by Edith Nesbit
‘You know jolly well you can’t,’ said Cyril, bitterly. ‘It’s settled. It’s Medium and Persian. You’ve done it, and you’ll have to stand by it — and us too, worse luck. Never mind. YOU’LL have your pocket-money before the Fifth. Anyway, we’ll have the Jack-in-the-box LAST, and get the most out of it we can.’
So the cracker and the Roman candles were lighted, and they were all that could be expected for the money; but when it came to the Jack-in-the-box it simply sat in the tray and laughed at them, as Cyril said. They tried to light it with paper and they tried to light it with matches; they tried to light it with Vesuvian fusees from the pocket of father’s second-best overcoat that was hanging in the hall. And then Anthea slipped away to the cupboard under the stairs where the brooms and dustpans were kept, and the rosiny fire-lighters that smell so nice and like the woods where pine-trees grow, and the old newspapers and the bees-wax and turpentine, and the horrid an stiff dark rags that are used for cleaning brass and furniture, and the paraffin for the lamps. She came back with a little pot that had once cost sevenpence-halfpenny when it was full of red-currant jelly; but the jelly had been all eaten long ago, and now Anthea had filled the jar with paraffin. She came in, and she threw the paraffin over the tray just at the moment when Cyril was trying with the twenty-third match to light the Jack-in-the-box. The Jack-in-the-box did not catch fire any more than usual, but the paraffin acted quite differently, and in an instant a hot flash of flame leapt up and burnt off Cyril’s eyelashes, and scorched the faces of all four before they could spring back. They backed, in four instantaneous bounds, as far as they could, which was to the wall, and the pillar of fire reached from floor to ceiling.
‘My hat,’ said Cyril, with emotion, ‘You’ve done it this time, Anthea.’
The flame was spreading out under the ceiling like the rose of fire in Mr Rider Haggard’s exciting story about Allan Quatermain. Robert and Cyril saw that no time was to be lost. They turned up the edges of the carpet, and kicked them over the tray. This cut off the column of fire, and it disappeared and there was nothing left but smoke and a dreadful smell of lamps that have been turned too low.
All hands now rushed to the rescue, and the paraffin fire was only a bundle of trampled carpet, when suddenly a sharp crack beneath their feet made the amateur firemen start back. Another crack — the carpet moved as if it had had a cat wrapped in it; the Jack-in-the-box had at last allowed itself to be lighted, and it was going off with desperate violence inside the carpet.
Robert, with the air of one doing the only possible thing, rushed to the window and opened it. Anthea screamed, Jane burst into tears, and Cyril turned the table wrong way up on top of the carpet heap. But the firework went on, banging and bursting and spluttering even underneath the table.
Next moment mother rushed in, attracted by the howls of Anthea, and in a few moments the firework desisted and there was a dead silence, and the children stood looking at each other’s black faces, and, out of the corners of their eyes, at mother’s white one.
The fact that the nursery carpet was ruined occasioned but little surprise, nor was any one really astonished that bed should prove the immediate end of the adventure. It has been said that all roads lead to Rome; this may be true, but at any rate, in early youth I am quite sure that many roads lead to BED, and stop there — or YOU do.
The rest of the fireworks were confiscated, and mother was not pleased when father let them off himself in the back garden, though he said, ‘Well, how else can you get rid of them, my dear?’
You see, father had forgotten that the children were in disgrace, and that their bedroom windows looked out on to the back garden. So that they all saw the fireworks most beautifully, and admired the skill with which father handled them.
Next day all was forgotten and forgiven; only the nursery had to be deeply cleaned (like spring-cleaning), and the ceiling had to be whitewashed.
And mother went out; and just at tea-time next day a man came with a rolled-up carpet, and father paid him, and mother said —
‘If the carpet isn’t in good condition, you know, I shall expect you to change it.’ And the man replied —
‘There ain’t a thread gone in it nowhere, mum. It’s a bargain, if ever there was one, and I’m more’n ‘arf sorry I let it go at the price; but we can’t resist the lydies, can we, sir?’ and he winked at father and went away.
Then the carpet was put down in the nursery, and sure enough there wasn’t a hole in it anywhere.
