He was not going toward the Gum Tree. Actually he was getting farther from it. Time was and not so long ago either when he would not have been allowed here without someone with him, and a little later, when he had begun to learn how much he did not know, he would not have dared be here without someone with him, and later still, beginning to ascertain, even if only dimly, the limits of what he did not know, he could have attempted and carried it through with a compass, not because of any increased belief in himself but because McCaslin and Major de Spain and Walter and General Compson too had taught him at last to believe the compass regardless of what it seemed to state. Now he did not even use the compass but merely the sun and that only subconsciously, yet he could have taken a scaled map and plotted at any time to within a hundred feet of where he actually was; and sure enough, at almost the exact moment when he expected it, the earth began to rise faintly, he passed one of the four concrete markers set down by the lumber company’s surveyor to establish the four corners of the plot which Major de Spain had reserved out of the sale, then he stood on the crest of the knoll itself, the four corner-markers all visible now, blanched still even beneath the winter’s weathering, lifeless and shockingly alien in that place where dissolution itself was a seething turmoil of ejaculation tumescence conception and birth, and death did not even exist. After two winters’ blanketings of leaves and the flood-waters of two springs, there was no trace of the two graves any more at all. But those who would have come this far to find them would not need headstones but would have found them as Sam Fathers himself had taught him to find such: by bearings on trees: and did, almost the first thrust of the hunting knife finding (but only to see if it was still there) the round tin box manufactured for axle-grease and containing now Old Ben’s dried mutilated paw, resting above Lion’s bones.
He didn’t disturb it. He didn’t even look for the other grave where he and McCaslin and Major de Spain and Boon had laid Sam’s body, along with his hunting horn and his knife and his tobacco-pipe, that Sunday morning two years ago; he didn’t have to. He had stepped over it, perhaps on it. But that was all right. He probably knew I was in the woods this morning long before I got here, he thought, going on to the tree which had supported one end of the platform where Sam lay when McCaslin and Major de Spain found them—the tree, the other axle-grease tin nailed to the trunk, but weathered, rusted, alien too yet healed already into the wilderness’ concordant generality, raising no tuneless note, and empty, long since empty of the food and tobacco he had put into it that day, as empty of that as it would presently be of this which he drew from his pocket—the twist of tobacco, the new bandanna handkerchief, the small paper sack of the peppermint candy which Sam had used to love; that gone too, almost before he had turned his back, not vanished but merely translated into the myriad life which printed the dark mold of these secret and sunless places with delicate fairy tracks, which, breathing and biding and immobile, watched him from beyond every twig and leaf until he moved, moving again, walking on; he had not stopped, he had only paused, quitting the knoll which was no abode of the dead because there was no death, not Lion and not Sam: not held fast in earth but free in earth and not in earth but of earth, myriad yet undiffused of every myriad part, leaf and twig and particle, air and sun and rain and dew and night, acorn oak and leaf and acorn again, dark and dawn and dark and dawn again in their immutable progression, and, being myriad, one: and Old Ben too. Old Ben too; they would give him his paw back even, certainly they would give him his paw back: then the long challenge and the long chase, no heart to be driven and outraged, no flesh to be mauled and bled—Even as he froze himself, he seemed to hear Ash’s parting admonition. He could even hear the voice as he froze, immobile, one foot just taking his weight, the toe of the other just lifted behind him, not breathing, feeling again and as always the sharp shocking inrush from when Isaac McCaslin long yet was not, and so it was fear all right but not fright as he looked down at it. It had not coiled yet and the buzzer had not sounded either, only one thick rapid contraction, one loop cast sideways as though merely for purchase from which the raised head might start slightly backward, not in fright either, not in threat quite yet, more than six feet of it, the head raised higher than his knee and less than his knee’s length away, and old, the once-bright markings of its youth dulled now to a monotone concordant too with the wilderness it crawled and lurked: the old one, the ancient and accursed about the earth, fatal and solitary and he could smell it now: the thin sick smell of rotting cucumbers and something else which had no name, evocative of all knowledge and an old weariness and of pariah-hood and of death. At last it moved. Not the head. The elevation of the head did not change as it began to glide away from him, moving erect yet off the perpendicular as if the head and that elevated third were complete and all: an entity walking on two feet and free of all laws of mass and balance, and should have been because even now he could not quite believe that all that shift and flow of shadow behind that walking head could have been one snake: going and then gone; he put the other foot down at last and didn’t know it, standing with one hand raised as Sam had stood that afternoon six years ago when Sam led him into the wilderness and showed him and he ceased to be a child, speaking the old tongue which Sam had spoken that day without premeditation either: “Chief,” he said: “Grandfather.”
