by Ling Ma
Would you at least consider it? Jonathan asked.
I’m not an artist.
Moving with me, I mean.
You’ve already decided to move away. You’re only asking me as an afterthought, let’s be honest.
I didn’t think you would go if I asked, he said sadly.
The song ended, then began again. The neighbor had it on repeat. Jesus. It sounded familiar but I couldn’t name it.
We spoke until our voices grew hoarse, deepening and breaking and fissuring. It lasted early into morning. Our bodies curled inward, away from each other, dry leaves at the end of summer.
In sleep it came to me. The name of the song, I mean: “Who Is It.” Michael Jackson. My mother used to play it in the car when I was a kid. She loved to drive. She drove down long, unfurling Utah freeways on aimless, drifting afternoons, while my father was at work and I was still too young to be left alone. We would go to other towns to buy just one carton of eggs, one pint of half-and-half that she mistook for milk. I was six, and had only been in the U.S. for a few months, newly transplanted from Fuzhou. I was still dazed at the variety and surplus of the supermarkets, miles of boxes and bottles lit with fluorescent lighting. Supermarkets were my favorite American thing. Driving was my mother’s favorite American thing, and she drove in a very American way: fast, down empty freeways before rush hour, skimming through cathedral canyons and red rock, her long black hair billowing everywhere, like in the movies. Why move to America if you can’t drive? she’d say, never breaking her speed as we veered toward exit ramps, stop signs, traffic lights.
*
I woke up like I had a cold, my head heavy, my throat sore. Light peeked in through the blinds of the windows above us, and I heard footfalls on the sidewalk. Right away, I knew that I had overslept. The alarm hadn’t gone off, and I was going to be late. In his tiny bathroom, rusty pipes cursed loudly for cold tap. I brushed my teeth, splashed cold water on my face. Put on yesterday’s work outfit, a pencil skirt and a button-up shirt.
Jonathan was still asleep, swathed in gray threadbare sheets. I left him there.
Outside, the air was surprisingly cold for a July morning. I walked up the basement stoop and crossed the street to the Polish bakery for a coffee. The woman behind the counter was setting out a pan of something. Apple cider donuts. Steam rose off them and fogged up the windows. All the pedestrians in Greenpoint were bundled up in their cold-weather finery, red autumnal plaids and flourishes of thick, lustrous flannel, even though it was summer. For a moment I wondered if I hadn’t just slept for months. Maybe I’d Rip-Van-Winkled my way out of a job. I would arrive to find someone else sitting in my office, my belongings in a box. I would return to my studio and find someone else living there. I would start over.
I walked to the J train, thinking up excuses for being late. I could say that I had overslept, though I’d used that one time too many. I could say there had been a family emergency, except my boss knew my parents were deceased and I had no other relatives living in the States. I could say that my apartment had been robbed, but that was too big a story. Plus, it had actually happened before. They’d taken everything; they’d stripped my bedsheets. Afterward, someone had said, You’re officially a New Yorker now, as if this were a point of pride.
Looking out at the gray East River as the J crossed the Williamsburg Bridge, I decided that I’d just claim I was sick. I looked like I was sick, my eyes clustered with puffiness and dark bags. At work, they knew me to be capable but fragile. Quiet, clouded up with daydreams. Usually diligent, though sometimes inconsistent, moody. But also something else, something implacable: I was unsavvy in some fundamental, uncomfortable way. The sound of my loud, nervous laugh, like gargling gravel, was a social liability. I skipped too many office parties. They kept me on because my output was prolific and they could task me with more and more production assignments. When I focused, a trait I exhibited at the beginning of my time there, I could be detail-oriented to the point of obsession.
