RICHARD EBERHART
A Bravery of Earth (1930); Reading the Spirit (1936); Song and Idea (1940); Poems, New and Selected (1944); Burr Oaks (1947); Brotherhood of Men (1949); An Herb Basket (1950); Selected Poems (1951); Undercliff: Poems 1946–1953 (1953); Great Praises (1957); Collected Poems 1930–1960 (1960); The Quarry (1964); Selected Poems 1930–1965 (1965); Thirty One Sonnets (1967); Shifts of Being (1968); Fields of Grace (1972); Collected Poems, 1930–1976 (1976); Poems to Poets (1976); Ways of Light (1980); New Hampshire: Nine Poems (1980); Florida Poems (1981); The Long Reach: New and Uncollected Poems 1948–1984 (1984); Collected Poems 1930–1986 (1986).
Criticism:
Bernard F. Engle, Richard Eberhart (1970); Ralph J. Mills, Jr, Richard Eberhart (1966); Joel H. Roache, Richard Eberhart: The Progress of an American Poet (1971).
T. Ś. ELIOT
Prufrock and Other Observations (1917); Poems (1919); Ara Vos Prec (1920); The Waste Land (1922); Poems 1909–1915 (1925); Ash-Wednesday (1930); Collected Poems, 1909–1935 (1936); Old Possum’s Book of Practical Cats (1939); The Waste Land and Other Poems (1940); East Coker (1940); Burnt Norton (1941); The Dry Salvages (1941); Little Gidding (1942); Four Quartets (1943); Poems Written in Early Youth (1950); The Complete Poems and Plays (1952); Collected Poems 1909–1962 (1963); The Waste Land [Facsimile of MS] (1971).
Criticism:
Keith Aldritt, Eliot’s Four Quartets: Poetry as Chamber Music (1978); Ann Patrick Brady, Lyricism in the Poetry of T. S. Eliot (1978); M. C. Bradbrook, T. S. Eliot (1951); N. Braybrooke, T. S. Eliot (1967), (ed.), T. S. Eliot: A Symposium for His Seventieth Birthday (1958); D. Daiches and others, eds. The Waste Land by T. S. Eliot: Critical Analysis (1971); E. Drew, T. S. Eliot: The Design of His Poetry (1949); Lewis Freed, T. S. Eliot: Aesthetics and History (1977); N. Frye, T. S. Eliot (1963); H. Gardner, The Art of T. S. Eliot (1950); The Composition of Four Quartets (1978); Nancy K. Gish, Time in the Poetry of T. S. Eliot (1981); Lyndall Gordon, Eliot’t Early Years (1977); Hugh Kenner, The Invisible Poet (1959). (ed.) T. S. Eliot: A Collection of Critical Essays (1962); R. Kirk, Eliot and His Age (1972); R. E. Knoll, ed., Storm Over the Waste Land (1964); Edward Lobb, T. S. Eliot and the Romantic Critical Tradition (1981); R. March and T. Tambimuttu, eds, T. S. Eliot (1949); J. Martin, ed., Twentieth-Century Interpretations of The Waste Land (1968); M. Martin, A Half-Century of Eliot Criticism: An Annotated Bibliography (1972); F. O. Matthiessen, The Achievement of T. S. Eliot (1947); D. E. S. Maxwell, The Poetry of T. S. Eliot (1952); James E. Miller, T. S. Eliot’s Personal Waste Land: Exorcism of the Demons (1977); Anthony D. Moody, Thomas Stearns Eliot, Poet (1979), (ed.) The Wasteland in Different Voices (1974): D. B. Morris, The Poetry of Gerard Manley Hopkins and T. S. Eliot in the Light of the Donne Tradition (1953); Sydney Musgrove, T. S. Eliot and Walt Whitman (1952); Balachandra Rajan, The Overwhelming Question: A Study of the Poetry of T. S. Eliot (1976); Elizabeth Schneider, T. S. Eliot: Pattern in the Carpet (1975); Krishna Sinha, On ‘Four Quartets’ of T. S. Eliot (1963); Grover Smith, T. S. Eliot’s Poetry and Plays: A Study in Sources and Meaning (1956); S. Spender, Eliot (1975); A. Tate, ed., T. S. Eliot: The Man and His Work (1966); G. T. Thomas, Poetic Tradition and Eliot’s Talent (1979); Marianne Thormahlen, The Wasteland: A Fragmentary Wholeness (1978); D. A. Traversi, T. S. Eliot: The Longer Poems (1976); L. Unger, T. S. Eliot (1961), T. S. Eliot: Monuments and Patterns (1965), (ed.) T. S. Eliot: A Selected Critique (1948); G. Williamson, A Reader’s Guide to T. S. Eliot (1965).
