Margaret Fuller

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Margaret Fuller Page 60

by Megan Marshall

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  Milton, John, [>]

  “Miranda” (autobiographical character), [>]–[>], [>]

  Miss Susan Prescott’s school, Fuller attends, [>]–[>], [>], [>], [>]

  “Mistress of Herself, Though China Fall” (Fuller), [>]

  Mitford, Mary Russell, [>]

  “Modern British Poets” (Fuller), [>]

  Montaigne, Michel Eyquem de, [>]

  Monthly Repository, [>]

  More, Hannah, [>], [>], [>]

  Moses (Michelangelo sculpture), [>]

  Mott, Lucretia, [>], [>]

  Mount Auburn Cemetery, Cambridge, monument to Fuller and Giovanni in, [>]–[>]

  Mozier, Joseph, [>], [>], [>], [>], [>]

  Nathan, James, [>]–[>], [>]–[>], [>], [>], [>], [>]–[>], [>], [>]–[>], [>], [>]

  National Woman’s Rights convention, [>]–[>]

  Nature (Emerson), [>], [>], [>], [>], [>]

  Newcomb, Charles King, [>], [>], [>], [>]

  New England Galaxy, Fuller story in, [>]

  New York City, [>]–[>]

  City Hall Park in, [>]

  custodial institutions of visited, [>]–[>]

  Fuller on Tribune in, [>] (see also New-York Tribune)

  Fuller visits

  first visit, [>]

  returning from journey west, [>]–[>]

  New York Herald, [>]

  New York Philharmonic Society, [>]

  New York Prison Association, [>], [>]

  New York State, and Fuller on social reform, [>]

  New York Sun, [>]

  New-York Tribune, [>], [>], [>], [>], [>]

  Fuller as literary editor and columnist of, [>], [>], [>], [>], [>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>], [>]

  and European journey, [>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>]–[>], [>]

  and European journey (revolutionary struggles), [>]–[>], [>], [>]–[>], [>], [>]–[>], [>]–[>], [>], [>], [>], [>], [>], [>], [>]

  and European journey (urges socialism), [>]

  Greeley’s Turtle Bay home as residence of, [>], [>], [>]

  Mazzini praised, [>]

  moves to boarding house, [>]

  and James Nathan travelogues, [>]

  at New York literary gatherings, [>]–[>]

  on return to America, [>]

  social reform investigations, [>]–[>], [>]

  social reform investigations (Europe), [>], [>]

  star as emblem of, [>]–[>], [>], [>], [>]

  on “woman’s day” yet to come, [>]

  and Woman in the Nineteenth Century, [>]

  quality of writing in, [>]

  Niagara Falls

  captive eagle at, [>]

  Fuller and traveling party at, [>], [>], [>]

  Nicholas I (czar), [>]

  Nino. See Ossoli, Angelo Eugene Philip

  North American Phalanx, [>]

  North American Review

  Bancroft essay in, [>]

  and The Dial, [>]–[>]

  Norton, Andrews, [>], [>], [>], [>]

  Norton, Charles Eliot, [>]

  Novalis (Friedrich von Hardenberg), [>], [>], [>]

  Oberon (Wieland), [>]

  O’Keeffe, Georgia, [>]

  “On the Death of Margaret Fuller Ossoli” (Cranch), [>]

  “Orphic Sayings” (Alcott), [>]–[>], [>], [>]

  Ossoli, Angelo Eugene Philip (Nino), [>]–[>], [>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>]

  and arrangements in event of death, [>]

  baptismal certificate of, [>]

  chickenpox attack of, [>]

  Christmas gifts of, [>]

  Fuller’s apprehensions over, [>], [>], [>]

  Fuller’s maternal adoration of, [>], [>]

  near death while living in countryside, [>], [>]

  at risk of being taken away as foundling, [>]

  Rebecca Spring on, [>]

  during stay in Florence, [>]

  on way to America, [>]

  Fuller’s musings on, [>]

  smallpox contracted, [>]–[>]

  in shipwreck, [>], [>], [>]

  death and burial of, [>]

  weaning of, [>]

  Ossoli, Filippe, [>]

  Ossoli, Giovanni Angelo, [>], [>], [>], [>], [>]

  Maria Child’s posthumous criticism of, [>]

  and conflict over inheritance, [>]

  daguerreotype of, [>], [>]

  English lessons for, [>]

  and Fuller, [>]–[>], [>], [>], [>], [>]–[>], [>]–[>], [>], [>], [>]–[>] (see also Marriage of Fuller and Giovanni Ossoli)

  first meeting with, [>], [>]

  first proposal rejected, [>], [>]

  reunion, [>], [>]

  and residency plans, [>]

  and Fuller’s pregnancy, [>]–[>], [>]–[>], [>], [>], [>]–[>]

  loyalty of, [>], [>]

  and question of marriage, [>], [>]–[>], [>]

  son born to (“Nino”), [>], [>], [>]–[>] (see also Ossoli, Angelo Eugene Philip)