He couldn’t tell when he first began to hear the sound, because when he became aware of it, it seemed to him that he had been already hearing it for several seconds—a sound as though someone were hammering a gun-barrel against a piece of railroad iron, a sound loud and heavy and not rapid yet with something frenzied about it, as the hammerer were not only a strong man and an earnest one but a little hysterical too. Yet it couldn’t be on the logline because, although the track lay in that direction, it was at least two miles from him and this sound was not three hundred yards away. But even as he thought that, he realized where the sound must be coming from: whoever the man was and whatever he was doing, he was somewhere near the edge of the clearing where the Gum Tree was and where he was to meet Boon. So far, he had been hunting as he advanced, moving slowly and quietly and watching the ground and the trees both. Now he went on, his gun unloaded and the barrel slanted up and back to facilitate its passage through brier and undergrowth, approaching as it grew louder and louder that steady savage somehow queerly hysterical beating of metal on metal, emerging from the woods, into the old clearing, with the solitary gum tree directly before him. At first glance the tree seemed to be alive with frantic squirrels. There appeared to be forty or fifty of them leaping and darting from branch to branch until the whole tree had become one green maelstrom of mad leaves, while from time to time, singly or in twos and threes, squirrels would dart down the trunk then whirl without stopping and rush back up again as though sucked violently back by the vacuum of their fellows’ frenzied vortex. Then he saw Boon, sitting, his back against the trunk, his head bent, hammering furiously at something on his lap. What he hammered with was the barrel of his dismembered gun, what he hammered at was the breech of it. The rest of the gun lay scattered about him in a half-dozen pieces while he bent over the piece on his lap his scarlet and streaming walnut face, hammering the disjointed barrel against the gun-breech with the frantic abandon of a madman. He didn’t even look up to see who it was. Still hammering, he merely shouted back at the boy in a hoarse strangled voice:
“Get out of here! Don’t touch them! Don’t touch a one of them! They’re mine!”
4
THE PEASANTS
Editor’s Note
Thirty or forty years after the Civil War, Flem Snopes appeared in the little community of Frenchman’s Bend, in the southeastern corner of Faulkner’s county. Flem was the son of a Civil War bushwhacker and horse thief. A lumpish and silent young man, with eyes the color of stagnant water, he never drank or smoked, but he sometimes chewed a nickel’s worth of tobacco until the suption was out of it. “Flem Snopes don’t even tell himself what he is up to,” one of his ne
ighbors said. “Not if he was laying in bed with himself in the dark of the moon.”
In his dark-of-the-moon fashion, Flem managed to get control of the general store, the cotton gin, and the blacksmith shop, the only three money-making enterprises in Frenchman’s Bend; and one by one he introduced a horde of his relatives to take charge of them. Lump Snopes, the storekeeper; I. O. Snopes, the schoolmaster; Mink Snopes, the killer; Ike Snopes, the idiot boy who fell in love with a cow; Eck Snopes, the stupid and good-natured blacksmith: all together they descended on the community like field mice, devouring everything, cheating everybody, cheating one another; and when Flem had cheated even Ratliff, the sewing-machine agent, known as the shrewdest man in the county, they all moved on to Jefferson, like mice into an untouched field of grain.
