This was the second cemetery that Billy Purdue had visited that day, and he would never be seen in it again. Billy Purdue would never be seen anywhere again. He would disappear, and no trace of him would ever be found.
But I think I knew where Billy was going.
He was going north.
Two days after the anniversary, I attended mass at St Maximilian Kolbe and listened as the names of Susan and Jennifer Parker were read out from the altar. The next day, the fifteenth, I visited the grave. There were fresh flowers laid upon it from Susan’s parents, I supposed. We had not spoken since her death, and I think they still blamed me for what had happened. I blamed myself, but I was making reparation. That was all that I could do. That was all any of us could do.
On the night of the fifteenth, they came to me. I awoke to the noise of them in the woods, sounds that were not sounds, but the slow joining of worlds within worlds, and I walked to my porch and stood, but I did not descend to them.
Among the shadows, behind the trees, a host of figures moved. At first, they might have been the light shifting as the wind stirred the branches, phantasms of hands and faces, for they were silent as they came forward for me to bear witness. They were young girls, and their dresses, once torn and stained with blood and dirt, were now intact and glowed from within, clinging to soft, slightly rounded stomachs that might, once before and long ago, have caused the young men to twist in the seats of their bright red cars, to whistle at them from their vinyl booths, to lean across and whisper to them, to playfully block their escape as they basked in the light from their eyes. The moonlight shone on the soft down of their arms, the gentle movement of their hair, the soft glistening at their lips; the girls in their summer dresses, gathered together in the new-fallen snow.
And farther behind them, others gathered: old women and old men, nightdresses fluttering like moths, stained dungarees war-painted with flecks and dashes of enamel, their gnarled hands traced with thick veins like the roots of the trees clinging to the earth beneath their feet. Young men stood aside for them, their hands joined with those of their women; there were husbands and wives, and young lovers, once violently separated, now together once more. Children moved between their legs, solemn and watchful, carefully making their way to the boundary of the woods; children with the broken bones in their fingers now miraculously restored, children who had been wrenched apart in dark, pain-filled cellars now restored to beauty, their eyes bright and knowing in the winter darkness.
A whole host of the dead gathered before me, their numbers stretching back into the shadows, back into the past. They did not speak but only watched me, and a kind of peace came over me, as if the hand of a young woman had touched me gently in the night, whispering to me that I should sleep.
for now
And beside the rail, where the old man had sat with his dog, where my mother had leaned, still beautiful despite the years, I stood and felt their eyes upon me. A small hand gripped mine and when I looked down I could almost see her, radiant and new, a small beauty revealed against the gentle luminosity of the snow.
And a hand touched my cheek and soft lips met mine, and a voice said:
sleep
And I slept.
ACKNOWLEDGEMENTS
A number of individuals assisted me with information and advice in the course of writing this book. I wish to particuarly thank Rodney Laughton, historian and proprietor of the Breakers Inn at Higgins Beach, Scarborough; Bullwinkle’s Guide Service in Greenville, Maine; Chief Duane Alexander of the Greenville Police Department; the Portland PD; and the staff of Qüark, Inc., in New York, for providing details of security technology. Bernd Heinrich’s A Year in the Maine Woods (Addison Wesley, 1994), The Coast of Maine by Louise Dickinson Rich (Down East Books, 1993) and Frank Portnoy’s Fiasco (Profi le, 1997) also proved especially valuable. Any mistakes are my own.
On a more personal note, I would like to thank Anne and Catherine, who read this book in its early stages, and Ruth, for her advice and support. I am indebted, as always, to my editor at Hodder & Stoughton, Sue Fletcher; her assistant, Rhiannon Davies; and, finally, to Kerith Biggs and my agent and friend, Darley Anderson.
THE KILLING KIND
John Connolly
www.hodder.co.uk
First published in Great Britain in 2001 by Hodder and Stoughton
An Hachette UK Company
Copyright © 2001 by John Connolly
The right of John Connolly to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.
All rights reserved.
No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser.
All characters in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental.
A CIP catalogue record for this book is available from the British Library
Epub ISBN 978 1 84894 033 8
Book ISBN 978 1 444 70470 9
Hodder & Stoughton Ltd
338 Euston Road
London NW1 3BH
www.hodder.co.uk
For my Mother
Part One
And heavy is the tread
Of the living; but the dead
Returning lightly dance . . .
Edward Thomas,
‘Roads’
Prologue
This is a honeycomb world. It hides a hollow heart.
The truth of nature, wrote the philosopher Democritus, lies in deep mines and caves. The stability of what is seen and felt beneath our feet is an illusion, for this life is not as it seems. Below the surface, there are cracks and fissures and pockets of stale, trapped air; stalagmites and helactites and unmapped dark rivers that flow ever downward. It is a place of caverns and stone waterfalls, a labyrinth of crystal tumors and frozen columns where history becomes future, then becomes now.
For in total blackness, time has no meaning.
