“The man and Mama were screaming.”
“Do you remember what they said?” Carin asks.
Tilda hesitates. “They screamed a lot.”
“Could you hear what they said?”
“I don’t know.”
“Okay, that’s great, Tilda. You’re doing a great job. Did you recognize the man’s voice?”
“I don’t know.”
“But you think it was a man, not a woman or a girl?” Carin asks.
“He was . . . a magician.”
“How do you know he was a magician?”
Tilda sits there in silence again, serious, studying Carin.
“Why do you think he was a magician, Tilda?” Carin repeats.
“He took the coin.”
“What did he take?” Carin asks.
“The coin.”
A pause. “He took money?” Carin asks.
“Yes.”
Carin is surprised, quickly looking in their direction through the one-way mirror. “Was that before or after he hit your mom?” Carin asks.
“First he hit Mama, then he did that.”
“First he hit your mom, then he took money?” Carin says.
“Yes.”
Sonja sighs. She really hadn’t suspected robbery homicide. The violence was too brutal for that. But if that’s what it was, then that is really depressing—a single mother kicked to death in front of her own child because a junkie somewhere needed a quick fix. When it came right down to it, it was totally conceivable; it happened all the time.
Roger leans over to Sonja and whispers, “Not bad. Her bush is growing a little in my eyes.”
Even though she doesn’t want to, Sonja can’t help but smile, filled with an unreserved tenderness toward her hopeless, lazy, male-chauvinist colleague. She gives him a friendly nudge in his side and looks over at Tilda’s father, worried that he might find their kidding around inappropriate, but he isn’t paying attention to them. He is just staring through the pane of glass as if hypnotized, the sweat at his temple gathering into little beads.
VÄRMDÖ
OCTOBER
A perfect Saturday.
A long walk along the shoreline, the sea chasing our feet.
Thick knit hats now, mittens, wool sweaters under our jackets. The sky is gray and heavy, like a slab of concrete, above us. Black birds circle over our heads, as if scouting out a potential meal.
Afterward we drink hot chocolate on my couch. The woodstove crackles in the corner and the radio is on. They’re talking about flooding, about how part of highway E18 just floated away like a child’s toy boat. It took two cars with it. Both drivers died. A female passenger survived by escaping through a broken windshield and climbing up onto the roof of a hot dog shop. She had also survived the tsunami in Thailand in 2004 and says, her voice quaking, that this was worse. Her husband, Rune, never made it up to the surface of the muddy water. After forty years of marriage and after beating both cancer and the tsunami, she lost the love of her life to a wave of muddy gruel along the E18.
I look at Markus, sitting there next to me in his jeans and hoodie on that old, worn couch. His face is as smooth as a child’s. His eyes, with those pale lashes, look vaguely worried. I wonder if I’ll ever let him get close enough to me to be as vulnerable as the woman on the radio.
“Are you okay?” he asks gently in his sing-songy northern accent and I prop my feet up on his knees. He massages the soles of my feet, contemplating me in silence.
“Yeah, I’m okay,” I say.
“I wish you didn’t have to deal with stuff like that at work.”
“Stuff like what?” I ask.
“Violence and all that crap. The kind of stuff I see day in and day out,” Markus says.
“What do you think I should be doing at work then? Therapy for arachnophobes or shopaholics? These women really need help. We’re making a contribution, Aina and I. And Vijay, my God, he has actually dedicated his life to this stuff.”
“But this guy seems more disturbed than average,” Markus says.
“Do you mean more disturbed than the average man or the average perpetrator of domestic violence?”
Markus pushes my feet off his knee, insulted, and says, “Nice, really nice. Honestly!”
I laugh, take a sip of hot chocolate, lean against him, kiss his soft mouth, let my tongue run along his lips. “Did I make you mad?” I ask.
He relaxes, puts his arms around my waist, and says, “Not mad, just worried about you.”
“I don’t want you to worry about me. I’m so over having people worry about me.”
