by S J Bolton
‘To break a hole in the bottom of the canoe,’ said Evi. ‘And the canoe was for me to float away in, like the Lady of Shalott. The heavy dose of liquid morphine I gave myself just before I came out was to stop me struggling to the bank when it went down. If I sound a bit spacey, that’s why.’
‘Evi—’
‘It saved me, Harry. The morphine. For the first time in weeks, I couldn’t feel any pain. I could think again.’
They watched the canoe drift downstream, sinking lower in the water.
‘They’ve been playing around with my medication as well,’ said Evi. ‘Coming into my house, taking the pills I rely on, replacing them with something else, probably just some sort of placebo. And playing all sorts of weird tricks to freak me out.’
‘The police found surveillance equipment in your house,’ said Harry. ‘And broadcasting stuff too, did you know that?’
‘I guessed,’ said Evi. ‘They’ve been watching me for a while now.’
The cold of the snow was seeping up through the leather Harry wore. The canoe had sunk very low in the river now, had almost vanished in the darkness. Water began to spill over the sides.
‘There I go,’ said Evi. They watched the canoe disappear, then Evi turned to face Harry. He saw her hand move up towards him, felt her finger stroke the skin of his cheek, and then the wind on his damp skin.
‘It’s the cold, pet,’ he said. ‘Makes my eyes water.’
‘We should go inside.’
‘That’d be good.’
Harry got to his feet and lifted Evi. Leaving her stick where it lay in the snow, she took his arm and they walked together, back through the garden, towards the house. The dog ran ahead, pausing only at the end of the lawn to make sure they were following. With a last hurry-up-will-you yip, she ran in through the back door.
‘Is she yours?’ asked Harry.
‘Yes,’ said Evi.
‘How does she get on with cats?’ asked Harry.
Tuesday 22 January (a few minutes before midnight)
JOESBURY FEELS THE cold air at the same moment he spots the door at the top of the tower. He’s outside before he has any idea what he’s going to do if he’s too late and she’s already jumped. Or what the hell he’ll do if she hasn’t.
‘Lacey,’ he yells. ‘No!’
The roof is empty.
From behind comes the sound of footsteps on stone and heavy breathing. Someone else has reached the top of the steps and a second later is outside.
He’ll never know what it would be like, to wake up beside her.
Joesbury sees a man half stop, gasp for breath and then race to the edge of the roof, leaving a wake of footprints in the unblemished carpet of snow. He watches him lean over the parapet, shine a powerful flashlight down, before standing up again and moving round to another side of the roof. Someone else is on the roof now. Both men are moving around, leaning over the parapet, shining torches down, their footprints spreading across the roof like a cobweb. There are people on the ground shouting up at them.
He’ll never see the look on her face when she meets his son for the first time.
There are uniformed police officers on the tower, speaking into radios, asking if there’s any other way off the roof. The mood is urgent, confused. All the snow has been disturbed now. Piles of it collect in corners. It clings to boots. Then a man barks out an order. The sense of urgency increases. Radios crackle. People leave quickly. One by one the tower empties, until only he and one of the porters are left.
‘Guv.’
He’ll never see the tiny lines appear at the corners of her eyes. Never tease her about her first grey hair.
‘Mark!’
Joesbury turns to George, who is ashen in the dim light. ‘Have they found her?’ he asks, and has a moment to hope that her face hasn’t been too badly damaged, that he’ll be able to look at her one last time. At her perfect, unblemished face. And then he realizes that when he opened the door to the roof the snow was complete, unmarked by footprints of any kind.
‘Not here we haven’t,’ says George. ‘That phone call was a hoax. But we do know where she is. Confirmed this time. They’ve put her on a different tower. Great St Mary’s, about half a mile away. Hold it!’
George’s hand has shot up, palm out, holding Joesbury back. ‘She’s hanging over the edge,’ he tells him. ‘Constable in attendance says she looks out of her head on drugs and she’s threatening to jump if anyone goes near her.’
‘Out of my way, George.’
George takes a step forward, to plant himself more firmly in Joesbury’s way. He is holding up a phone and hands it over.
‘PC Leffingham,’ he says. ‘He’s with her on the tower. Good luck, guv.’
