Superfast Jellyfish (Parlophone) 2010

  On Melancholy Hill (Parlophone) 2010

  Rhinestone Eyes (Parlophone) 2010

  Doncamatic (Parlophone) 2010

  Phoner to Arizona (Parlophone) 2011

  Revolving Doors (Parlophone) 2011

  Amarillo (Parlophone) 2011

  DoYaThing (Converse) 2012

  GORILLAZ – ALBUMS

  Gorillaz 2001

  Re-Hash/5/4 /Tomorrow Comes Today/New Genious (Brother)/Clint Eastwood/Man Research (Clapper)/Punk/Sound Check (Gravity)/Double Bass/Rock The House/19-2000/Latin Simone (Que Pasa Contigo)/Starshine/Slow Country/M1 A1

  Democrazy 2003

  Disc One: I Need a Gun/Reedz/Half a Song/Five Star Life/A Rappy Song/Back to Mali/I MissYou/Hymn to Moon Disc Two: Dezert/Sub Species of an American Day/American Welfare Poem/Saz Theory Book/Gotta’ Get Down With the Passing of Time/End of Democrazy

  Demon Days 2005

  Intro/Last Living Souls/Kids With Guns/O Green World/Dirty Harry/Feel Good Inc/El Mañana/Every Planet We Reach Is Dead/November Has Come/All Alone/White Light/DARE/Fire Coming Out Of The Monkey’s Head/Don’t Get Lost In Heaven/Demon Days

  D-Sides 2007

  68 State/People/Hongkongaton/We Are Happy Landfill/Hong Kong/Highway (Under Construction)/Rockit/Bill Murray/The Swagga/Murdoc Is God/Spitting Out the Demons/Don’t Get Lost In Heaven/Stop the Dams/DARE (DFA remix)/Feel Good Inc. (Stanton Warriors remix)/Kids with Guns (Jamie T’s Turns to Monsters mix)/DARE (Soulwax remix)/Kids with Guns (Hot Chip remix)/El Mañana (Metronomy remix)/DARE (Junior Sanchez remix)/Dirty Harry/Kids with Guns

  The Singles Collection 2001–2011 2011

  Tomorrow Comes Today/Clint Eastwood/19-2000/Rock the House/Feel Good Inc/DARE/Dirty Harry/Kids with Guns/El Mañana/Superfast Jellyfish/On Melancholy Hill/Doncamatic/Clint Eastwood (Ed Case/Sweetie Irie remix)/19-2000 (Soulchild remix)

  Plastic Beach 2010

  Orchestral Intro/Welcome to the World of the Plastic Beach/White Flag/Rhinestone Eyes/Stylo/Superfast Jellyfish/Empire Ants/Glitter Freeze/Some Kind of Nature/On Melancholy Hill/Broken/Sweepstakes/Plastic Beach/To Binge/Cloud of Unknowing/Pirate Jet

  The Fall 2011

  Phoner to Arizona/Revolving Doors/HillBilly Man/Detroit/Shy-Town/Little Pink Plastic Bags/The Joplin Spider/The Parish of Space Dust/The Snake in Dallas/Amarillo/The Speak It Mountains/Aspen Forest/Bobby in Phoenix/California and the Slipping of the Sun/Seattle Yodel

  THE GOOD, THE BAD & THE QUEEN SINGLES

  Herculean (Parlophone/EMI /Honest Jon’s) 2006 (deleted) Kingdom Of Doom (Parlophone/EMI /Honest Jon’s) 2007 Green Fields (Parlophone/EMI /Honest Jon’s) 2007

  THE GOOD, THE BAD & THE QUEEN ALBUMS

  The Good, The Bad & The Queen 2007

  History Song/80’s Life/Northern Whale/Kingdom Of Doom/Herculean/Behind The Sun/The Bunting Song/Nature Springs/A Soldier’s Tale/Three Changes/Green Fields/The Good, The Bad & The Queen
/>   SOLO SINGLES

  Everyday Robots (Parlophone/Warner Bros/XL) 2014

  Lonely Press Play (Parlophone/Warner Bros/XL) 2014

  Hollow Ponds (Parlophone/Warner Bros/XL) 2014

  Heavy Seas of Love (Parlophone/Warner Bros/XL) 2014

  Mr. Tembo (Parlophone/Warner Bros/XL) 2014

  SOLO ALBUMS

  Everyday Robots 2014

  Everyday Robots/Hostiles/Lonely Press Play/Tembo/Parakeet/The Selfish Giant/You and Me/Hollow Ponds/Seven High/Photographs (You Are Taking Now)/The History of a Cheating Heart/Heavy Seas of Love

  Live at the De De De Der 2014

  Spitting Out the Demons/Lonely Press Play/Everyday Robots/Tomorrow Comes Today/Slow Country/Kids with Guns/Three Changes/Bamako City/Sunset Coming On/Hostiles/Photographs (You Are Taking Now/Kingdom of Doom/You and Me/Hollow Ponds/El Mañana/Don’t Get Lost in Heaven/Out of Time/All Your Life/End of a Century/The Man Who Left Himself/Tender/Mr. Tembo/Clint Eastwood/Feel Good Inc./Heavy Seas of Love

