Lauder, Andrew ref1, ref2, ref3
‘Leader Of The Gang’ (Glitter) ref1
‘Leader Of The Pack ref1
‘Leave My Kitten Alone’ (John) ref1, ref2, ref3, ref4
Led Zeppelin ref1, ref2
Lee, Bruce ref1
Lee, Peggy ref1, ref2
‘Left On Man’ (Wyatt) ref1
Leicester De Montfort Hall ref1
Lemper, Ute ref1, ref2
Lennon, John ref1, ref2
Leno, Jay ref1, ref2
Leonard, Sarah ref1
Leone, Sergio ref1
Lerwick, Shetland Islands ref1, ref2
‘Less Than Zero’ ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9
‘Less Than Zero (Dallas Version)’ ref1
Let Him Dangle ref1, ref2, ref3, ref4
‘Let It Be’ (Beatles) ref1
‘Let Them All Talk’ ref1, ref2, ref3
‘Let’s Misbehave’ (Porter) ref1
‘Letter Home, A’ ref1
Letterman, David ref1, ref2, ref3, ref4, ref5
Lewis, Huey ref1, ref2
Lewis, Jerry Lee ref1
‘Like A Rolling Stone’ ref1
‘Like An Angel Passing Through My Room’ (Costello/Andersson) ref1, ref2
‘Lil’ Darlin’ (Basie) ref1
‘Lily, Rosemary And The Jack Of Hearts’ (Dylan) ref1
Lind, Jenny ref1
Lindersmith, Jim ref1
‘Lip Service’ ref1n, ref2
‘Lipstick Vogue’ ref1n, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10
‘Little Atoms’ ref1, ref2, ref3, ref4, ref5
Little Feat ref1, ref2
‘Little Goody Two Shoes’ ref1
‘Little Palaces’ ref1, ref2, ref3, ref4
Little Richard ref1
‘Little Triggers’ ref1, ref2, ref3
Live Aid ref1
Liverpool ref1, ref2
Cavern Club ref1
folk scene in ref1, ref2
Medium Theatre, The ref1
Royal Court Theatre ref1
SFX School in ref1
Temple Bar, Dale Street ref1
Toxteth ref1
West Derby ref1, ref2
Liverpool FC ref1, ref2, ref3
Liverpool Royal Court ref1
‘Living In Paradise’ ref1, ref2
‘Living In The USA’ (Rondstadt album) ref1
Lizst, Franz ref1
Los Lobos ref1, ref2, ref3
Loder, Kurt, ref1
London ref1
Abbey Road Studios ref1, ref2, ref3, ref4
AIR Studios ref1, ref2
Albany Theatre ref1
Alexander Street (Stiff Records) ref1, ref2
Am-Pro Studio, Shepherd’s Bush ref1
Amadeus Centre, Maida Vale ref1, ref2
Archipelago studios, Pimlico ref1, ref2
Beaulieu Close, Twickenham ref1, ref2, ref3
Big One at the Apollo, The ref1
Brown’s Hotel, Kensington ref1
Canteen, The ref1
Chelsea Arts Ball ref1
Church Studios, Crouch End ref1, ref2
Clarendon, The ref1
Cypress Avenue, Whitton ref1, ref2, ref3
Dingwalls ref1, ref2
Diorama, Euston ref1, ref2
DJM Studios, Holborn ref1, ref2
Dominion Theatre ref1, ref2
Duke of York Theatre ref1
Eden Studios ref1, ref2, ref3, ref4, ref5, ref6, ref7
Eezihire Studios ref1
Elephant Studios, Wapping ref1
folk scene in ref1, ref2
Hammersmith Odeon ref1, ref2
Hammersmith Palais ref1, ref2
Hilton Hotel, Mayfair ref1
Jam Studios, ref1
Kensington High Street ref1
Kneller Hall, Twickenham ref1
Logan Hall ref1
Marylebone Town Hall ref1
Matrix Studios ref1
Mayfair Studios ref1
Old Vic Theatre ref1
Olympia, west London ref1
Olympic Studios, Barnes ref1, ref2
Orangery, The, Holland Park ref1
Paddington, St Mary’s Hospital at ref1
Pathway Studio, Islington ref1, ref2, ref3, ref4, ref5
pub-rock in ref1, ref2, ref3, ref4
Queen Elizabeth Hall ref1, ref2
Rainbow in ref1, ref2
Rock On Record Shop, Camden Town ref1, ref2
Rocks Off Record Shop ref1
Roundhouse ref1
Royal Albert Hall ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8
Royal College Of Music ref1
Royal Festival Hall ref1, ref2, ref3, ref4, ref5
Sarm West Studios ref1