RALPH WALDO EMERSON
Poems (1847); Selected Poems (1876); The Works of Ralph Waldo Emerson (1890).
Criticism:
J. Bcnton, Emerson as a Poet (1975); Sherman Paul, Emerson’s Angle of Vision: Man and Nature in American Experience (1952); Hyatt Howe Waggoner, Emerson as Poet (1974); S. E. Whicher, Freedom and Fate: An Inner Life of Ralph Waldo Emerson (1953): R. A. Yoder, Emerson and the Orphic Poet in America (1978).
KENNETH FEARING
Poems (1935); Dead Reckoning: A Book of Poetry (1938); Collected Poems of Kenneth Fearing (1940); Afternoon of a Pawnbroker (1943); Stranger at Coney Island (1948); New and Selected Poems (1956).
LAWRENCE FERLINGHETTI
Pictures of the Gone World (1955); A Coney Island of the Mind (1958); Tentative Description of a Dinner Given to Promote the Impeachment of President Eisenhower (1958); One Thousand Fearful Words for Fidel Castro (1961); Starting from San Francisco (1961); Where Is Vietnam? (1965); An Eye of the World: Selected Poems (1967); After the Cries of the Birds (1967); Moscow in the Wilderness, Segovia in the Snow (1967); The Secret Meaning of Things (1969); Tyrannus Nix? (1969); Open Eye, Open Heart (1973); Director of Alienation (1976); Who Are We Now? (1976); Northwest Ecolog (1978); Landscape of Living and Dying (1979); Endless Life: Selected Poems (1981); The Populist Manifestoes (1981); Over All the Obscene Boundaries (1984); Inside the Trojan Horse (1987).
Criticism:
Samuel Charters, Some Poems/Poets (1971); N. Cherovski, Ferlinghetti: A Biography (1979); Gavin Selerie, ed., The Riverside Interviews, No. 2 (1980).
PHILIP FRENEAU
The Poems of Philip Freneau (1786); Poems Written and Published During the American Revolutionary War, and Now Republished from the Original Manuscripts (1809); A Collection of Poems, on American Affairs, and a Variety of Other Subjects, Chiefly Moral and Political (1815).
Criticism:
Nelson F. Adkins, Philip Freneau and the Cosmic Enigma (1949); Jacob Axelrod, Philip Freneau: Champion of Democracy (1967); M. W. Bowdcn, Philip Freneau (1976); P. Marsh, The Works of Philip Freneau: A Critical Study (1968).
ROBERT FROST
A Boy’s Will (1913); North of Boston (1914); Mountain Interval (1916); New Hampshire (1923); Selected Poems (1923, rev. 1928 and 1934); West-Running Brook (1928); Collected Poems (1930); A Further Range (1936); Selected Poems (1936); Collected Poems (1939); A Witness Tree (1942); A Masque of Reason (1945); Poems (1946); A Masque of Mercy (1947); A Sermon (1947); Steeple Bush (1947); Complete Poems (1949); Aforesaid (1954); In the Clearing (1962); The Poetry of Robert Frost (1969).
Criticism:
Reuben Brower, The Poetry of Robert Frost: Constellations of Intention (1963); W. B. S. Clymer, Robert Frost: A Bibliography (1972); Reginald L. Cook, The Dimensions of Robert Frost (1958); James M. Cox, ed., Robert Frost: A Collection of Critical Essays (1962); John R. Doyle, Jr, The Poetry of Robert Frost: An Analysis (1962); Robert Francis, Robert Frost: A Time to Talk (1973); Philip L. Gerber, Robert Frost (1966); Robert A. Greenberg and James G. Hepburn, eds, Robert Frost: An Introduction (1961); Elizabeth Isaacs, An Introduction to Robert Frost (1962); Elizabeth Jennings, Robert Frost (1964); John C. Kemp, Robert Frost and New England: The Poet as Regionalist (1979); Frank Lentricchia, Robert Frost: Modern Poetics and the Landscape of Self (1975); John F. Lynen, The Pastoral Art of Robert Frost (1964); George W. Nitchie, Human Values in the Poetry of Robert Frost (1960); W. R. Poirier, Robert Frost (1977); James L. Potter, Robert Frost: Handbook (1981); Roger D. Sell, Robert Frost: Four Studies (1980); Radcliffe Squires, The Major Themes of Robert Frost (1963); Lawrance R. Thompson, Fire and Ice: The Art and Thought of Robert Frost (1942), Robert Frost (1964); Richard Thornton, ed., The Recognition of Robert Frost (1970).
