But Miss Temple understood why Francis Xonck had chosen this book to keep. How quick his thoughts must have flown just to see the possibility, to seize an empty glass book. He had preserved in its unfeeling depths—the freezing glass no doubt pressed to the dying man's face—all the alchemical knowledge of the Comte d'Orkancz.
She shoved her body onto one elbow, pursing her lips with a twinge of irritation that hinted at recovery, and looked over her shoulder at the book, whose surface had taken on a satisfied glow. Miss Temple doubted there was any person—even Xonck, even Chang—strong enough to actually immerse themselves in its contents without being utterly overwhelmed. Mrs. Marchmoor's hand had passed into it without harm… but what did that mean? The glass woman may have learned the book contained the Comte—why else would she have gone to Harschmort?—but if she had been able to absorb the actual contents of the Comte's mind, then she would have had no need for Miss Temple and no reason to seek the Comte's tools and machines. Miss Temple recalled the three glass women ransacking the minds of everyone in the Harschmort ballroom—invisibly passing everything they saw to the Comte… it only made sense that he had forbidden them to enter his own mind. Could that taboo extend to his mind when encased in the book? Mrs. Marchmoor had come to Harschmort to insert the book into another body—one the glass woman believed she could control. But that must mean she had no idea of the taint, the corruption coloring all of its contents.
And what of Francis Xonck? He had rescued the book from the sinking airship, his own body a sickening ruin, in hopes to reverse his condition. Had he looked into it? Miss Temple did not think so. Had not Xonck come to Harschmort—just like Mrs. Marchmoor—to find the necessary machines to open the book and thus save his life?
Again Miss Temple wondered who had set the fires, foiling them both.
SHE CURLED her legs beneath her and peeked over the wall. The actual clearing where Xonck and Mrs. Marchmoor had struggled was far beyond view, but there were no signs of anyone searching in the garden. With a fretful grimace—as if she were managing an especially wicked-looking cane spider—Miss Temple carefully scooped the glass book back into the canvas sack. Harschmort was surrounded by miles of fen country. She was alone, hungry, and her appearance would have dismayed a fishwife. Miss Temple wound the top of the sack around her palm and pushed her way through the high grass. She had no idea of cross-country escapes and pursuing soldiers, but what she knew quite well were large houses run by servants, riddled with ways to pass unseen.
Near the stone wall's end lay a collection of low sheds. She saw no one, and this was strange, for even with the family not present, routine upkeep of Harschmort's house and grounds ought to necessitate all manner of effort, and Miss Temple was confident—unless she had discovered an epidemic of shirking—that these sheds were a hive of everyday activity. Yet now they seemed to be abandoned.
She scampered quickly between the sheds to the nearest glass double doors of the house. The lock had been broken. This must be where Francis Xonck had forced his way in. Miss Temple slipped into the ballroom. She had last seen it full of the Cabal's minions, dressed in finery and wearing masks, cheering their masters off to Macklenburg. Now the great wooden floor and the line of bright windows were coated with dust from the fire. She crossed quickly and found herself in the very same ante-room where the Contessa had licked the port stains from her eyes. Miss Temple shivered, stopping where she was. The memory of the Contessa's tongue led directly to the freight car, the woman's lips on her own… and to Miss Temple's spiraling shame, she could not stop her mind from plowing on. At once those kisses bloomed like a gushing artery into a hundred more, kisses of all kinds between too many different people to separate, erupting from the Contessa's book. Miss Temple stuffed one hand in her mouth, the tips of her body ablaze, aghast at how quickly she had been so overwhelmed. On desperate impulse, she opened her reeling senses to the second book, to the bilious tang of the Comte's despair. As it collided with her pleasure, Miss Temple lurched into the cover of a decorative philodendron, where she crouched and rocked helplessly, hugging her knees.
In time, both waves ebbed away. She heard shouting in another part of the house. Miss Temple staggered up. In the corridor lay the older servant, toppled by Mrs. Marchmoor, his face still dark with blood. The voices were far away and the hallways too conducive to echo for her to place them. She crept past the fallen man to what looked like a painted wall panel and found the inset hook to pull it open, revealing a narrow maid's staircase. She climbed past two landings before leaving it to enter a thickly carpeted corridor with a low ceiling, almost as if she had boarded an especially luxurious ship—though she knew this to be an architectural remnant of Harschmort Prison. With a spark of anticipation Miss Temple padded toward Lydia Vandaariff's suite of rooms.
SHE PASSED quietly through the Lady of Harschmort's private parlor, attiring room, bedchamber, and finally to her astonishingly spacious closet. The walls were lined with hanging garments and tight-stuffed shelving—enough clothing for a regiment of ladies. Satisfied no one was there—she had feared a lingering maid—Miss Temple lifted the chair from the heiress' writing desk, and, recalling Chang's precautions at the Boniface, wedged it fast under the doorknob.
She returned to the closet, plucking at her dress—not intending any commentary on the late Mrs. Jorgens but more than sick of it, the smell of her own sweat having permeated the fabric. Miss Temple dislodged the final buttons with impatience and pulled it over her head and then balled the thing up to throw across the room.
