Table of Contents
Title Page
Copyright Page
Dedication
Acknowledgements
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Epilogue
READERS GUIDE FOR Beautiful Disaster
PRAISE FOR
Beautiful Disaster
“Can this really be a debut novel? In Beautiful Disaster, Laura Spinella weaves the past into the present with a sure hand as she tests the boundary between love and obsession. With its evocative Southern setting and finely drawn characters, Beautiful Disaster confronts the reader head-on with this question: What would you risk for a love you know is right and true?”
—Diane Chamberlain, author of The Shadow Wife
“Beautiful Disaster is a beautifully crafted romance set against a Southern backdrop. A powerful tale about the power of love. A wonderful read.”
—Wendy Wax, national bestselling author of The Accidental Bestseller
“Who can resist a dangerous man with a complicated past and a sweet side that exists for only one woman? Laura Spinella takes the fabric of this familiar scenario and twists it into unexpected knots just for fun. I loved following Mia and Flynn through their passionate beginnings and into their uncertain present. Beautiful Disaster is a lovely, sexy, soulful debut.”
—Jean Reynolds Page, author of Leaving Before It’s Over and The Last Summer of Her Other Life
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This is an original publication of The Berkley Publishing Group.
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.
Copyright © 2011 by Laura Spinella.
“Readers Guide” copyright © 2011 by Penguin Group (USA) Inc.
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PRINTING HISTORY
Berkley trade paperback edition / January 2011
Library of Congress Cataloging-in-Publication Data
Spinella, Laura.
Beautiful disaster / Laura Spinella.—Berkley trade pbk. ed. p. cm.
eISBN : 978-1-101-47821-9
1. Women interior decorators—Fiction. 2. Triangles (Interpersonal relations)—Fiction. I. Title.
PS3619.P5635B43 2011
813’.6—dc22 2010037206
http://us.penguingroup.com
For Matt, who never questioned, never hesitated, who let me do this unconditionally
ACKNOWLEDGMENTS
Writing may be a solitary act, but it is never a solitary effort. First and foremost, thank you to Susan Ginsburg, the extraordinary agent who knew the way. Thank you also to Bethany Strout; the opportunity to be a part of Writers House amazes me every day. Thank you to Berkley Publishing and my editor, Leis Pederson. Her steadfast enthusiasm and flawless guidance are the perfect complement to this book.
My sincere gratitude to my first reader, Cathy Jensen, and my in-between readers: Kimberly Hixson, Jeannine Jamieson, Christine Lemp, and Annette Scannapieco. My profound appreciation to Melisa Holmes, who read this manuscript more times than one human being should be asked, who will answer the phone and seemingly insane questions at all hours, and whose friendship has accompanied me from Athens to Boston and all points in between.
Several people shared their area of expertise, providing the threads that helped me weave this story. Thank you to Staff Sergeant Matt Zeiszler, USMC; Judy Connelly, RN, MS, CNRN; Laura Catanzaro, LEED® AP; Master Bruno Souza; and Miss Bryna Starling.
Finally, thank you to my family—extended and near, my parents especially. Thank you to Matt and Megan, who often picked up my slack, and to Grant for asking every day how the writing went. To Jamie: Go Dawgs! I hope you have as much fun as your mother did.
Chapter 1
MARYLAND
You wouldn’t think that the smell of bourbon could derail a business dinner. Yet as Aaron Hough was served another drink, Mia wondered if holding her breath was a viable option. Time had a clumsy clutch on her arm, the thick aroma of distilled grain grabbing like an embrace—or maybe just a noose around her neck. Focus, focus, focus ... You’ve worked twelve years for these two hours. She sipped her wine and tried to fill her nose with the benign bouquet of house chardonnay. It really didn’t help. It wasn’t really the bourbon. The smell was a trigger for banished thoughts and discarded dreams—things that no longer had a place in her life. But as the millionaire investor turned to his PDA, Mia seized the opportunity and slid the glass of bourbon toward him.
He caught her.
“Is there a problem, Mia?”
“Problem?” She blinked, doe-eyed, her fingernails tapping against his glass. “No . . . no problem.” Tipping it, she examined the tea-colored liquid. The contents of the glass—or her head— caused Mia’s toes to curl up tight inside her pumps. “Ice,” she insisted, forcing a smile. “It didn’t look like there was enough ice.”
“I drink it neat,” he said, gliding a toast toward her before drawing a long sip.
“Bourbon’s kinda meant to be sipped, not slung. Like this . . .”
