On some evenings, if his neighbor comes early to watch the children, Wayne Fleming will stop by the Legal Grounds on his way to work at the Kroger. His wife had run off, had left him and the children, and had never come back. Wayne sits there amid the civility and for a moment, while gazing at Deena, is transported beyond his tired trailer and broken life. He wonders what it would be like to marry Deena.
She’d be such a fine mother to my children, he thinks. He imagines she is drawn to him. When he walks to the counter to pay for the coffee, she waves him away with a small brush of her hand. She smiles, he smiles. Such a decent woman, he thinks.
He loves her. He will never tell her that for fear she would not return his sentiments. But late at night, when the Kroger is quiet and he is sweeping the floors, Wayne thinks of her and it fills his heart.
She’s a wonderful woman, he thinks. She would be so good for my children. I would love her so much.
He prays about it. “Dear sweet Lord, cause her to love me.” He prays that prayer over and over, aisle after aisle.
Then his shift is over and he climbs into his truck and goes back to his trailer, strengthened for the day.
Love, even love that is imagined, is sometimes all we have to get us through.
Twenty-four
The Shroud of Harmony
The Friendly Women’s Circle was begun in 1898, to “Uplift and Preserve All That Is Magnificent.” But magnificence being in short supply in Harmony, they moved on to other things. Time has not improved our situation. Drive into our town from the east and see Harvey Muldock’s car dealership with its flags and its bright orange signs, and magnificence is not the word that comes to mind. So while they started out with a high purpose, to uplift and preserve all that is magnificent, they worked their way down the ladder fairly quickly.
Their main goal these days is to raise money for Brother Norman’s shoe ministry to the Choctaw Indians. Their aim is to never see a shoeless Choctaw, which they’ve accomplished.
The Friendly Women’s Circle’s main fund-raiser since 1964 has been the Chicken Noodle Dinner, which is held every September during Harmony’s annual Corn and Sausage Days. But in 1974, Fern Hampton, then president of the Circle, decided the women needed to diversify their business interests.
“If it rains the weekend of Corn and Sausage Days, we’re sunk,” she told the Circle. “We need to diversify.”
They would talk about it on Tuesday mornings while they rolled out noodles. They would talk about venture capital and marketing strategies.
Mrs. Dale Hinshaw told how she and Dale had been thinking it over and they thought the Friendly Women’s Circle could sponsor a demolition derby in the church parking lot. She told how they had them up in the city and people turned out in droves.
Jessie Peacock suggested holding a Spam festival. She had saved the proofs of purchase from three cans of Spam and sent them in for a book of Spam recipes, which she had been trying out on Asa. Spam tacos, Spamburgers, and their favorite Spam dish of all, Spam kabobs.
She said, “We could call it Spam Jam. People would come from all over. They do one up in Minnesota and twenty thousand people show up. We could do one here. No reason we couldn’t.”
Fern said, “Well, it’s something to think about, I guess. Any other ideas?”
“Maybe we could sell our noodles,” Miriam Hodge suggested. “The Amish women do that. They sell them on street corners. Sell them right from their buggies. We could do that.”
“That might be dangerous,” Fern said. “Those Amish women take their noodles seriously. We start selling noodles on their turf and we could end up in an early grave. I don’t want a noodle war.”
My grandmother was thinking hard, frowning. Then she brightened. “Maybe we could sell a quilt. We take those three months off in the winter and don’t make noodles. Maybe we could use that time to stitch a quilt that we could raffle off at the Chicken Noodle Dinner.”
Fern said, “I like that idea. We could do one quilt a year. Some of those quilts sell for hundreds of dollars. We could do that. That would buy a lot of shoes.”
So that’s what they’ve done every year since 1974. They meet every Tuesday morning at nine o’clock. They ease down the stairs, hunker down at the quilting frame, and stitch for three solid hours. Every January, February, and March.
Their husbands want to spend the winter in Florida and play golf, but these women wouldn’t dream of it. There’s work to be done. Quilts to be made. Indians to be shod. How can you think of golf when there are shoeless Indians running around? Now is not the time for play; now is the time for duty; now is the time to uplift and preserve all that is magnificent.
They have it down pat. They assemble at nine, then at ten-thirty, take a fifteen minute break. Fern times them. They drink coffee, way across the room, over by the freezer. Fern won’t allow them near the quilt with coffee. Then she makes them wash their hands, then they’re right back at it—uplifting and preserving all that is magnificent.
