The fate of those two poor ore-thieves was so horrible that I hesitate to mention it. It was six months later that a prospector on one of the northern spurs of Lincoln came upon two dead bodies. One, a club-footed man, had been shot through the head; the other, unmistakably Long John, was lying on his back, an empty revolver beside him, and one foot caught in a bear-trap. Though the truth will never be known, the presumption is that, setting the stolen trap in a deer run in the hope of catching a deer, they had got into a quarrel; Clubfoot, striking at his companion, had caused him to step backward into the trap, when, in his pain and rage, Long John had whipped out his revolver and shot the other. What his own fate must have been is too dreadful to contemplate.
And the Crawford ranch? Well, the Crawford ranch is the busiest place in the county.
Peter, for whom my parents, like ourselves, took a great liking, quickly thawed out under my mother’s influence, and related to us briefly the reason for his having taken to his solitary life. He had been a school-teacher in Denver, but losing his wife and two children in an accident, he had fled from the place and had hidden himself up in our mountains, where for several years he had spent a lonely existence with no company but old Socrates. Now, however, his house destroyed and his mountain overrun with prospectors, he needed little inducement to abandon his old hermit-life; and accepting gladly my father’s suggestion that he stay and work on the ranch, he built for himself a good log cabin up near the waterfall, and there he and Socrates took up their residence.
There was plenty of work for him and for all of us—indeed, for the first two years there was almost more than we could do. It took that length of time for the “forty rods”to drain off thoroughly, but by the middle of the third summer we were cutting hay upon it; the ore wagons from Sulphide and from the Big Reuben were passing through in a continuous stream; the stage-coach was coming our way; the old hill road was abandoned.
In fact, everybody is busy, and more than busy—with one single exception.
The only loafer on the place is old Sox—tolerated on account of his advanced age. That veteran, whose love of mischief and whose unfailing impudence would lead any stranger to suppose he had but just come out of the egg, spends most of his time strutting about the ranch, stealing the food of the dogs and chickens; awing them into submission by his supernatural gift of speech. And as though that were not enough, his crop distended with his pilferings to the point of bursting, he comes unabashed to the kitchen door and blandly requests my mother, of all people, to give him a chew of tobacco!
But the mail-coach has just gone through, and I hear Joe shouting for me; I must run.
“Yetmore wants fifty-hundred of oats, Phil,”he calls out. “You and I are to take it up. We must dig out at once if we are to get back to-night. To-morrow we break ground on our new ditches. A month or more of good stiff work for us, old chap!”
He rubs his hands in anticipation; for the bigger he grows—and he has grown into a tremendous fellow now—the more work he wants. There is no satisfying him.
We have been very fortunate, wonderfully fortunate; but I am inclined to set apart as pre-eminently our lucky day that one in the summer of ’79, when young Joe Garnier, the blacksmith’s apprentice, stopped at our stable-door to ask for work!
THE END
* * *
By Amy E. Blanchard
War of the Revolution Series
* * *
The books comprising this series have become well known among the girls and are alike chosen by readers themselves, by parents and by teachers on account of their value from the historical standpoint, their purity of style and their interest in general.
A Girl of ’76
ABOUT COLONIAL BOSTON. 331 pp.
It is one of the best stories of old Boston and its vicinity which has ever been written. Its value as real history and as an incentive to further study can hardly be overestimated.
A Revolutionary Maid
A STORY OF THE MIDDLE PERIOD IN THE
WAR FOR INDEPENDENCE. 312 pp.
No better material could be found for a story than the New Jersey campaign, the Battle of Germantown, and the winter at Valley Forge. Miss Blanchard has made the most of a large opportunity and produced a happy companion volume to “A Girl of ’76.”
A Daughter of Freedom
A STORY OF THE LATTER PERIOD OF THE
WAR FOR INDEPENDENCE. 312 pp.
In this story the South supplies the scenery, and good use is made of the familiar fact that a family often was divided in its allegiance. It is romantic but not sensational, well-written and rich in entertainment.
War of 1812 Series
This period is divided into two historical volumes for girls, the one upon the early portion describing the causes, etc., of the war, the latter showing the strife along the Northern border.
A Heroine of 1812
A MARYLAND ROMANCE. 335 pp.
This Maryland romance is of the author’s best; strong in historical accuracy and intimate knowledge of the locality. Its characters are of marked individuality, and there are no dull or weak spots in the story.
A Loyal Lass.
A STORY OF THE NIAGARA CAMPAIGN OF 1814. 319 pp.
This volume shows the intense feeling that existed all along the border line between the United States and Canada, and as was the case in our Civil War even divided families fought on opposite sides during this contest. It is a sweet and wholesome romance.
EACH VOLUME FULLY ILLUSTRATED. Price, $1.50
W. A. WILDE COMPANY,—Boston and Chicago
* * *
TRANSCRIBER'S NOTE:
Minor changes have been made to correct typesetters' errors; otherwise, every effort has been made to remain true to the author's words and intent.
End of Project Gutenberg's The Boys of Crawford's Basin, by Sidford F. Hamp
*** END OF THIS PROJECT GUTENBERG EBOOK THE BOYS OF CRAWFORD'S BASIN ***
***** This file should be named 26434-h.htm or 26434-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/6/4/3/26434/
Produced by Janet Keller, D Alexander and the Online
Distributed Proofreading Team at http://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of
the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marke
d as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
The Boys of Crawford's Basin Page 20