At Canal, I transferred to the N to ride all the way to Times Square. A light rain had begun to fall by the time I emerged aboveground. Spectra’s glass office, housed on the thirty-first and thirty-second floors of a midcentury building, were located a few blocks away. The rain scattered the tourists as I ducked and weaved through their dense sidewalk congregations down Broadway, accidentally banging my knees into their Sephora and Disney Store bags. A street saxophonist played “New York, New York,” his eyes closed in feeling. The cluster of tourists around him seemed moved, if not by the quality of his playing, which was drowned out by the trains roaring beneath our feet, then by his pained expression, a sorrow that seemed more authentic than performative. When the song ended and he emptied his Starbucks cup of dollars, he looked up, straight at me. I hurried away, embarrassed.
You’re late, said Manny, the building doorman. He was sitting behind the reception desk, cleaning his glasses with the same Windex he used to wipe down the revolving glass doors every morning and evening.
I’m sick, I told him.
Here. For your health. From a drawer, he put out a pint of blueberries, and I grabbed a handful.
Thank you. Manny always brought amazing fruit to work. Mangoes, peeled lychee, diced pineapple with salt sprinkled all over it. Whenever I asked him where he bought his produce, he’d only say, Not Whole Foods.
You’re not sick, he said, putting his glasses back on.
I’m ill, I maintained. Look at my eyes.
He smiled. You don’t know how easy you’ve got it. He said it without malice, but it stung anyway. I stepped into the elevator, pretending his comment didn’t cut me.
When I disembarked on the thirty-second floor and swiped my employee key card at the wide glass doors, the halls were empty. So were the cubicles. The big, sweeping SVP offices that I passed every morning, made of glass as if to suggest corporate transparency, also sat empty. Had I forgotten about some meeting? My heels sank into the newly vacuumed plush carpeting. It was almost eleven. I followed the din of voices down the hall, which opened up to the atrium.
They were in the middle of a meeting. They meaning everyone, all two-hundred-odd Spectra employees standing in the atrium, crowding around the glass staircase that connected the thirty-first and thirty-second floors. The CEO, Michael Reitman, stood on the staircase, speaking into a microphone. Next to him stood Carole, the Human Resources manager, whom I recognized by her severe bob.
Michael was wrapping up a speech. He said: Spectra is a company run by people, and we take your health very seriously. As our business relies on overseas suppliers, especially those in southern China, we are taking precautionary measures with this announcement of Shen Fever. We are working in accordance with the New York State Department of Health and the Centers for Disease Control and Prevention. In the next few weeks, we will keep you abreast of new updates for keeping you safe. We would appreciate your cooperation and compliance.
Scattered applause rained down on us. I joined the flock as inconspicuously as possible. As I scanned the crowd for friendly faces, Blythe caught my eye. She used to work in Bibles, but since her transfer to Art Books, she sometimes pretended I didn’t exist. I’d try my luck.
Hey, I whispered, sidling up to her. What’s going on?
Public health scare. She passed me a handout, printed on Spectra letterhead, labeled “Shen Fever FAQ.” I skimmed it, catching the most alarming parts:
In its initial stages, Shen Fever is difficult to detect. Early symptoms include memory lapse, headaches, disorientation, shortness of breath, and fatigue. Because these symptoms are often mistaken for the common cold, patients are often unaware they have contracted Shen Fever. They may appear functional and are still able to execute rote, everyday tasks. However, these initial symptoms will worsen.
Later-stage symptoms include signs of malnourishment, lapse of hygiene, bruising on the skin, and impaired motor coordination. Patients’ physical movements may appear more effortful and clumsy. Eventually, S
hen Fever results in a fatal loss of consciousness. From the moment of contraction, symptoms may develop over the course of one to four weeks, based on the strength of the patient’s immune system.
Shen Fever had been in the news through the summer, like a West Nile thing. I swallowed, remembering how I’d woken up with a sore throat. I tried to pass the flyer back to Blythe, who waved it away.
Carole clapped her hands. Okay, now, let’s take questions.
Seth, Senior Product Coordinator of Gifts and Specialty, raised his hand. As if reading my mind, he asked, So is this like the West Nile virus or something?
