by Peter Burke
8 Geographical mobility: five possible answers (extremely sedentary; fairly sedentary; fairly mobile; extremely mobile; not known).
9 Patronage: two possible answers (Medici patronage; other).
10 Period of birth: ten possible answers (dividing the years 1340–1519 into nine periods of twenty years each, and adding a ‘not known’).
REFERENCES AND BIBLIOGRAPHY
This bibliography contains all works to which reference is made in the notes, together with a few other studies of relevance to the field. JWCI = Journal of the Warburg and Courtauld Institute.
Ackerman, J. S., ‘Architectural practice in the Italian Renaissance’, Journal of the Society for Architectural History 13 (1954), pp. 3–10.
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Ady, C. M., The Bentivoglio of Bologna. Oxford: Oxford University Press, 1937.
Ago, R., Gusto for Things: A History of Objects in Seventeenth-Century Rome. Eng. trans., Chicago: University of Chicago Press, 2013.
Ajmar, M., ‘Talking pots’, in The Art Market in Italy, ed. M. Fantoni et al., pp. 55–64. Modena: Panini, 2003.
Ajmar-Wollheim, M., and F. Dennis (eds), At Home in Renaissance Italy. London: V&A, 2006.
Ajmar-Wollheim, M., F. Dennis and A. Matchette, Approaching the Italian Renaissance Interior. Oxford: Blackwell, 2007.
Alberici, C. (ed.), Leonardo e l’incisione. Milan: Electa, 1984.
Alberigo, G., I vescovi italiani al concilio di Trento. Florence: Sansoni, 1959.
Alberti, L. B., De re aedificatoria, ed. P. Portoghesi, 2 vols. Milan: Il Polifilo, 1966.
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Albertini, R. von, Das florentinisch Staatsbewusstsein im Ubergang von der Republik zum Prinzipat. Bern: Franke, 1955.
Alpers, S., The Art of Describing. Chicago: University of Chicago Press, 1983.
Alsop, J., The Rare Art Traditions. London: Thames & Hudson, 1982.
Ames-Lewis, F., ‘Donatello’s bronze David and the Palazzo Medici courtyard’, Renaissance Studies 3 (1989), pp. 235–51.
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Ames-Lewis, F., and Wright, J. (eds) Drawing in the Italian Renaissance Workshop. New Haven and London: Yale University Press, 1983.
Anderson, J., ‘Rewriting the history of art patronage’, Renaissance Studies 10 (1996), pp. 129–38.
Anselmi, G. M., F. Pezzarassa and L. Avellini, La ‘memoria’ dei mercatores. Bologna: Pàtron, 1980.
Antal, F., Florentine Painting and its Social Background. London: Kegan Paul, 1947.
Anthon, C., ‘Social status of Italian musicians during the sixteenth century’, Journal of Renaissance and Baroque Music 1 (1946), pp. 111–23, 222–34.
Antoni, C., From History to Sociology. Eng. trans., Detroit: Wayne State University Press, 1959.
Archambault, P., ‘The analogy of the body in Renaissance political literature’, Bibliothèque d’Humanisme et Renaissance 29 (1967), pp. 21–53.
Aretino, P., Sei giornate (1534–6), ed. G. Aquilecchia. Bari: Einaudi, 1975.
Arnaldi, G., and M. Pastore Stocchi (eds), Storia della cultura veneta, 3: Dal primo quattrocento al concilio di Trento, 2 vols. Vicenza: Neri Pozza, 1980–1.
Aron, P., Toscanello. Venice, 1523.
Asor Rosa, A. (ed.), Letteratura italiana, 2: Produzione e consumo. Turin: Einaudi, 1983.
Atlas, A. W., Music at the Aragonese Court of Naples. Cambridge: Cambridge University Press, 1985.
Auerbach, E., ‘Figura’, in Auerbach, Scenes from the Drama of European Literature, pp. 11–76. New York, 1959.
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Avery, C., Florentine Renaissance Sculpture. London: John Murray, 1970.
Bandello, M., Novelle (1554), ed. G. G. Ferrero. Turin, 1974.
Barbieri, G., Economia e politica nel ducato di Milano. Milan: Vita e pensiero, 1938.
Bareggi, C., Il mestiere di scrivere: lavoro intellettuale e mercato librario a Venezia nel cinquecento. Rome: Bulzoni, 1988.
Barkan, L., Unearthing the Past: Archaeology and Aesthetics in the Making of Renaissance Culture. New Haven, CT: Yale University Press, 1999.
Barnes, B., Michelangelo’s Last Judgement: the Renaissance Response. Berkeley: University of California Press, 1998.
