I have always been scared of you,
   With your Luftwaffe, your gobbledygoo.
   And your neat moustache
   And your Aryan eye, bright blue.
   Panzer-man, panzer-man, O You –
   Not God but a swastika
   So black no sky could squeak through.
   Every woman adores a Fascist,
   The boot in the face, the brute
   Brute heart of a brute like you.
   You stand at the blackboard, daddy,
   In the picture I have of you,
   A cleft in your chin instead of your foot
   But no less a devil for that, no not
   Any less the black man who
   Bit my pretty red heart in two.
   I was ten when they buried you.
   At twenty I tried to die
   And get back, back, back to you.
   I thought even the bones would do.
   But they pulled me out of the sack,
   And they stuck me together with glue.
   And then I knew what to do.
   I made a model of you,
   A man in black with a Meinkampf look
   And a love of the rack and the screw.
   And I said I do, I do.
   So daddy, I’m finally through.
   The black telephone’s off at the root,
   The voices just can’t worm through.
   If I’ve killed one man, I’ve killed two –
   The vampire who said he was you
   And drank my blood for a year,
   Seven years, if you want to know.
   Daddy, you can lie back now.
   There’s a stake in your fat black heart
   And the villagers never liked you.
   They are dancing and stamping on you.
   They always knew it was you.
   Daddy, daddy, you bastard, I’m through.
   The Applicant
   First, are you our sort of a person?
   Do you wear
   A glass eye, false teeth or a crutch,
   A brace or a hook,
   Rubber breasts or a rubber crotch,
   Stitches to show something’s missing? No, no? Then
   How can we give you a thing?
   Stop crying.
   Open your hand.
   Empty? Empty. Here is a hand
   To fill it and willing
   To bring teacups and roll away headaches
   And do whatever you tell it.
   Will you marry it?
   It is guaranteed
   To thumb shut your eyes at the end
   And dissolve of sorrow.
   We make new stock from the salt.
   I notice you are stark naked.
   How about this suit –
   Black and stiff, but not a bad fit.
   Will you marry it?
   It is waterproof, shatterproof, proof
   Against fire and bombs through the roof.
   Believe me, they’ll bury you in it.
   Now your head, excuse me, is empty.
   I have the ticket for that.
   Come here, sweetie, out of the closet.
   Well, what do you think of that?
   Naked as paper to start
   But in twenty-five years she’ll be silver,
   In fifty, gold.
   A living doll, everywhere you look.
   It can sew, it can cook,
   It can talk, talk, talk.
   It works, there is nothing wrong with it.
   You have a hole, it’s a poultice.
   You have an eye, it’s an image.
   My boy, it’s your last resort.
   Will you marry it, marry it, marry it.
   The Arrival of the Bee Box
   I ordered this, this clean wood box
   Square as a chair and almost too heavy to lift.
   I would say it was the coffin of a midget
   Or a square baby
   Were there not such a din in it.
   The box is locked, it is dangerous.
   I have to live with it overnight
   And I can’t keep away from it.
   There are no windows, so I can’t see what is in there.
   There is only a little grid, no exit.
   I put my eye to the grid.
   It is dark, dark,
   With the swarmy feeling of African hands
   Minute and shrunk for export,
   Black on black, angrily clambering.
   How can I let them out?
   It is the noise that appals me most of all,
   The unintelligible syllables.
   It is like a Roman mob,
   Small, taken one by one, but my god, together!
   I lay my ear to furious Latin.
   I am not a Caesar.
   I have simply ordered a box of maniacs.
   They can be sent back.
   They can die, I need feed them nothing, I am the owner.
   I wonder how hungry they are.
   I wonder if they would forget me
   If I just undid the locks and stood back and turned into a tree
   There is the laburnum, its blond colonnades,
   And the petticoats of the cherry.
   They might ignore me immediately
   In my moon suit and funeral veil.
   I am no source of honey
   So why should they turn on me?
   Tomorrow I will be sweet God, I will set them free.
   The box is only temporary.
   Blackberrying
   Nobody in the lane, and nothing, nothing but blackberries,
   Blackberries on either side, though on the right mainly,
   A blackberry alley, going down in hooks, and a sea
   Somewhere at the end of it, heaving. Blackberries
   Big as the ball of my thumb, and dumb as eyes
   Ebon in the hedges, fat
   With blue-red juices. These they squander on my fingers.
   I had not asked for such a blood sisterhood; they must love me.
   They accommodate themselves to my milkbottle, flattening their sides.
   Overhead go the choughs in black, cacophonous flocks –
   Bits of burnt paper wheeling in a blown sky.