ALLEN GINSBERG
Howl (1956); Empty Mirror: Early Poems (1961); Kaddish and Other Poems, 1958–1960 (1961); Reality Sandwiches (1963); Wichita Vortex Sutra (1966); T.V. Baby Poems (1967); Ankor-Wat (1968); Planet News 1961–1967 (1968); Airplane Dreams (1969); The Fall of America (1972); The Gates of Wrath (1973); Iron Horse (1974); Sad Dust Glories (1975); First Blues: Rags, Ballads and Harmonium Songs 1971–1974 (1975); Mind Breaths, 1972–1977 (1977); Poems all over the Place: Mostly Seventies (1978); Plutonian Ode (1982); Collected Poems 1947–1980 (1984); White Shroud: Poems 1980–1985 (1986).
Criticism:
Ann Charters, ed., Scenes along the Road (1971); G. Dowdcn and L. McGilvery, eds, A Bibliography of the Works of Allen Ginsberg (1971); Jane Kramer, Allen Ginsberg in America (1968)
; T. F. Merrill, Allen Ginsberg (1969); Eric Mottram, Allen Ginsberg in the 60s (1972); Paul Portugues, The Visionary Poetics of Allen Ginsberg (1978); Gavin Selerie, ed., The Riverside Interviews, No. 1 (1980).
NIKKI GIOVANNI
Black Judgment (1968); Black Feeling, Black Talk (1968); Black Feeling, Black Talk, Black Judgment (1970); Re: Creation (1970); Spin a Soft Black Song (1971); My House (1972); Ego Tripping and Other Poems for Young Readers (1974); The Women and the Men (1975); Cotton Candy on a Rainy Day (1978); Those Who Ride the Night Winds (1983); Sacred Cows and Other Edibles (1988).
FRANCIS BRET HARTE
The Lost Galleon and Other Tales (1867); Plain Language from Truthful James (1870); Poems (1871); East and West Poems (1871); The Complete Poetical Works (1889); Some Later Verses (1898).
Criticism:
R. O’Connor, Bret Harte: A Biography (1966); G. R. Stewart, Bret Harte: Argonaut and Exile (1931).
ANTHONY HECHT
A Summoning of Stones (1954); The Seven Deadly Sins (1958); Jiggery-Pokery: A Compendium of Double Dactyls (with J. Hollander a al.) (1967); The Hard Hours (1967); Aesopic (1968); Millions of Strange Shadows (1977); The Venetian Vespers (1979).
ERNEST HEMINGWAY
Three Stories and Ten Poems (1923); Collected Poems (n.d., pirated edition).
Criticism:
C. H. Baker, The Writer as Artist (1952). Ernest Hemingway: A Life Story (1969); S. Baker, Ernest Hemingway: An Introduction and Appreciation (1967); C. A. Fenton, The Apprenticeship of Ernest Hemingway: The Early Years (1954).
OLIVER WENDELL HOLMES
Poems (1836); Poems (1849); Songs of Many Seasons, 1861–1874 (1875); The Iron Gate and Other Poems (1880); The Writings of Oliver Wendell Holmes (1891, 13 vols); The Poetical Works of Oliver Wendell Holmes (rev. 1975).
Criticism:
W. L. Schroeder, Oliver Wendell Holmes: An Appreciation (1909); M. R. Small, Oliver Wendell Holmes (1963).
LANGSTON HUGHES
The Weary Blues (1926); Fine Clothes to the Jew (1927); Dear Lovely Death (1931); The Negro Mother (1931); The Dream Keeper and Other Poems (1932); Scottsboro Limited (1932); A New Song (1938); Shakespeare in Harlem (1942);Jim Crow’s Last Stand (1943); Lament for Dark Peoples (1944); Fields of Wonder (1947); One Way Ticket (1949); Montage of a Dream Deferred (1950; Selected Poems (1959); Ask Your Mama (1961); The Panther and the Lash (1967); Black Misery (1969); Don’t You Turn Back: Poems (1969).