Michael shook his head. West Nile is an easy, but inaccurate, comparison. West Nile is transmitted to humans from mosquitoes. Shen Fever is a fungal infection, so it’s transmitted by breathing in fungal spores. And it’s not a virus. It rarely spreads from person to person, except perhaps in extreme cases.
Frances, Product Manager of Cookbooks, was the second person with her hand up. Is this an epidemic?
Carole took the microphone from Michael to answer: At this point, Shen Fever is considered an outbreak, not an epidemic. The rate of transmission is not rapid enough. It is fairly contained so far.
Lane, Senior Product Coordinator in Art, said, It says here on the FAQ sheet that Shen Fever originated in Shenzhen, China. So how are fungal spores from China getting here?
Michael nodded. Good question. Researchers aren’t sure of how Shen Fever made its way to the U.S., but the popular theory is that it somehow traveled here through the shipment of goods from China to the States. That’s why businesses like ours were notified by the health department.
Lane followed up with another question. We handle lots of prototypes and other samples shipped from our suppliers in China, she said. So how do we make sure we’re not coming in contact with the fungus?
Carole cleared her throat. The New York State Department of Health has not mandated work restrictions. But, as you know, your health is our first priority, and the company is taking precautions. Can I ask the interns to come around? We are distributing personal-care kits to every employee. I’d like everyone to look through the contents. Inside, you’ll find some protective tools, such as gloves and masks to use when handling prototypes.
The interns pushed mail carts piled high with cardboard containers the size of shoe boxes, which they distributed to everyone. The boxes were printed with the company name and its prism logo. We crowded around the mail carts.
Michael wrapped up the meeting. You can send further questions to Carole or me. Look out in your email for any updates to this situation.
We quickly dispersed after receiving our boxes. I opened up my personal care kit on the spot. There were two sets of N95 face masks and latex gloves, each imprinted with the Spectra logo. There were some New Age–looking herbal tinctures. I opened up the brochure. It detailed an expanded insurance plan. Last, at the bottom of the box, lay a cache of nutrition bars from a health company for which we’d produced a cookbook that contained recipes for transforming nutrition bars into desserts.
I unwrapped a nutrition bar. I hadn’t eaten any breakfast.
Out the glass floor-to-ceiling windows, the city didn’t look any different, not really. The Coca-Cola sign gleamed, winking. I thought about going downstairs to get a cappuccino before checking emails, but I didn’t want to scuttle past Manny and his judgmental gaze. A few employees were talking amongst themselves, the din of their conversation magnified by the respirator masks that they’d put on as a joke.
Hey again.
I turned around. It was Blythe.
I knocked on your door earlier, she said. The Hong Kong office called me, about the Gemstone Bible job. They said they tried to call you.
I stiffened. Maybe the Hong Kong office wanted to tell me that something had gone wrong with the manufacture. They probably called Blythe because she used to work in Bibles.
I’m running a bit late today, but I’ll check my messages, I said finally.
She looked at me skeptically. Okay. Well, you know, in our department, we assign two product coordinators per book project—a main person, and another backup. We’ve found this method pretty helpful whenever one of us is out.
By us, I guess she meant the other girls who worked in Art. The Art Girls, for they were all invariably girls—colt-legged, flaxen-haired, in their late twenties, possessors of discounted Miu Miu and Prada, holders of degrees in Art History or Visual Studies, frequenters of gallery openings, swishers of pinot, nibblers of canapés—carried themselves like a rarefied breed, peacocking through the hallways in Fracas-scented flocks. They worked exclusively on the most detail-intensive, design-savvy projects—coffee-table books and color-sensitive exhibition catalogs. Their clients were galleries, museum presses, and, most important, the big glossy art publishers. Phaidon, Rizzoli, and Taschen. Lane, Blythe, and Delilah. Everyone wanted to be an Art Girl. I wanted to be an Art Girl.
I’ll take care of it, I echoed emptily. Did Hong Kong say what was wrong with the Gemstone Bible?