   Theirs is the only voice, protesting, protesting.
   I do not think the sea will appear at all.
   The high, green meadows are glowing, as if lit from within.
   I come to one bush of berries so ripe it is a bush of flies,
   Hanging their bluegreen bellies and their wing panes in a Chinese screen
   The honey-feast of the berries has stunned them; they believe in heaven.
   One more hook, and the berries and bushes end.
   The only thing to come now is the sea.
   From between two hills a sudden wind funnels at me,
   Slapping its phantom laundry in my face.
   These hills are too green and sweet to have tasted salt.
   I follow the sheep path between them. A last hook brings me
   To the hills’ northern face, and the face is orange rock
   That looks out on nothing, nothing but a great space
   Of white and pewter lights, and a din like silversmiths
   Beating and beating at an intractable metal.
   Etheridge Knight 1933–1991
   Hard Rock Returns to Prison from the Hospital for the Criminal Insane
   Hard Rock was ‘known not to take no shit
   From nobody’, and he had the scars to prove it:
   Split purple lips, lumped ears, welts above
   His yellow eyes, and one long scar that cut
   Across his temple and plowed through a thick
   Canopy of kinky hair.
   The WORD was that Hard Rock wasn’t a mean nigger
   Anymore, that the doctors had bored a hole in his head,
   Cut out part of his brain, and shot electricity
   Through the rest. When they brought Hard Rock back,
   Handcuffed and chained, he was turned loose,
   Like a freshly gelded st
allion, to try his new status.
   And we all waited and watched, like indians at a corral,
   To see if the WORD was true.
   As we waited we wrapped ourselves in the cloak
   Of his exploits: ‘Man, the last time, it took eight
   Screws to put him in the Hole.’ ‘Yeah, remember when he
   Smacked the captain with his dinner tray?’ ‘He set
   The record for time in the Hole – 67 straight days!’
   ‘O! Hard Rock! man, that’s one crazy nigger.’
   And then the jewel of a myth that Hard Rock had once bit
   A screw on the thumb and poisoned him with syphilitic spit.
   The testing came, to see if Hard Rock was really tame.
   A hillbilly called him a black son of a bitch
   And didn’t lose his teeth, a screw who knew Hard Rock
   From before shook him down and barked in his face.
   And Hard Rock did nothing. Just grinned and looked silly,
   His eyes empty like knot holes in a fence.
   And even after we discovered that it took Hard Rock
   Exactly 3 minutes to tell you his first name,
   We told ourselves that he had just wised up.
   Was being cool; but we could not fool ourselves for long,
   And we turned away, our eyes on the ground. Crushed.
   He had been our Destroyer, the doer of things
   We dreamed of doing but could not bring ourselves to do,
   The fears of years, like a biting whip,
   Had cut grooves too deeply across our backs.
   Imamu Amiri Baraka (LeRoi Jones) 1934–
   Horatio Alger Uses Scag
   Kissinger has made it, yall. He’s the secretary
   of state, U.S.A. The anglo-snakes have called him
   mooing to their side, his bag-time with rocky helped
   a lot. His ol lady, was once, they say, rocky’s main
   squeeze … intellectually. But Henry, the k, pushes through
   his dangerous glasses. His wine smile sloshes back and forth
   he’s thinking, as he speaks. A fast man on his feet. The subject,
   a cold threat to the a-rabs (it makes him feel vaguely nationalistic,
   but not in an irresponsible way, him bein a jew and all
   ya know) … but they hired him not for his jewishness ‘grrr … he sd
   what is that,’ but for his absolute mastery of the art of
   bullshitting
   And so, he lays it all out
   across the U.N. decks for all
   to hear, and be afraid. His freckles, even,
   show, so synonymous with america is this
   fat priapic mackman
   A-rabs, he says, you betta
   be cool with that oil & shit
   & beyond us all, you cdda laught
   is the realization that the shadowy figure
   in the arab getup, is yo man, rocky, makin
   the whole thing
   perfect
   At the National Black Assembly
   ‘EEK
   a nigger
   communist,” the lady democrat
   nigrita squeeked, eek
   an ‘avowed”
   nigger
   communist, & almost swooned
   except you cd hear static chattering
   from her gold necklace chairman
   Strauss dialing trying to get through
   her papers spilled
   & the autographed picture
   of Teddy K. & Georgie W.
   hugging each other in
   the steam bath
   fell out.
   You see she
   say I cant not be
   you see
   with you niggers
   with no nappy head commie
   America’s been good
   to me. The democrats, God
   bless’ em, have allllllllways
   done good
   by us
   by colored folks
   you see she say I studied
   commies, them Chinese maoists
   specially (She scooped her papers
   up & thought deliciously
   about the time her man
   Scoop J & she licked on the same ice
   cream
   cone
   right down to the hairs!