Criticism:
R. K. Barksdale, Langston Hughes (1977); Donald C. Dickinson, A Bio-Bibliography of Langston Hughes, 1902–1967 (1967); James Emmanuel, Langston Hughes (1967); Onwuchekwa Jenie, Langston Hughes: An Introduction to the Poetry (1976); Therman B. O’Daniel, ed., Langston Hughes, Black Genius: A Critical Evaluation (1972).
RANDALL JARRELL
The Rage for the Lost Penny (1940); Blood for a Stranger (1942); Little Friend, Little Friend (1945); Losses (1948); The Seven-League Crutches (1951); Selected Poems (i95S); The Woman at the Washington Zoo (1960); Selected Poems (1964); The Lost World (1965); Complete Poems (1969); Jerome: The Biography of a Poem (1971).
Criticism:
Charles M. Adams, Randall Jarrell: A Bibliography (1958); Suzanne Ferguson, The Poetry of Randall Jarrell (1971); Robert Lowell et al., eds, Randall Jarrell, 1914–1965 (1967); M. L. Rosenthal, Randall Jarrell (1972).
ROBINSON JEFFERS
Flagons and Apples (1912); Californium (1916); Tamar and Other Poems (1924); Roan Stallion (1925); The Woman at Point Sur (1927); Poems (1928); Cawdor and Other Poems (1928); Dear Judas and Other Poems (1929); Descent to the Dead: Poems Written in Ireland and Great Britain (1931); Thurso’s Landing (1932); Give Your Heart to the Hawks and Other Poems (1933); Solstice and Other Poems (1935); Such Counsels You Gave to Me and Other Poems (1937); Poems Known and Unknown (1938); Selected Poetry (1938); Be Angry at the Sun (1941); The Double Axe and Other Poems (1948); Hungerfield and Other Poems (1954); The Beginning and the End (1963); Selected Poems (1965); Robert Scott, ed., What Odd Expedients and Other Poems (1982).
Criticism:
Sydney S. Alberts, A Bibliography of the Works of Robinson Jeffers (1933); Brother Antoninus, Robinson Jeffers: Fragments of an Older Fury (1970); Arthur B. Coffin, Robinson Jeffers: Poet of Inhumanism (1971); J. Shebl, In this Wild Water: the Suppressed Poems of Robinson Jeffers (1976); Radcliffe Squires, The Loyalties of Robinson Jeffers (1966); Alex A. Verdamis, The Critical Reputation of Robinson Jeffers (1972); Kenneth White, The Coast Opposite Humanity (1975).
FRANCIS SCOTT KEY
Poems (1857).
Criticism:
Edward S. Delaplaine, Francis Scott Key: Life and Times (1937); Rupert Sargeant Holland, Freedom’s Flag: The Story of Francis Scott Key (1943).
ETHERIDGE KNIGHT
Poems from Prison (1968); Belly Song (1972); For Black Poets Who Think Of Suicide (1972); Born of Woman (1978); The Essential Etheridge Knight (1986).
KENNETH KOCH
Poems (f953); Ko: or, A Season on Earth (1959); Permanently (1961); Thank You and Other Poems (1962); Poems from 1952 and 1953 (1968); When the Sun Tries to Go On (1969); Sleeping with Women (1969); The Pleasures of Peace and Other Poems (1969); Penguin Modern Poets 24 (1973); The Art of Love (1975); The Red Robins (1975); The Duplications (1977); The Burning Mystery of Anna in 1951 (1979); Days and Nights (1982); Selected Poems: 1950–1982 (1985); On The Edge (1986); Seasons on Earth (1987).
DENISE LEVERTOV
With Eyes at the Back of Our Heads (1960); The Jacob’s Ladder (1961); O Taste and See (1964); The Sorrow Dance (1967); Relearning the Alphabet (1970); To Stay Alive (1971); Footprints (1972); The Freeing of the Dust (1975); Life in the Forest (1978); Collected Earlier Poems 1940–1960 (1979); Candles in Babylon (1982); Poems 1960–1967 (1983); Oblique Prayers (1984); Selected Poems (1986); Breathing the Water (1987); Poems 1968–1972 (1987).
Criticism:
Linda W. Wagner, Denise Levenov (1967).
VACHEL LINDSAY
The Tramp’s Excuse and Other Poems (1909); General William Booth Enters into Heaven and Other Poems (1913); The Congo and Other Poems (1914); The Chinese Nightingale and Other Poems (1917); The Golden Whales of California and Other Rhymes in the American Language (1920); The Daniel Jazz and Other Poems (1920); Going-to-the-sun (1923); The Candle in the Cabin: A Weaving Together of Script and Singing (1926); Going-to-the-Stars (1926); Johnny Appleseed (1928); Every Soul is a Circus (1929); Selected Poems (1931, rev. 1963).