The words in her head were old, though the voice was crystal clear. And it invaded like always, like a vagrant crashing a country club. Pursing her lips, Mia focused on the silver-haired businessman seated across from her. Seeing this man hold a glass of bourbon was
a stark contrast. While Aaron Hough could be described as dashing, he hardly matched the untamed image that bourbon conjured up. Mia cleared her throat, dismissing the inappropriate thought.
“Yes, of course, Aaron. Sorry. As I was saying, I think you’ll be impressed with the final presentation for the mock office. Eco-friendly interiors have made terrific progress. But holistic design—not everybody appreciates the difference. The success of this project could lead to revolutionary changes in the common office—comparable to Xerox machines and computers. The concept is real. And I have to say, your interest has been . . . exceptional.”
“Well, I didn’t make millions—okay, billions,” he corrected, raising a brow, “without taking a few risks. And I know you’ve had a difficult time securing a backer. Holistic design, it’s an atypical investment for me, I won’t kid you. But, damn it,” he said, smacking a fist onto the table hard enough to make her jump, “I thought it was time to take action, set an example for my peers. You know how it is. Bullheaded, filthy rich moguls; we’re skiing in the Italian Alps one week, on a mission to save the planet the next.”
He rolled into a hearty laugh and Mia followed his cue. It was their third meeting and she never could pin down his eccentric humor. She supposed it was part of the whole millionaire— billionaire—mogul motif: long-winded jags on the life and times of Aaron Hough, laced with unfunny bits of self-deprecating humor. He finished the drink and Mia settled into her seat, prepared to be engaged as he filled her in on his post-Yale years, which was where he’d left off at their last meeting. With a breath of surrender Mia reminded herself how hard she’d worked for the potential contract, even passing on conventional projects that were a sure thing. Eventually he’d concede the conversation, allowing Mia the chance to talk about the future of her designs. Then she could get into the details, the innovative plans she had for Hough’s portfolio of commercial properties. It was only a matter of keeping her focus—the telltale aroma of bourbon notwithstanding. Rallying appropriate interest, Hough caught her off guard with an unexpected change of topic.
“It’s a shame your husband couldn’t join us. I feel as if I already know Michael, or should I say the man behind the creative force of Montgomery Interiors. Out of town, is he?”
The laborious breath halted and Mia teetered on the edge of a white lie. “Well . . .” she began, deciding to err in favor of the truth. “To be honest, Aaron, Michael had tickets to a rock concert—the one downtown.” She laughed, hoping he’d follow her cue. “It was a once-in-a-lifetime, backstage pass kind of thing. An old college buddy invited him. But he was sorry to miss—”
“No need to explain,” he said, waving her off. “Imagine the fantastic trouble he’ll get into! I believe I’m damn jealous. Nothing like a night of youthful insanity.”
“I don’t know if I’d categorize anything Michael does as insane. It’s more”—she paused, scrunching her brow—“more like a calculated departure from the world of finance and a corner office. As for trou—”
“You know,” he said, and her mouth clamped shut. “I once arranged an entire business junket around a leg of Madonna’s European tour. Front-row seat at every venue.” Mia smiled, praying there wouldn’t be an explicit recollection involving Aaron Hough and the Material Girl’s leg. “I don’t want to brag, but by my third trip backstage . . . Well, let’s just say I was intimate with the inner circle.”
Mia kept a poised expression, hiding a merciful sigh when her phone rang. The words Good Samaritan Hospital popped up. This time she caved, giving in to the white lie. She knew it was Roxanne. A doctor at Good Sam, and a friend since college, the culinarily challenged physician was probably looking for a hot meal. But Aaron Hough didn’t know that. “Oh gosh, I’m so sorry,” she said. “I need to get this, it’s the hospital.”
He stopped cold. “Of course, I hope it’s not serious.” He rose from his seat as Mia excused herself and hurried toward the restaurant’s vestibule.
She laughed as she answered the phone, thinking what little patience Roxanne would have for Hough’s self-indulgent humor—direct, no-nonsense, and opinionated, she surely would have interrupted to ask how he’d managed to squeeze his head through the restaurant’s door. “What’s up, Rox? If you’re hungry, something tells me I’m going to have a doggie—”
The Southern drawl was expected but the voice eerily tense. “Mia, be quiet and listen to me. I only have a minute. Then I have to get back to him, back to the emergency room . . .”
Rushing to the table moments later, Mia barely gathered enough composure to make her excuses. “I have to go. It’s, um . . . it’s an emergency,” she eked out. “There was an accident. Roxanne—she’s a doctor, a good friend of mine. She said there was a horrible wreck, an intersection near the downtown arena. Roxanne said he—” She couldn’t finish the thought; it was too unbelievable.
“How terrible. Let me drive you, I insist.”
