Sweet Nothing

Home > Other > Sweet Nothing > Page 17
Sweet Nothing Page 17

by RICHARD LANGE

I only knew him for four months, and if his parents had asked, I wouldn’t have been able to tell them much about his life. His favorite food was pizza. He enjoyed war movies and old TV game shows. I don’t think he was ever serious about moving to Berlin and marrying that girl, but I think he liked thinking he was. He could hold his liquor. He didn’t believe in God.

  I GIVE TROY’S ghost a week to clear out before I begin to sleep in the bedroom. Just when I start to worry how I’m going to make rent, Best Buy calls. They put me in personal electronics, but inside of a month I’m in charge of the computer department. It’s enough for me to pay my bills, eat out once in a while, and give Edward and Star some gas money for their drive back to Florida.

  Both my kids e-mail me on my birthday, Kyle a cartoon of five fat pink pigs farting out “Happy Birthday,” Gwennie a little note addressed to Dear Old Dad. I call their mother and update her on my situation. She’s happy to hear I’m getting my act together but still hems and haws when I ask if she’ll let me see the children if I come to Utah.

  “All I’m asking is that you think about it,” I say.

  “I will,” she says.

  I take a beer down to the pool. The swatch of night sky overhead is a livid purple, too bright for stars. Lights are blazing inside the apartments on both floors of the complex, and all around me people are settling in after a long day. They eat dinner, watch TV, talk to friends. It feels good to be in the middle of it.

  One year ago tonight I was squatting in the basement of an abandoned house near Dodger Stadium with an old junkie named Tom Dirt. He’d picked up a check from the VA and managed to cash it without identification, and the money was burning a hole in his pocket. His knee was giving him trouble, so he said if I’d fly, he’d buy. I went to see my man and returned with a little tar for Tom and a fat rock for me.

  We sat on a couple of filthy mattresses and got ourselves to where we needed to be by the only light we had, a few flickering candles that threw crazy shadows that kept me jumping.

  Tom jerked out of a nod at one point and shouted, “Merry Christmas!”

  “It’s not Christmas,” I said. “It’s my birthday.”

  “Okay, so happy birthday,” Tom said, and coughed into his fist so long and so hard, I thought he was done for.

  But he lived on, and so did I. Jesus fuck, it’s a mystery, all of it. Smoke a cigarette, change the channel, stare into space. Then go to sleep, go to work, and come home again, over and over and over, until all your questions are answered or you forget you ever wondered.

  To Ashes

  PAPÁ GETS HOME FROM work at six and tells Miguel and his little brother, Francisco, to turn off the Xbox and put on the news. Miguel glances at Francisco with raised eyebrows, like, What’s up with that?, because the old man normally heads right for the shower to wash off the sweat and plaster dust before the family has dinner.

  The newscaster is talking about a wildfire that’s burning out of control east of San Diego. Papá shoos Miguel and Francisco off the couch and sits in front of the TV, leaning forward to watch intently. Mamá pokes her head in from the kitchen, a worried look on her face, and Miguel can tell she’s freaked too by the change in routine.

  “What’s going on?” she says.

  “A fire at the border,” Papá replies.

  Mamá walks into the living room, a dish towel twisted in her hands. “And so?”

  “Alberto and Maria are crossing tonight.”

  Alberto is Miguel’s cousin, Papá’s nephew. Maria is his wife. They live in the village outside Durango where Papá was born, a place so small it doesn’t even have a name. Papá drags the whole family down there every couple of years for a visit, trips Miguel dreads because it’s hot and dirty, and the food sucks, and the only bathroom is an outhouse buzzing with flies. Alberto is cool, though. He let Miguel ride his motorcycle last time they were there and took them swimming in the river. He’s only a year older than Miguel but already married, and Miguel has heard Papá say that he was thinking of coming to the U.S.

  A map flashes onscreen, the location of the fire. Papá points. “El Chango’s trail is right there,” he says. “He’ll bring them that way.”

  The sound of the front door opening makes Miguel jump. Carmen comes in from cheerleading practice and sees everyone staring at the TV. “What’s going on?” she says in English.