A FALCON CAN feel sensation through every one of its thousands of feathers. As it takes to the air, energy will pulse through its wings, stoking its heart; as it glides on thermals, it will feel a soft, buffeting warmth, and when it dives for prey the feathers on its wings and its back will feel as if they are on fire.
I can feel all of that now, here at the tip of the world, with only stars above me.
And stars like I’ve never seen before. Huge, silver dinner-plates, casting out light from one to the next, until the whole night sky looks like a vast, illuminated spider’s web and not a single one of them seems out of reach.
I take a step forward and know I’m weightless. Another step and I almost leave the tower behind. Enough to make you giddy, this sudden knowing; this startling realization that flying is easy. Flying is just a matter of thinking the right thoughts and believing. I can let my mind soar and my body will follow.
I’m up, on the wall, the wind teasing, tugging at me like the hands of a dozen children. Come now, come and play.
Then a voice. Hard and grating. I spin round and snarl. It backs away.
The city looks so beautiful, as though someone has thrown gold dust over a black velvet cloak, and I think I’ll visit it, one last time. I’ll dive down, faster than a falcon, swooping up at the last second to float like a ghost along the streets and over the rooftops.
‘Laura! I’m coming a couple of steps closer. Just so we can talk to each other. No, steady on, love. Look, I’m not moving.’
My name isn’t Laura.
‘Sorry, Lacey. I’ve just been told your name is Lacey. I’m Pete. PC Leffingham. Can I come a bit … OK, OK, I’m staying here.’
Lacey? Is that my name? There is a tree directly below me that still has leaves and I wonder if they’ll tickle, those leaves, when I glide past them.
‘Lacey, I’m talking to a friend of yours. Says his name is Mark. Mark Joesbury.’
Those leaves are dead. They won’t tickle, they’ll tear my flesh open as I hurtle into them. The branches will pull out my hair, stick into my eyes, impale me.
‘He wants to talk to you. Can I just hand over the phone so Mark can talk to you?’
‘Mark Joesbury is dead,’ I tell him.
A short pause, while PC Whoever-he-is tells his caller the news of his own demise. ‘No,’ his voice calls up to me again. ‘He’s very much alive and wants me to tell you to get down from there now or he’ll have you on traffic duty till you get your twenty-two-year long-service medal.’
‘Joesbury’s an arsehole,’ I say. ‘Joesbury set me up.’
I hear PC Leffingham’s mumbles and tell myself they are nothing to do with me. I look at the shining silver saucers that used to be stars and I swear, if I just bounce, I can touch them.
‘He says he knows. He says he’s very sorry. He says please just come down and let him tell you he’s sorry.’
The wind feels like a blanket, like a soft bed, like a quilt wrapping itself around me.
‘I don’t think she’s listening to me, sir. I don’t think it’s going to work. She’s leaning into the wind now. Christ, if it drops … what? OK, hang on … Lacey!’
Oh, will he not leave me in peace? I am about to fly.
‘Lacey, Mark says they
found the note in your car and they’ve put out an all-ports warning on three different cars. He says they’ll catch them. It’s over.’
‘Have you ever watched a falcon dive?’ I ask. ‘Do you have any idea of the speed it reaches?’
‘Lacey, he says he loves you.’
‘Tell him he’s full of shit!’
‘Steady, steady on, Lacey. Don’t let go … let me just … OK, I won’t come any closer. Sir, I really don’t think …’
Leffingham’s voice fades and I sense him back away from me. Good. I can see a moonbeam, shining directly down upon the pavement, its light spreading along the stone like a soft, warm pool.
‘What? Sir, I … OK, I’ll give it a go.’
The moonbeam looks like a trail, sent for me to follow.
‘Lacey.’
I sigh. I am going to have to jump just to get the hell away from this pest.
‘Lacey, Mark says he’s on another tower. He says he can see you and if you look in the right direction, you can see him. Over there, look, to the north. He’s got a torch. He’s waving it around. Oh, Christ, he has too.’
I have no interest in where Mark Joesbury is. And yet one of my huge round stars has shrunk, it seems, and fallen lower, and is dancing around like a dervish because I can see what is getting PC Leffingham so excited. Across the city, where I judge the tower of St John’s to be, I can see a powerful light being swung around in a constantly repeating arch.
