During a brief sojourn in Paris he appears to have gained access to valuable society, and to have had the honor and pleasure of making the acquaintance of Voltaire; of whom, in after years, he wrote a memoir. “As a companion,” says he, “no man ever exceeded him when he pleased to lead the conversation; which, however, was not always the case. In company which he either disliked or despised, few could be more reserved than he; but when he was warmed in discourse, and got over a hesitating manner, which sometimes he was subject to, it was rapture to hear him. His meager visage seemed insensibly to gather beauty; every muscle in it had meaning, and his eye beamed with unusual brightness. The person who writes this memoir,” continues he, “remembers to have seen him in a select company of wits of both sexes at Paris, when the subject happened to turn upon English taste and learning. Fontenelle (then nearly a hundred years old), who was of the party, and who being unacquainted with the language or authors of the country he undertook to condemn, with a spirit truly vulgar began to revile both. Diderot, who liked the English, and knew something of their literary pretensions, attempted to vindicate their poetry and learning, but with unequal abilities. The company quickly perceived that Fontenelle was superior in the dispute, and were surprised at the silence which Voltaire had preserved all the former part of the night, particularly as the conversation happened to turn upon one of his favorite topics. Fontenelle continued his triumph until about twelve o’clock, when Voltaire appeared at last roused from his reverie. His whole frame seemed animated. He began his defense with the utmost defiance mixed with spirit, and now and then let fall the finest strokes of raillery upon his antagonist; and his harangue lasted till three in the morning. I must confess that, whether from national partiality or from the elegant sensibility of his manner, I never was so charmed, nor did I ever remember so absolute a victory as he gained in this dispute.”
Goldsmith’s ramblings took him into Germany and Switzerland, from which last mentioned country he sent to his brother in Ireland the first brief sketch, afterward amplified into his poem of The Traveler.
At Geneva he became traveling tutor to a mongrel young gentleman, son of a London pawnbroker, who had been suddenly elevated into fortune and absurdity by the death of an uncle. The youth, before setting up for a gentleman, had been an attorney’s apprentice, and was an arrant pettifogger in money matters. Never were two beings more illy assorted than he and Goldsmith. We may form an idea of the tutor and the pupil from the following extract from the narrative of the “Philosophic Vagabond.”
“I was to be the young gentleman’s governor, but with a proviso that he should always be permitted to govern himself. My pupil, in fact, understood the art of guiding in money concerns much better than I. He was heir to a fortune of about two hundred thousand pounds, left him by an uncle in the West Indies; and his guardians, to qualify him for the management of it, had bound him apprentice to an attorney. Thus avarice was his prevailing passion; all his questions on the road were how money might be saved — which was the least expensive course of travel — whether anything could be bought that would turn to account when disposed of again in London. Such curiosities on the way as could be seen for nothing he was ready enough to look at; but if the sight of them was to be paid for, he usually asserted that he had been told that they were not worth seeing. He never paid a bill that he would not observe how amazingly expensive traveling was; and all this though not yet twenty-one.”
In this sketch Goldsmith undoubtedly shadows forth his annoyances as traveling tutor to this concrete young gentleman, compounded of the pawnbroker, the pettifogger, and the West Indian heir, with an overlaying of the city miser. They had continual difficulties on all points of expense until they reached Marseilles, where both were glad to separate.
Once more on foot, but freed from the irksome duties of “bear leader,” and with some of his pay, as tutor, in his pocket, Goldsmith continued his half-vagrant peregrinations through part of France and Piedmont, and some of the Italian States. He had acquired, as has been shown, a habit of shifting along and living by expedients, and a new one presented itself in Italy. “My skill in music,” says he, in the “Philosophic Vagabond,” “could avail me nothing in a country where every peasant was a better musician than I; but by this time I had acquired another talent, which answered my purpose as well, and this was a skill in disputation. In all the foreign universities and convents there are, upon certain days, philosophical theses maintained against every adventitious disputant; for which, if the champion opposes with any dexterity, he can claim a gratuity in money, a dinner, and a bed for one night.” Though a poor wandering scholar, his reception in these learned piles was as free from humiliation as in the cottages of the peasantry. “With the members of these establishments,” said he, “I could converse on topics of literature, and then I always forgot the meanness of my circumstances.”
At Padua, where he remained some months, he is said to have taken his medical degree. It is probable he was brought to a pause in this city by the death of his uncle Contarine, who had hitherto assisted him in his wanderings by occasional, though, of course, slender remittances. Deprived of this source of supplies he wrote to his friends in Ireland, and especially to his brother-in-law Hodson, describing his destitute situation. His letters brought him neither money nor reply. It appears from subsequent correspondence that his brother-in-law actually exerted himself to raise a subscription for his assistance among his relatives, friends, and acquaintance, but without success. Their faith and hope in him were most probably at an end; as yet he had disappointed them at every point, he had given none of the anticipated proofs of talent, and they were too poor to support what they may have considered the wandering propensities of a heedless spendthrift.