Selfridges department store ref1
Shepherd’s Bush Empire ref1, ref2, ref3
South Bank Centre ref1, ref2, ref3
Speaker’s Corner, Hyde Park ref1
Tally Ho!, Kentish Town ref1
TW Studios ref1
Wandsworth Prison ref1
Wembley Stadium ref1
Wessex Studios ref1
Westside Studios ref1, ref2, ref3
Wigmore Hall ref1
Wimbledon Common ref1
London Brass ref1
‘London Calling’ (Clash) ref1
London Palladium ref1
London Philharmonic Orchestra ref1
London Records ref1
London Saxophonic ref1
London Symphony Orchestra ref1, ref2
‘London’s Brilliant Parade’ ref1, ref2
‘Lonesome Town’ (Nelson) ref1
‘Long Division, The’ (Bacharach/Costello) ref1, ref2, ref3
‘Long Honeymoon, The’ ref1, ref2, ref3, ref4, ref5
‘Look Of Love, The’ (Bacharach/David) ref1
‘Looking At The World Through A Windshield’ (Commander Cody) ref1
Los Angeles ref1, ref2, ref3, ref4, ref5
Beverly Theater ref1
Cocoanut Grove Club ref1
Greek Theater ref1
Long Beach Arena ref1
Ocean Way Studios, Hollywood ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8
Palomino Club ref1
Royce Hall ref1
Sound Factory ref1
Sunset Sound ref1
Troubadour ref1
UCLA ref1, ref2, ref3, ref4, ref5
Los Angeles Arena ref1
Lost Highway Records ref1, ref2
‘Lost In The Stars’ (Weill) ref1, ref2, ref3
‘Lovable’ ref1, ref2, ref3, ref4, ref5
Love, Courtney ref1
Love, Damien ref1
‘Love Comes In Spurts’ (Hell) ref1n
‘Love Field’ ref1, ref2, ref3, ref4, ref5
‘Love For Sale’ (Porter) ref1
‘Love For Tender’ ref1, ref2, ref3
‘Love That Burns’ (Green) ref1
‘Love Went Mad’ ref1, ref2
‘Loverman’ (Redwing) ref1
‘Lovers That Never Were, The’ (Costello/McCartney) ref1
‘Lovers Walk’ ref1, ref2
Lovin’ Spoonful, The ref1n
Low (Bowie) ref1
Low Symphony (Glass) ref1
Lowe, Nick ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13, ref14, ref15, ref16, ref17, ref18, ref19, ref20, ref21, ref22, ref23, ref24, ref25, ref26, ref27, ref28, ref29, ref30, ref31, ref32
production technique of ref1
Lunny, Donal ref1, ref2, ref3, ref4, ref5
Lusuardi, Nicola ref1
‘Luxembourg’ ref1n, ref2, ref3
Lynch, Kieran ref1, ref2
Lynn, Loretta ref1, ref2
Lynott, Phil ref1
M
McCartney, Linda ref1
McCartney, Paul ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12
MacColl, Ewan ref1, ref2
McCormack, John ref1
MacGarrigle, Kate and Anna ref1
MacGowan, Elizabeth ref1
MacGowan, Shane ref1, ref2, ref3, ref4
McGuinn, Roger ref1, ref2, ref3
MacKenzie, Scott ref1
McLinton, Delbert ref1
MacManus, Declan Patrick ref1
see also Costello, Elvis
A-levels ref1
agent provocateur ref1
aggressive antics ref1
ambition ref1
anti-abortion ref1
athletic physique ref1
Beatles fan ref1
becoming Elvis Costello ref1
Birkenhead, rapport with ref1
birth ref1, ref2
birth of son Matthew ref1
brainpower ref1
broadcast, excitement at ref1
calling to music, realisation of ref1
compartmentalising music ref1
country music interest ref1
demo tapes ref1
difference from Elvis Costello ref1
early compositions ref1
employment in computers (Elizabeth Arden) ref1, ref2, ref3, ref4
employment in computers (Midland Bank) ref1, ref2
eyesight problem ref1
family move to Whitton ref1
father-son relationship ref1, ref2, ref3
first solo public appearance ref1
football fanatic ref1, ref2
grandmother, rapport with ref1
guitar work ref1, ref2
immediate family, closeness to ref1
independence ref1
jazz as education ref1