That is the story told in The Hamlet (1940), first volume in the Snopes trilogy, which is a book that took Faulkner a dozen years to write. When he first began working on the idea, it produced one story, “Spotted Horses,” but went no further. About two years later, he wrote two other stories with the same background, “The Hound” and “Lizards in Jamshyd’s Courtyard.” “I wrote them mainly,” he said in a letter, “because ‘Spotted Horses’ had created a character I fell in love with: the itinerant sewing-machine agent named Suratt. Later a man of that name turned up at home, so I changed my man to Ratliff.… Meanwhile my book had created Snopes and his clan, who produced stories in their saga which are to fall in later volumes: ‘Mule in the Yard,’ ‘Brass,’ etc. This over about ten years, until one day I decided I had better start on the first volume or I’d never get it down.”
The later volumes are The Town (1957) and The Mansion (1959), which complete the Snopes trilogy. They contain many impressive episodes, but nothing so wildly funny as “Spotted Horses.” The version of that story used in The Hamlet, and reprinted here, is nearly three times as long as the magazine version printed ten years earlier in Scribner’s, as well as being three times as good. To me it seems the culminating example of American backwoods humor, a long tradition that goes back to the Davy Crockett almanacs and that reached an early flowering in Mark Twain.
1908
Spotted Horses
I
A little while before sundown the men lounging about the gallery of the store saw, coming up the road from the south, a covered wagon drawn by mules and followed by a considerable string of obviously alive objects which in the levelling sun resembled vari-sized and -colored tatters torn at random from large billboards—circus posters, say—attached to the rear of the wagon and inherent with its own separate and collective motion, like the tail of a kite.
“What in the hell is that?” one said.
“It’s a circus,” Quick said. They began to rise, watching the wagon. Now they could see that the animals behind the wagon were horses. Two men rode in the wagon.
“Hell fire,” the first man—his name was Freeman—said. “It’s Flem Snopes.” They were all standing when the wagon came up and stopped and Snopes got down and approached the steps. He might have departed only this morning. He wore the same cloth cap, the minute bow tie against the white shirt, the same gray trousers. He mounted the steps.
“Howdy, Flem,” Quick said. The other looked briefly at all of them and none of them, mounting the steps. “Starting you a circus?”
“Gentlemen,” he said. He crossed the gallery; they made way for him. Then they descended the steps and approached the wagon, at the tail of which the horses stood in a restive clump, larger than rabbits and gaudy as parrots and shackled to one another and to the wagon itself with sections of barbed wire. Calico-coated, small-bodied, with delicate legs and pink faces in which their mismatched eyes rolled wild and subdued, they huddled, gaudy, motionless, and alert, wild as deer, deadly as rattlesnakes, quiet as doves. The men stood at a respectful distance, looking at them. At that moment Jody Varner came through the group, shouldering himself to the front of it.
“Watch yourself, doc,” a voice said from the rear. But it was already too late. The nearest animal rose on its hind legs with lightning rapidity and struck twice with its forefeet at Varner’s face, faster than a boxer, the movement of its surge against the wire which held it travelling backward among the rest of the band in a wave of thuds and lunges. “Hup, you broom-tailed, hay-burning sidewinders,” the same voice said. This was the second man who had arrived in the wagon. He was a stranger. He wore a heavy, densely black moustache, a wide pale hat. When he thrust himself through and turned to herd them back from the horses they saw, thrust into the hip pockets of his tight jeans pants, the butt of a heavy pearl-handled pistol and a florid carton such as small cakes come in. “Keep away from them, boys,” he said. “They’ve got kind of skittish, they ain’t been rode in so long.”
“Since when have they been rode?” Quick said. The stranger looked at Quick. He had a broad, quite cold, wind-gnawed face and bleak, cold eyes. His belly fitted neat and smooth as a peg into the tight trousers.
“I reckon that was when they were rode on the ferry to get across the Mississippi River,” Varner said. The stranger looked at him. “My name’s Varner,” Jody said.
