farted. it was grey and covered with hair
   and fat and it stank like old socks.
   it began to walk down the pier and we followed it.
   it ate a hot dog and bun right out of the hands of
   a little girl. then it leaped on the merry-go-round
   and rode a pinto, it fell off near the end and
   rolled in the sawdust.
   we picked it up.
   grop, it said, grop.
   then it walked back out on the pier.
   a large crowd followed us as we walked along.
   it’s a publicity stunt, said somebody,
   it’s a man in a rubber suit.
   then as it was walking along it began to breathe
   very heavily, it fell on its
   back and began to thrash.
   somebody poured a cup of beer over its head.
   grop, it went, grop.
   then it was dead.
   we rolled it to the edge of the pier and pushed it
   back into the water, we watched it sink and vanish.
   it was a Hollow-Back June Whale, I said.
   no, said the other guy, it was a Billow-Wind Sand-Groper.
   no, said the other expert, it was a Fandango Escadrille without stripes.
   then we all went our way on a mid-afternoon in August.
   Howard Nemerov 1920–91
   Make Love Not War
   Lovers everywhere are bringing babies into the world.
   Lovers with stars in their eyes are turning the stars
   Into babies, lovers reading the instructions in comic books
   Are turning out babies according to the instructions; this
   Progression is said by demographers to be geometric and
   Accelerating the rate of its acceleration. Lovers abed
   Read up the demographers’ reports, and accordingly produce
   Babies with contact lenses and babies diapered in the flags
   Of new and underdeveloped nations. Some experts contend
   That bayonets are being put into the hands of babies
   Not old enough to understand their use. And in the U.S.,
   Treasury officials have expressed their grave concern about
   The unauthorized entry of stateless babies without
   Passports and knowing no English: these ‘wetbacks’,
   As they are called from the circumstance of their swimming
   Into this country, are to be reported to the proper
   Authority wherever they occur and put through channels
   For deportation to Abysmo the equatorial paradise
   Believed to be their country of origin – ‘where’,
   According to one of our usually unformed sorcerers,
   ‘The bounteous foison of untilled Nature alone
   Will rain upon the heads of these homeless, unhappy
   And helpless beings apples, melons, honey, nuts, and gum
   Sufficient to preserve them in their prelapsarian state
   Under the benign stare of Our Lord Et Cetera forevermore.’
   Meanwhile I forgot to tell you, back at the ranch,
   The lovers are growing older, becoming more responsible.
   Beginning with the mortal courtship of the Emerald Goddess
   By Doctor Wasp – both of them twelve feet high
   And insatiable; he wins her love by scientific means
   And she has him immolated in a specially designed mole –
   They have now settled down in an L-shaped ranch-type home
   Where they are running a baby ranch and bringing up
   Powerful babies able to defend their Way of Life
   To the death if necessary. Of such breeding pairs
   The average he owns seven and a half pair of pants,
   While she generally has three girdles and a stove.
   They keep a small pump-action repeater in the closet,
   And it will not go off in the last act of this epic.
   To sum up, it was for all the world as if one had said
   Increase! Be fruitful! Multiply! Divide!
   Be as the sands of the sea, the stars in the firmament,
   The moral law within, the number of molecules
   In the unabridged dictionary. BVD. Amen. Ahem.
   AUM.
   (Or, roughly, the peace that passeth understanding.)
   Richard Wilbur 1921–
   Still, Citizen Sparrow
   Still, citizen sparrow, this vulture which you call
   Unnatural, let him but lumber again to air
   Over the rotten office, let him bear
   The carrion ballast up, and at the tall
   Tip of the sky lie cruising. Then you’lll see
   That no more beautiful bird is in heaven’s height,
   No wider more placid wings, no watchfuller flight;
   He shoulders nature there, the frightfully free,
   The naked-headed one. Pardon him, you
   Who dart in the orchard aisles, for it is he
   Devours death, mocks mutability,
   Has heart to make an end, keeps nature new.
   Thinking of Noah, childheart, try to forget
   How for so many bedlam hours his saw
   Soured the song of birds with its wheezy gnaw,
   And the slam of his hammer all the day beset
   The people’s ears. Forget that he could bear
   To see the towns like coral under the keel,
   And the fields so dismal deep. Try rather to feel
   How high and weary it was, on the waters where
   He rocked his only world, and everyone’s.
   Forgive the hero, you who would have died
   Gladly with all you knew; he rode that tide
   To Ararat; all men are Noah’s sons.
   Love Calls Us to the Things of This World
   The eyes open to a cry of pulleys,
   And spirited from sleep, the astounded soul
   Hangs for a moment bodiless and simple
   As false dawn.
   Outside the open window
   The morning air is all awash with angels.