Criticism.
M. Harris, City of Discontent An Interpretive Biography of Vachel Lindsay (1952); Ann Massa, Vachel Lindsay Field Worker for the American Dream (1970); H. L. Masters, Vachel Lindsay: A Poet in America (1935); George Scouffas, Vachel Lindsay. A Study in Retreat and Repudiation (1951).
HENRY WADSWORTH LONGFELLOW
Voices of the Night (1839); Ballads and Other Poems (1842); The Belfry of Bruges and Other Poems ( 1846); The Seaside and the Fireside (1850); The Courtship of Miles Standish and Other Poems (1858); Tales of a Wayside Inn (1863); Dante, the Divine Comedy (1865–7, translation); Flower-de-Luce (1867); Aftermath (1873); The Masque of Pandora and Other Poems (1875); Kiramos and Other Poems (1878); Ultima Thule (1880); In the Harbor (1882).
Criticism:
Newton Arvin, Longfellow: His Life and Work (1963); E. L. Hirsch, Henry Wadsworth Longfellow (1964).
AMY LOWELL
A Dome of Many-Coloured Glass (1912); Sword Blades and Poppy Seeds (1914); Men, Women and Ghosts (1916); Can Grande’s Castle (1918); Pictures of the Floating World (1919); Legends (1921); Fir-Flower Tablets (1921); A Critical Fable (1922); What’s O’Clock (1925); East Wind (1926); Ballads for Sale (1927); Selected Poems (1928); The Complete Poetical Works of Amy Lowell (1955).
Criticism:
S. Foster Damon, Amy Lowell: A Chronicle (1935); F. C. Flint, Amy Lowell (1969); H. Gregory, Amy Lowell: Portrait of a Poet in Her Time (1958).
JAMES RUSSELL LOWELL
A Year’s Life and Other Poems (1841); Poems (1844); A Fable for Cri
tics (1848); The Biglow Papers (1848); The Ode Recited at the Harvard Commemoration (1865); The Biglow Papers, Second Series (1867); Under the Willows (1868); The Cathedral (1870); Three Memorial Poems (1877); Heartsease and Rue (1888); Uncollected Poems (1950); Uncollected Poems (1976).
Criticism:
M. B. Dubermann, James Russell Lowell (1966); C. McGlinchee, James Russell Lowell (1967); E. C. Wagenknecht, James Russell Lowell: Portrait of a Many-Sided Man (1971).
ROBERT LOWELL
The Land of Unlikeness (1944); Lord Weary’s Castle (1946, rev. 1947); Poems, 1938–1949 (1950); The Mills of the Kavanaughs (1951); Life Studies (1959); Imitations (1961); For the Union Dead (1964); Selected Poems (1965); Near the Ocean (1967); The Voyage and Other Versions of Poems by Baudelaire (1968); Notebook, 1967–68 (1969, rev. 1970); The Dolphin (1973); For Lizzie and Harriet (1973); History (1973); Poems: A Selection, ed., Jonathan Raban (1974); Selected Poems (1976); Day by Day (1977).
Criticism:
Agenda Special Issue (1980); S. G. Axelrod, Robert Lowell: Life and Art (1978); Philip Cooper, The Autobiographical Myth of Robert Lowell (1970); Patrick Cos-grave, The Public Poetry of Robert Lowell (1972); John F. Crick, Robert Lowell (1974); J. M. Edelstein, ed., Robert Lowell: A Checklist (1972); Robert J. Fein, Robert Lowell (1971); Jay Martin, Robert Lowell (1970); Jerome. Mazzaro, The Achievement of Robert Lowell (1960); The Poetic Themes of Robert Lowell (1965); T. Parkinson, ed., Lowell: A Collection of Critical Essays (1968); Marjorie Perloff, The Poetic Art of Robert Lowell (1974); Jonathan Price, ed., Critics on Robert Lowell (1974); Vivian Smith, The Poetry of Robert Lowell (1974); Hugh Staples, Robert Lowell: The First Twenty Years (1962); Alan Williamson, Pity the Monsters: The Political Vision of Robert Lowell (1974); S. Yenser, Circle to Circle: The Poetry of Robert Lowell (1975); Ian Hamilton, Robert Lowell (1983).
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