  Fuller’s letters to, [>], [>]

  disclosure of Nino and secret life considered, [>]

  meeting after battle for Rome, [>]–[>]

  passport secured, [>]

  retrieving Nino and thoughts on marriage, [>]–[>]

  posthumous controversy over, [>]

  monument to, [>]–[>]

  Mozier on, [>]–[>]

  reticence of, [>]–[>]

  setbacks of from failed revolution, [>]

  as soldier in republican army (Civic Guard), [>]–[>], [>], [>], [>], [>], [>]

  and memories of battle, [>], [>]

  Ossoli, Margaret (married name of Margaret Fuller), [>]

  Ossoli, Pietro, [>]–[>]

  Ostia, Fuller visits with Giovanni, [>], [>]

  O’Sullivan, John L., [>]

  “Our City Charities” (Fuller), [>]

  Ouroboros (symbol of eternity), [>], [>]

  Ovid, Metamorphoses, [>]–[>]

  Panic of 1837, [>], [>]–[>], [>], [>]

  in Boston, [>]

  Paolini, Celeste, [>], [>], [>], [>]

  Papers on Literature and Art (Fuller), [>], [>], [>]

  essay from in French journal, [>]

  James Russell Lowell’s work dismissed in, [>]

  Paris

  Emerson’s visit to, [>], [>]

  Fuller in, [>], [>]–[>], [>], [>]

  Parker, Theodore, [>], [>], [>]

  and alternative university plan, [>]

  at Emerson lecture, [>]

  as Dial contributor, [>], [>]

  and Friends of Universal Reform, [>]

  and prospective new journal (The Dial), [>]

  Peabody, Eliza (Mrs. Elizabeth Palmer), [>], [>]

  Peabody, Elizabeth (Palmer), [>], [>], [>]–[>], [>], [>], [>]

  bookstore of, [>], [>], [>]

  Lloyd Fuller as clerk in, [>]

  Brook Farm essays written by, [>]

  and Conversations group, [>], [>], [>], [>]

  on single life, [>]–[>]

  on Fuller, [>]

  and Hawthorne, [>], [>]

  letters to, [>]

  publishing business of, [>]–[>], [>], [>]

  in Transcendental Club, [>]

  and “Transcendentalism,” [>]

  Peabody, Mary, [>], [>], [>], [>], [>]–[>]

  Peabody, Sophia, [>], [>], [>], [>], [>]

  marriage of, [>]–[>], [>] (see also Hawthorne, Sophia)

  Peirce, Benjamin, [>]

  Penitentiary, NYC, Fuller visits, [>]

  Penniman, Almira, [>]

  “Penny press,” [>]

  People’s Journal, [>], [>]

  Philip van Artevelde (Taylor), [>]

  Pius IX (pope) (Pio Nono), [>], [>]–[>], [>], [>], [>]

  escapes from Vatican, [>]

  Mazzini on proper attitude toward, [>]

  residence fired upon, [>]

  and Count Rossi, [>]

  turns reactionary, [>], [>]


  foreign armies fighting on behalf of, [>]

  Plato, [>]

  Plutarch, [>]

  Poe, Edgar Allan, [>], [>], [>]

  Broadway Journal of, [>], [>], [>]

  Poesy, as Fuller icon, [>]

  Poesy (Raphael painting), [>]

  Politics

  and Fuller’s disappointment with America, [>], [>]

  of interest to Fuller, [>]

  See also Revolutionary movements across Europe; Roman Republic

  Polk, James K., [>], [>]

  “Possunt quia posse videntur” (Fuller essay), [>], [>], [>]

  Powers, Hiram, [>]

  Prescott, Susan, [>], [>], [>], [>]–[>]

  letters to, [>], [>], [>], [>], [>], [>]

  See also Miss Susan Prescott’s school

  “Present Age, The” (Emerson), [>]

  Primogeniture, law of, [>]

  “Problem, The” (Emerson), [>]

  Prostitutes

  and Fuller on chastity, [>]

  and Fuller’s reform efforts, [>], [>], [>], [>]

  address to, [>]–[>]

  Providence, Rhode Island

  Fuller on, [>], [>]

  Greene Street School in, [>], [>] (see also Greene Street School, Providence)

  Purchase Street Church, [>]

  Putnam, George Palmer, [>]–[>], [>]

  Quarterly Review, on Fuller, [>]

  Quincy, Josiah, [>], [>]

  Quincy, Josiah, Jr., [>]

  Quincy, Mary Jane, [>], [>], [>]

  Rachel Élisa Félix (dramatic artist), [>]

  Rackemann, Ludwig, [>], [>]

  Radetzky, Count Joseph, [>], [>]

  Radziwill, countess, [>]

  Randall, Elizabeth, [>], [>], [>]–[>], [>], [>]

  Raphael, paintings by, [>], [>]

  Rebels, The (Francis), [>]

  “Recognition, A” (Barrett), [>]

  Record of a School (Peabody), [>], [>], [>]

  Reed, John, [>]

  Religion

  and criticism of The Dial, [>]

  Emerson on, [>]–[>]

  and Fuller, [>], [>]–[>], [>]

  and Catholicism, [>]

  as child, [>]–[>]

  and George Davis’s query, [>]–[>]

  and essays excluded by Wiley, [>]

  and hope for better life, [>]

  study of, [>]