  Mamá shushes her, and Papá turns up the sound. This must be some serious shit, because nothing ever gets to the old man. All he does is work and sleep, barely saying five words most days. Miguel watches him watch TV and is suddenly a little scared.

  Everybody tries to act normal at dinner. They pass around the chicken and rice and listen to Carmen and Francisco bicker. But that right there is weird; Papá would normally shut them down with a look. Instead, he’s lost in thought, barely eating anything, big gristly fists clenched on either side of his plate. Miguel imitates Don Cheto, the funny guy on the radio, hoping to get a smile out of him, but no, nothing.

  Later, while Miguel, Carmen, and Francisco are doing their homework at the dining-room table, Papá makes a phone call in the bedroom. When he reappears and sits on the couch, Mamá rushes in from the kitchen to ask what he found out. Miguel leans back in his chair so he can hear what they’re saying.

  “They left Durango last week and met with El Chango in Tijuana,” Papá says. “Everything was in order, and they were supposed to call Rosa after crossing.” He’s talking about Aunt Rosa, his sister in San Diego. “She hasn’t heard from them yet.”

  “Maybe they turned back,” Mamá says. “Maybe la migra got them.”

  Papá shrugs. “Maybe.”

  Francisco leans over and whispers to Miguel from behind his hand: “Are they dead?”

  “You’re so fucking stupid,” Miguel whispers back, reaching out to flick the kid’s ear.

  Francisco doesn’t yell or tattle or throw a fit. Even he knows this isn’t a night for those kinds of antics. Instead, he gets up and walks into the living room and puts his arms around Mamá’s waist and buries his face in her blouse. Miguel turns back to his homework but can’t concentrate. His mind is full of hungry flames that devour the equations before he can solve them.

  THE COP SHOWS up at dawn, a stocky woman with a man’s haircut. Brewer is half awake when she pounds on the door of his trailer. He’s sweating in bed after a restless night, his mind drifting between past and present. His dead mother makes pancakes while “How Much Is That Doggie in the Window?” plays on an old radio, but at the same time he smells smoke from the fire that glows brighter on the horizon than the rising sun.

  “Mr. Brewer,” the cop calls, banging again.

  “Give me a minute,” Brewer growls.

  He sits on the edge of the mattress. His shoulder hurts, his knees, and pulling on a pair of jeans is all kinds of painful. He shakes a Marlboro from the pack on the nightstand and puts a match to it as he limps to the door.

  “Morning,” the cop says when he opens up. She’s the same one who came by yesterday talking about mandatory evacuations, but Brewer knows the law: they can’t force him to go; all they can do is warn him. This land, ten acres of scrub hard by the border, is the only thing his dad left him, the only thing he has left, so he’s decided to make a stand.

  “You’re up bright and early,” he says to the cop.

  “I was worried about you,” she replies. “The fire’s less than a mile west of here now and burning this way. I thought I could talk you into packing some stuff, and I’ll lead you out.”

  Brewer steps into the yard to see for himself the smoke rising over the hills and rolling slowly toward him. The sight dries his mouth and sets his hands to trembling, but he has to trust that the preparations he’s made will enable him to ride out the blaze. He’s cut back the chaparral to create a firebreak around the trailer, sprayed retardant on the remaining shrubs, and hooked up heavy-duty hoses to all his spigots.

  “I’ll be fine,” he says to the cop.

  “This is
the last time I’ll be passing by, and the fire crews are pulling back to the 94, so they won’t be coming either,” she says. “You’ll be on your own.”

  I’ve always been on my own, he wants to tell her, but that’ll just sound dramatic. Cassius, the skinny stray that showed up a few years ago and never left, trots out of the trailer and sniffs the air, then walks over and stares up at Brewer with a worried look. The mutt was old when he arrived and is even older now, with white hair on his muzzle and a milky cataract in one eye.

  Brewer reaches down to scratch the animal’s ears and asks the cop, “Will you take my dog?”

  “Can’t,” she says. “It’s against regulations.”

  “Well, you might as well be on your way, then. Someone must need you somewhere.”