“I know that, but this time maybe it’s justified. I talked to the woman in charge of the investigation into that grisly murder in Gustavsberg. That was obviously a totally heinous crime. The level of violence was . . . unjustifiably brutal. He had obviously . . . kicked her whole face off; it was, like, lying next to her. Do you understand? In front of her daughter and everything.”
Suddenly I feel uncomfortable. Take another big sip of my hot drink. “Did she see anything?” I ask.
“The little girl? I don’t know yet. They were going to question her yesterday, I think.”
“Vijay says you can’t question a child that young,” I say.
Markus shrugs. “I don’t actually know. I’m sure they’ll get a witness psychologist or child interview specialist to help.”
“Did they catch him? The woman’s boyfriend?” I ask.
“No, you can’t just arrest someone like that. It’s not even definite it was him.”
“Obviously it was him. It’s always the guy,” I say.
“No, it’s almost always the guy.”
“Same difference.”
“Not in a legal sense.”
“How can you say that? He kicked his girlfriend to death in front of her daughter and you’re just . . .”
“But, Siri.” Markus looks at me in surprise. “What is this about? When did you get so personally involved in this?”
Suddenly I feel the nausea rising in me like a wave. I almost spill my cup on the couch and am forced to rush out into the hallway. I only just manage to get the thin wood door open before vomiting onto the front steps. The cold air creeps in, through my thin clothes, stopping the nausea for a second. I’m breathing hard.
Then his hand is on my shoulder. “Siri, what’s going on? Are you sick?”
I lean my forehead against the cold façade of the house, feeling the frost melt from the heat of my skin. “I think . . . I think talking about that murder was a little too much for me. Could we talk about something else?”
He doesn’t respond but carefully leads me back into the warmth of the cottage.
* * *
Autumn nighttime sounds outside our bedroom window: the wind racing over the skerries, thin branches scraping against the body of the house, like fingernails. Rain drumming on the roof. A faint scent of wood smoke that lingers in the room.
Markus lifts me up on top of him, so that I’m straddling him, fondles my breasts, lets his hand sink down toward my hips and rest there a second. Then he strokes my stomach and buttocks with his wide hands.
“You’ve put on a little weight, haven’t you?” he asks, his tone accusatory.
I pull away, withdraw to the other end of the bed, bury myself deep under the down comforter as if that could hide the truth. The unmentionable.
I know I have to tell him, but I can’t find the right words. Because how do you tell someone something like that?
I want your baby, but I don’t want you.
* * *
Morning as black as night.
No wind.
Not a sound to be heard as I shuffle out to the outhouse in Markus’s enormous rain boots and oversize down parka. It must have been below freezing last night, because the puddles are covered by a thin layer of ice that shatters like glass as I crunch my way along, completely unimpressed by this wondrous landscape, decorated with a brittle milky white membrane from the co
ld.
The nausea fills my whole body, from my head to my toes.
But today I make it to the outhouse. Kneeling, I vomit into the toilet.
“Were you outside?” Markus whispers sleepily when I return to the bed’s warmth, stick my ice-cold feet between his powerful legs.
“Mm, I went to pee.”
He pulls me up against him and I can feel his warm body, the perfect temperature. I’ve always been fascinated by his body, how muscular he is, how soft his hands are, how dry and never clammy, how they know exactly how to hold me, where, how hard.
He caresses my stomach. Kisses the back of my neck.
“You have gained a little weight,” he says.
He sounds groggy, not quite awake. I slowly pull away to the other side of the bed, as far as I can now; the damn bed is hopelessly narrow. I hope he’ll fall asleep again as I stare out the window at all the darkness. Morning that isn’t a morning, just a noiseless, cold darkness enveloping my little cottage.
I feel like we’re alone in the world, with no friends. My patients are gone, my family too. Only Markus and I exist and my bed is the center of our universe.
Is that good or bad?
I hear him moving, propping himself up on his elbow, moving closer to me again, waking up.