My first year as their pastor was the twenty-fifth anniversary of the Friendly Women’s Circle quilt sale. It was also Fern’s turn to be president again. It being an anniversary year, Fern and the ladies were especially concerned about magnificence.
Way back in October, Fern called the Circle together.
“We want this one to shimmer,” Fern told the ladies. “Fifty years from now, we want people to think back on this quilt and quiver. Let’s aim for the heavens.”
They spent the next three months drawing sketches. No store-bought pattern for this quilt. The Lord Himself would provide the pattern. They set aside a morning to pray over the quilting frame. They laid their hands on it and began to pray. Fern started to shake.
“It’s a sign,” she told them. “God has great things in store for this quilt. I can feel it.”
They began stitching in January. Worked all the way through February and into March. On the last week of March, they came to the basement every day but Sunday.
By that time, Fern had dispensed with the coffee drinking altogether. She told them, “Caffeine makes your hands shake. It’ll cause crooked stitches. No more coffee.”
They finished the last week of March.
That quilt was magnificent. It shimmered. They carried it up from the basement and hung it from the wall at the front of the meeting room, in back of the pulpit. It pulsed with beauty.
People walked into worship talking about sciatica and rheumatism and gas mileage, then saw the quilt hanging there and fell quiet, awestruck. Such magnificence.
I could barely bring myself to preach, for fear my common words would detract from such beauty. I cut it short. They weren’t paying attention anyway. They were fixed on the quilt. We settled into silence, waiting for the Lord to speak. Five minutes passed, then ten.
The sun crested the trees and shone right through the windows onto the quilt. It dazzled. People gasped at the beauty.
Then Fern’s voice rose from the sixth row. “I see Him,” she said. “Look. He’s right there. Look at the quilt. He’s in the quilt.”
All across the meeting room, people raised their eyes. I heard more gasps. And then I saw Him, dead center in the quilt. A man’s face. But not just any man. The Man. Jesus. Right there on the quilt. At least it looked like Jesus. Then, just that quick, He was gone.
Fern said, “I knew it. I knew God had something in mind for that quilt. I told you. Didn’t I tell you?”
We were so startled we forgot to take the offering. Instead, we brought worship to a close and the elders went to the basement for an emergency meeting.
Dale Hinshaw said, “The Catholics are good with this kind of thing. Let’s call the Vatican and get the pope out here. Me and the missus’ll put him up at our house on the pullout sofa. He’ll know what to do.”
“We’ve got to keep this quiet,” Miriam Hodge advised. “Otherwise, this place will get crazy. People will come from all over to see the quilt. We don’t want that. We have to keep this qui
et.”
But it was too late. Fern Hampton had already phoned Bob Miles Jr., who came and took a picture of the quilt and ran a story about it in the Herald. “The Shroud of Harmony,” read the headline.
The Associated Press picked up the story and within a few days a line of people stretched out the meetinghouse door, down Main Street, past the Coffee Cup. Vinny and Penny Toricelli at the Coffee Cup began using a cookie cutter to shape hamburger patties in the shape of an angel. They served Angel Burger Value Meals: one Angel Burger, Halo Rings—which were actually onion rings—Angel Food Cake, and your choice of beverage for $5.99.
Dale Hinshaw organized the ushers to serve as guards. People stood before the quilt and watched for Jesus. Every now and then, when the sun would crest the trees and shine through the windows onto the quilt, someone would see Him.
One day, when Dale Hinshaw was guarding the quilt, he reached up and touched it and was cured of a head cold.
“My sinuses just opened up,” he reported. “I could feel ’em draining.”
There was talk of taking the quilt on the road, showing it at other Quaker meetings. Maybe charging admission and using the money to buy shoes for the Choctaw Indians.
Fern wouldn’t hear of it. “You don’t just haul the Lord from place to place. It’s unseemly.” So the quilt stayed put and the people kept coming.
Then certain items began to disappear from the meetinghouse—hymn books and cardboard fans compliments of the Mackey Funeral Home. Total strangers began chipping away pieces of our pews. They were stripping us clean. Things were getting out of hand.
I took to working at the meetinghouse early in the morning, before the crowds arrived. I came to my office one morning to find Miriam Hodge waiting for me.
She said, “This has gotten out of hand.”
I said, “I know. But I don’t think we should stop it. It might be from the Lord. We have to be careful.”