loud and direct ref1
marriage to Mary ref1
metamorphosis into Elvis Costello ref1
mindblowing for John Ciambiotti ref1
move back to London ref1
moving on ref1
musical heritage ref1, ref2
musical self-education ref1
My Aim Is True recording ref1
persona, ready-made ref1
poet ref1
pop aficionado ref1
pub-rock in London ref1, ref2, ref3, ref4
record collection ref1
restraint in behaviour ref1
Rick Danko a hero ref1n
ridicile, immunity to ref1, ref2
Rusty, background music with ref1, ref2, ref3, ref4
school experiences ref1, ref2, ref3, ref4, ref5
‘Secret Lemonade Drinker,’ TV ad backing ref1
self-assurance ref1
shrewd awareness ref1
signing for Stiff Records ref1
social integration ref1
solo foundations ref1
songwriting talent ref1, ref2
soulmate, Allan Mayes ref1
stage name ‘D.P. COS-tello’ ref1
stubborn determination of ref1
talent, true depths of ref1
vocal sound ref1
west London/Middlesex roots ref1, ref2n
working ethos (by father’s example) ref1
MacManus, Lilian Alda Ablett (mother) ref1, ref2, ref3
marriage break-up ref1, ref2
McManus, Mabel (‘Molly’) Josephine Veronica (grandmother) ref1, ref2, ref3
MacManus, Mary Martina ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9
see also Burgoyne, Mary Martina
birth of son Matthew ref1
reconciliation attempt ref1
seeking divorce ref1
MacManus, Matthew (son) ref1, ref2, ref3, ref4, ref5, ref6, ref7
McManus, Patrick Matthew (grandfather) ref1, ref2n, ref3
MacManus, Ronald Patrick Ross (father) ref1n, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13
career in music ref1, ref2, ref3, ref4, ref5
marriage break-up ref1, ref2
musical pioneer ref1
‘off the radar’ ref1
psychedelic phase ref1
recording career ref1
son-father relationship ref1, ref2, ref3
McTell, Ralph ref1, ref2
Mad About The Wrong Boy (Attractions) ref1
Madness ref1, ref2n, ref3
Major, John ref1
‘Make It Easy On Yourself’ (Bacharach/Costello) ref1
Malaga ref1
Malher, Gustav ref1
‘Malicious Observer’ (Woolrich/Costello) ref1
Malmo, Sweden ref1
‘Man Out Of Time’ ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12
Manchester ref1, ref2
Rafter’s in ref1
Mankiewicz, John ref1
Mann, Aimee ref1, ref2
‘Many Rivers To Cross’ (Cliff) ref1
Marcus, Greil ref1, ref2
‘Marriage Of Figaro’ (Mozart) ref1
Marsalis, Wynton ref1
Martha and The Vandellas ref1
Masson, Diego ref1
‘Masters Of War’ (Dylan) ref1
Matlock ref1
Matthews, Ian ref1
‘Maureen and Sam’ ref1n
Mayes, Allan ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9
Mayfield, Curtis ref1
Mayfield, Percy ref1
McCartney, Paul ref1
Mean Streets (Martin Scorsese film) ref1
Medium magazine ref1
Melbourne ref1
Melody Maker ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13, ref14, ref15, ref16, ref17, ref18, ref19, ref20
Meltdown Festival ref1, ref2, ref3, ref4, ref5, ref6, ref7
Memphis ref1
Clarksdale Studios ref1
Hi-Tone Café in ref1
‘Men Called Uncle’ ref1, ref2, ref3, ref4
The Men They Couldn’t Hang ref1
Mercury Records ref1, ref2, ref3
Merriweather Post Pavilion, Columbia ref1, ref2
Merseybeat ref1, ref2
Merseybeats, The ref1
‘Message, The’ (Grandmaster Flash) ref1
Messiaen, Olivier ref1
Metropole Orchestra ref1
Michaels, Lorne ref1
Midsummer Night’s Dream, A (Shakespeare, W.) ref1
Mighty Like A Rose ref1, ref2n, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13, ref14