Thus left to his own precarious resources, Goldsmith gave up all further wandering in Italy, without visiting the south, though Rome and Naples must have held out powerful attractions to one of his poetical cast. Once more resuming his pilgrim staff, he turned his face toward England, “walking along from city to city, examining mankind more nearly, and seeing both sides of the picture.” In traversing France his flute — his magic flute — was once more in requisition, as we may conclude, by the following passage in his Traveler:
”Gay, sprightly land of mirth and social ease,
Pleased with thyself, whom all the world can please,
How often have I led thy sportive choir
With tuneless pipe beside the murmuring Loire!
Where shading elms along the margin grew,
And freshened from the wave the zephyr flew;
And haply though my harsh note falt’ring still,
But mocked all tune, and marr’d the dancer’s skill;
Yet would the village praise my wondrous power,
And dance forgetful of the noontide hour.
Alike all ages: Dames of ancient days
Have led their children through the mirthful maze,
And the gay grandsire, skill’d in gestic lore,
Has frisk’d beneath the burden of threescore.”
CHAPTER SIX
LANDING IN ENGLAND — SHIFTS OF A MAN WITHOUT MONEY — THE PESTLE AND MORTAR — THEATRICALS IN A BARN — LAUNCH UPON LONDON — A CITY NIGHT SCENE — STRUGGLES WITH PENURY — MISERIES OF A TUTOR — A DOCTOR IN THE SUBURB — POOR PRACTICE AND SECONDHAND FINERY — A TRAGEDY IN EMBRYO — PROJECT OF THE WRITTEN MOUNTAINS
After two years spent in roving about the Continent, “pursuing novelty,” as he said, “and losing content,” Goldsmith landed at Dover early in 1756. He appears to have had no definite plan of action. The death of his uncle Contarine, and the neglect of his relatives and friends to reply to his letters, seem to have produced in him a temporary feeling of loneliness and destitution, and his only thought was to get to London and throw himself upon the world. But how was he to get there? His purse was empty. England was to him as completely a foreign land as any part of the Continent, and where on earth is a penniless stranger more destitut
e? His flute and his philosophy were no longer of any avail; the English boors cared nothing for music; there were no convents; and as to the learned and the clergy, not one of them would give a vagrant scholar a supper and night’s lodging for the best thesis that ever was argued. “You may easily imagine,” says he, in a subsequent letter to his brother-in-law, “what difficulties I had to encounter, left as I was without friends, recommendations, money, or impudence, and that in a country where being born an Irishman was sufficient to keep me unemployed. Many, in such circumstances, would have had recourse to the friar’s cord or the suicide’s halter. But, with all my follies, I had principle to resist the one, and resolution to combat the other.”
He applied at one place, we are told, for employment in the shop of a country apothecary; but all his medical science gathered in foreign universities could not gain him the management of a pestle and mortar. He even resorted, it is said, to the stage as a temporary expedient, and figured in low comedy at a country town in Kent. This accords with his last shift of the “Philosophic Vagabond,” and with the knowledge of country theatricals displayed in his Adventures of a Strolling Player, or may be a story suggested by them. All this part of his career, however, in which he must have trod the lowest paths of humility, are only to be conjectured from vague traditions, or scraps of autobiography gleaned from his miscellaneous writings.
At length we find him launched on the great metropolis, or rather drifting about its streets, at night, in the gloomy month of February, with but a few halfpence in his pocket. The deserts of Arabia are not more dreary and inhospitable than the streets of London at such a time, and to a stranger in such a plight. Do we want a picture as an illustration? We have it in his own words, and furnished, doubtless, from his own experience.
“The clock has just struck two; what a gloom hangs all around! no sound is heard but of the chiming clock, or the distant watch-dog. How few appear in those streets, which but some few hours ago were crowded! But who are those who make the streets their couch, and find a short repose from wretchedness at the doors of the opulent? They are strangers, wanderers, and orphans, whose circumstances are too humble to expect redress, and whose distresses are too great even for pity. Some are without the covering even of rags, and others emaciated with disease; the world has disclaimed them; society turns its back upon their distress, and has given them up to nakedness and hunger. These poor shivering females have once seen happier days, and been flattered into beauty. They are now turned out to meet the severity of winter. Perhaps now, lying at the doors of their betrayers, they sue to wretches whose hearts are insensible, or debauchees who may curse, but will not relieve them.
“Why, why was I born a man, and yet see the sufferings of wretches I cannot relieve! Poor houseless creatures! The world will give you reproaches, but will not give you relief.”
Poor houseless Goldsmith! we may here ejaculate — to what shifts he must have been driven to find shelter and sustenance for himself in this his first venture into London! Many years afterward, in the days of his social elevation, he startled a polite circle at Sir Joshua Reynolds’ by humorously dating an anecdote about the time he “lived among the beggars of Axe Lane.” Such may have been the desolate quarters with which he was fain to content himself when thus adrift upon the town, with but a few halfpence in his pocket.