Miriam said, “Sam, I have something to tell you. I came by one evening when we were finishing up the quilt. I wanted to finish a section. I was by myself. I was drinking my coffee and I spilled it all over the quilt. I took it home and cleaned it as best I could and brought it back the next morning. Sam, that’s not the Lord we’ve been seeing—that’s Maxwell House.”
I was struck dumb.
Miriam went on, “We have to tell people. We have to tell Fern. We can’t let this go on. It’s a fraud. We can’t keep this up.”
We called Fern on the phone and asked her to come to the meetinghouse, which she did. We told her about Miriam spilling coffee on the quilt.
Fern took it better than we thought. She cried a little, then she sniffed and said, “It’s still a beautiful quilt.”
“It is that,” I told her. “It’s pure magnificence. And you can leave it up as long as you wish.”
She said, “Just until the Chicken Noodle Dinner. Then we’ll raffle it off. It’ll buy a lot of shoes.” Then she left.
I called Bob Miles Jr. and told him it wasn’t Jesus, it was Maxwell House. He ran the correction that very week. The lines dwindled. Dale Hinshaw dismissed the guards, though he still swore he’d been cured of a head cold. Things got back to normal.
The Monday before Easter, I woke up early and went and sat in the fifth row and looked up at the quilt. A small part of me wished it had been Him. I found a certain joy in watching people step carefully into the meetinghouse, their hands clasped, seeking out the divine. Witnessing such raw hope, such sure belief, was a quiet thrill.
But in my more thoughtful moments, I’m glad it wasn’t Jesus. It troubled me that folks would drive three hundred miles to see Christ in a quilt, but wouldn’t walk next door to see Him in their neighbor.
I don’t think we ought to look for Christ in a quilt. I think we ought to look for Christ in the poor, in the common, in the lady who rings up our groceries, in the man who mops the grocery floor, in the kid who delivers our pizza.
I talked about it in my Easter message. I told how we always look for Christ amid magnificence. But that Christ has a history of showing up amid the unlovely. Born in a dirty stall. Crowned with thorns. Died gasping on a shameful cross atop a jagged rise.
We don’t need to be beautiful for Christ to take us in. He is equally at home when we’re broken-down and dirty. It’s like George Herbert wrote:
And here in dust and dirt, O here,
The lilies of God’s love appear.
We think magnificence is in short supply, that dust and dirt choke out the lilies. But that’s not true and never was. Lilies may root in dirt, but they reach for heaven—and in the reaching, reveal their magnificence.
Acknowledgments
This book could not have been written without the support and encouragement of many fine people.
Steve Hanselman and Tom Mullen follow behind me, fixing my many errors with nary a complaint. Thank you.
I am grateful to my agents—David Leonards and Steven Green. Their conscientious work enables me to put first things first.
Bill and Carolyn Strafford travel far and wide to help me when I speak. My thanks to them.
The caring people of Fairfield Friends Meeting in Camby, Indiana, are a boon to my spirit.
Most of all, my deep love to my family—Joan, Spencer, and Sam, who fill my life with joy.
About the Author
PHILIP GULLEY is a Quaker minister, writer, husband, and father. He is the bestselling author of Front Porch Tales and the acclaimed Harmony series, as well as If Grace Is True and If God Is Love, coauthored with James Mulholland. He and his wife, Joan, live in Indiana with their sons, Spencer and Sam. You can visit his website at www.philipgulleybooks.com.
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“The tales Philip Gulley unveils are tender and humorous…filled with sudden, unexpected, lump-in-the-throat poignancy.”
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“Gulley writes with wit, and he has a real flair for creating offbeat situations that are sure to make readers smile…Even in the wackiest moments, there’s always a message, a moral to be learned…Simple and familiar lessons, yes. But they’re good ones. And Gulley has found clever and unique ways to remind readers of them.”
Greensboro News & Record
BY PHILIP GULLEY
Harmony Novels
Home to Harmony
Just Shy of Harmony
Christmas in Harmony
Signs and Wonders
Life Goes On
A Change of Heart
The Christmas Scrapbook
Nonfiction
Front Porch Tales
Hometown Tales
For Everything a Season
If Grace Is True (with James Mulholland)
If God Is Love (with James Mulholland)
Copyright
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This is a work of fiction. Names, characters, places, and incidents are products of the author’s imagination or are used fictitiously and are not to be construed as real. Any resemblance to actual events, locales, organizations, or persons, living or dead, is entirely coincidental.
HOME TO HARMONY. Copyright © 2002 by Philip Gulley. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, revers
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