She looked away, embarrassed at my need for specificity. They didn’t say. They did mention they want to get a response from New Gate today if possible. With that, she turned and walked away.
I walked back to the Bible department. I unlocked the door of my office, closed the door, dropped all my belongings, and breathed a sigh of relief.
My office was small, the size of a supply closet, with a tiny window. I could close the door and shut out all views of Times Square, though its sounds still penetrated. Back when TRL aired, during my first year working at Spectra, in 2006, the afternoon shrieks of bridge-and-tunnel teens outside MTV Studios would resound through the walls. Sometimes I could still hear their phantom hysteria in the afternoons.
The one window was a small circular thing, as if I were aboard a submarine. If I squinted and craned my neck a certain way, I could see Bryant Park. Before the fashion shows moved to Lincoln Center, I would gaze out at the clutter of white tents popping up in the park like umbrellas. The spring collections showed in September. The fall collections showed in February. In this way, five years passed.
My position was Senior Product Coordinator of the Bibles division. No one can work in Bibles that long without coming to a certain respect for the object itself. It is a temperamental, difficult animal, its fragile pages prone to ripping, its book block prone to warping, especially in the humidity of South Asian monsoon season. Of any book, the Bible embodies the purest form of product packaging, the same content repackaged a million times over, in new combinations ad infinitum. Every season, I was trotted out to publisher clients to expound on the latest trends in synthetic leathers, the newest developments in foil embossing and gilding. I have overseen production on so many Bibles that I can’t look at one without disassembling it down to its varied, assorted offal: paper stock, ribbon marker, endsheets, mull lining, and cover. It is the best-selling book of the year, every year.
I sat down at my desk. Once I started, I was good at losing myself. I popped some Tylenol, and the morning passed in a blur. I answered emails. I measured spine widths to the exact millimeter. I ordered updated prototypes of Bibles for clients. I drew up specs for new Bible projects, sent them to the Hong Kong office for an estimate. I calculated the volume and weight of books to estimate packing and shipping costs. I received a call from an Illinois publisher, and assured their team over speakerphone that the paper for their prayer-book series was indeed FSC certified, without the use of tropical hardwoods. I don’t remember if I took lunch or not.
All day, I kept putting off doing something I dreaded. The Gemstone Bible, marketed toward preteen girls, was to be packaged with a keepsake semiprecious gemstone on a sterling alloy chain. The Bibles were already printed, but the jewelry hadn’t arrived, so they couldn’t assemble and shrink-wrap the bundles. Earlier that day, the Hong Kong office had emailed with bad news. The gemstone supplier that Spectra had initially contracted for the job had unexpectedly closed. Several of the
ir workers had developed various forms of lung diseases. A class-action lawsuit had been filed on behalf of the workers, leading to the closure of the supplier.
I Googled pneumoconiosis and drew up images of lungs in formaldehyde, lungs that had been X-rayed, lungs shriveled up into morel mushrooms. With the force of the images in front of me, I picked up the phone and called the production editor at New Gate Publishing, based in Atlanta. I took a deep breath and explained the situation.
What’s pneumoconiosis? she asked, on the other end of the line.
Pneumoconiosis is an umbrella term for a group of lung diseases, I said. The workers who grind and polish semiprecious stones, they’ve been breathing in this dust and developing lung diseases, without their knowledge, for months, even years. Apparently, from what Hong Kong is telling me, the lawsuit claims that the workers have been working in rooms without ventilation systems or any sort of respirator equipment.
This doesn’t have anything to do with the Shen Fever thing that’s been in the news, does it?
This is unrelated, I confirmed. This is a matter of workers’ rights and safety. The gemstone granules are tearing up their lungs. That’s why it’s a particularly urgent matter.
A silence at the other end of the line.
I mean, they’re dying, I clarified. The supplier is putting all its contract jobs on hold. Hello?
Finally she spoke, slowly and stiffly. I don’t want to sound like we don’t care, because obviously we do, but this is disappointing news.