Startled, Peter flushed before stammering, “Y-yes, sir.”
Then he softly and properly kissed her, sealing their promise for the future.
* * * * *
Keep reading for an excerpt from THE NANNY ARRANGEMENT by Lily George.
Dear Reader,
When I wrote The Matrimony Plan back in 2011, I was fascinated by how orphan trains sent children across the country in the hope of a better life. With this book, I wanted to see how a new home affected one of those orphans—Peter. Did he feel secure with his new family, or did his traumatic past follow him on that train? How would being an orphan affect falling in love and forming a lasting relationship?
That book also introduced prohibition and the problem of bootlegging. Sadly, too often a noble idea gets twisted into something that brings evil into people’s lives. This amendment to the United States Constitution was born of the temperance movement, which sought to end the great harm wrought on families by alcohol addiction. Before long gangsters seized this new avenue to make money and fought over the lucrative profits.
Though the mentions of the Capones, the election day violence of 1924 and Johnny Torrio are factual, Vince Galbini and his plot are pure fiction. For Peter, Vince represents both the good and the bad decisions in his past. Minnie faces her own poor choices. Yet with faith and courage they overcome and step forth into a bright future.
I love to hear from readers. You can contact me through my website at christineelizabethjohnson.com.
May God bless you,
Christine Johnson
Questions for Discussion
Both Peter and Minnie initially think money will bring them the kind of life they crave. What do you think feeds that idea? Do you see any parallels in today’s culture? If so, how do you think that can be changed?
Today we wouldn’t think anything of a woman getting her hair cut short, but in the early 1920s, it was a sign of rebellion. How do today’s young people display rebellion? Why do you think teenagers feel a need to rebel?
Minnie initially focuses her attentions on Vince Galbini. Why? What does this tell you about her character?
Minnie loses the envelope containing the day’s receipts from her family’s dress shop and then must tell her parents. Did you ever face something like that? What sort of emotions did you go through? Would you have handled it differently in retrospect? Should she have handled it differently? If so, how?
Early in the story, which of Peter’s actions show his character? What events in his life do you think molded that character?
Minnie’s family insists someone chaperone her whenever she works alongside Peter. That might seem very foreign today. How do you feel about such restrictions? Why do you think Mr. and Mrs. Fox imposed them? Why did Beatrice insist on them?
Peter gets sucked into doing work for Vince Galbini against his better judgment. How should he have handled the situation? Did he miss any opportunities to get out? If so, why do you think he didn’t take them?
Minnie thinks she wants to become a star and sees the musical revue as a means to fulfill her dream. Why did she run away at the moment of success? Do you agree with her decision to give it up? Why or why not?
Peter takes a big risk by helping the law go after Vince Galbini. He claims he’s doing it to protect Minnie. Do you think that’s the only reason, or is there something deeper at work here? What might that be?
Why do you think Peter refused to take a gun with him?
Do you agree with Minnie’s decision to stow away in the automobile? How do you think she could have handled it differently? Is there anything else she could have done that would have changed Peter’s course of action?
Peter’s past comes back to haunt him when Vince tells him they’re going to meet up with Peter’s uncle Max. How do you imagine their confrontation went? Do you agree with Peter’s decision to go with the prohibition agent to put his uncle behind bars when he could easily have claimed he was too injured to do it? Why or why not?
If you were Beatrice, how would you deal with the news that your husband had been arrested? Could she have done anything to change the course of events?
Though Minnie has run away from trouble in the past, in the crucial moment near the end of the story, she is able to act. What do you think made the difference this time?
Both Peter and Minnie cling to faith in moments of crisis. How does faith see them through? Do you draw closer or further away from God during times of crisis? Why do you think you react that way?
We hope you enjoyed this Harlequin Love Inspired Historical title.
You find illumination in days gone by. Love Inspired Historical stories lift the spirit as heroines tackle the challenges of life in another era with hope, faith and a focus on family.
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Chapter One
Tansley Village, Derbyshire
Spring 1811
The letter from the penny post gave a nervous crackle as Rebecca Siddons, commonly known to family and villagers alike as Becky, withdrew it from the willow basket she used for her weekly marketing. Her heart thumped solidly against her rib cage as she glanced over the fine, meticulous handwriting on the envelope. Yes, it was from Lieutenant Walker. She hadn’t heard from him in ever so long. One would expect a letter sooner from a young man who was, hopefully, soon to be one’s fiancé.
She’d lain awake night after night since the lieutenant’s regiment left the village, praying for his safety. And when no word came—well, it was difficult indeed not to imagine the worst. But at long last, he’d sent a painfully thin missive. Perhaps his duties at his new post kept him too busy to compose any letter of great length.
Becky turned off the well-beaten path along the storefronts of the tiny village and struck out into the open. One couldn’t read a letter like this in the confines of the prim and proper millinery shop she kept with her younger sister, Nan. She certainly couldn’t bear to dawdle along, snatching glimpses of her letter while making polite conversation with passersby.
No. For this letter, she craved the wild freedom of the moor.
