by Barry Eisler
When the set ended, I had a decision to make. On the one hand, I assumed he was here for Midori, and wanted to watch him to confirm and to see what else I could learn. On the other hand, if he was connected with Kawamura, he might know that the heart attack had been induced, and he might recognize me from the train, where we had spoken briefly over Kawamura’s prone form. The risk was small, but, as Crazy Jake once liked to put it, the penalty for missing was high. Someone could learn of my current appearance, and the cocoon of anonymity I had been so careful to build would be ruptured.
Also, if I did stay to watch his interaction with Midori, I wouldn’t be able to follow him when he left. I’d have to share Alfie’s five-person elevator with him for that, or hope but probably fail to beat him by using the stairs, and he’d make me. And if he got to the street first, by the time I caught up he would already have been carried away by the tides of pedestrians sweeping across Roppongi-dori.
Although it was frustrating, I had to leave first. When the applause for the second set had ended, I watched the stranger shove off in the direction of the stage. Several patrons stood and began milling about, and I placed them between us as I headed for the exit.
Keeping my back to the stage, I stopped to return the remnants of my Cao Lila. I thanked Mama again for letting me in without a reservation.
“I saw you talk to Kawamura-san,” she said. “Was that so hard?”
I smiled. “No, Mama, it was fine.”
“Why are you leaving so early? You don’t come by nearly enough.”
“I’ll have to remedy that. But tonight I have other plans.”
She shrugged, perhaps disappointed that her machinations had come to so little.
“By the way,” I said to her, “who was that gaijin who came in during the second set? I saw you arguing with him.”
“He’s a reporter,” she said, wiping a glass. “He’s writing an article on Midori, so I let him stay.”
“A reporter? That’s great. With what publication?”
“Some Western magazine. I don’t remember.”
“Good for Midori. She really is going to be a star.” I patted her on the hand. “Good night, Mama. See you again.”
I took the stairs down to the street, then crossed Roppongi-dori and waited in the Meidi-ya supermarket across the street, pretending to examine their champagne selection. Ah, an ’88 Moët — good, but hardly a bargain at 35,000 yen. I examined the label and watched the elevator to Alfie through the window.
Out of habit I scanned the other spots that would make sense as setup points if you were waiting for someone to emerge from Alfie. Cars parked along the street, maybe, but you could never count on getting a space, so low probability there. The phone booth just down from the Meidi-ya, where a crew-cut Japanese in a black leather jacket and wraparound shades had been on the phone as I emerged from the stairwell. He was still there, I could see, facing the entrance to Alfie.
The stranger emerged after about fifteen minutes and made a right on Roppongi-dori. I stayed put for a moment, waiting for Telephone Man’s reaction, and sure enough he hung up and started off down the street in the same direction.
I left the Meidi-ya and turned left onto the sidewalk. Telephone Man was already crossing to the stranger’s side, not even waiting until he got to the crosswalk. His surveillance moves were blatant: hanging up the phone the instant the stranger had emerged, the constant visual contact with the exit before that, the sudden move across the street. He was following too closely, too, a mistake because it allowed me to fall in behind him. For a second I wondered if he might be working with the stranger, maybe as a bodyguard or something, but he wasn’t close enough to have been effective in that capacity.
They turned right onto Gaienhigashi-dori in front of the Almond Cafe, Telephone Man following by less than ten paces. I crossed the street to follow, hurrying because the light had already changed.
This is stupid, I thought. You are in the middle of someone else’s surveillance. If there’s more than one and they’re using film, you could get your picture taken.
I imagined Benny, putting a B-team on Kawamura, playing me for a fool, and I knew I would take the risk.
I followed them for several blocks, noting that neither exhibited any concern about what was going on behind him. From the stranger I saw no surveillance-detection behavior — no turns or stops that, however innocent seeming, would have forced a follower to reveal his position.