  SOUNDTRACKS

  Ravenous (EMI Soundtracks) 1999

  Ordinary Decent Criminal (Icon/Atlantic Records) 2000

  101 Reykjavik (EMI Soundtracks) 2001

  Journey to the West (XL) 2008

  Dr Dee (Parlophone) 2012

  ‘WORLD MUSIC’

  Mali Music (Honest Jon’s/Parlophone/EMI Records) 2002

  Democrazy (Honest Jon’s) 2003

  Kinshasa One Two (Warp/Oxfam) 2011

  Maison Des Jeunes (Honest Jon’s/EMI/Transgressive Records) 2013

  KEY ALBUM COLLABORATIONS

  Elastica (Elastica) 1995

  Trainspotting 1996

  Random 1997

  Laugh (Terry Hall) 1997

  20th Century Blues (With Michael Nyman) 1998

  The Menace (Elastica) 2000

  Deltron 3030 2000

  This Is Where I Belong – The Songs of Ray Davies 2002

  Home Cooking (Tony Allen) 2002

  100th Window (Massive Attack) 2002

  The Hour Of Two Lights (Terry Hall/Mushtaq) 2003

  Before The Poison (Marianne Faithfull) 2004

  London Town (Kano) 2007

  Black Ghosts 2008

  Heligoland (Massive Attack) 2010

  Method to the Maadness (Kano) 2010

  I’m New Here (Gil Scott-Heron) 2010

  Key to the Kuffs (JJ Doom) 2012

  Rocket Juice & the Moon (Tony Allen/Flea) 2012

  Event 2 (Deltron 3030) 2013

  Film of Life (Tony Allen) 2014

  REFERENCES

  The following magazines were very helpful: Puncture, Guitar Player, Option and Hot Press. Exceptional articles on Blur which provided us with an essential insight include ‘The Secret Life’ in Q (1/95), The Stud Brother’s Melody Maker piece entitled ‘The Empire Strikes Back’ (25/9/93) and Stuart Maconie and David Cavanagh’s ‘The Compleat Blur’ in Select (7/95 and 8/95). Also Esquire Q and music365.com. As well as chronicling Blur, Q has been there to tell the tales of those around the band – key interviews by John Harris (Justine Frischmann) Phil Sutcliffe (Graham Coxon) and the enquiring natures of the magazine’s readers (Cash For Questions) were all of great help and interest. Esquire also ran several lengthy and excellent pieces. Publications as diverse as Mojo, Select, The Face, National Geographic, Manchester Evening News and Grazia also played their parts along with websites such as MusicOHM.com, music365.com, The Bulb and SoundtrackNet as well as the tireless work done by fansites detailing the work of all Albarn’s interests and projects. Time Out’s piece on The Good, The Bad & The Queen by Eddy Lawrence was a key early scene setter as was Andrew Smith’s article on Monkey in the Sunday Times.

  Damon at a Residential Orchestra course, Wicken House, Essex, 1982.

  Damon helping with make-up for Joseph & His Amazing Technicolour Dreamcoat.

  Photographs courtesy of Nigel Hildreth

  Damon as ‘Bobby The Boyfriend’.

  More performances during his earlier years when drama was his first obsession.

  Photographs courtesy of Nigel Hildreth

  The founding four outside the Dublin Castle in Camden, May, 1995.

  Photo courtesy of Retna

  Blur sans Coxon, backstage at Brixton Academy, 2003.

  Photo courtesy of Sarahphotogirl/Retna

  During anti-Iraq War protests in London, November, 2003.

  Photo courtesy of John Horsley/Retna

  Backstage with De La Soul during Demon Days, the Apollo Theatre, April, 2006.

  Photo courtesy of Rahav Segev/Retna

  Backstage with Jaimie Hewlett at the ‘Designer of the Year’ Awards, 2006.

  Photo courtesy of Pete Mariner/Retna

  Artwork for the launch of Monkey and Manchester International Festival, 2007.

  Photo courtesy of Fiera Fyles/Retna

  The Good, The Bad & The Queen, live at The Tower of London, July, 2007.

  Photograph courtesy of Pete Mariner/Retna

  The Gorillaz live on stage, forever shrouded in mystery.

  Photograph courtesy of Retna

  Damon Albarn, music hall, piano, full circle, March 2007.

  Photo courtesy of Karin Albinsson

  ‘The defining moment of the band’s reunion would be provided during their Glastonbury headlining set’ – performing at the festival in June 2009.

  ‘Promoting the music of … veterans such as Bobby Womack’ – as Gorillaz with Womack at the O2 Arena, London, in November 2010.

  Copyright

  First published by Music Press Publishing,

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  ePub ISBN 978 1 78418 791 0

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  First published in paperback by Independent Music Press in 2007

  This revised and updated edition first published in 2015

  ISBN: 978 1 78418 761 3

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  © Text copyright Martin Roach and David Nolan 2007, 2015

  The rights of Martin Roach and David Nolan to be identified as the authors of this work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988.

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