And I sense the question before he asks it.
“Siri, is there something you want to . . . tell me?”
What do I tell him? The truth?
“You already know, right?” I say, my voice weak, brittle as the ice outside.
“Is it true?” Markus asks, fumbling for my hand in the darkness. When he finds it, he squeezes it, hard. “Is it true? Is it true? Is it true?” He’s eager now, like a kid who has just gotten a present, something to be opened, inspected, and tried out.
No point in prolonging the inevitable.
“Yes, Markus, I’m pregnant. I really want to keep the baby, but . . . I want . . . to live by myself.”
“Huh? What did you say? How . . . ? I don’t understand what you mean. What do you mean, by yourself?”
“I want to live by myself. Here in the house. What part don’t you understand?”
“But what about me? I’m . . . I’m going to be a father. I don’t understand. Where do I fit in the picture?” Markus stammers.
You don’t fit in the picture. I sigh and say, “Markus, I don’t know. I feel so confused. I don’t know if I’m ready for us to live together.”
“Oh, I see. But you are ready to bring a baby into this world? Without a father?” He’s upset. Which makes sense: in his eyes I must be the devil, I realize that of course.
“It’s not like the baby’s not going to have a father,” I tell him. “You’re going to be there and . . .”
“Where am I going to be?” he screams, and bolts out of bed. “Just where exactly did you think I was going to be? What role do you intend to allow me to play in your life? In my child’s life?”
“Honey, don’t be so mad. I don’t know. I can’t help it. It’s not that I don’t love you. I just don’t want . . . I can’t . . . you know. I don’t want us to live together.”
“Siri, I am so tired of taking your goddamn insanities into consideration all the time. You can’t live with me. You can’t meet my family. I don’t want to have a kid with you if I don’t get to participate, on my own terms.”
“No, well, but that’s not exactly up to you, now, is it?” I say.
Of course, that comment was unnecessary. Did I really need to ram it down his throat, to rub in just how powerless he is in the face of the decision I have made totally on my own?
With surprising calm, he gets dressed, reaches for his backpack, and walks out into the hallway. I hear him putting on his coat. The door opens and shuts. I hear his footsteps fading away and the tinkling that sounds just like crushed glass as he shatters the brittle ice.
My office. It’s light, but not particularly cozy, impersonal, you could certainly say. And that’s how I want it. My clients come to meet Siri the therapist, not a private person with a penchant for geraniums or kilim rugs or art photography. My clients come to meet a professional, someone they can work through their fear with, without needing to repay the favor the way they would with a friend.
In the obligatory armchairs, upholstered in gray sheepskin, sit Mia and Patrik. Today I took the upright chair; I couldn’t stand having Mia sit on it yet again while Patrik claimed the armchair.
They both look exhausted, drained of energy. Patrik’s pale face gleams in various shades of white and green under the cold fluorescent lighting. Drops of water glisten in his dark stubble. Mia looks like she just rolled out of bed: baggy clothes, unwashed hair plastered in greasy strands around the pale flesh of her face, a strange matted area over her right ear, as if she had slept on that side for a long time and not combed her hair.
“No, it’s not good. Not good at all, actually,” Patrik says shaking his head. It’s a sad gesture. It’s as if all his usual aggression has vanished.
“Can you tell me about it?” I say encouragingly.
“I don’t know,” Patrik begins, faltering. “I don’t know if this is going to work.” He stops talking again and eyes me with an inscrutable expression, his jaws clenched tight, as if in a spasm.
“And you, Mia? Where are you today?” I ask.
“Where am I?” Mia says. She seems confused and our eyes meet for a second and it’s like I’m peering right into the fog; all I can see is a damp, shrouded emptiness.
“What I mean is, how are you doing today?”
It’s quiet for a moment.
“Fine, thank you.” She says the words slowly, mechanically.
“Are you really fine? If I understand Patrik, he is worried about how you are doing.”