She stopped. As she wadded the fabric… on the side of the bodice, along the seam… she stepped closer to the light and removed a scrap of parchment paper torn to a neat square and folded over. She wondered if it was from Mrs. Jorgens—a shopping list or love note— for the writing first struck her as an unschooled scrawl. But that was wrong… not so much a scrawl as its author was utterly careless of how it appeared. As she thought back to the littered ruin of the suite at the St. Royale, such an intemperate script for the Contessa di Lacquer-Sforza made perfect sense.
My Dear Celeste,
Forgive my Departure. Were I to stay I must eat you to the Bones.
Islands are Precious Domains. This is my way of saying Do Not Follow. That is your Choice now, as it was mine before you. There is no Shame in Retreat.
If you Ignore good Advice, I will see you Again. Our Business is not Finished.
RLS
Miss Temple folded the note, then unfolded it and read it again, sucking her lip at each overly dramatic capital, sensing that even in this disturbing little note (and how long had it taken the woman to find that pocket, she wondered, imagining those nimble fingers searching across her body) the Contessa's foremost goal had been to find some measure of delight. It was as if, in a mist of woodland air that anyone else would find refreshing, the Contessa di Lacquer-Sforza would locate some extra thread of scent (a flower or a rotting stag—or flowers growing from a stag's carcass) so the tips of her black hair might twist another curl.
Miss Temple did not consider herself an object of change—she had always been the same bundle of impulses and moods, however unpredictable these might appear to others—but now she found herself surprised, in the very midst of her anger, by the sudden memory of the Contessa's gashed shoulder, and an urge to draw her own tongue along its ragged, coppery length. The problem was not the impulse itself, but the necessary connection to another person.
Miss Temple had become very accustomed to the fact that, in her life, almost no one liked her. She was served, flattered, distrusted, disapproved of, coveted, envied, despised, but she had never, with the illusory exceptions of certain servants when she was a girl, enjoyed any particular friendship. The closest she had come was her fiancé, Roger Bascombe, but that had been a mere three months sparked by physical hunger (and had turned out horribly). She thought of Chang and Svenson, even Elöise… but friendship was hardly the same thing as loyalty or duty. Would the two men die for her? Sh
e had no doubt. Did they like her? A nut-hard part of Miss Temple's heart would not believe it—and she could have easily convinced herself the question did not matter, save for the Contessa's disorienting attentions in the freight car, no matter how mercenary those attentions undoubtedly had been.
But then, for she could not help it, Miss Temple read through the note again, this time fixing on the word “choice,” and the very intriguing phrase that followed it, “as it was mine before you”… she had never heard even one reference to the Contessa's life before, nor entertained the notion that there was a before for such a creature. Miss Temple's throat went dry to imagine what the Contessa could have possibly been like as a girl. And what choice could any girl have made to become that woman?
And how dare she suggest that Miss Temple herself faced anything resembling the same crossroads?
Suitably affronted to set the paper back down, Miss Temple turned her attentions elsewhere. Lydia Vandaariff's closet had a metal hip-bath and a very large Chinese jug of water. To either side of a tall mirror stood elegant tables, three-tiered like cakes and entirely cluttered with pins, ribbons, bottles, powders, paints, and perfumes. She tore off the corset and ill-fitting shift she had worn since her bath in Lina's kitchen and then, quite determined to be clean once more, sat naked on the carpet to unlace her boots.
THOUGH THE water was unheated, there was still a splendid array of sponges and soaps, and Miss Temple took the opportunity to scrub the whole of her body without any impediment of time. She must leave Harschmort eventually, but did it not make sense to wait until nightfall—a decision which, once made, allowed her hours? Washed and toweled at some leisure, she entered into a scrupulous investigation of Lydia's wide array of scents. While Miss Temple could not but view so many choices as emblematic of Lydia's essential lack of character, she was nevertheless curious whether her own sensible routine might be improved. Out of deliberately minded perversity, she settled upon a concoction of frangipani flowers, the Contessa's signature scent, placing a drop behind each ear, on each wrist, and then dragging one wet fingertip from the join of her collarbones down between her breasts.
Though Lydia had been taller than she, Miss Temple found several dresses that fit and one in particular that would allow her to run. This was a murky shade of violet that went quite well with both her boots (she was committed to her boots) and with her hair. That the fabric was dark meant it would not so eagerly show the dirt her actions must acquire, that it was sensible wool meant she would not be cold—practical insights that pleased Miss Temple very much.
Yet before the dress came an exacting selection of undergarments, and here, more than anywhere, the late Miss Vandaariff had not skimped. The possibilities presented to Miss Temple became quite literally overwhelming, as each new garment opened lurid implications— a veritable advent calendar of wickedness—in her mind. She was forced to pause, eyes open, cheeks flushed, and thighs tight together, until the fluttering tide had passed. With trembling fingers she selected silk replacements for her long-lost little pants and bodice, then petticoats, and a corset she put on backwards, tightened as well as she could, and then inched around until the laces were behind her. This done, Miss Temple sat at Lydia's mirror and did her steady best, availing herself freely of pins, ribbon, and a tortoiseshell comb, to strip the knots from her hair and restore the sausage curls she associated with her own accustomed presentation. She was not her maid Marthe— and had she been asked, she might well have admitted it—but she possessed some skill with her own hair (and since it had before been such a fright, the merest measure of success was welcome). Another half an hour slipped past before Miss Temple was at last presentable, the canvas sack exchanged for an elegant leather travel case, the glass book inside doubly wrapped within two silk pillowcases.