  The cop heads back to her truck but stops before reaching it and turns like she’s going to try once more to get Brewer to leave. As soon as she opens her mouth to speak, she inhales a bit of floating ash and begins to cough. After a couple of attempts to say what she was going to say, she gives up, throws Brewer a little wave, and, still coughing, climbs into her truck and drives away.

  Brewer smiles to himself. She’s actually not bad for a cop. Big old bull dyke looks like she might even be able to hold her own in a fight.

  The wind has come up, and ash swirls in the air like a light snow, dusting the hood of Brewer’s pickup, the leaves of the rosebush, the surface of the water in the dog’s bowl. Brewer can see flames now, for the first time, bright orange banners fluttering through the smoke.

  He walks into the trailer and retrieves The Complete Works of William Shakespeare from the table in the dining nook, the same battered copy he’s hauled around most of his life, ever since he realized there was more truth in one of those plays than in the entire Holy Bible. Most of his days still start with a cup of coffee and the book, him opening it at random in search of some bit of wisdom to chew on, so it’ll be the only thing he takes with him if he winds up running.

  He carries the book out to the truck, then ties a bandanna around his nose and mouth, pulls on a pair of ski goggles, and picks up a hoe. Cassius follows him to the firebreak, a ten-foot-wide strip Brewer has scraped down to dirt, a kind of moat surrounding the trailer. The dog lolls in a patch of shade while Brewer attacks a manzanita bush, widening the break even more. His hands are already covered with blisters from the work he’s done over the past twenty-four hours, and his back is killing him, but he can’t just sit and wait for the fire to get here. He’s let too many things run him over like that in the past.

  When he pauses to empty the sweat pooled inside his goggles, he notices that the flames have moved closer and that the smoke has gone from black to pink as the sun has risen. A fire department plane on its way to drop the load of water it has in its belly onto the blaze roars low overhead, and Cassius sends up a pitiful howl.

  “What are you bawling about?” Brewer yells at the dog, then blows his nose into his bandanna. The snot comes out black, and when he spits, that’s black too.

  MIGUEL WATCHES MAMÁ while he eats his Froot Loops. She’s making bacon-and-egg burritos for him and Papá to take with them. Papá sits across the table, sipping a cup of milky coffee. The old man shook Miguel awake half an hour ago and told him to get dressed, they were going to look for Alberto and Maria.

  “What about school?” Miguel asked, but all Papá said was “Don’t wake your brother.”

  The old man is bringing him along to translate. After all these years, he understands English pretty well but still can’t speak it. Hearing him try embarrasses Miguel. At Home Depot or the DMV or on parent-teacher night Miguel bites his tongue when the old man struggles to put together a few awkward sentences, then steps in and talks over him at the first sign of confusion on the face of whomever he’s addressing.

  “You have to let him try,” Mamá always says afterward. “How else will he learn?”

  “It’s easier if I do it,” Miguel replies. “People don’t have all day.”

  Mamá wraps the burritos in aluminum foil and slides them into a plastic grocery bag. Papá looks up from his coffee and smiles at her.

  “Don’t worry,” he says.

  She shakes her head in reply, tight-lipped, her eyes puffy. Miguel realizes she’s been crying.

  “I’ll take good care of your baby,” Papá continues. “I promise.”

  A bit worried himself, Miguel asks Papá how he plans to find Alberto and Maria.

  “You just do as I say,” the old man snaps.

  When Papá comes to a decision, he sticks to it no matter what, putting all his pride behind it, and this stubbornness makes Miguel uneasy. He remembers the time the old man took him and Francisco fishing in a friend’s boat. They motored far out into the ocean, and the weather suddenly turned bad. Dark clouds crashed into one another overhead, and the tiny boat was rocked by wind-whipped waves. The frightened boys began to cry and begged Papá to turn back.

  “Don’t you trust your father?” he shouted. “I know what I’m doing.”

  He didn’t, not at all, and they ended up running out of fuel and nearly capsizing before another boat picked them up. To this day the old man won’t admit they were in any danger. When he tells the story, it’s only to joke about how scared the boys were. But he was scared too. Miguel saw it in his eyes when the engine stopped and when the lightning flashed, and he heard it in his voice as he recited a prayer under his breath.