‘Tell him I’ll see him in hell,’ I say, and get ready to jump – I mean, to fly.
‘He says he heard that and you’re absolutely right you will because he’s going to jump too – what?’
What?
I’m not looking at the sky, any more. Or at the city, or even across the vast dark space to St John’s tower. I am staring at PC Leffingham and at the phone still clamped to his ear. He’s arguing with the man on the end of the line. Well, now he knows what it’s like.
‘Sir, this is getting beyond … no, I’m not telling her that … who’s with you? OK, OK, Jesus wept.’
Leffingham runs a hand over his face and for a second I think it crosses his mind that he might push me himself and bring the whole farce to an end. ‘Mark says if you jump, he will too,’ he calls up to me. ‘He swears it on his son’s life because this whole business is his fault and if you die he won’t be able to live with himself and – yeah, yeah, I’ve got it – and when he jumps he’s going to take the torch with him … and the last thing you’ll see is that torch. And he says he’ll hit the ground first because he’s a lot heavier than you.’
‘Tell him to go fuck himself.’ I’m up on the ledge. I’m going.
‘Lacey!’
I swear that voice wasn’t PC Leffingham’s.
‘Lacey, he says he can’t live if you don’t.’
I look up, for my big dinner-plate stars and the silver silk streamers that I will fly among. They’re gone and in their place are just tiny dots of light, millions of miles away. Below me, my black-velvet city strewn with gold has gone too. All that’s left is a town that is beautiful but cold. Over to the north, where the light from a flashlight hasn’t stopped waving, I can picture the man who’s holding it, a man who is up on the edge of a parapet, just like me, and I know that he and I are on the verge of a pretty big adventure. Whether we jump, or whether we don’t.
My call.
Without taking my eyes off Joesbury’s torch, I give PC Leffingham my hand and let him lead me safely back down to earth.
There have been a few cases of student suicide in Cambridge in recent years but their details are unknown to me. My research for this book has been general, not specific, and any similarities to real events are entirely coincidental.
I have long considered Cambridge to be one of the most beautiful cities in the world, and feel nothing but wistful envy for those lucky enough to live and study there. Dead Scared is a work of the imagination, nothing more.
References
Burn Unit by Barbara Ravage, The Suicidal Mind by Edwin S. Shneidman, Why People Die By Suicide by Thomas Joiner, November of the Soul by George Howe Colt, Dark Journey by Ronald L. Bonner, The Lucifer Effect by Philip Zimbardo, Training Birds of Prey by Lee William Harris, Falconry for Beginners by Jemima Parry-Jones and The Night Climbers of Cambridge by Whipplesnaith.
Grateful thanks to my kind and clever friends and colleagues, without whose help I could not write my books: Sarah Adams, Jessica, Peter and Rosie Buckman, Lynsey Dalladay, Anne Marie Doulton, Matthew Martz, Sarah Melnyk, Kelley Ragland, Kate Samano, Denise Stott, Martin Summerhayes, Adrian Summons, Jess Thomas, Mark Upton, Claire Ward and Geoff Webb.
Any remaining mistakes are mine.
About the Author
S. J. Bolton is the author of four previous critically acclaimed novels, Sacrifice, Awakening, Blood Harvest and Now You See Me, all available in paperback.
Sacrifice was nominated for the International Thriller Writers Award for Best First Novel, and voted Top Debut Thriller in the first ever Amazon Rising Stars. Awakening won the Mary Higgins Clark Award for Thriller of the Year in the US.
In 2010 Blood Harvest was shortlisted for the CWA Gold Dagger for Crime Novel of the Year, and in 2011 S. J. Bolton was shortlisted for the CWA Dagger in the Library, an award for an entire body of work, nominated by library users.
S. J. Bolton lives near Oxford with her husband and young son. For more information about the author and her books, or to check out her addictive blog, visit www.sjbolton.com. Or join her on Facebook at www.facebook.com/SJBoltonCrime
Also by S. J. Bolton
Sacrifice
Awakening
Blood Harvest
Now You See Me
For more information on S. J. Bolton and her books, see her website at www.sjbolton.com
First published in Great Britain
in 2012 by Bantam Press
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