Legacy

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by Mary Stewart


  I passed the bottom of the path which led up to the cave, and held on straight for the town. I believe I told myself that my first duty and concern was to visit St. Peter's to ask about my mother's death, and to see where she was buried. But when I got from my horse at the nunnery gate and lifted a hand to the bell, I knew from the knocking of my heart that I had told myself a lie.

  I could have spared myself the deception; it was the old portress who let me in, and who led me straight, without being asked, through the inner court and down to the green slope near the river where my mother was buried. It was a lovely place, a green plot near a wall where pear trees had been brought early into blossom by the warmth, and where, above their snow, the white doves she had loved were rounding their breasts to the sun. I could hear the ripple of the river beyond the wall, and down through the rustling trees the note of the chapel bell.

  The Abbess received me kindly, but had nothing to add to the account which I had received soon after my mother's death, and had passed on to my father. I left money for prayers, and for a carved stone to be made, and when I left, it was with her silver and amethyst cross tucked into my saddle-bag. One question I dared not ask, even when a girl who was not Keri brought wine for my refreshment. And finally, with my question unasked, I was ushered to the gate and out into the street. Here I thought for a moment that my luck had changed, for as I was untying my horse's bridle from the ring beside the gate I saw the old portress peering at me through the grille — remembering, no doubt, the gold I had given her on my first visit. But when I produced money and beckoned her close to shout my question in her ear, and even, after three repetitions, got through to her, the only answer was a shrug and the one word, "Gone," which — even if she had understood me — was hardly helpful. In the end I gave it up. In any case, I told myself, this was something that had to be forgotten. So I rode out of town and back over the miles to my valley with the memory of her face burned into everything I saw, and the gold of her hair lying in every shaft of the slanting sunlight.

  Cadal had rebuilt the pen which Galapas and I had made in the hawthorn brake. It had a good roof and a stout door, and could easily house a couple of big horses. One — Cadal's own, I supposed — was already there.

  Cadal himself must have heard me riding up the valley, because, almost before I had dismounted, he came running down the path by the cliff, had the bridle out of my hand, and, lifting both my hands in his, kissed them.

  "Why, what's this?" I asked, surprised. He need have had no fears for my safety; the messages I had sent him had been regular and reassuring. "Didn't you get the message I was coming?"

  "Yes, I got it. It's been a long time. You're looking well." "And you. Is all well here?" "You'll find it so. If you must live in a place like this, there's ways and ways of making it fit. Now get away up, your supper's ready." He bent to unbuckle the horse's girths, leaving me to go up to the cave alone.

  He had had a long time in which to do it, but even so it came with a shock like a miracle. It was as it had always been, a place of green grass and sunlight. Daisies and heartsease starred the turf between the green curls of young bracken, and young rabbits whisked out of sight under the flowering blackthorn. The spring ran crystal clear, and crystal clear through the water of the well could be seen the silver gravel at the bottom. Above it, in its ferny niche, stood the carved figure of the god; Cadal must have found it when he cleared the rubbish from the well. He had even found the cup of horn. It stood where it had always stood. I drank from it, sprinkled the drops for the god, and went into the cave.

  My books had come from Less Britain; the great chest was backed against the wall of the cave, where Galapas' box had been. Where his table had stood there was another, which I recognized from my grandfather's house. The bronze mirror was back in place. The cave was clean, sweet-smelling and dry. Cadal had built a hearth of stone, and logs were laid ready across it to light. I half expected to see Galapas sitting beside the hearth, and, on the ledge near the entrance, the falcon which had perched there on the night a small boy left the cave in tears. Deep among the shadows above the ledge at the rear was the gash of deeper shadow which hid the crystal cave.

  That night, lying on the bed of bracken with the rugs pulled round me, I lay listening, after the dying of the fire, to the rustle of leaves outside the cave, and, beyond that, the trickle of the spring. They were the only sounds in the world. I closed my eyes and slept as I had not slept since I was a child.

  8

  Like a drunkard who, as long as there is no wine to be had, thinks himself cured of his craving, I had thought myself cured of the thirst for silence and solitude. But from the first morning of waking on Bryn Myrddin, I knew that this was not merely a refuge, it was my place. April lengthened into May, and the cuckoos shouted from hill to hill, the bluebells unfurled in the young bracken, and evenings were full of the sound of lambs crying, and still I had never once gone nearer the town than the crest of a hill two miles north where I gathered leaves and cresses. Cadal went down daily for supplies and for what news was current, and twice a messenger rode up the valley, once with a bundle of sketches from Tremorinus, once with news from Winchester and money from my father — no letter, but confirmation that Pascentius was indeed massing troops in Germany, and war must surely come before the end of summer.

  For the rest I read, and walked on the hills, and gathered plants and made medicines. I also made music, and sang a number of songs which made Cadal look sideways at me over his tasks and shake his head. Some of them are still sung, but most are best forgotten. One of the latter was this, which I sang one night when May was in town with all her wild clouds of blossom, and greybell turned to bluebell along the brakes.