The present is imperfectly layered on the past; it does not conform flawlessly at every point. Things fall and die and their decay creates new layers, thickening the surface crust and adding another thin membrane to cover what lies beneath, new worlds resting on the remains of the old. Day upon day, year upon year, century upon century, layers are added and the imperfections multiply. The past never truly dies. It is there, waiting, just below the surface of the now. We stumble into it occasionally, all of us, through remembrance and recall. We summon to mind former lovers, lost children, departed parents, the wonder of a single day when we captured, however briefly, the ineffable, fleeting beauty of the world. These are our memories. We hold them close and call them ours, and we can find them when we need them.
But sometimes that choice is made for us: a piece of the present simply falls away, and the past is exposed like old bone. Afterward, nothing can ever be the same again, and we are forced to reassess the form of what we believed to be true in the light of new revelations about its substance. The truth is revealed by a misstep and the sudden sense that something beneath our feet rings false. The past bubbles out like molten lava, and lives turn to ash in its path.
This is a honeycomb world. Our actions echo through its depths.
Down here, dark life exists: microbes and bacteria that draw their energy from chemicals and natural radioactivity, older than the first plant cells that brought color to the world above. Every deep pool is alive with them, every mine shaft, every ice core. They live and die unseen.
But there are other organisms, other beings: creatures that know only hunger, entities that exist purely to hunt and kill. They move ceaselessly through the hidden cavities, their jaws snapping at the endless night. They come to the surface only when they are forced to do so, and all living t
hings flee from their path.
They came for Alison Beck.
Dr. Beck was sixty and had been performing abortions since 1974, in the immediate aftermath of Roe v. Wade. As a young woman she had become involved in Planned Parenthood following the rubella epidemic of the early 1960s, when thousands of American women delivered babies with serious birth defects. She had progressed to outspoken membership of NOW and the National Association for the Repeal of Abortion Laws before the changes for which they fought enabled her to establish her own clinic in Minneapolis. Since then, she had defied Joseph Scheidler’s Pro-Life Action Network, his sidewalk counselors and bullhorn mafia, and had stood head-to-head with Randall Terry when Operation Rescue tried to blockade her clinic in 1989. She had fought against the Hyde amendment of ’76, which cut off Medicaid funding for abortions, and had cried when the antiabortionist C. Everett Koop became U.S. surgeon general. On three separate occasions butyric acid had been injected into the clinic walls by antiabortion activists, forcing it to close its doors for days until the fumes had dispersed. The tires on her car had been slashed more times than she could count, and only the toughened glass on the clinic window had prevented an incendiary device housed in a fire extinguisher from burning the building to the ground.
But in recent years the strain of her profession had begun to tell, and she now looked much older than her years. In almost three decades, she had enjoyed the company of only a handful of men. David had been the first, and she had married him and loved him, but David was gone now. She had held him as he died, and she still kept the shirt he had worn on that day, the bloodstains like the shadows of dark clouds floating across its once pristine whiteness. The men who followed offered many excuses for departing, but in the end, all the excuses could be distilled down to one simple essence: fear. Alison Beck was a marked woman. She lived each day in the knowledge that there were those who would rather see her dead than have her continue her work, and few men were willing to stand beside such a woman.
She knew the statistics off by heart. There had been twenty-seven cases of extreme violence against American abortion clinics in the previous year, and two doctors had died. Seven abortion doctors and assistants had been killed in the preceding five years, and many others injured in bombings and shootings. She knew all of this because she had spent over twenty years documenting the incidences of violence, tracing common factors, establishing connections. It was the only way that she could cope with the loss of David, the only means she had of making sure that some small good might arise from the ashes of his death. Her research had been used to support the abortion providers’ successful invocation of the RICO antiracketeering laws in their fight against their opponents, alleging a nationwide conspiracy to close down clinics. It had been a hard-won victory.
But slowly, another, more indistinct pattern had begun to emerge: names recurring and echoing down the canyons of the years, figures half glimpsed in the shadows of violent acts. The convergences were visible in barely half a dozen cases, but they were there. She was certain of it, and the others seemed to agree. Together, they were drawing closer and closer to the truth.
But that brought with it its own dangers.
Alison Beck had an alarm system in her home, linked directly to a private security firm, and two armed guards were always on duty at the clinic. In her bedroom closet was an American Body Armor bullet-proof vest, which she wore while traveling to and from the clinic despite the discomfort involved. Its twin hung on a steel rail in her consulting room. She drove a red Porsche Boxster, her only true indulgence. She collected speeding tickets the way other people collected stamps.
Alison was a conservative dresser. She typically wore a jacket, unbuttoned, which hung to midthigh level. Beneath the jacket she wore pants with either a brown or a black belt, depending on the color of her ensemble. Attached to the belt was an Alessi holster containing a Kahr K40 Covert pistol. The Kahr held a five-round magazine of .40 caliber ammunition. She had tried using six rounds for a time but found that the extended magazine sometimes caught in the folds of her shirt. The Kahr had an abbreviated grip that suited her small hands, for Alison Beck was just a shade over five feet tall and slightly built. On a range, with the Kahr’s smooth double-action trigger pull, she could put the five rounds through the heart of a target thirty feet away in under ten seconds.