“Hipps,” the other said. “Call me Buck.” Across the left side of his head, obliterating the tip of that ear, was a savage and recent gash gummed over with a blackish substance like axle-grease. They looked at the scar. Then they watched him remove the carton from his pocket and tilt a gingersnap into his hand and put the gingersnap into his mouth, beneath the moustache.
“You and Flem have some trouble back yonder?” Quick said. The stranger ceased chewing. When he looked directly at anyone, his eyes became like two pieces of flint turned suddenly up in dug earth.
“Back where?” he said.
“Your nigh ear,” Quick said.
“Oh,” the other said. “That.” He touched his ear. “That was my mistake. I was absent-minded one night when I was staking them out. Studying about something else and forgot how long the wire was.” He chewed. They looked at his ear. “Happen to any man careless around a horse. Put a little axle-dope on it and you won’t notice it tomorrow though. They’re pretty lively now, lazing along all day doing nothing. It’ll work out of them in a couple of days.” He put another gingersnap into his mouth, chewing, “Don’t you believe they’ll gentle?” No one answered. They looked at the ponies, grave and noncommittal. Jody turned and went back into the store. “Them’s good, gentle ponies,” the stranger said. “Watch now.” He put the carton back into his pocket and approached the horses, his hand extended. The nearest one was standing on three legs now. It appeared to be asleep. Its eyelid drooped over the cerulean eye; its head was shaped like an ironing-board. Without even raising the eyelid it flicked its head, the yellow teeth cropped. For an instant it and the man appeared to be inextricable in one violence. Then they became motionless, the stranger’s high heels dug into the earth, one hand gripping the animal’s nostrils, holding the horse’s head wrenched half around while it breathed in hoarse, smothered groans. “See?” the stranger said in a panting voice, the veins standing white and rigid in his neck and along his jaw. “See? All you got to do is handle them a little and work hell out of them for a couple of days. Now look out. Give me room back there.” They gave back a little. The stranger gathered himself then sprang away. As he did so, a second horse slashed at his back, severing his vest from collar to hem down the back exactly as the trick swordsman severs a floating veil with one stroke.
“Sho now,” Quick said. “But suppose a man don’t happen to own a vest.”
At that moment Jody Varner, followed by the blacksmith, thrust through them again. “All right, Buck,” he said. “Better get them on into the lot. Eck here will help you.” The stranger, the severed halves of the vest swinging from either shoulder, mounted to the wagon seat, the blacksmith following.
“Get up, you transmogrified hallucinations of Job and Jezebel,” the stranger said. The wagon moved on, the tethered ponies coming gaudily into motion behind it, b
ehind which in turn the men followed at a respectful distance, on up the road and into the lane and so to the lot gate behind Mrs. Littlejohn’s. Eck got down and opened the gate. The wagon passed through but when the ponies saw the fence the herd surged backward against the wire which attached it to the wagon, standing on its collective hind legs and then trying to turn within itself, so that the wagon moved backward for a few feet until the Texan, cursing, managed to saw the mules about and so lock the wheels. The men following had already fallen rapidly back. “Here, Eck,” the Texan said. “Get up here and take the reins.” The blacksmith got back in the wagon and took the reins. Then they watched the Texan descend, carrying a looped-up blacksnake whip, and go around to the rear of the herd and drive it through the gate, the whip snaking about the harlequin rumps in methodical and pistol-like reports. Then the watchers hurried across Mrs. Littlejohn’s yard and mounted to the veranda, one end of which overlooked the lot.
“How you reckon he ever got them tied together?” Freeman said.
“I’d a heap rather watch how he aims to turn them loose,” Quick said. The Texan had climbed back into the halted wagon. Presently he and Eck both appeared at the rear end of the open hood. The Texan grasped the wire and began to draw the first horse up to the wagon, the animal plunging and surging back against the wire as though trying to hang itself, the contagion passing back through the herd from animal to animal until they were rearing and plunging again against the wire.
The Essential Faulkner Page 35