   Some are in bed-sheets, some are in blouses,
   Some are in smocks: but truly there they are.
   Now they are rising together in calm swells
   Of halcyon feeling, filling whatever they wear
   With the deep joy of their impersonal breathing;
   Now they are flying in place, conveying
   The terrible speed of their omnipresence, moving
   And staying like white water; and now of a sudden
   They swoon down into so rapt a quiet
   That nobody seems to be there.
   The soul shrinks
   From all that it is about to remember,
   From the punctual rape of every blessèd day,
   And cries,
   ‘Oh, let there be nothing on earth but laundry,
   Nothing but rosy hands in the rising steam
   And clear dances done in the sight of heaven.’
   Yet, as the sun acknowledges
   With a warm look the world’s hunks and colors,
   The soul descends once more in bitter love
   To accept the waking body, saying now
   In a changed voice as the man yawns and rises,
   ‘Bring them down from their ruddy gallows;
   Let there be clean linen for the backs of thieves;
   Let lovers go fresh and sweet to be undone,
   And the heaviest nuns walk in a pure floating
   Of dark habits,
   keeping their difficult balance.’
   Pangloss’s Song: A Comic-Opera Lyric
   I
   Dear boy, you will not hear me speak
   With sorrow or with rancor
   Of what has paled my rosy cheek
   And blasted it with canker;
   ’Twas Love, great Love, that did the deed
   Through Nature’s gentle laws,
   And how should ill effects proceed
   Fro
m so divine a cause?
   Sweet honey conies from bees that sting,
   As you are well aware;
   To one adept in reasoning,
   Whatever pains disease may bring
   Are but the tangy seasoning
   To Love’s delicious fare.
   II
   Columbus and his men, they say,
   Conveyed the virus hither
   Whereby my features rot away
   And vital powers wither;
   Yet had they not traversed the seas
   And come infected back,
   Why, think of all the luxuries
   That modern life would lack!
   All bitter things conduce to sweet,
   As this example shows;
   Without the little spirochete
   We’d have no chocolate to eat,
   Nor would tobacco’s fragrance greet
   The European nose.
   III
   Each nation guards its native land
   With cannon and with sentry,
   Inspectors look for contraband
   At every port of entry,
   Yet nothing can prevent the spread
   Of Love’s divine disease;
   It rounds the world from bed to bed
   As pretty as you please.
   Men worship Venus everywhere,
   As plainly may be seen;
   The decorations which I bear
   Are nobler than the Croix de Guerre,
   And gained in service of our fair
   And universal Queen.
   On the Marginal Way
   FOR J.C.P
   Another cove of shale,
   But the beach here is rubbled with strange rock
   That is sleek, fluent, and taffy-pale.
   I stare, reminded with a little shock
   How, by a shore in Spain, George Borrow saw
   A hundred women basking in the raw.
   They must have looked like this,
   That catch of bodies on the sand, that strew
   Of rondure, crease, and orifice,
   Lap, flank, and knee – a too abundant view
   Which, though he’d had the lenses of a fly,
   Could not have waked desire in Borrow’s eye.
   Has the light altered now?
   The rocks flush rose and have the melting shape
   Of bodies fallen anyhow.
   It is a Géricault of blood and rape,
   Some desert town despoiled, some caravan
   Pillaged, its people murdered to a man,
   And those who murdered them
   Galloping off, a rumpling line of dust
   Like the wave’s white, withdrawing hem.
   But now the vision of a colder lust
   Clears, as the wind goes chill and all is greyed
   By a swift cloud that drags a carrion shade.
   If these are bodies still,
   Theirs is a death too dead to look asleep,
   Like that of Auschwitz’ final kill,
   Poor slaty flesh abandoned in a heap
   And then, like sea-rocks buried by a wave,
   Bulldozed at last into a common grave.
   It is not tricks of sense
   But the time’s fright within me which distracts
   Least fancies into violence
   And makes my thought take cover in the facts,
   As now it does, remembering how the bed
   Of layered rock two miles above my head
   Hove ages up and broke
   Soundless asunder, when the shrinking skin
   Of Earth, blacked out by steam and smoke,
   Gave passage to the muddled fire within,
   Its crannies flooding with a sweat of quartz,
   And lathered magmas out of deep retorts
   Welled up, as here, to fill
   With tumbled rockmeal, stone-fume, lithic spray,
   The dike’s brief chasm and the sill.
   Weathered until the sixth and human day
   By sanding winds and water, scuffed and brayed
   By the slow glacier’s heel, these forms were made
   That now recline and burn
   Comely as Eve and Adam, near a sea
   Transfigured by the sun’s return.
   And now three girls lie golden in the lee
   Of a great arm or thigh, and are as young
   As the bright boulders that they lie among.