Becky dashed across the meadow, the long grass catching at her skirts as she ran, her bonnet wrenching free of its hold and dangling down her back like a useless sack. Her long mahogany curls tossed breezily in the wind. Yes. One could breathe up here. One could dream romantic, impossible dreams without being dragged down to earth by a practical little sister or a bossy older one.
She flung her basket aside and with shaky fingers broke the seal of the letter. Would he ask her to join him in Liverpool? Had he finally kept the unspoken promise between them? At last she would be wed to a dashing military hero, have a home of her own, to be a mistress of that house...everything her elder sister Susannah had, and which Becky secretly envied.
My dear Miss Siddons—
Rather formal, but perhaps he had fears of their secret romance becoming too quickly public?
I must tell you that I have met and married the sweetest girl here in Liverpool. I know you will rejoice in our happiness, as kind and generous as you are. Her name is Rachel—
A faint buzzing sounded in her ears. Becky gave a quick, decisive shake of her head. Either her eyes were playing tricks on her, or this was some sort of cruel joke. Surely Lieutenant Walker felt about her as she felt about him. With an achy heart, she grasped one of her curls and wound it about her finger, a gesture that brought comfort to her
since childhood. The smiles they’d shared, the lingering glances, the brief touch on her arm as he bade her goodbye...
She opened her eyes wide and forced herself to read each word deliberately and slowly, until she reached the end of the letter. This Rachel was her lieutenant’s new bride. When she, Becky, had been so certain that she would, in a matter of months, bear that title.
The weight of dawning realization pushed down her shoulders, forcing her to her knees in the grass. The letter fluttered away and caught on a twig. Hot tears pooled in Becky’s eyes and she pursed her trembling lips. No wedding was hers, with redolent orange blossoms. No home of her own waited patiently for its mistress. She must continue to toil away in her millinery shop with Nan and her blunt, practical ways, her constant criticisms and complaints draining the very artistry from Becky’s days. She was both a spinster and a fool.
Becky dropped her head in her hands and allowed the tears to fall, deep, wrenching sobs that convulsed her as she knelt in the rough, scrubby stalks. Her heart thumped in her chest, the sound growing louder as she continued to weep.
She must inhale. Otherwise, she might faint. She took a hitching, jolting breath. Her heart was pounding heavily.
No. She raised her head, forcing her streaming eyes open.
No—not her heart. Hoof beats.
“Ho there!” the rider called in a deep bass voice, reining in sharply. His mount, a magnificent sorrel, made a jagged turn to the right, showering Becky with stinging little blades of grass as he skidded to a halt. Becky froze, her sobs quelled as she watched the precision and control with which the rider managed his horse. He dismounted in one easy, fluid movement and tossed the reins over the saddle.
“Really, miss,” he scolded. “What on earth are you playing at, hiding out here in the moor? I could have run you over.” He strolled over, tucking his riding crop under one arm, and removed his hat.
As he looked down, Becky gave an inward groan. How perfectly perfect, as her sister would say. Here she was sobbing out here on the moor over her lost dreams and hopes, and along came Paul Holmes, her brother-in-law’s teasing and jesting friend.
“Becky—what on earth? Are you quite all right?” He held out his hand and she took it, allowing him to pull her up from her hovel in the grass. “Whatever has happened?”
“I—uh.” She couldn’t brazen this one out. She must look a sight. Her nose must be swollen, her eyes must be the color of a tomato, and tear tracks must certainly have trailed down her cheeks. And yet, one couldn’t let Paul in on the most private, secret dashed hopes of her girlhood. Paul was so intimidating, really. He was handsome, with dark brown eyes and sandy, wavy hair that always looked rather tousled. And he was wealthy. But what made him most nerve-racking was his teasing manner, coupled with his high-handed attitude. If she spoke the truth, he’d laugh. Or lecture. And she didn’t particularly relish hearing either right now. “I received a letter with some distressing news.”
“I am sorry to hear it.” He fumbled in his jacket pocket and withdrew a fine linen handkerchief. “Here, blow your nose. There’s a good gal.” He held the crisp linen square to her nose as if she were a mere five years old.
“I can handle it by myself, thank you,” she responded in her haughtiest tone, and took the handkerchief with as much dignity as she could muster. After being jilted by one man, she was having a difficult time being civil to another, especially one who treated her as a child.
She gave her nose a hearty blow—not a romantic sound, but then who could think of romance now? She flicked a glance over at Paul. His sandy hair blew untidily in the wind, and his brown eyes held a distinct gleam of mockery. He was tall and powerfully built, but for all the handsome figure he cut, one couldn’t get past the feeling that he was laughing at everything in general and her predicament in particular. She must compose herself before going back to the millinery shop, and how could she do it now, with Paul standing like a comical sentry before her?
“I really should be going back,” she managed, folding the handkerchief into a dainty square. “Thank you for the use of this. I shall launder it and return it to you.”