Her shoulder bag contained a can of Mace and a stun gun that could send a 20,000-volt charge through a man and leave him gasping and quivering on the ground like a stranded fish. While she had never fired her gun in anger, she had been forced to use the Mace on one occasion, when an antiabortion protester had tried to force his way into her home. Later she recalled, with a twinge of shame, that Macing him had felt good. She had chosen her life that she simply could not deny but the fear and the anger at the restrictions it had imposed upon her, and the hatred and animosity of those who despised her for what she did, had affected her in ways she did not like to admit. That November evening, with the Mace in her hand and the short, bearded man howling and crying in her hallway, all of that tension and anger had exploded from her through the simple action of pressing a plastic button.
Alison Beck was a familiar figure, a public figure. Although based in a leafy street in Minneapolis, she traveled twice each month to South Dakota, where she conducted a clinic at Sioux Falls. She appeared regularly on local and national television, campaigning against what she perceived as the gradual erosion of women’s right to choose. Clinics were closing, she had pointed out on the local NBC affiliate only the previous week, and now 83 percent of U.S. counties had no abortion services. Three dozen congressmen, a dozen senators, and four governors were openly antichoice. Meanwhile, the Roman Catholic Church was now the largest private health care provider in America, and access to abortion services, sterilization, birth control, and in vitro fertilization was becoming increasingly limited.
Yet faced with a pleasant, soft-spoken young woman from Right to Life of Minnesota, who concentrated on the health issues for women and the changing attitudes of a younger generation that could not remember the days before Roe v. Wade, Alison Beck had begun to feel that it was she, the campaigning doctor, who now sounded strident and intolerant, and that perhaps the tide was turning more than she realized. She admitted as much to friends in the days before she died.
But something else had given her cause to feel afraid. She had seen him again, the strange red-haired man, and she knew that he was closing in on her, that he intended to move against her and the others before they could complete their work.
But they can’t know, Mercier had tried to reassure her. We’ve made no move against them yet.
I tell you, they know. I have seen him. And . . .
Yes?
I found something in my car this morning.
What? What did you find?
A skin. I found a spider skin.
Spiders grow by shedding their old exoskeleton and replacing it with a larger, less constraining hide, a process known as ecdysis. The discarded skin, or exuvium, that Alison Beck had found on the passenger seat of her car belonged to a Sri Lankan ornamental tarantula, Poecilotheria fasciata, a beautifully-colored but temperamental arachnid. The species had been specifically selected for its capacity to alarm: its body was about two and a half inches in length, marked with grays, blacks and creams, and its legspan was almost four inches. Alison had been terrified, and that terror had only slightly abated when she realized that the shape beside her was not a living, breathing spider.
Mercier had gone silent then, before advising her to go away for a time, promising that he would warn their associates to be vigilant.
And so Alison Beck had, in that final week, decided to take her first vacation in almost two years. She intended to drive to Montana, stopping off along the way for the first week, before visiting an old college friend in Bozeman. From there the two of them planned to travel north to Glacier National Park if the roads were passable, for it was only April and the snows might
not yet have completely melted.
When Alison did not arrive on that Sunday evening as she had promised, her friend was mildly concerned. When, by late Monday afternoon, there was still no word from her, she phoned the headquarters of the Minneapolis PD. Two patrol officers, Ames and Frayn, familiar with Alison from previous incidents, were assigned to check on her home at 604 West Twenty-sixth Street.
Nobody answered the doorbell when they rang, and the garage entrance was firmly locked. Ames cupped his hands and peered through the glass into the hallway. In the open doorway leading into the kitchen were two suitcases, and a kitchen chair lay on the floor with its legs toward the wall. Seconds later, Ames had slipped on his gloves, broken a side window, and, his gun drawn, entered the house. Frayn made his approach from the rear and came in through the back door. The house was a small two-story, and it didn’t take the policemen long to confirm that it was empty. From the kitchen, a connecting door led into the garage. Through the frosted glass, the lines of Alison Beck’s Boxster were clearly visible.
Ames took a breath and opened the door.
The garage was dark. He removed his flashlight from his belt and twisted it on. For a moment, as its beam hit the car, he wasn’t sure what he was seeing. He believed initially that the windshield was cracked, for thin lines spread in all directions across it, radiating from irregular clumps dotted like bullet holes across the glass and making it impossible to see the interior of the car. Then, as he drew nearer the driver’s door, he thought instead that the car had somehow filled with cotton candy, for the windows appeared to be coated on the inside with soft white strands. It was only when he shined the light close to the windshield and something swift and brown darted across the pane that he recognized it for what it was.
Charlie Parker Collection 1 Page 86