   Though, high above the shore
   On someone’s porch, spread wings of newsprint flap
   The tidings of some dirty war,
   It is a perfect day: the waters clap
   Their hands and kindle, and the gull in flight
   Loses himself at moments, white in white,
   And like a breaking thought
   Joy for a moment floods into the mind,
   Blurting that all things shall be brought
   To the full state and stature of their kind,
   By what has found the manhood of this stone.
   May that vast motive wash and wash our own.
   Alan Dugan 1923–2003
   Love Song: I and Thou
   Nothing is plumb, level or square:
   the studs are bowed, the joists
   are shaky by nature, no piece fits
   any other piece without a gap
   or pinch, and bent nails
   dance all over the surfacing
   like maggots. By Christ
   I am no carpenter. I built
   the roof for myself, the walls
   for myself, the floors
   for myself, and got
   hung up in it myself. I
   danced with a purple thumb
   at this house-warming, drunk
   with my prime whiskey: rage.
   Oh I spat rage’s nails
   into the frame-up of my work:
   it held. It settled plumb,
   level, solid, square and true
   for that great moment. Then
   it screamed and went on through,
   skewing as wrong the other way.
   God damned it. This is hell,
   but I planned it, I sawed it,
   I nailed it, and I
   will live in it until it kills me.
   I can nail my left palm
   to the left-hand cross-piece but
   I can’t do everything myself.
   I need a hand to nail the right,
   a help, a love, a you, a wife.
   Fabrication of Ancestors
   FOR OLD BILLY DUGAN, SHOT IN THE ASS IN THE CIVIL WAR, MY FATHER SAID.
   The old wound in my ass has
   opened up again, but I
   am past the prodigies
   of youth’s campaigns, and weep
   where I used to laugh
   in war’s red humors, half
   in love with silly-assed pains
   and half not feeling them.
   I have to sit up with
   an indoor unsittable itch
   before I go down late
   and weeping to the storm-
   cellar on a dirty night
   and go to bed with the worms,
   So pull the dirt up over me
   and make a family joke
   for Old Billy Blue Balls,
   the oldest private in the world
   with two ass-holes and no
   place more to go to for a laugh
   except the last one. Say:
   The North won the Civil War
   without much help from me
   although I wear a proof
   of the war’s obscenity.
   Anthony Hecht 1923–2004
   Japan
   It was a miniature country once
   To my imagination; Home of the Short,
   And also the academy of stunts
   Where acrobats are taught
   The famous secrets of the trade:
   To cycle in the big parade
   While spinning plates upon their parasols,
   Or somersaults that do not touch the ground,
   Or tossing seven ba
lls
   In Most Celestial Order round and round.
   A child’s quick sense of the ingenious stamped
   All their invention: toys I used to get
   At Christmastime, or the peculiar, cramped
   Look of their alphabet.
   Fragile and easily destroyed,
   Those little boats of celluloid
   Driven by camphor round the bathroom sink,
   And delicate the folded paper prize
   Which, dropped into a drink
   Of water, grew up right before your eyes.
   Now when we reached them it was with a sense
   Sharpened for treachery compounding in their brains
   Like mating weasels; our Intelligence
   Said: The Black Dragon reigns
   Secretly under yellow skin,
   Deeper than dyes of atabrine
   And deadlier. The War Department said:
   Remember you are Americans; forsake
   The wounded and the dead
   At your own cost; remember Pearl and Wake.
   And yet they bowed us in with ceremony,
   Told us what brands of Sake were the best,
   Explained their agriculture in a phony
   Dialect of the West,
   Meant vaguely to be understood
   As a shy sign of brotherhood
   In the old human bondage to the facts
   Of day-to-day existence. And like ants,
   Signalling tiny pacts
   With their antennae, they would wave their hands.
   At last we came to see them not as glib
   Walkers of tightropes, worshippers of carp,
   Nor yet a species out of Adam’s rib
   Meant to preserve its warp
   In Cain’s own image. They had learned
   That their tough eye-born goddess burned
   Adoring fingers. They were very poor.
   The holy mountain was not moved to speak.
   Wind at the paper door
   Offered them snow out of its hollow peak.
   Human endeavor clumsily betrays
   Humanity. Their excrement served in this;
   For, planting rice in water, they would raise
   Schistosomiasis
   Japonica, that enters through
   The pores into the avenue
   And orbit of the blood, where it may foil
   The heart and kill, or settle in the brain.
   This fruit of their nightsoil
   Thrives in the skull, where it is called insane.
   Now the quaint early image of Japan
   That was so charming to me as a child
   Seems like a bright design upon a fan,
   Of water rushing wild
   On rocks that can be folded up,
   
 
 The Penguin Book of American Verse Page 38