by Scott Mackay
He crossed the street and stood in front of the old police building. Built in 1953, six storeys tall, red brick, like a giant wedding cake, with neat rows of small windows. A building full of memories. A building full of ghosts. The Catholic Children’s Aid Society was in there now. So was the Congress of Black Women. The white paint around the windows was now peeling badly; in fact, the entire building looked as if it had been let go. Yet in Gilbert’s memory it glowed. He thought of the new building. And then he thought of this old building. And he knew he had to move forward. He had to move forward, even if he had to pull the weight of the past behind him, the way the little boy pulled the immense obelisk in his toy wagon. He knew he could accept it now, that his memories of Matchett were still golden, that they would always stay golden, and that recent events didn’t in any way cheapen them. Matchett was just a man. And his life was a river. You went along with the flow and sometimes the scenery was pleasant. Sometimes it wasn’t. You had to make the most of where the river took you.
He turned from the old building and walked toward Yonge Street. For now, he would enjoy the sunshine. The warmth on his face was refreshing after the long Toronto winter. He glanced up at the snow clouds. He would enjoy the sunshine until the snow finally came again.
More from Scott Mackay
Fall Guy
Detective Barry Gilbert is called into Toronto's Chinatown to investigate the death of Edgar Lau, a man whose history and connections take the detective on a ride across continents and cultures, and deep into an immigrant family's struggle to survive against harrowing odds.
Gilbert must piece together Edgar's labyrinthine history— from his days as a Vietnamese refugee who made a deadly trek to China by boat, to his affair with a prominent member of Toronto's city government, to his dealings with a Chinese drug baron. Throughout the investigation, damaging and sensitive questions are raised—questions somebody in Toronto’s police department doesn't want answered.
It soon becomes clear to Gilbert that in addition to hunting down Edgar's killer, he must fight police corruption as well —a fight that could threaten the department’s stability and future. This tale of murder and misdoing, family and betrayal, is a riveting police procedural by a masterful mystery author.
Old Scores
When a music mogul is found strangled in his apartment, Detective Barry Gilbert immediately finds out he is no ordinary victim: music-producer Glen Boyd has a prodigious list of enemies,men and women who have any number of reasons to kill him. Even Gilbert once wanted to murder the man for nearly stealing his wife.
From Boyd's own world-famous ex-wife, to a rock guitarist, to a notorious drug kingpin, Boyd's shady business dealings have affected the wrong people in the wrong way. But there is one suspect Gilbert is too close to, and refuses to include even though evidence keeps piling up,Regina, the woman he has been married to for the last twenty years. With outside pressure mounting, time becomes critical, and Gilbert must embark upon a distressing and personal journey to find the true culprit behind this sad but vengeful crime before his family is torn apart.
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