She knew she was dawdling, to keep away from outright danger and to indulge herself in the luxury to which she had been for far too long denied. She had even, as she washed herself and patted powder along her limbs, enjoyed the sensual tension of the Contessa's book, hovering like a cloud of golden bees just beyond reach, testing the limits of what she might allow and when she must bite the inside of her mouth to quell the sweetening tides. But then she came aware of another strain—an impatience with the petty vanity of her toilette— and she watched with fascination, both within the emotion and apart enough to see it, as the impatience grew into anger—with herself, with the luxury around her, with everything the useless life of Lydia Vandaariff had stood for. She shot home the latches on the case and picked it up. Without any thought but bitter disapproval, Miss Temple's hand lashed out at an especially over-glazed Chinese ginger jar and boxed it from its stand. The jar broke on the floor like a disconsolate egg, and she smiled. She stopped and snatched up another just like it. With grim satisfaction Miss Temple hurled the thing all the way back into the closet's mahogany door, the completeness of its destruction the exact expression of sharp justice she had desired.
MISS TEMPLE, now unsettled and sour, retraced her path down the corridor. If she could suppress the glass books' active interference with her thoughts, she could not expunge the fact of their encroachment—nor pretend that suppression was any lasting victory. As she walked, she sensed the prison's bones behind the paint and powder of Harschmort's splendor. Was she any different? Just as the lurid memories from the Contessa's book mocked Miss Temple's most secret desires, the Comte's book made clear its own web of grim connection—that death was shot through her past, her family, her wealth, and in her every morsel of anger or condescension or contempt.
She glanced into a mirror on the wall, its heavy gold frame carved with impossibly lush peonies, the blossoms blown open in a way that made Miss Temple uncomfortable. But what caused her to stop before the glass and rise to her toes was the pallor of her face. There had been mirrors in Lydia's chamber, and she had naturally glanced at her own body as she bathed—the shape of her legs, the appearance of her bosom, the tightly curled hair between her legs when it was wet and soaped—but this was a way of looking and not seeing. Miss Temple poked a finger into the skin below her eye and took it away—there was a brief impression of pink where the fingertip had been, but it faded at once, leaving her complexion waxy and drawn. She bared her teeth and was distressed to see the edges of her gums were red as the flesh of a fresh-cut strawberry.
MISS TEMPLE peeked over the railing of the main staircase, her newly set curls hanging over her face, and saw a passing line of bright red uniforms far below. There had been no soldiers accompanying their coach, which meant others had arrived. Did this mean Colonel Aspiche? She could not descend to the foyer if there was anyone who might recognize her. She quickly darted down one flight, just to the next landing. She would cut along this hallway, stay out of sight, and find a servant's staircase to the ground. But when Miss Temple hurried around the first corner she nearly collided with a Captain of Dragoons.
He was fair-haired with an elegantly curled moustache and side whiskers. It was the officer she'd seen in the corridor of Stäelmaere House, sick and tottering after his audience with the Duke. Behind him in a line, the oldest holding hands with the Captain, were three primly dressed children.
“Good afternoon,” said Miss Temple, bobbing in a tardy sketch of a curtsey.
“Closer to evening, I think,” replied the Captain. His voice was soft but sharp, like a talking fox in a tale.
“And who are all of you?” asked Miss Temple (who did not appreciate foxes), smiling past the officer at the three children. She did not especially appreciate children either, but could be kind to them when they were silent. All three watched her with wide, solemn eyes.
“I am Charles,” said the middle child, a ginger-haired boy in a brushed black-velvet suit. He sniffed. “Master Charles Trapping.”
“Hello, Charles.” Miss Temple loathed the boy at once.
“I am Francesca,” said the oldest, a girl with hair near the color of Miss Temple's own. Her chin was small and her eyes too round, b
ut her dress was a shade of lilac Miss Temple very much approved of. The girl's voice was low, as if she was not at all confident of her surroundings but as the oldest needed to assert precedence over her brash younger brother. Francesca turned to the third, a boy of perhaps three years, also in a velvet suit, holding in one hand the remains of a chocolate biscuit. “That is Ronald.”
“Hello, Ronald.”
Ronald looked at his feet in silence.
“Who are you?” demanded Charles.
Miss Temple smiled. “I am a dear friend of Miss Lydia Vandaariff, whose house you are in. She has journeyed to Macklenburg to be married.”
“Did she forget something?” Charles pointed to her case.
“She did not,” replied Miss Temple. “I did.”
“Don't you have servants to fetch it for you?”
The Dark Volume Page 36