Barolsky, P., Infinite Jest: Wit and Humor in Italian Renaissance Art. London: University of Missouri Press, 1978.
—Why Mona Lisa Smiles. University Park: Pennsylvania State University Press, 1991.
Baron, H., ‘Burckhardt’s Civilisation of the Renaissance a century after its publication’, Renaissance News 13 (1960), pp. 207–22.
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Barzman, K.-E., ‘Gender, religious representation and cultural production in early modern Italy’, in Gender and Society in Renaissance Italy, ed. J. C. Brown and R. C. Davis, pp. 213–33. London: Longman, 1998.
Baskins, C., Cassone Painting, Humanism and Gender in Early Modern Italy. Cambridge: Cambridge University Press, 1998.
Batkin, L. M., L’idea di individualità nel Rinascimento italiano. Italian trans. from Russian. Rome: Laterza, 1992.
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Battara, P., La popolazione di Firenze alla metà del ’500. Florence: Rinascimento del libro, 1935.
Battisti, E., L’antirinascimento. Milan: Feltrinelli, 1962.
Bauer, H., Kunst und Utopie. Berlin: De Gruyter, 1965.
Baxandall, M., ‘Art, society and the Bouguer principle’, Representations 12 (1985), pp. 32–43.
—‘Bartholomaeus Facius on painting’, JWCI 27 (1964), pp. 90–107.
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Bayer, A. (ed.), Art and Love in Renaissance Italy. New Haven, CT: Yale University Press, 2008.
Bec, C., Cultura e società a Firenze nell’età della Rinascenza. Rome: Salerno editrice 1981.
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—Les marchands écrivains. Paris and The Hague: Mouton, 1967.
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Bellah, R., Tokugawa Religion. Glencoe, IL: Free Press, 1957.
Belloni, G., and R. Drusi (eds), Umanesimo ed educazione. Vicenza: Costabissara, 2007.
Beloch, K. J., Bevölkerungsgeschichte Italiens, vol. 3. Berlin: De Gruyter, 1961.
Belozerskaya, M., Luxury Arts of the Renaissance. Los Angeles: J. Paul Getty Museum, 2005.
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Belting, H., Florence and Baghdad: Renaissance Art and Arab Science. Eng. trans. D. L. Schneider. Cambridge, MA: Belknap Press, 2011.
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Beltrami, D., Storia della popolazione di Venezia. Padua: Cedam, 1954.
Bembo, P., Prose della volgar lingua (1525), in Bembo, Prose e rime, ed. C. Dionisotti. Turin: Unione Tipografico, 1960.
Benjamin, W., ‘The work of art in the age of mechanical reproduction’, Eng. trans. in Benjamin, Illuminations, pp. 219–44. London: Jonathan Cape, 1970.
Benson, P. J., The Invention of the Renaissance Woman. University Park: Pennsylvania State University Press, 1992.
Bentley, J., Politics and Culture in Renaissance Naples. Princeton, NJ: Princeton University Press, 1987.
Berengo, M., Nobili e mercanti nella Lucca del cinquecento. Turin: Einaudi, 1965.
Berlin, I., Vico and Herder. London: Hogarth Press, 1976.
Bertelli, S., ‘L’egemonia linguistica come egemonia culturale’, Bibliothèque d’humanisme et Renaissance 38 (1976), pp. 249–81.
Bing, G., ‘A. M. Warburg’, JWCI 28 (1965), pp. 299–313.
Binni, W., and N. Sapegno (eds), Storia letteraria delle regioni d’Italia. Florence: Sansoni, 1968.
Biow, D., The Culture of Cleanliness in Renaissance Italy. Ithaca, NY: Cornell University Press, 2006.
—Doctors, Ambassadors, Secretaries: Humanism and Professions in Renaissance Italy. Chicago: University of Chicago Press, 2002.
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Biringuccio, V., Pirotechnia (1540). Eng. trans., new edn, Cambridge, MA: MIT Press, 1966.
Black, R., ‘Italian Renaissance education’, Journal of the History of Ideas 52 (1991), pp. 315–34.
Bloch, M., Land and Work in Medieval Europe. Berkeley and London: University of California Press, 1967.
Blunt, A., Artistic Theory in Italy 1450–1600. Oxford: Clarendon Press, 1940.
Boase, T. S. R., Giorgio Vasari: The Man and the Book. Princeton, NJ: Princeton University Press, 1979.
Bock, N., ‘Patronage standards and transfert culturel: Naples between art history and social science’, Art History 31 (2008), pp. 574–97.
Bodart, D. H., Tiziano e Federico II Gonzaga: storia di un rapporto di committenza. Rome: Bulzoni, 1998.