Miles, Ron ref1
Miller, Jim ref1, ref2
Mills, Heather ref1
Milwaukee ref1
Mina ref1
‘Mind Your Own Business’ (Williams) ref1
Minelli, Vincente ref1
Miner, David ref1
Mingus, Charles ref1, ref2, ref3, ref4, ref5, ref6
Minneapolis ref1
State Theater at ref1
‘Miracle Man’ ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8
‘Miranda Syndrome, The’ ref1
‘Miss MacBeth’ ref1, ref2, ref3
‘Miss Mary’ ref1
‘Mistress And Maid’ (Costello/McCartney) ref1n, ref2, ref3
Mitchell, Joni ref1, ref2, ref3, ref4, ref5
Monk, Meredith ref1
Monk, Thelonius ref1
Monkees, The ref1, ref2
‘Monkey To Man’ ref1
Montreux Jazz Festival, ref1, ref2
‘Moods For Moderns’ ref1n, ref2, ref3, ref4
‘Moonlight Sonata’ (Ludwig Van Beethoven) ref1
Moonrider ref1
Moore, Christy ref1
Moore, Sam ref1, ref2
‘More Than Rain’ (Waits) ref1, ref2
Morrison, Van ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13, ref14
Moseley, Oswald ref1
‘Most Beautiful Girl In The World, The’ (Rich) ref1
‘Motel Matches’ ref1, ref2, ref3, ref4, ref5
Motown ref1, ref2, ref3, ref4, ref5
Motown Chartbus
ters: Volume III ref1
‘Mouth Almighty ref1, ref2, ref3, ref4
‘Move It On Over’ (Williams) ref1
Mozart, Wolfgang Amadeus ref1, ref2, ref3
MTV ref1, ref2, ref3
Muddy Waters ref1
Murcia Auditorio San Javier ref1
Murray, Charles Shaar ref1, ref2, ref3, ref4
Murray, Frank ref1
Music From The Big Pink (Band) ref1
‘Music Out Of Film’ (Tippett/Ribot) ref1
Music Week ref1
Musselburgh, near Edinburgh ref1
‘Must You Throw Dirt In My Face?’ ref1
My Aim Is True ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13, ref14, ref15, ref16, ref17, ref18, ref19
lovingly put together ref1
rave reviews for ref1
‘My Brave Face’ (Costello/McCartney) ref1, ref2, ref3
‘My Dark Life’ (Costello/Eno) ref1, ref2, ref3
‘My Ever Changing Moods’ (Style Council) ref1
‘My Funny Valentine’ (Rogers and Hart) ref1, ref2, ref3, ref4
‘My Little Blue Window’ ref1, ref2
‘My Little Red Book’ (Bacharach/David) ref1
‘My Resistance Is Low’ (Carmichael) ref1
‘My Science Fiction Twin’ ref1, ref2
‘My Ship’ (Davis) ref1
‘My Thief’ (Bacharach/Costello) ref1, ref2, ref3
‘Mystery Dance’ ref1, ref2, ref3, ref4, ref5, ref6, ref7
N
Nagoya, Kinro-Kaikan at ref1
naming bands, difficulties of ref1
Nanoose, Vancouver Island ref1
Nashville, Tennessee ref1, ref2, ref3, ref4, ref5, ref6, ref7
CBS Studio B in ref1, ref2
Nashville Rooms, London ref1, ref2, ref3n, ref4, ref5, ref6, ref7
Nason, Stephen (‘Steve Nieve’) ref1, ref2, ref3n, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13, ref14, ref15n, ref16, ref17, ref18, ref19, ref20, ref21, ref22, ref23, ref24, ref25, ref26, ref27, ref28, ref29, ref30, ref31, ref32, ref33, ref34, ref35, ref36, ref37, ref38
Nathanson, Roy ref1, ref2, ref3
National Film Theatre ref1
National Flag ref1
‘Neat, Neat, Neat’ (Damned) ref1, ref2
‘Needle Time’ ref1
Nelson, Ricky ref1
Nelson, Willie ref1
Nesin, Jeff ref1
Neville, Aaron ref1
‘New Amsterdam’ ref1, ref2, ref3n, ref4
‘New Lace Sleeves’ ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10
New Music Awards ref1
New Musical Express (NME) ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13, ref14, ref15, ref16, ref17, ref18, ref19, ref20, ref21, ref22, ref23, ref24
New Orleans ref1, ref2, ref3
Complicated Shadows Page 47