“No need, no need.” He brushed aside his handkerchief the way some men might brush aside a scrap of paper. And it was fine Irish linen, too, quite dear. The kind of material they sometimes received in their shop for the use of the gentry. “And I wouldn’t dream of you going back by yourself. Not in this condition. I could never look Susannah or Daniel in the eyes again if I left you weeping all alone on this dreadful moor.”
“My sister and brother-in-law don’t have to know about this.” The words tumbled out before she could check them. No, indeed. No one need ever find out if only Paul could leave well enough alone. “I was crying over a private matter, and now I feel better.”
“But you look miserable.” Paul strolled over to his horse and gathered the reins.
“Thank you.” She could not check the sarcastic tone. What was coming over her? Usually Susannah was the sharp one and Nan the biting one. She’d hardly ever uttered an acerbic comment in her life.
Her tone must have shocked Paul, for his grin faded and he cocked one eyebrow at her. “I didn’t mean that in an insulting way. I just mean that, whatever your news was, it must have been quite shocking. I’ve never seen you behave in such a manner.” He led his horse over to her, pausing to scoop up her basket and the letter still tangled against a twig. “Here. Jump up. I’ll lead you. I am sure you’ll feel better once you go home and see Nan, and start work on a new bonnet.”
“You sound like Susannah. Work is not my panacea. And Nan is so...difficult.” She folded her arms across her chest. “I’d like to stay here a bit longer.” She couldn’t face the prosaic reality of her life once more. She had to stay out in the moor just a few moments more and lick her wounds in private. If only he would just go away and leave her in peace.
“Nan has always been trying, hasn’t she?” Paul leaned against his mount, fixing her with his mildly amused gaze. “What makes her company so unendurable today?”
“Because...” Becky paused. How much should she say? She couldn’t tell Paul that her marriage prospects were now completely obliterated and she’d be living under her little sister’s thumb for all eternity. “Susannah was the heart behind our business. And now she is married and committed to managing Goodwin Hall. Nan is the brains behind the business.” She couldn’t tell him the whole truth. ’Twould sound too selfish and childish to admit that she was stuck in the middle, not allowed to make any business decisions, her designs often hampered because they were too expensive or too fancy or too delicate for rural wear. She wasn’t consulted as an artist, and her opinion was often simply passed over.
“And as for you...you’ve no real place.” He nodded. How funny. ’Twas as though he understood her thoughts precisely and yet didn’t think her quite a ninny for feeling them. “Have you ever thought about something else? Do you have to work in the shop, Becky?”
“I thought my circumstances might soon change, but they won’t, so I might as well face facts.” She looked at him squarely, though it was terribly difficult to do so. It wasn’t that she was afraid of Paul—he wasn’t a scary sort of person. He just made her nervous with his joking ways.
His expression shifted, and the vague sympathetic moment they’d shared vanished like ice melting in the sun. “I think the reason you’re out here sobbing is in this letter I found.” He cast a crooked grin her way and tapped Lieutenant Walker’s letter against his chin with a mockingly thoughtful gesture. “Shall I read it and find out?”
* * *
That was a mistake. Paul had pushed the teasing too far, just as he had with his own younger sisters. Becky’s fine, dark brows drew together as she made an impetuous grasp for the letter.
“Give it back to me,” she pleaded, her violet-blue eyes sparkling with fresh, unshed tears. “Y
ou have no right to take my private property.” She extended her small, trembling hand out, palm up.
He swallowed, giving himself an inward kick. Here he was, making matters worse when she had finally begun to calm down. He pressed the epistle back into her hand, taking a quick glance down as his did so. Bold, decisive script—definitely the handwriting of a man. Likely she had been jilted in some form or fashion by some ridiculous blackguard. And that was the reason she was out here crying—she’d lost her chance that marriage would end her servitude at the shop.
“You’re right, I don’t.” He shrugged and handed her back the basket she’d dropped. “Forgive me. It’s the privilege of being the eldest brother, you see. I always teased my younger siblings in a merciless fashion.”
“I’d love to have a fraction of your license,” Becky admitted, the ghost of a smile hovering around her pretty lips.
She looked a little like his younger sister Juliana, though Becky’s features were softer, more feminine. Juliana, too, had had her heart broken by an undeserving male.
“I had no idea you had so many brothers and sisters to lord over.”
“Oh yes, Juliana is close to your age.” Or was. One short week was hardly enough time to adjust to the fact that his beautiful young sister was—but no. This wasn’t the time or place for such thoughts. He stifled a cough and continued with a happier memory. “But she always got her revenge. Once, Juliana put pepper in my snuffbox. You can only imagine how long it took me to recover.”
Becky laughed, a dimple touching her left cheek as she smiled. “Jolly good for her.” Then her laughter ceased, and the dark shadow fell over her face once more. The change was disappointing, for Becky was a pretty little thing. With her dimpled cheek and that dark waterfall of hair, she could certainly become a diamond of the first water, had her family been able to give her a season. Funny, he’d always thought of her as just the middle daughter of an extraordinary family...but she was coming into her own now. Not that it mattered to him, of course.
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