Bohannan, P., ‘Artist and critic in an African society’, in The Artist in Tribal Society, ed. M. W. Smith, pp. 85–94. London: Routledge & Kegan Paul, 1961.
Bolland, A., ‘From the workshop to the academy: the emergence of the artist in Renaissance Florence’, in Renaissance Florence: A Social History, ed. R. J. Crum and J. T. Paoletti, pp. 454–78. Cambridge: Cambridge University Press, 2007.
Bologna, F., Napoli e le rotte mediterranee della pittura: da Alfonso il Magnanimo a Ferdinando il Cattolico. Naples: Società Napoletana di Storia Patria, 1977.
Bombe, W. (ed.), Nachlass-Inventare des Angelo da Uzzano und des Lodovico di Gino Capponi. Leipzig and Berlin: Teubner, 1928.
—‘Die Tafelbilder, Gonfaloni und Fresken des Benedetto Bonfigli’, Repertorium für Kunstwissenschaft 32 (1909), pp. 97–146.
Bonfil, R., ‘The historian’s perception of the Jews in the Italian Renaissance’, Revue des Etudes Juives 143 (1984), pp. 59–82.
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Bonomo, G., Caccia alle streghe. Palermo: Pulumbo, 1959.
Borkenau, F., Der Übergang vom feudalen zum bürgerlichen Weltbild. Paris: Alcan, 1934.
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Bourdieu, P., Distinction. Eng. trans. R. Nice. London: Routledge & Kegan Paul, 1984.
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Braghirolli, W., ‘Carteggio di Isabella d’Este intorno ad un quadro di Giambellino’, Archivio Veneto 13 (1877), pp. 376–83.
Branca, V., Poliziano e l’umanesimo della parola. Turin: Einaudi, 1983.
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Braudel, F., The Mediterranean and the Mediterranean World in the Age of Philip II. Eng. trans. S. Reynolds, 2 vols. Berkeley and London: University of California Press, 1972–3.
—The Wheels of Commerce. Eng. trans. S. Reynolds. London: Collins, 1982.
Bredekamp, H., M. Diers and C. Schoell-Glass (eds), Aby Warburg. Hamburg: VCH, 1991.
Bridgman, N., La vie musicale au quattrocento et jusqu’à la naissance du madrigal. Paris: Gallimard, 1964.
Bronzini, G., ‘Pubblico e predicazione popolare di Bernardino di Siena’, Lares 44 (1978), pp. 3–31.
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Brotton, J., The Renaissance Bazaar: from the Silk Road to Michelangelo. Oxford: Oxford University Press, 2002.
Brown, A., Bartolommeo Scala, 1430–1497, Chancellor of Florence. Princeton, NJ: Princeton University Press, 1979.
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Brown, C. M., ‘A Ferrarese lady and a Mantuan marchesa: the art and antiquities collections of Isabella d’Este Gonzaga’, in Women and Art in Early Modern Europe, ed. C. Lawrence, pp. 53–71. University Park: Pennsylvania State University Press, 1997.
Brown, J. C., and R. C. Davis (eds), Gender and Society in Renaissance Italy. London: Longman, 1998.
Brown, P. F., Private Lives in Renaissance Venice. New Haven, CT: Yale University Press, 2004.
—Venetian Narrative Painting in the age of Carpaccio. New Haven, CT: Yale University Press, 1988.
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Brucker, G., The Civic World of Early Renaissance Florence. Princeton, NJ: Princeton University Press, 1977.
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Bruni, L., Epistolae populi Florentini nomine scriptae, ed. L. Mehus, 2 vols. Florence, 1741.
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Bryson, N., Word and Image. Cambridge: Cambridge University Press, 1981.
Bullen, J. B., The Myth of the Renaissance in Nineteenth-Century Writing. Oxford: Clarendon Press, 1994.
Burckhardt, J., The Architecture of the Italian Renaissance (1867). Eng. trans., London: Secker & Warburg, 1985.
—Beiträge zur Kunstgeschichte von Italien. Basel: Lendorff, 1898.
—The Civilization of the Renaissance in Italy (1860). Eng. trans., London: Phaidon Press, 1944.
—Reflections on History (1906). Eng. trans., London: Allen & Unwin, 1943.
Burke, J., Changing Patrons: Social Identity and the Visual Arts in Renaissance Florence. University Park: Pennsylvania State University Press, 2004.
Burke, P., ‘Anthropology of the Renaissance’, Journal of the Institute for Romance Studies 1 (1992), 207–15.
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—‘Civilization, sex and violence in early modern Italy: reflections on the theories of Norbert Elias’, Journal of the Institute of Romance Studies 5 (1997), pp. 71–80.
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