  I stood still with all my dignity round me like a robe, and under it my body fretting like a horse that feels curb and spur at the same time. I wondered if she were going to kiss my hand again, and if so, what I would do. "Keri! What are you doing here?"

  "Why, gathering bluebells." The wide innocence of her look robbed the words of pertness. She held them up, laughing at me across them. God knows what she could see in my face. No, she was not going to kiss my hand. "Didn't you know I'd left St. Peter's?"

  "Yes, they told me. I thought you must have gone to some other nunnery." "No, never that. I hated it. It was like being in a cage. Some of them liked it, it made them feel safe, but not me. I wasn't made for such a life."

  "They tried to do the same thing to me, once," I said.

  "Did you run away, too?" "Oh, yes. But I ran before they shut me up. Where are you living now, Keri?" She did not seem to have heard the question. "You weren't meant for it, either? Being in chains, I mean?" "Not those chains." I could see her puzzling over this, but I was not sure what I had meant myself, so held my tongue, watching her without thought, feeling only the strong happiness of the moment.

  "I was sorry about your mother," she said. "Thank you, Keri."

  "She died just after you'd left. I suppose they told you all about it?" "Yes. I went to the nunnery as soon as I came back to Maridunum." She was silent for a moment, looking down. She pointed a bare toe in the grass, a little shy dancing movement which set the golden apples at her girdle jingling. "I knew you had come back. Everyone's talking about it."

  "Are they?"

  She nodded. "They told me in the town that you were a prince as well as a great magician..." She looked up then, her voice fading to doubt, as she eyed me. I was wearing my oldest clothes, a tunic with grass stains that not even Cadal could remove, and my mantle was burred and pulled by thorns and brambles. My sandals were of canvas like a slave's; it was useless to wear leather through the long wet grass. Compared even with the plainly dressed young man she had seen before, I must look like a beggar. She asked, with the directness of innocence: "Are you still a prince, now that your mother is gone?"

  "Yes. My father is the High King."

  Her lips parted. "Your father? The King? I didn't know. Nobody said that."

  "
Not many people know. But now that my mother is dead, it doesn't matter. Yes, I am his son."

  "The son of the High King..." She breathed it, with awe. "And a magician, too. I know that's true."

  "Yes. That is true."

  "You once told me you weren't."

  I smiled. "I told you I couldn't cure your toothache."

  "But you did cure it."

  "So you said. I didn't believe you."

  "Your touch would cure anything," she said, and came close to me.

  The neck of her gown hung slack. Her throat was pale as honeysuckle. I could smell her scent and the scent of the bluebells, and the bittersweet juice of the flowers crushed between us. I put out a hand and pulled at the neck of the gown, and the drawstring snapped. Her breasts were round and full and softer than anything I had imagined. They rounded into my hands like the breasts of my mother's doves. I believe I had expected her to cry out and pull away from me, but she nestled towards me warmly, and laughed, and put her hands up behind my head and dug her fingers into my hair and bit me on the mouth. Then suddenly she let her whole weight hang against me so that, reaching to hold her, plunging clumsily into the kiss, I stumbled forward and fell to the ground with her under me and the flowers scattering round us as we fell.

  It took me a long time to understand. At first it was laughter and snatched breathing and all that burns down into the imagination in the night, but still held down hard and steady because of her smallness and the soft sounds she made when I hurt her. She was slim as a reed and soft with it, and you would have thought it would make me feel like a duke of the world, but then suddenly she made a sound deep in her throat as if she was strangling, and twisted in my arms as I have seen a dying man twist in pain, and her mouth came up like something striking, and fastened on mine.

  Suddenly it was I who was strangling; her arms dragged at me, her mouth sucked me down, her body drew me into that tight and final darkness, no air, no light, no breath, no whisper of waking spirit. A grave inside a grave. Fear burned down into my brain like a white hot blade laid across the eyes. I opened them and could see nothing but the spinning light and the shadow of a tree laid across me whose thorns tore like spikes. Some shape of terror clawed my face. The thorn-tree's shadow swelled and shook, the cave-mouth gaped and the walls breathed, crushing me. I struggled back, out, tore myself away and rolled over apart from her, sweating with fear and shame.

  "What's the matter?" Even her voice sounded blind. Her hands still moved over the space of air where I had been.

  "I'm sorry, Keri. I'm sorry."

  "What do you mean? What's happened?" She turned her head in its fallen flurry of gold. Her eyes were narrow and cloudy. She reached for me. "Oh, if that's all, come here. It's all right, I'll show you, just come here."

  "No." I tried to put her aside gently, but I was shaking. "No, Keri. Leave me. No."

  "What's the matter?" Her eyes opened suddenly wide. She pushed herself up on her elbow. "Why, I do believe you've never done it before. Have you? Have you?"

  I didn't speak.

  She gave a laugh that seemed meant to sound gay, but came shrilly. She rolled over again and stretched out her hands. "Well, never mind, you can learn, can't you? You're a man, after all. At least, I thought you were..." Then, suddenly in a fury of impatience: "Oh, for God's sake. Hurry, can't you? I tell you, it'll be all right."