Mia doesn’t respond, gazes out the window instead, and unlike during our previous meetings, today she is sitting perfectly still, no telltale tremble at the corner of her mouth, no beads of sweat on her forehead. I clear my throat.
“Mia,” I say. “I know that you haven’t been doing well, but it is extremely important for the sake of therapy that you make an effort to express how you’re feeling. Otherwise this isn’t going to work. I can’t help you if you withdraw like this. Do you understand?”
“Yeah . . . sure.” Mia nods but stares vacantly out the window.
“So how are you actually doing?” I ask.
“It’s . . . just fine, now.” Mia speaks slowly and steadily, almost as if she were reading a storybook to a toddler, careful to enunciate each syllable.
“So it’s better now than the last time we saw each other?”
“Yes, of course,” she says. Then she is quiet and I wait for her to elaborate, but she doesn’t.
“So what has gotten better?” I ask.
“I think it’s fine, that’s all,” she says in the same steady voice, with the same stoic expression. Suddenly I hear sobbing from the other armchair. Patrik’s long, skinny torso is leaning forward and his head is buried in his hands, his fingers compulsively massaging his scalp as his body shakes.
“Damn it, Mia,” he howls, his voice filled with despair. “Damn it, I want this to work. I know I’ve said terrible things. I know I’ve let you down, left you taking care of the kids. But now I can’t even . . . talk to you. It’s like you’ve checked out. I don’t even know where you are. Do you understand?”
“Here.” I pass him the Kleenex box, but he doesn’t notice.
“What’s wrong with me?” Patrik wails. “Why are you shutting me out? Why does it have to be so hard?”
I turn to Mia again, who is still sitting in the same position in the armchair, looking out the window, which is now black. Her facial expression still impossible to read, she suddenly places her strong hand over his. And there’s something wrong and frightening about this mechanical gesture. Her hand rests limply on top of his, like a piece of meat. Patrik turns his palm over and squeezes her hand hard.
“Damn it, Mia, can’t we try again
? I promise that it’ll be better this time. I’ll . . . help you. I promise.”
She awkwardly pats his hairy hand and says in a monotone, “Of course we can.”
Markus and I share a glass of wine on the flat rock formations by the water. It’s cold but there’s no wind even though the sky hangs over us, ominous and gray, and I can make out black clouds on the horizon. On top of our thick sweaters, jackets, and shoes, we’ve each wrapped ourselves in a throw blanket.
We sit like that in silence, watching the sea.
Markus holds the wineglass, rotating it slowly, as if he were going to taste it. Markus rarely drinks, but I have the sense that he needs the wine today. He clears his throat and carefully sets the glass down in a hollow in the rock that’s filled with brown pine needles.
I’m watching the black water, the leaves that turned yellow ages ago and are now drifting along the shore. I can just make out the slippery seaweed, a poisonous green undulating under the glossy black surface, imagine the fish traveling below, in a cold, dark, endless universe.
Stefan, in the middle of the cold. His head on a pillow of tangled seaweed. Curious sea creatures examining his pale, soft body, with tentacles, or suction cups, or what?
Tasting it, maybe?
Enough of that. That’s enough of that.
Stefan, ever present. Despite the passage of time, which supposedly heals all wounds.
I’m a psychologist who’s supposed to help other people take control of their lives, but I can’t let go of my own past. I’m human, Aina says. Like any old person, imperfect, weak, incapable.
“I have to ask you something,” Markus says, looking at me with his pale eyes. “I mean, I’ve really been wondering.”
He looks at me with a strange expression, a mixture of amazement, skepticism, and . . . disgust, as if I were some new breed of insect he had just discovered creeping along the foamy edge of the water.
“What?” My voice is feeble, weighed down by guilt.
“Did you love me, ever? Actually?” Markus asks.
“Markus, what a strange question. You know I love you. And why are you using the past tense?”
Markus’s eyebrows are furrowed now. He doesn’t believe me. “You say that, sure.” Then he’s quiet. “But . . .”
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