At the fringes of mad Roppongi, where the crowds began to thin, the stranger turned into one of the Starbucks that are exterminating the traditional kissaten, the neighborhood coffee shops. Telephone Man, constant as the North Star, found a public booth a few meters farther on. I crossed the street and entered a place called the Freshness Burger, where I ordered their eponymous entrée and took a seat at the window. I watched the stranger order something inside Starbucks and then sit down at a table.
My guess was that Telephone Man was alone. If he had been part of a team, it would have made sense for him to peel off and change places at some point to avoid detection. Also, my periodic checks as we progressed down the street hadn’t identified anyone behind me. If he had been with a team and they were as clueless as he appeared to be, I would have made them easily as we moved along.
I sat quietly, monitoring the street, watching the stranger sipping his Starbucks beverage and checking his watch. Either he was waiting for someone to meet him there, or he was killing time before a meeting somewhere else.
Turned out it was door number one. After about half an hour had gone by, I was surprised to see Midori heading down the street in our direction. She was checking storefronts as she walked, finally seeing the Starbucks sign and heading in.
Telephone Man pulled out a cell phone, pressed a key, and held the unit to his ear. Nice move for a guy standing in a public phone booth. He hadn’t needed to input the whole number, I noted, so whomever he was calling was a speed dial, someone he would call frequently.
The stranger stood when he saw Midori approaching his table and bowed formally. The bow was good, and I knew this was someone who had been in Japan for some time, who would be comfortable with the language and culture. Midori returned his bow but at a lesser angle, uncertainty in her stance. I sensed that they were not well acquainted. My guess was that Alfie had been their first meeting.
I glanced over at Telephone Man and saw him put away his cell phone. He stayed where he was.
The stranger gestured for Midori to sit; she accepted, and he followed suit. He gestured to the counter, but Midori shook her head. She wasn’t ready to break bread with this man.
I watched them for about ten minutes. As their conversation progressed, the stranger’s gestures took on an air of entreaty, while Midori’s posture grew increasingly rigid. Finally she stood up, bowed quickly, and began to back away. The stranger returned her bow, but much more deeply, and somehow awkwardly.
Which one to follow now? I decided to leave the decision to Telephone Man.
As Midori exited the Starbucks and headed back in the direction of Roppongi, Telephone Man watched her go but held his position. So it was the stranger he wanted, or wanted more.
The stranger left shortly after Midori, returning to Hibiya Station on Roppongi-dori. Telephone Man and I followed, maintaining our previous positions. I stayed with them down to the tracks, waiting a full car’s length down from both until an Ebisu-bound train arrived and we all boarded. I kept my back to them, watching in the reflection of the glass, until the train stopped in Ebisu and I saw them exit.
I stepped off a moment later, hoping the stranger would be heading away, but he was coming toward me. Shit. I slowed my pace, then stopped in front of a station map, examining it at such an angle that neither would be able to see my face as he passed.
It was late, and there were only a half dozen people leaving the station with us. I kept a full riser of stairs between us as we left the bowels of the station, then let them pull a good twenty me
ters ahead before emerging from the station entrance to follow.
At the edge of Daikanyama, an upscale Tokyo suburb, the stranger turned into a large apartment complex. I watched him insert a key in the entrance door, which opened electronically and then closed behind him. Telephone Man also took obvious note, then continued for about twenty paces past the entrance, where he stopped, pulled out his cell phone, pressed a key, and spoke briefly. Then he pulled out a pack of cigarettes, lit one, and sat down on the curb.
No, this guy wasn’t on the stranger’s team, as I had briefly wondered. He was tailing him.
I moved into the shadows at the back of a small commercial parking lot and waited. Fifteen minutes later a scarlet racing-style motorcycle, its exhaust modified to produce the maximum Godzillalike rumble, roared onto the street. The driver, in matching scarlet racing leathers and full helmet, pulled up in front of Telephone Man. Telephone Man gestured to the stranger’s building and got on the back of the bike, and they blasted off into the night.
A safe bet that the stranger lived here, but the building housed hundreds of units and I had no way of telling which was his or of checking for a name. There would be at least two points of egress, as well, so waiting would be useless. I stayed until the sound of the motorcycle had disappeared before getting up and checking the address. Then I headed back toward Ebisu Station.