As the last fold was unrolled something hard and loud-sounding bumped out of it and trundled along the nursery floor. All the children scrambled for it, and Cyril got it. He took it to the gas. It was shaped like an egg, very yellow and shiny, half-transparent, and it had an odd sort of light in it that changed as you held it in different ways. It was as though it was an egg with a yolk of pale fire that just showed through the stone.
‘I MAY keep it, mayn’t I, mother?’ Cyril asked.
And of course mother said no; they must take it back to the man who had brought the carpet, because she had only paid for a carpet, and not for a stone egg with a fiery yolk to it.
So she told them where the shop was, and it was in the Kentish Town Road, not far from the hotel that is called the Bull and Gate. It was a poky little shop, and the man was arranging furniture outside on the pavement very cunningly, so that the more broken parts should show as little as possible. And directly he saw the children he knew them again, and he began at once, without giving them a chance to speak.
‘No you don’t’ he cried loudly; ‘I ain’t a-goin’ to take back no carpets, so don’t you make no bloomin’ errer. A bargain’s a bargain, and the carpet’s puffik throughout.’
‘We don’t want you to take it back,’ said Cyril; ‘but we found something in it.’
‘It must have got into it up at your place, then,’ said the man, with indignant promptness, ‘for there ain’t nothing in nothing as I sell. It’s all as clean as a whistle.’
‘I never said it wasn’t CLEAN,’ said Cyril, ‘but—’
‘Oh, if it’s MOTHS,’ said the man, ‘that’s easy cured with borax. But I expect it was only an odd one. I tell you the carpet’s good through and through. It hadn’t got no moths when it left my ‘ands — not so much as an hegg.’
‘But that’s just it,’ interrupted Jane; ‘there WAS so much as an egg.’
The man made a sort of rush at the children and stamped his foot.
‘Clear out, I say!’ he shouted, ‘or I’ll call for the police. A nice thing for customers to ‘ear you a-coming ‘ere a-charging me with finding things in goods what I sells. ‘Ere, be off, afore I sends you off with a flea in your ears. Hi! constable—’
The children fled, and they think, and their father thinks, that they couldn’t have done anything else. Mother has her own opinion.
But father said they might keep the egg.
‘The man certainly didn’t know the egg was there when he brought the carpet,’ said he, ‘any more than your mother did, and we’ve as much right to it as he had.’
So the egg was put on the mantelpiece, where it quite brightened up the dingy nursery. The nursery was dingy, because it was a basement room, and its windows looked out on a stone area with a rockery made of clinkers facing the windows. Nothing grew in the rockery except London pride and snails.
The room had been described in the house agent’s list as a ‘convenient breakfast-room in basement,’ and in the daytime it was rather dark. This did not matter so much in the evenings when the gas was alight, but then it was in the evening that the blackbeetles got so sociable, and used to come out of the low cupboards on each side of the fireplace where their homes were, and try to make friends with the children. At least, I suppose that was what they wanted, but the children never would.
On the Fifth of November father and mother went to the theatre, and the children were not happy, because the Prossers next door had lots of fireworks and they had none.
> They were not even allowed to have a bonfire in the garden.
‘No more playing with fire, thank you,’ was father’s answer, when they asked him.
When the baby had been put to bed the children sat sadly round the fire in the nursery.
‘I’m beastly bored,’ said Robert.
‘Let’s talk about the Psammead,’ said Anthea, who generally tried to give the conversation a cheerful turn.
‘What’s the good of TALKING?’ said Cyril. ‘What I want is for something to happen. It’s awfully stuffy for a chap not to be allowed out in the evenings. There’s simply nothing to do when you’ve got through your homers.’
Jane finished the last of her home-lessons and shut the book with a bang.
‘We’ve got the pleasure of memory,’ said she. ‘Just think of last holidays.’