The first authentic trace we have of him in this new part of his career, is filling the situation of an usher to a school, and even this employ he obtained with some difficulty, after a reference for a character to his friends in the University of Dublin. In the Vicar of Wakefield he makes George Primrose undergo a whimsical catechism concerning the requisites for an usher. “Have you been bred apprentice to the business?” “No.” “Then you won’t do for a school. Can you dress the boys’ hair?” “No.” “Then you won’t do for a school. Can you lie three in a bed?” “No.” “Then you will never do for a school. Have you a good stomach?” “Yes.” “Then you will by no means do for a school. I have been an usher in a boarding-school myself, and may I die of an anodyne necklace, but I had rather be under-turnkey in Newgate. I was up early and late; I was browbeat by the master, hated for my ugly face by the mistress, worried by the boys.”
Goldsmith remained but a short time in this situation, and to the mortifications experienced there we doubtless owe the picturings given in his writings of the hardships of an usher’s life. “He is generally,” says he, “the laughingstock of the school. Every trick is played upon him; the oddity of his manner, his dress, or his language, is a fund of eternal ridicule; the master himself now and then cannot avoid joining in the laugh; and the poor wretch, eternally resenting this ill-usage, lives in a state of war with all the family.”—”He is obliged, perhaps, to sleep in the same bed with the French teacher, who disturbs him for an hour every night in papering and filleting his hair, and stinks worse than a carrion with his rancid pomatums, when he lays his head beside him on the bolster.”
His next shift was as assistant in the laboratory of a chemist near Fish Street Hill. After remaining here a few months, he heard that Dr. Sleigh, who had been his friend and fellow-student at Edinburgh, was in London. Eager to meet with a friendly face in this land of strangers, he immediately called on him; “but though it was Sunday, and it is to be supposed I was in my best clothes, Sleigh scarcely knew me — such is the tax the unfortunate pay to poverty. However, when he did recollect me, I found his heart as warm as ever, and he shared his purse and friendship with me during his continuance in London.”
Through the advice and assistance of Dr. Sleigh, he now commenced the practice of medicine, but in a small way, in Bankside, Southwark, and chiefly among the poor; for he wanted the figure, address, polish, and management, to succeed among the rich. His old schoolmate and college companion, Beatty, who used to aid him with his purse at the university, met him about this time, decked out in the tarnished finery of a secondhand suit of green and gold, with a shirt and neckcloth of a fortnight’s wear.
Poor Goldsmith endeavored to assume a prosperous air in the eyes of his early associate. “He was practicing physic,” he said, “and doing very well!” At this moment poverty was pinching him to the bone in spite of his practice and his dirty finery. His fees were necessarily small, and ill paid, and he was fain to seek some precarious assistance from his pen. Here his quondam fellow-student, Dr. Sleigh, was again of service, introducing him to some of the booksellers, who gave him occasional, though starveling employment. According to tradition, however, his most efficient patron just now was a journeyman printer, one of his poor patients of Bankside, who had formed a good opinion of his talents, and perceived his poverty and his literary shifts. The printer was in the employ of Mr. Samuel Richardson, the author of Pamela, Clarissa, and Sir Charles Grandison; who combined the novelist and the publisher, and was in flourishing circumstances. Through the journeyman’s intervention Goldsmith is said to have become acquainted with Richardson, who employed him as reader and corrector of the press, at his printing establishment in Salisbury Court; an occupation which he alternated with his medical duties.
Being admitted occasionally to Richardson’s parlor, he began to form literary acquaintances, among whom the most important was Dr. Young, the author of Night Thoughts, a poem in the height of fashion. It is not probable, however, that much familiarity took place at the time between the literary lion of the day and the poor Aesculapius of Bankside, the humble corrector of the press. Still the communion with literary men had its effect to set his imagination teeming. Dr. Farr, one of his Edinburgh fellow-students, who was at London about this time, attending the hospitals and lectures, gives us an amusing account of Goldsmith in his literary character.
“Early in January he called upon me one morning before I was up, and, on my entering the room, I recognized my old acquaintance, dressed in a rusty, full-trimmed black suit, with his pockets full of papers, which instantly reminded me of the poet in Garrick’s farce of Lethe. After we had finished our br
eakfast he drew from his pocket part of a tragedy, which he said he had brought for my correction. In vain I pleaded inability, when he began to read; and every part on which I expressed a doubt as to the propriety was immediately blotted out. I then most earnestly pressed him not to trust to my judgment, but to take the opinion of persons better qualified to decide on dramatic compositions. He now told me he had submitted his productions, so far as he had written, to Mr. Richardson, the author of Clarissa, on which I peremptorily declined offering another criticism on the performance.”
From the graphic description given of him by Dr. Farr, it will be perceived that the tarnished finery of green and gold had been succeeded by a professional suit of black, to which, we are told, were added the wig and cane indispensable to medical doctors in those days. The coat was a secondhand one, of rusty velvet, with a patch on the left breast, which he adroitly covered with his three-cornered hat during his medical visits; and we have an amusing anecdote of his contest of courtesy with a patient who persisted in endeavoring to relieve him from the hat, which only made him press it more devoutly to his heart.
Complete Fictional Works of Washington Irving (Illustrated) Page 386