5
FROM EBISU I took the Hibiya line to Hibiya Station, where I would change to the Mita line and home. I never change trains directly, though, and I emerged from the station first to run an SDR.
I stopped in a Tsutaya music shop and made my way past the teenyboppers in their grunge costumes listening to the latest Japanese pop sounds on the headphones the store provides, bobbing their heads to the music. Strolling to the back of the store, I paused now and then to look at CDs on shelves that faced the door, glancing up to see who might be coming in behind me.
I browsed for a bit in the classical section, then moved on to jazz. On impulse I checked to see whether Midori had a CD. She did: Another Time. The cover showed her standing under a streetlamp in what looked like one of the seedier parts of Shinjuku, her arms folded in front of her, her profile in shadows. I didn’t recognize the label — something still small-time. She wasn’t there yet, but I believed Mama was right, that she would be.
I started to return it to its place on the shelf, then thought, Christ, it’s just music. If you like it, buy it. Still, a clerk might remember. So I also picked up a collection of someone else’s jazz instrumentals and some Bach concertos on the way to the registers. Chose a long line, harassed-looking clerk. Paid cash. All the guy would remember was that someone bought a few CDs, maybe classical, maybe jazz. Not that anyone was going to ask him.
I finished the SDR and took the CDs back to my apartment in Sengoku. Sengoku is in the northeast of the city, near the remnants of old Tokyo, what the natives call Shitamachi, the downtown. The area is antique, much of it having survived both the Great Kanto quake of 1923 and the firebombing that came during the war. The neighborhood has no nightlife beyond the local nomiya, or watering holes, and no commercial district, so there aren’t many transients. Most of its people are Edoko, the real Tokyoites, who live and work in its mom-and-pop shops and its tiny restaurants and bars. “Sengoku” means “the thousand stones.” I don’t know the origin of the name, but I’ve always liked it.
It’s not home, but it’s as close as anything I’ve ever had. After my father died, my mother took me back to the States. In the face of her loss and the accompanying upheavals in her life, I think my mother wanted to be close to her parents, who seemed equally eager for a reconciliation. We settled in a town called Dryden in upstate New York, where she took a job as a Japanese instructor at nearby Cornell University and I enrolled in public school.
Dryden was a predominantly white, working-class town, and my Asian features and nonnative English made me a favorite with the local bullies. I received my first practical lessons in guerilla warfare from the Dryden indigenous population: they hunted me in packs, and I struck back at them on my own terms when they were alone and vulnerable. I understood the guerrilla mentality years before I landed at Da Nang.
My mother was distraught over my constant bruises and scraped knuckles, but was too distracted with her new position at the university and with trying to mend fences with her parents to intervene. I spent most of those years homesick for Japan.
So I grew up sticking out, only afterwards learning the art of anonymity. In this sense, Sengoku is an anomaly for me. I chose the area before anonymity was an issue, and I stayed by rationalizing that the damage was already done. It’s the kind of place where everyone knows your name, thinks they know your business. At first it made me uncomfortable, everyone recognizing me, pinpointing me. I thought about moving to the west of the city. The west feels exactly like Tokyo and nothing like Japan. It’s brash and fast and new, swirling with caffeineated crowds, alienating and anonymous. I could go there, blend in, disappear.