  I caught her wrists and held them. "Keri, I'm sorry. I can't explain, but this is...I must not, that's all I know. No, listen, give me a minute."

  "Let me go!"

  I loosed her and she pulled away and sat up. Her eyes were angry. There were flowers caught in her hair.

  I said: "This isn't because of you, Keri, don't think that. It has nothing to do with you—"

  "Not good enough for you, is that it? Because my mother was a whore?"

  "Was she? I didn't even know." I felt suddenly immensely tired. I said carefully: "I told you this was nothing to do with you. You are very beautiful, Keri, and the first moment I saw you I felt — you must know what I felt. But this is nothing to do with feeling. It is between me and — it is something to do with my — " I stopped. It was no use. Her eyes watched me, bright and blank, then she turned aside with a little flouncing movement and began to tidy her dress. Instead of "power," I finished: " — something to do with my magic."

  "Magic." Her lip was thrust out like a hurt child's. She knotted her girdle tight with a sharp little tug, and began to gather up the fallen bluebells, repeating spitefully: "Magic. Do you think I believe in your silly magic? Did you really think I even had the toothache, that time?"

  "I don't know," I said wearily. I got to my feet.

  "Well, maybe you don't have to be a man to be a magician. You ought to have gone into that monastery after all."

  "Perhaps." A flower was tangled in her hair and she put a hand up to pull it out. The fine floss glinted in the sun like gossamer. My eye caught the blue mark of a bruise on her wrist. "Are you all right? Did I hurt you?"

  She neither answered nor looked up, and I turned away. "Well, goodbye, Keri." I had gone perhaps six steps when her voice stopped me. "Prince —" I turned. "So you do answer to it?" she said. "I'm surprised. Son of the High King, you say you are, and you don't even leave me a piece of silver to pay for my gown?"

  I must have stood staring like a sleepwalker. She tossed the gold hair back over her shoulder and laughed up at me. Like a blind man fumbling, I felt in the purse at my belt and came out with a coin. It was gold. I took a step back towards her to give it to her. She leaned forward, still laughing, her hands out, cupped like a beggar's. The torn gown hung loose from the lovely throat. I flung the coin down and ran away from her, up through the wood.

  Her laughter followed me till I was over the ridge and down in the next valley and had flung myself on my belly beside the stream and drowned the feel and the scent of her in the rush of the mountain water that smelled of snow.

  9

  In June Ambrosius came to Caerleon, and sent for me. I rode up alone, arriving one evening well past supper-time, when the lamps had been lit and the camp was quiet. The King was still working; I saw the spill of light from headquarters, and the glimmer on the dragon standard outside. While I was still some way off I heard the clash of a salute, and a tall figure came out whom I recognized as Uther.

  He crossed the way to a door opposite the King's, but with his foot on the bottom step saw me, stopped, and came back.

  "Merlin. So you got here. You took your time, didn't you?"

  "The summons was hasty. If I am to go abroad, there are things I have to do."

  He stood still. "Who said you were to go abroad?"

  "People talk of nothing else. It’s Ireland, isn't it? They say Pascentius has made some dangerous allies over there, and that Ambrosius wants them destroyed quickly. But why me?"

  "Because it's their central stronghold he wants destroyed. Have you ever heard of Killare?"

  "Who hasn't? They say it's a fortress that's never been taken."

  "Then they say the truth. There's a mountain in the center of all Ireland, and they say that from the summit of it you can see every coast. And on top of that hill there's a fortress, not of earth and palisades, but of strong stones. That, my dear Merlin, is why you."

  "I see. You need engines."

  "We need engines. We have to attack Killare. If we can take it, you can reckon that there'll be no trouble there for a few years to come. So I take Tremorinus, and Tremorinus insists on taking you."

  "I gather the King isn't going?"

  "No. Now I'll say good night; I have business to attend to, or I would ask you in to wait. He's got the camp commandant with him, but I don't imagine they'll be long."

  On this, he said a pleasant enough good night, and ran up the steps into his quarters, shouting for his servant before he was well through the door.

  Almost immediately, from the King's doorway, came the clash of another salute, and the camp commandant came out. Not seeing m
e, he paused to speak to one of the sentries, and I stood waiting until he had done.

  A movement caught my eye, a furtive stir of shadow where someone came softly down a narrow passage between the buildings opposite, where Uther was housed. The sentries, busy with the commandant, had seen nothing. I drew back out of the torchlight, watching. A slight figure, cloaked and hooded. A girl. She reached the lighted corner and paused there, looking about her. Then, with a gesture that was secret rather than afraid, she pulled the hood closer about her face. It was a gesture I recognized, as I recognized the drift of scent on the air, like honeysuckle, and from under the hood the lock of hair curling, gold in the torchlight.

  I stood still. I wondered why she had followed me here, and what she hoped to gain. I do not think it was shame I felt, not now, but there was pain, and I believe there was still desire. I hesitated, then took a step forward and spoke.

  "Keri?"

  But she paid no attention. She slid out from the shadows and, quickly and lightly, ran up the steps to Uther's door. I heard the sentry challenge, then a murmur, and a soft laugh from the man.

 

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