Last holidays, indeed, offered something to think of — for they had been spent in the country at a white house between a sand-pit and a gravel-pit, and things had happened. The children had found a Psammead, or sand-fairy, and it had let them have anything they wished for — just exactly anything, with no bother about its not being really for their good, or anything like that. And if you want to know what kind of things they wished for, and how their wishes turned out you can read it all in a book called Five Children and It (It was the Psammead). If you’ve not read it, perhaps I ought to tell you that the fifth child was the baby brother, who was called the Lamb, because the first thing he ever said was ‘Baa!’ and that the other children were not particularly handsome, nor were they extra clever, nor extraordinarily good. But they were not bad sorts on the whole; in fact, they were rather like you.
‘I don’t want to think about the pleasures of memory,’ said Cyril; ‘I want some more things to happen.’
‘We’re very much luckier than any one else, as it is,’ said Jane. ‘Why, no one else ever found a Psammead. We ought to be grateful.’
‘Why shouldn’t we GO ON being, though?’ Cyril asked—’lucky, I mean, not grateful. Why’s it all got to stop?’
‘Perhaps something will happen,’ said Anthea, comfortably. ‘Do you know, sometimes I think we are the sort of people that things DO happen to.’
‘It’s like that in history,’ said Jane: ‘some kings are full of interesting things, and others — nothing ever happens to them, except their being born and crowned and buried, and sometimes not that.’
‘I think Panther’s right,’ said Cyril: ‘I think we are the sort of people things do happen to. I have a sort of feeling things would happen right enough if we could only give them a shove. It just wants something to start it. That’s all.’
‘I wish they taught magic at school,’ Jane sighed. ‘I believe if we could do a little magic it might make something happen.’
‘I wonder how you begin?’ Robert looked round the room, but he got no ideas from the faded green curtains, or the drab Venetian blinds, or the worn brown oil-cloth on the floor. Even the new carpet suggested nothing, though its pattern was a very wonderful one, and always seemed as though it were just going to make you think of something.
‘I could begin right enough,’ said Anthea; ‘I’ve read lots about it. But I believe it’s wrong in the Bible.’
‘It’s only wrong in the Bible because people wanted to hurt other people. I don’t see how things can be wrong unless they hurt somebody, and we don’t want to hurt anybody; and what’s more, we jolly well couldn’t if we tried. Let’s get the Ingoldsby Legends. There’s a thing about Abra-cadabra there,’ said Cyril, yawning. ‘We may as well play at magic. Let’s be Knights Templars. They were awfully gone on magic. They used to work spells or something with a goat and a goose. Father says so.’
‘Well, that’s all right,’ said Robert, unkindly; ‘you can play the goat right enough, and Jane knows how to be a goose.’
‘I’ll get Ingoldsby,’ said Anthea, hastily. ‘You turn up the hearthrug.’
So they traced strange figures on the linoleum, where the hearthrug had kept it clean. They traced them with chalk that Robert had nicked from the top of the mathematical master’s desk at school. You know, of course, that it is stealing to take a new stick of chalk, but it is not wrong to take a broken piece, so long as you only take one. (I do not know the reason of this rule, nor who made it.) And they chanted all the gloomiest songs they could think of. And, of course, nothing happened. So then Anthea said, ‘I’m sure a magic fire ought to be made of sweet-smelling wood, and have magic gums and essences and things in it.’
‘I don’t know any sweet-smelling wood, except cedar,’ said Robert; ‘but I’ve got some ends of cedar-wood lead pencil.’
So they burned the ends of lead pencil. And still nothing happened.
‘Let’s burn some of the eucalyptus oil we have for our colds,’ said Anthea.
And they did. It certainly smelt very strong. And they burned lumps of camphor out of the big chest. It was very bright, and made a horrid black smoke, which looked very magical. But still nothing happened. Then they got some clean tea-cloths from the dresser drawer in the kitchen, and waved them over the magic chalk-tracings, and sang ‘The Hymn of the Moravian Nuns at Bethlehem’, which is very impressive. And still nothing happened. So they waved more and more wildly, and Robert’s tea-cloth caught the golden egg and whisked it off the mantelpiece, and it fell into the fender and rolled under the grate.
‘Oh, crikey!’ said more than one voice.
And every one instantly fell down flat on its front to look under the grate, and there lay the egg, glowing in a nest of hot ashes.