  See also Transcendentalism

  “Religion of Beauty, The” (Dwight), [>]

  “Representative Men” (Emerson), [>]

  Revolutionary movements across Europe, [>], [>]–[>]

  in Italy, [>], [>], [>], [>], [>] (see also Roman Republic)

  suppression of, [>], [>], [>]

  Revue Indépendante, La, Fuller essay in, [>]

  Richardson, Samuel, [>]

  Richter, Jean Paul, [>]

  Rieti, Italy

  as Fuller and Nino’s retreat, [>], [>]–[>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>]

  Nino’s inoculation in, [>], [>]

  wet nursing in, [>]

  Ripley, Ezra, [>]

  Ripley, George, [>], [>]

  and alternative university plan, [>]

  and Brook Farm, [>]–[>], [>] (see also Brook Farm)

  at cotillions, [>]

  and The Dial, [>]

  on Fuller’s introductory essay, [>]

  and “Orphic Sayings,” [>]

  and Fuller’s husband, [>]

  and Fuller on Transcendentalism, [>]

  and religion, [>]

  and Specimens of Foreign Standard Literature, [>], [>]

  in Transcendental Club, [>]

  Ripley, Sarah, [>]

  Ripley, Sophia Dana, [>], [>], [>], [>], [>]–[>], [>], [>], [>]

  “Woman,” [>]

  Roland, Pauline, [>]–[>], [>]

  Roman Republic, [>], [>], [>], [>], [>]

  birth of, [>]–[>]

  assembly and revolutionary mobilization in, [>]–[>]

  attacks on, [>]–[>], [>]–[>]

  aftermath of, [>]

  and effects of war, [>]

  and Fuller with Giovanni amid troops, [>]

  Fuller’s memories of, [>]

  and Fuller as Regolatrice in hospitals, [>], [>]–[>], [>]

  republicans defeated, [>]–[>], [>]

  and expectation of second revolution, [>], [>]

  Fuller’s commitment to, [>]

  in Fuller’s dispatches to Tribune, [>], [>], [>]

  Fuller’s planned history of, [>], [>], [>], [>]–[>], [>]

  fate of in shipwreck, [>]

  Romanticism

  of de Staël, [>]

  Fuller invites article on, [>]

  Fuller’s interest in, [>]–[>], [>], [>]

  in Fuller’s essays, [>]

  and Fuller’s variation on Cupid and Psyche, [>]

  and “mythomania,” [>]

  in theology of Clarke, [>]

  See also Goethe, Johann Wolfgang von

  Rome

  foreigners’ abandonment of, [>]

  Fuller in, [>], [>]–[>], [>]–[>], [>], [>], [>]–[>], [>]–[>]

  entertains American expatriate artists, [>]

  waiting for revolution, [>]

  Fuller’s admiration of, [>]–[>]

  as revolution’s center, [>] (see also Roman Republic)

  wartime emptiness of, [>], [>]

  Rossi, Count Pellegrino, assassination of, [>], [>], [>], [>]

  Rotch, Mary, [>]–[>], [>]

  Royal Adelaide (steamship), wreck of, [>]

  Russell, Harriet, [>], [>]

  Russia, and Fuller’s interest in politics, [>]

  Sallust, [>]

  Sand, George, [>], [>], [>], [>], [>]

  as “emancipated,” [>]

  Fuller meets, [>]–[>], [>]

  as drawing away from Springs, [>]

  Fuller’s approval of, [>], [>], [>]

  as mistress of household, [>]

  and Nathan’s view of Fuller, [>], [>]

  and Rebecca Spring, [>]

  and Woman in the Nineteenth Century, [>]

  writing income less than male counterparts’, [>]

  Sappho, Emerson compares Fuller to, [>]

  Sartor Resartus (Carlyle), [>], [>]

  Sault Sainte Marie, Fuller shoots rapids at, [>]–[>]

  Scarlet Letter, The (Hawthorne), [>]

  Schiller, Johann Christoph Friedrich von, [>], [>], [>], [>]

  Scotland, Fuller visits, [>], [>], [>]–[>], [>], [>]

  Scott, Sir Walter, [>], [>]

  Second American “revolution,” and The Dial, [>]

  Sedgwick, Catharine Maria, [>]

  Select Minor Poems of Goethe and Schiller (Dwight anthology), Fuller translations in, [>]–[>]

  Self-Education (de Gérando), [>]

  Seneca Falls, New York, convention, [>]

  “Service, The” (Thoreau), [>]

  Sexual relations

  Fuller’s reflections on, [>]–[>]

  and perils for women, [>]

  and Fuller’s relationship with Ossoli, [>]–[>], [>]

  and George Sand, [>]

  Shaw, Anna, [>]

  Shaw, Frank, [>], [>]

  Shaw, Sarah, [>]

  Shelley, Percy Bysshe, [>], [>], [>], [>]–[>]

  Shipwreck fatal to Fuller, [>]–[>]

  bodies never found, [>

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