   Specially them
   Maoists, I studied
   They tacktix
   She say, They tacktix
   is to take over
   the microphone &
   be against the
   democrats)
   sweeping out
   wrist radio tittering
   Strauss waltzes &
   Proposed ripoffs
   Straight from Watergate
   Going to the airport
   interviewed by WLIE
   She smiled powdering her
   conversation
   & caught a plane
   to
   petit bourgeois
   negro
   heaven
   Richard Emil Braun 1934–
   Goose
   Trailing her father, bearing his hand axe,
   the girl thought she had never
   guessed what earthly majesty
   was before
   then, as he strode unconcernedly
   holding a vicious gander
   by the horny mitts and let
   the big wings
   batter his knees. She was also surprised
   to feel a liberating
   satisfaction in the coming
   bloodshed, and
   that notwithstanding all the times she had
   been beleaguered and
   had fled, today she did not fear
   the barnyard hubub.
   Yet, as her father’s clever stroke fell, as
   the pronged head skipped sideways
   and the neck plumes stiffened with blood
   from the cleft,
   she was angry; and, when the headless goose
   ran to the brook and was
   carried off into the woods alive,
   she rejoiced,
   and subsequently frequented those woods
   and avoided her father.
   When the goose began to mend she
   brought him small
   hominy, which was welcome though she had
   to press the kernels one
   by one into the pink neck that
   throbbed into
   her palm; when haemorrhage occurred she would
   not spare handkerchiefs,
   and stanching the spot she felt a thrill
   of sympathy.
   But for the most part there was steady progress,
   and growing vigor was
   accompanied by restlessness,
   and one cool day
   the blind thing was batted out of existence
   by a motorcycle.
   She had no time for tears. She ran
   upstairs to miss
   her father’s barytone commiseration,
   then out onto the fields,
   and, holding an old red pinwheel,
   ran ran ran ran.
   Robert Mezey 1935–
   My Mother
   My mother writes from Trenton,
   a comedian to the bone
   but underneath, serious
   and all heart. ‘Honey,’ she says,
   ‘be a mensch and Mary too,
   its no good to worry, you
   are doing the best you can
   your Dad and everyone
   thinks you turned out very well
   as long as you pay your bills
   nobody can say a word
   you can tell them to drop dead
   so save a dollar it can’t
   hurt – remember Frank you went
   to highschool with? he still lives
   with his wife’s mother, his wife
   works while he writes his books and
   did he ever sell a one
   the four kids run around naked
   
36 and he’s never had,
   you’ll forgive my expression
   even a pot to piss in
   or a window to throw it,
   such a smart boy he couldnt
   read the footprints on the wall
   honey you think you know all
   the answers you dont, please try
   to put some money away
   believe me it wouldn’t hurt
   artist shmartist life’s too short
   for that kind of, forgive me,
   horseshit, I know what you want
   better than you, all that counts
   is to make a good living
   and the best of everything,
   as Sholem Aleichem said
   he was a great writer did
   you ever read his books dear,
   you should make what he makes a year
   anyway he says some place
   Poverty is no disgrace
   but its no honor either
   that’s what I say,
   love,
   Mother’
   Sonia Sanchez 1935–
   TCB
   wite/motha/fucka
   wite/motha/fucka
   wite/motha/fucka
   whitey.
   wite/motha/fucker
   wite/motha/fucker
   wite/motha/fucker
   ofay.
   wite/mutha/fucka
   wite/mutha/fucka
   wite/mutha/fucka
   devil.
   wite/mutha/fucker
   wite/mutha/fucker
   wite/mutha/fucker
   Pig.
   wite/mother/fucker
   wite/mother/fucker
   wite/mother/fucker
   cracker.
   wite/muther/fucka
   wite/muther/fucka
   wite/muther/fucka
   honky.
   now. that it’s all sed
   let’s get to work.
   Right on: white america
   this country might have
   been a pio
   neer land
   once.
   but. there ain’t
   no mo
   indians blowing
   custer’s mind
   with a different
   image of america.
   this country
   might have
   needed shoot/
   outs/ daily/
   once.
   but. there ain’t
   no mo real/ white/ allamerican
   bad/guys,
   just.
   u & me.
   blk/ and un/armed.
   this country might have
   been a pion
   eer land. once.
   and it still is.
   check out
   the falling
   gun/shells on our blk/tomorrows.
   Diane Wakoski 1937–
   The Father of My Country
   
 
 The Penguin Book of American Verse Page 46