by Edith Nesbit
Neither heard the furtive rustic tread, or noted the gleam of the pale rustic eye.
The labourer shook his head as he hurried quickly away. He had daughters of his own, and the Rector had been kind when one of those daughters had suddenly come home from service, ill, and with no prospect of another place.
“A-holdin’ of hands and a-castin’ of sheep’s eyes,” said he. “We knows what that’s the beginnings of! Well, well, youth’s the season for silliness, but there’s bounds — there’s bounds. And all of a mornin’ so early too. Lord above knows what it wouldn’t be like of a evenin’.” He shook his head again, and made haste.
Vernon had forced his eyes to leave the face of Betty.
“Your fortune,” he was saying, “is, curiously enough, just one of those fortunes I was speaking of. You will have great chances of happiness, if you have the courage to take them. You will cross the sea. You’ve never travelled, have you?”
“No, — never further than Torquay; I was at school there, you know; and London, of course. But I should love it. Isn’t it horrid to think that one might grow quite old and never have been anywhere or done anything?”
“That depends on oneself, doesn’t it? Adventures are to the adventurous.”
“Yes, that’s all very well — girls can’t be adventurous.”
“Yes, — it’s the Prince who sets out to seek his fortune, isn’t it? The Princess has to sit at home and wait for hers to come to her. It generally does if she’s a real Princess.”
“But half the fun must be the seeking for it,” said Betty.
“You’re right,” said he, “it is.”
The labourer had reached the park-gate. His pace had quickened to the quickening remembrance of his own daughter, sitting at home silent and sullen.
“Do you really see it in my hand?” asked Betty,—”about my crossing the sea, I mean.”
“It’s there; but it depends on yourself, like everything else.”
“I did ask my step-father to let me go,” she said, “after that first day, you know, when you said I ought to study in Paris.”
“And he wouldn’t, of course?”
“No; he said Paris was a wicked place. It isn’t really, is it?”
“Every place is wicked,” said he, “and every place is good. It’s all as one takes things.”
The Rectory gate clicked sharply as it swung to behind the labourer. The Rectory gravel scrunched beneath the labourer’s boots.
Yes, the Master was up; he could be seen.
The heavy boots were being rubbed against the birch broom that, rooted at Kentish back doors, stands to receive on its purple twigs the scrapings of Kentish clay from rustic feet.
“You have the artistic lines very strongly marked,” Vernon was saying. “One, two, three — yes, painting — music perhaps?”
“I am very fond of music,” said Betty, thinking of the hour’s daily struggle with the Mikado and the Moonlight Sonata. “But three arts. What could the third one be?” Her thoughts played for an instant with unheard-of triumphs achieved behind footlights — rapturous applause, showers of bouquets.
“Whatever it is, you’ve enormous talent for it,” he said; “you’ll find out what it is in good time. Perhaps it’ll be something much more important than the other two put together, and perhaps you’ve got even more talent for it than you have for others.”
“But there isn’t any other talent that I can think of.”
“I can think of a few. There’s the stage, — but it’s not that, I fancy, or not exactly that. There’s literature — confess now, don’t you write poetry sometimes when you’re all alone at night? Then there’s the art of being amusing, and the art of being — of being liked.”
“Shall I be successful in any of the arts?”
“In one, certainly.”
“Ah,” said Betty, “if I could only go to Paris!”
“It’s not always necessary to go to Paris for success in one’s art,” he said.
“But I want to go. I’m sure I could do better there.”
“Aren’t you satisfied with your present Master?”
“Oh!” — It was a cry of genuine distress, of heartfelt disclaim. “You know I didn’t mean that! But you won’t always be here, and when you’ve gone — why then—”
Again he had to control the involuntary movement of his left arm.
“But I’m not going for months yet. Don’t let us cross a bridge till we come to it. Your head-line promises all sorts of wonderful things. And your heart-line—” he turned her hand more fully to the light.
In the Rector’s study the labourer was speaking, standing shufflingly on the margin of the Turkey carpet. The Rector listened, his hand on an open folio where fat infants peered through the ornamental initials.
“And so I come straight up to you, Sir, me being a father and you the same, Sir, for all the difference betwixt our ways in life. Says I to myself, says I, and bitter hard I feels it too, I says: ‘George,’ says I, ‘you’ve got a daughter as begun that way, not a doubt of it — holdin’ of hands and sittin’ close alongside, and you know what’s come to her!’”
The Rector shivered at the implication.
“Then I says, says I: ‘Like as not the Rector won’t thank you for interferin’. Least said soonest mended,’ says I.”
“I’m very much obliged to you,” said the Rector difficultly, and his hand shook on Ambrosius’s yellow page.
“You see, Sir,” the man’s tone held all that deferent apology that truth telling demands, “gells is gells, be they never so up in the world, all the world over, bless their hearts; and young men is young men, d — n them, asking your pardon, Sir, I’m sure, but the word slipped out. And I shouldn’t ha’ been easy if anything had have gone wrong with Miss, God bless her, all along of the want of a word in season. Asking your pardon, Sir, but even young ladies is flesh and blood, when it comes to the point. Ain’t they now?” he ended appealingly.