  When Miguel walks out the front door of the house a few minutes later, Papá is checking the oil in his truck in preparation for the trip. “Did you bring a coat?” the old man says.

  Miguel holds up his letterman’s jacket. He’s doing varsity track this year and is close to breaking the school record in long jump. A couple more inches, one good trip off the board, and he’ll have it. Mosco, the family’s Chihuahua, barks at him and bounces around his legs.

  “Don’t let him out,” Mamá calls through the bars covering the living-room window. The yellow stucco on the house is crisscrossed with gray patches where Papá has repaired cracks. He keeps saying he’s going to repaint but never finds the time. Mamá has had enough of his promises and calls the house the Pride of El Monte just to piss him off.

  Miguel holds the dog back with his foot while he steps through the gate in the waist-high chain-link fence, then quickly yanks his shoe away and slams the gate shut. He walks to the truck and climbs in on the passenger side. The burritos on the seat beside him give off a greasy smell that fills the cab.

  He’s going to miss a history quiz and track practice today, but what’s most fucked is that he was supposed to cut sixth period and sneak with Michelle to her cousin’s apartment, where she swore she’d finally give it up after a whole month of dry-humping and hand jobs. It’d be his first time getting laid, something he’s been thinking about since he was, like, twelve. And Michelle is fine, too, not like Lydia, that beast his homey Rigo got with last year and still brags about. Fucking Papá is going to ruin everything.

  The old man slides behind the wheel and starts the truck. He raises his hand to Mamá, and she raises hers to him. Miguel puts in his earbuds and turns on his music. As soon as they graduate, he and Rigo are moving to Tucson to work as trainers at Rigo’s uncle’s gym. Michelle might come too. He can’t wait.

  He sleeps most of the way down to Tijuana and even when he’s awake pretends he isn’t so that he doesn’t have to talk to the old man. They park on the American side of the border in a dirt lot next to a currency-exchange place. Papá hands him one of the burritos and unwraps another for himself, and they eat sitting on the tailgate of the truck. A battered train rolls past, its boxcars covered with graffiti, both Spanish and English: El Solitario, Led Zeppelin, Kim is the shit.

  The walk to the crossing is a short one, past the McDonald’s and the trolley stop, up and over a bridge spanning the freeway. Soon Miguel is pushing through the turnstile in the tall iron fence separating the two countries, and, just like that, the cars are dust
ier, the pigeons rattier, the music louder.

  Papá goes to a taxi stand and negotiates with a driver, a fat dude in a cowboy hat. Miguel has trouble keeping up with what’s being said. His Spanish has never been very good, and he forgets a little more each year. The driver leads them to an empty cab, and the old man sits in front and tells Miguel to get in back. The fat dude climbs in and taps his horn twice at the other drivers lounging at the stand before squeezing into the traffic headed into town.

  THE FIRE REACHES Brewer’s place around nine. It barrels down the hill fronted by a twenty-foot wall of flame. The dry grass hisses as it burns, and the oily shrubs explode, sending up showers of flaming shrapnel. The willows and cottonwoods lining the creek that runs along the western edge of the property wither and go from green to orange to black.

  Brewer stands at the break in goggles and bandanna, hose in one hand, rake in the other. His eyes sting from the smoke, and it’s impossible to draw a deep breath without coughing. The heat increases as the fire pushes closer, and the exposed flesh on his forehead feels tight enough to tear.

  If he thinks of all of it at once, pauses to acknowledge the intensity of the blaze, the heat, the choking smoke, he’ll cut and run, he knows it, and die in a futile scramble for safety. So instead he focuses on individual flames and wayward sparks, moving from task to task, head down, humming that damn song, the one about the doggie.

  An ember sails across the break on a gust of wind and lands in a clump of dead weeds. Brewer drags the hose over and douses the flare-up, then spots another and soaks that too. He replaces the doggie song with Hamlet’s soliloquy “To be or not to be…” Not his favorite speech, not his favorite play, but something he memorized as a young man because even the roughnecks he worked with in the oil fields recognized it as something fine and would reward him with whiskey and backslaps when he stood, deliriously drunk, and recited it in those long-ago jukebox honky-tonks that were their only respite from day upon hellish day on the rigs.

 

‹ Prev