‘It’s not smashed, anyhow,’ said Robert, and he put his hand under the grate and picked up the egg. But the egg was much hotter than any one would have believed it could possibly get in such a short time, and Robert had to drop it with a cry of ‘Bother!’ It fell on the top bar of the grate, and bounced right into the glowing red-hot heart of the fire.
‘The tongs!’ cried Anthea. But, alas, no one could remember where they were. Every one had forgotten that the tongs had last been used to fish up the doll’s teapot from the bottom of the water-butt, where the Lamb had dropped it. So the nursery tongs were resting between the water-butt and the dustbin, and cook refused to lend the kitchen ones.
‘Never mind,’ said Robert, ‘we’ll get it out with the poker and the shovel.’
‘Oh, stop,’ cried Anthea. ‘Look at it! Look! look! look! I do believe something IS going to happen!’
For the egg was now red-hot, and inside it something was moving. Next moment there was a soft cracking sound; the egg burst in two, and out of it came a flame-coloured bird. It rested a moment among the flames, and as it rested there the four children could see it growing bigger and bigger under their eyes.
Every mouth was a-gape, every eye a-goggle.
The bird rose in its nest of fire, stretched its wings, and flew out into the room. It flew round and round, and round again, and where it passed the air was warm. Then it perched on the fender. The children looked at each other. Then Cyril put out a hand towards the bird. It put its head on one side and looked up at him, as you may have seen a parrot do when it is just going to speak, so that the children were hardly astonished at all when it said, ‘Be careful; I am not nearly cool yet.’
They were not astonished, but they were very, very much interested.
They looked at the bird, and it was certainly worth looking at. Its feathers were like gold. It was about as large as a bantam, only its beak was not at all bantam-shaped. ‘I believe I know what it is,’ said Robert. ‘I’ve seen a picture.’
He hurried away. A hasty dash and scramble among the papers on father’s study table yielded, as the sum-books say, ‘the desired result’. But when he came back into the room holding out a paper, and crying, ‘I say, look here,’ the others all said ‘Hush!’ and he hushed obediently and instantly, for the bird was speaking.
‘Which of you,’ it was saying, ‘put the egg into the fire?’
‘He did,’ said
three voices, and three fingers pointed at Robert.
The bird bowed; at least it was more like that than anything else.
‘I am your grateful debtor,’ it said with a high-bred air.
The children were all choking with wonder and curiosity — all except Robert. He held the paper in his hand, and he KNEW. He said so. He said —
‘I know who you are.’
And he opened and displayed a printed paper, at the head of which was a little picture of a bird sitting in a nest of flames.
‘You are the Phoenix,’ said Robert; and the bird was quite pleased.
‘My fame has lived then for two thousand years,’ it said. ‘Allow me to look at my portrait.’ It looked at the page which Robert, kneeling down, spread out in the fender, and said —
‘It’s not a flattering likeness... And what are these characters?’ it asked, pointing to the printed part.
‘Oh, that’s all dullish; it’s not much about YOU, you know,’ said Cyril, with unconscious politeness; ‘but you’re in lots of books.’
‘With portraits?’ asked the Phoenix.
‘Well, no,’ said Cyril; ‘in fact, I don’t think I ever saw any portrait of you but that one, but I can read you something about yourself, if you like.’
The Phoenix nodded, and Cyril went off and fetched Volume X of the old Encyclopedia, and on page 246 he found the following: —
‘Phoenix — in ornithology, a fabulous bird of antiquity.’
‘Antiquity is quite correct,’ said the Phoenix, ‘but fabulous — well, do I look it?’
Every one shook its head. Cyril went on —
‘The ancients speak of this bird as single, or the only one of its kind.’
‘That’s right enough,’ said the Phoenix.
‘They describe it as about the size of an eagle.’
‘Eagles are of different sizes,’ said the Phoenix; ‘it’s not at all a good description.’
All the children were kneeling on the hearthrug, to be as near the Phoenix as possible.
‘You’ll boil your brains,’ it said. ‘Look out, I’m nearly cool now;’ and with a whirr of golden wings it fluttered from the fender to the table. It was so nearly cool that there was only a very faint smell of burning when it had settled itself on the table-cloth.