Mia hardly heard him. On a mad shuffle through her purse, she tossed a lipstick and a pack of gum onto the floor, finally coming up with her keys. They dropped from her hand and Aaron retrieved them. “Drive me?” Mia said, a glassy gaze meeting his. “No—you can’t. I mean, that’s very kind of you, but it’s not necessary. I know a lot of back roads to the hospital. It’ll be quicker if I drive. I’ll be fine.” Moving fast toward the exit Mia spoke over her shoulder. “I’m sorry about dinner.”
“Nonsense, it’s not important. I hope . . . I do hope Michael is all right,” he called after her.
Pivoting on high heels, Mia almost lost her balance. With her mouth agape, her arms slapped aimlessly through the air. “Thank you.” It was all she could manage, running for the parking lot.
Every time the emergency room doors swung open, Mia’s heart leapt from her chest. A nurse had showed her to the waiting room—hours ago. She had grabbed Mia by the arm and told her to sit, calm down. Hyperventilating like that could lead to serious consequences. In turn, Mia wanted to grab her by the throat and demand to see him right then and there. After a dozen inquiries to the charge nurse, she managed to stay in the chair, connecting with the part of her brain that knew how to cope with catastrophe.
The conversation with Roxanne had been brief. Life-altering discussions should take longer, or so Mia thought. There was shouting in the background. A nurse, maybe an intern, calling out, “His stats are dropping again, Dr. Burke. Do you want to intubate?” Roxanne answered in some warrior doctor dialect, like a translator at the UN. Mia could have sworn she was speaking in tongues. The only part she understood was a demand for four units O neg and that someone open all his IVs—stat.
Mia forced her eyes away from the emergency room doors, scrubbing a hand over her face. “Damn, I should have told her, B positive. He’s B positive.” But it all happened so fast. It was one of those everyday things, misplaced—like your winter gloves. As she waited, Mia tried stitching together the scattered information. There wasn’t much to go on. Roxanne had spoken in short, jerky phrases, saying that she didn’t think he’d make it. That if Mia wanted to see him . . . see him before he . . . died, she’d have to hurry. She said something about owing her as much before she hung up. Mia drove like a madwoman through Silver Spring rush-hour traffic. She would have driven straight through hell if it meant getting there in time. But they were already in surgery when she arrived.
For the past two hours and forty-seven—forty-eight—minutes, everyday things had kept Mia company. They surfaced at random, like friends at a reunion. It had been some time since she thought about coffee so strong the smell could spark a case of the jitters. As the first hour came and went, it was soft cotton T-shirts worn so hard Mia could see the shape of his body as the shirt fell to the floor. And crossword puzzles. She still had no patience for the one in the back of the TV Guide. He once did the New York Times Best Of collection—in ink. Mia bent forward, hands pressed to her head. It was a lame attempt to silence his voice, a penetrating timbre that played best in bed on dark rainy night
s. At the moment she couldn’t take it. Mia closed her eyes, thinking that when she opened them it would be a dream. He was always in her dreams—maybe this was just a bad one. After she married Michael, when he was there every night, Mia guessed that would put an end to them. It wasn’t the case. The doors opened again and rainbow patterned scrubs headed straight for her.
“Mia Wells. You are Mrs. Wells, right?”
Her words were out of sync, like in a movie when the dialogue doesn’t match the actor’s lips. Mia nodded, curious if it was still the right answer.
“Dr. Burke is out of surgery. She asked me to bring you up to the ICU.”
Life pulled Mia to her feet. “Then he . . . he’s still alive?” The morgue, the morgue is where they take you to identify a body. “If you’re taking me to the ICU then he can’t be dead, right?”
“Yes, he made it through surgery. Won’t you come this way, please?”
But she could tell it wasn’t good. The nurse’s tone didn’t offer anything beyond not dead. Mia followed her to the elevator, trying to keep comfort with those everyday things. As they waited, as the floors clicked by, she eventually got back around to Aaron Hough’s bourbon. It was an everyday thing turned ominous, and the timing wasn’t lost on her. She stepped from the elevator, understanding that the short ride to the sixth floor was going to change everything. It didn’t matter. It wasn’t like she had a choice.
Double doors swung wide and Roxanne appeared. Mia stopped midstride.
She was anticipating a pressed white lab coat, her name neatly embroidered above the pocket, everything in order, every blond hair in place. What she saw put the moment in context—bloody scrubs, hair stuffed tight under a cap, a band of sweat circling it. And the look on her face . . . The only thing to which Mia could relate it was the time she’d accidentally slammed Roxanne’s hand in a car door. This was worse. Seeing her, Roxanne’s pace slowed.
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