But the old downtown has a magic to it, and it’s hard for me to imagine leaving. I like the walk from the subway to my apartment in the evening, up the little merchant’s street painted green and red so that it always feels festive, even in the early darkness of winter. There’s the middle-aged couple that owns the corner five-and-dime, who greet me “Okaeri nasai!” — Welcome home! — when they see me at night, rather than the usual “Kon ban wa,” or good evening. There’s the plump, laughing old woman who runs the video store with the big yellow sign out front and the windows plastered with posters of recent Hollywood releases, whose door is always left open when the weather is cool. She stocks everything from Disney to the most outrageous pornography, and from noon to ten at night, she sits like a jolly Buddha in her little store, watching her own wares on a TV next to the cash register. And there’s the Octopus Woman, who sells takoyaki — fried octopus — from a streetside window in her ancient house, whose face, weary with the accumulated years and boredom of her labors, has come to resemble the creatures that go into her food. Every night she shuffles around her stove, pouring her potions in unconscious, repetitive motions, and sometimes when I walk by, I see giggling children running past, whispering, “Tako onna! Ki o tsukete!” The Octopus Woman! Be careful! And there’s the house of Yamada, the piano teacher, from which, on summer evenings, when darkness comes late, soft notes drift lazily down the street, mingling with the shuffling slippers of bathers returning from the sento, the local public bath.
I listened to Midori’s music a lot that weekend. I’d get home from my office, boil water for a dinner of ramen noodles, then sit with the lights down and the music playing, unwinding, following the notes. Listening to the music, looking out the balcony window onto the quiet, narrow streets of Sengoku, I sensed the presence of the past but felt that I was safe from it.
The neighborhood’s rhythms and rituals, too subtle to appreciate at first, have steeped quietly over the years. They’ve grown on me, infected me, become part of me. Somehow a small step out of the shadows doesn’t seem such a high price to pay for such indulgences. Besides, sticking out is a disadvantage in some ways, an asset in others. Sengoku doesn’t have anonymous places where a stranger can sit and wait for a target to arrive. And until Mom and Pop pull their wares back into their shops at night and roll down the corrugated doors, they’re always out there, watching over the street. If you don’t belong in Sengoku people will notice, wonder what you’re doing there. If you do belong — well, you get noticed in a different way.
I guess I can live with that.
6
THE FOLLOWING WEEK I arranged a lunch meeting with Harry at the Issan sobaya. I wasn’t going to be able to let go of this little mystery, and I knew I would need his help to solve it.
Issan is in an old wooden house in Meguro, about fifty meters off Meguro-dori and a five-minute walk from Meguro Station. Utterly unpretentious, it serves some of the best soba noodles in Tokyo. I like Issan not just for the qua
lity of its soba, but for its air of whimsy, too: there’s a little lost-and-found cabinet by the front entrance, the contents of which haven’t changed in the decade since I discovered the place. I sometimes wonder what the proprietors would say if a customer were to come in and exclaim, “At last! My tortoiseshell shoehorn — I’ve been looking for it for years!”
One of the restaurant’s petite waitresses escorted me to a low table in a small tatami room, then knelt to take my order. I selected the day’s umeboshi, pickled plums, to crunch on while I waited for Harry.
He rolled in about ten minutes later, led by the same waitress who had seated me. “I guess it was too much to hope that you would pick Las Chicas again,” he said, looking around at the ancient walls and faded signs.
“I’ve decided it’s time for you to experience more of traditional Japan,” I told him. “I think you’re spending too much time in the electronics stores in Akihabara. Why don’t you try something classic? I recommend the yuzukiri.” Yuzukiri are soba noodles flavored with the juice of a delicate Japanese citrus fruit called the yuzu, and an Issan house specialty.
The waitress came back and took our order: two yuzukiri. Harry told me he hadn’t managed to unearth anything particularly revealing about Kawamura, just general biographical details.
“He was a Liberal Democratic Party lifer,” Harry explained. “Graduated from the University of Tokyo in 1960, political science major, went straight to the government along with the rest of the cream of the crop.”
“The States could learn something from this. There, the government gets the college rejects. Like sowing the smallest seeds of corn.”
“I’ve worked with some of them,” Harry said. “Anyway, Kawamura started out crafting administrative guidance for the Japanese consumer electronics industry at the Ministry of International Trade and Industry. MITI was working with companies like Panasonic and Sony to enhance Japan’s position in the world economy, and Kawamura had a lot of power for a guy in his twenties. Steady promotions up the bureaucratic ladder, successful but not spectacular. High marks for architecting strategic domestic semiconductor guidance in the eighties.”