The Rector spoke with an obvious effort, got his hand off the page and closed the folio.
“You’ve done quite right, George,” he said, “and I’m greatly obliged to you. Only I do ask you to keep this to yourself. You wouldn’t have liked it if people had heard a thing like that about your Ruby before — I mean when she was at home.”
He replaced the two folios on the shelf.
“Not me, Sir,” George answered. “I’m mum, I do assure you, Sir. And if I might make so bold, you just pop on your hat and step acrost directly minute. There’s that little hole back of the shed what I told you of. You ain’t only got to pop your reverend eye to that there, and you’ll see for yourself as I ain’t give tongue for no dragged scent.”
“Thank you, George,” said the Rector, “I will. Good morning. God bless you.”
The formula came glibly, but it was from the lips only that it came.
Lizzie — his white innocent Lily-girl! In a shed — a man, a stranger, holding her hand, his arm around her, his eyes — his lips perhaps, daring —
The Rector was half way down his garden drive.
“Your heart-line,” Vernon was saying, “it’s a little difficult. You will be deeply beloved.”
To have one’s fortune told is disquieting. To keep silence during the telling deepens the disquiet curiously. It seemed good to Betty to laugh.
“Soldier, sailor, tinker, tailor,” she said, “which am I going to marry, kind gipsy?”
“I don’t believe the gipsies who say they can see marriage in a hand,” he answered gravely, and Betty feared he had thought her flippant, or even vulgar; “what one sees are not the shadows of coming conventions. One sees the great emotional events, the things that change and mould and develop character. Yes, you will be greatly beloved, and you will love deeply.”
“I’m not to be happy in my affairs of the heart then.” Still a careful flippancy seemed best to Betty.
“Did I say so? Do you really think that there are no happy love affairs but those t
hat end in a wedding breakfast and bridesmaids, with a Bazaar show of hideous silver and still more hideous crockery, and all one’s relations assembled to dissect one’s most sacred secrets?”
Betty had thought so, but it seemed coarse to own it.
“Can’t you imagine,” he went on dreamily, “a love affair so perfect that it could not but lose its finest fragrance if the world were called to watch the plucking of love’s flower? Can’t you imagine a love so great, so deep, so tender, so absolutely possessing the whole life of the lover that he would almost grudge any manifestation of it? Because such a manifestation must necessarily be a repetition of some of the ways in which unworthy loves have been manifested, by less happy lovers? I can seem to see that one might love the one love of a life-time, and be content to hold the treasure in one’s heart, a treasure such as no other man ever had, and grudge even a word or a look that might make it less the single perfect rose of the world.”
“Oh, dear!” said Betty to herself.
“But I’m talking like a book,” he said, and laughed. “I always get dreamy and absurd when I tell fortunes. Anyway, as I said before, you will be greatly beloved. Indeed, unless your hand is very untruthful, which I’m sure it never could be, you are beloved now, far more than you can possibly guess.”
Betty caught at her flippancy but it evaded her, and all she found to say was, “Oh,” and her eyes fell.
There was a silence. Vernon still held her hand, but he was no longer looking at it.
A black figure darkened the daylight.
The two on the plough started up — started apart. Nothing more was wanted to convince the Rector of all that he least wished to believe.
“Go home, Lizzie,” he said, “go to your room,” and to her his face looked the face of a fiend. It is hard to control the muscles under a sudden emotion compounded of sorrow, sympathy and an immeasurable pity. “Go to your room and stay there till I send for you.”
Betty went, like a beaten dog.
The Rector turned to the young man.
“Now, Sir,” he said.
CHAPTER V. THE PRISONER.
When Vernon looked back on that interview he was honestly pleased with himself. He had been patient, he had been kind even. In the end he had been positively chivalrous. He had hardly allowed himself to be ruffled for an instant, but had met the bitter flow of Mr. Underwood’s biblical language with perfect courtesy.
He regretted, of course, deeply, this unfortunate misunderstanding. Accident had made him acquainted with Miss Desmond’s talent, he had merely offered her a little of that help which between brother artists — The well-worn phrase had not for the Rector the charm it had had for Betty.
The Rector spoke again, and Mr. Vernon listened, bare-headed, in deepest deference.
No, he had not been holding Miss Desmond’s hand — he had merely been telling her fortune. No one could regret more profoundly than he, — and so on. He was much wounded by Mr. Underwood’s unworthy suspicions.
The Rector ran through a few texts. His pulpit denunciations of iniquity, though always earnest, had lacked this eloquence.
Vernon listened quietly.
“I can only express my regret that my thoughtlessness should have annoyed you, and beg you not to blame Miss Desmond. It was perhaps a little unconventional, but—”
“Unconventional — to try to ruin—”
Mr. Vernon held up his hand: he was genuinely shocked.
“Forgive me,” he said, “but I can’t hear such words in connection with — with a lady for whom I have the deepest respect. You are heated now, Sir, and I can make every allowance for your natural vexation. But I must ask you not to overstep the bounds of decency.”
The Rector bit his lip, and Vernon went on:
“I have listened to your abuse — yes, your abuse — without defending myself, but I can’t allow anyone, even her father, to say a word against her.”
“I am not her father,” said the old man bitterly. And on the instant Vernon understood him as Betty had never done. The young man’s tone changed instantly.
“Look here,” he said, and his face grew almost boyish, “I am really most awfully sorry. The whole thing — what there is of it, and it’s very little — was entirely my doing. It was inexcusably thoughtless. Miss Desmond is very young and very innocent. It is I who ought to have known better, — and perhaps I did. But the country is very dull, and it was a real pleasure to teach so apt a pupil.”
He spoke eagerly, and the ring of truth was in his voice. But the Rector felt that he was listening to the excuses of a serpent.
“Then you’d have me believe that you don’t even love her?”
“No more than she does me,” said Vernon very truly. “I’ve never breathed a word of love to her,” he went on; “such an idea never entered our heads. She’s a charming girl, and I admire her immensely, but—” he sought hastily for a weapon, and defended Betty with the first that came to hand, “I am already engaged to another lady. It is entirely as an artist that I am interested in Miss Betty.”
“Serpent,” said the Rector within himself, “Lying serpent!”
Vernon was addressing himself silently in terms not more flattering. “Fool, idiot, brute to let the child in for this! — for it’s going to be a hell of a time for her, anyhow. And as for me — well, the game is up, absolutely up!”
“I am really most awfully sorry,” he said again.
“I find it difficult to believe in the sincerity of your repentance,” said the Rector frowning.
“My regret you may believe in,” said Vernon stiffly. “There is no ground for even the mention of such a word as repentance.”
“If your repentance is sincere” — he underlined the word—”you will leave Long Barton to-day.”
Leave without a word, a sign from Betty — a word or a sign to her? It might be best — if —
“I will go, Sir, if you will let me have your assurance that you will say nothing to Miss Desmond, that you won’t make her unhappy, that you’ll let the whole matter drop.”
“I will make no bargains with you!” cried the Rector. “Do your worst! Thank God I can defend her from you!”
“She needs no defence. It’s not I who am lacking in respect and consideration for her,” said Vernon a little hotly, “but, as I say, I’ll go — if you’ll just promise to be gentle with her.”
“I do not need to be taught my duty by a villain, Sir!—” The old clergyman was trembling with rage. “I wish to God I were a younger man, that I might chastise you for the hound you are.” His upraised cane shook in his hand. “Words are thrown away on you! I’m sorry I can’t use the only arguments that can come home to a puppy!”
“If you were a younger man,” said Vernon slowly, “your words would not have been thrown away on me. They would have had the answer they deserved. I shall not leave Long Barton, and I shall see Miss Desmond when and how I choose.”
“Long Barton shall know you in your true character, Sir, I promise you.”
“So you would blacken her to blacken me? One sees how it is that she does not love her father.”
He meant to be cruel, but it was not till he saw the green shadows round the old man’s lips that he knew just how cruel he had been. The quivering old mouth opened and closed and opened, the cold eyes gleamed. And the trembling hand in one nervous movement raised the cane and struck the other man sharply across the face. It was a hysterical blow, like a woman’s, and with it the tears sprang to the faded eyes.
Then it was that Vernon behaved well. When he thought of it afterwards he decided that he had behaved astonishingly well.
With the smart of that cut stinging on his flesh, the mark of it rising red and angry across his cheek, he stepped back a pace, and without a word, without a retaliatory movement, without even a change of facial expression he executed the most elaborately courteous bow, as of one treading a minuet, recovered the upright and walked away bareheaded. The old clergyman was left planted there
, the cane still jigging up and down in his shaking hand.
“A little theatrical, perhaps,” mused Vernon, when the cover of the wood gave him leave to lay his fingers to his throbbing cheek, “but nothing could have annoyed the old chap more.”
However effective it may be to turn the other cheek, the turning of it does not cool one’s passions, and he walked through the wood angrier than he ever remembered being. But the cool rain dripping from the hazel and sweet chestnut leaves fell pleasantly on his uncovered head and flushed face. Before he was through the wood he was able to laugh, and the laugh was a real laugh, if rather a rueful one. Vernon could never keep angry very long.
“Poor old devil!” he said. “He’ll have to put a special clause in the general confession next Sunday. Poor old devil! And poor little Betty! And poorest me! Because, however, we look at it, and however we may have damn well bluffed over it, the game is up — absolutely up.”
When one has a definite end in view — marriage, let us say, or an elopement, — secret correspondences, the surmounting of garden walls, the bribery of servants, are in the picture. But in a small sweet idyll, with no backbone of intention to it, these things are inartistic. And Vernon was, above and before all, an artist. He must go away and he knew it. And his picture was not finished. Could he possibly leave that incomplete? The thought pricked sharply. He had not made much progress with the picture in these last days. It had been pleasanter to work at the portrait of Betty. If he moved to the next village? Yes, that must be thought over.
He spent the day thinking of that and of other things.