by Miles Burton
Death in the Tunnel
Miles Burton
With an Introduction
by Martin Edwards
Poisoned Pen Press
Copyright
Originally published in 1936 by Collins
Copyright © The Estate of Cecil Street 2016
Introduction copyright © 2016 Martin Edwards
Published by Poisoned Pen Press in association with the British Library
First E-book Edition 2016
ISBN: 9781464205828 ebook
All rights reserved. No part of this publication may be reproduced, stored in, or introduced into a retrieval system, or transmitted in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise) without the prior written permission of both the copyright owner and the publisher of this book.
The historical characters and events portrayed in this book are inventions of the author or used fictitiously.
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Contents
Death in the Tunnel
Copyright
Contents
Introduction
I
II
III
IV
V
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
XV
XVI
XVII
XVIII
XIX
XX
XXI
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Introduction
Death in the Tunnel is a clever example of a popular branch-line of crime fiction, the “railway murder mystery”. The book was originally published in 1936, just two years after the appearance of that legendary story of crime on a train, Agatha Christie’s Murder on the Orient Express. The author, Miles Burton, was a friend of Christie’s, but although he enjoyed considerable success in his day, his fame never came close to matching hers. Death in the Tunnel has long been out of print, with the result that it became highly sought-after by collectors.
In the first chapter, the body of Sir Wilfred Saxonby is found in a first-class compartment of the 5 p.m. train from London’s Cannon Street to Stourford. He has been shot, and initial indications suggest that he has committed suicide while the train was passing through a long tunnel. Yet there is no apparent reason why he should wish to do away with himself, and a strange incident, when a mysterious red light in the tunnel caused the driver to slow down for a few moments, arouses the curiosity of Inspector Arnold of Scotland Yard. Arnold is a hard-working detective, “nothing if not methodical”, but finding himself stumped by the puzzle, he consults his friend Desmond Merrion, a wealthy amateur in criminology.
Merrion, a highly imaginative chap, quickly comes up with the “essential brainwave” which helps to establish how Sir Wilfred met his end, but although it seems that the dead man fell victim to a complex conspiracy, the investigators are puzzled about the conspirators’ motives, as well as their identities. Can there be a connection with Sir Wilfred’s seemingly untroubled family life, his highly successful business, or his high-handed and unforgiving personality? And what is the significance of the wallet found on the corpse, and the bank notes that it contained? The trail leads Arnold to a former employee of Sir Wilfred’s company, but Merrion eventually forms the view that the case will only be solved if an apparently cast-iron alibi can be cracked.
This is a story where the focus is on howdunit and whodunit, rather than on the characters’ motivations. Miles Burton, unlike some of his contemporaries, had little interest in exploring criminal psychology, and this lack of interest in why his characters are driven to behave as they do is one reason why his work dropped out of sight after his death. But he had a meticulous way with plots, and this book (re-titled Dark is the Tunnel for the US market) received good reviews on both sides of the Atlantic.
“Torquemada” of the Observer, who along with Dorothy L. Sayers was one of the leading reviewers of detective fiction in the 1930s, reckoned the novel was Burton’s best. In the 1970s, however, when books of this sort were deeply unfashionable, H.R.F. Keating published a short, light-hearted discussion of them, Murder Must Appetize, which teasingly highlights Death in the Tunnel for its less than spell-binding opening paragraph. The reader does not, however, have to wait many more paragraphs for death to darken that tunnel, and Keating, an instinctively generous commentator, conceded that the plot was “devilishly ingenious”.
Miles Burton was one of the pen-names used by Cecil John Street (1884–1965), one of the most industrious of all detective fiction novelists. After publishing several factual books, Street launched his career as a crime writer with a thriller published under the rather transparent pseudonym John Rhode. His most famous detective, the cerebral Dr Lancelot Priestley, made his debut in The Paddington Mystery in 1925.
Five years later, Street became a founder member of the elitist Detection Club, formed by Anthony Berkeley. An affable man, Street formed strong friendships with fellow members such as Dorothy L. Sayers (who acknowledged his help with her description of a Playfair cipher in Have His Carcase), Lucy Malleson (who wrote under the pen-names Anthony Gilbert and Anne Meredith, and dedicated her autobiography to him) and the American specialist in “locked room” murder mysteries, John Dickson Carr, also known as Carter Dickson. He and Carr wrote one novel in collaboration together; this was Drop to His Death, retitled Fatal Descent for the US market. Street also edited the transcript of the trial of Constance Kent (the case made famous in recent years by Kate Summerscale’s The Suspicions of Mr Whicher) and compiled an anthology of work by Detection Club members, Detection Medley.
He continued to publish crime novels until the 1960s, but even his later work belonged in spirit to the “Golden Age of Murder” between the two world wars. For many years, his books were out of vogue, although his name—or rather his pen-names—were kept alive by aficionados willing to pay high prices for first edition copies of his novels. Some titles fetch thousands, rather than hundreds, of pounds if the book and its dust jacket are in first-class condition. The rather more affordable titles in the British Library’s Crime Classics series allow a new generation of readers a chance to deduce why the work of Street in his various incarnations has long commanded enthusiasm among lovers of traditional detective fiction.
Martin Edwards
www.martinedwardsbooks.com
I
The 5.0 p.m. train from Cannon Street runs fast as far as Stourford, where it is due at 6.7. On Thursday, November 14th, it was, as usual, fairly full, but not uncomfortably so.
It was a fine evening, dark, but with no suggestion of fog. Drawn by a powerful locomotive of the Lord Nelson type, the train kept well up to schedule time. In fact it ran through Blackdown station at 5.29, two minutes earlier than it was timed to do.
Beyond the station is Blackdown Tunnel, two and a half miles long. The gradient through the tunnel is fairly severe, and the speed of the train slackened slightly as it entered it. Still, it must have been travelling at fully fifty miles an hour. Suddenly, about half-way through the tunnel, the brakes were violently applied. So violently that William Turner, the guard, was nearly thrown off his seat in the rear van.
His first thought was that the communication cord had been pulled. But on glancin
g at the vacuum brake apparatus in his van he saw this had not been the case. He left the van, and started along the corridor towards the front of the train, looking into each compartment as he passed. Nearly every seat in the long row of thirds was occupied, but none of the passengers seemed in any way concerned by the slowing up of the train, which was now rapidly coming to a stop.
Turner unlocked the door leading to the first-class compartments. Here, too, all was well. The firsts were not so densely populated as the thirds, but they contained a fair sprinkling of passengers, mostly reading their evening papers. As Turner passed up the corridor, he heard a whistle from the engine. The train, which had slowed down nearly to walking pace, began once more to gather way. Still, it was curious. Turner continued on his way, expecting to meet his assistant from the front end of the train, who might be able to tell him what had been the matter.
He reached the last of the first-class compartments, a smoker, and looked in. Yes, there was the old chap who had given him a quid to keep him a compartment to himself. The application of the brakes had not disturbed him. He had dozed off, with his glasses on his nose, and his paper on his knees. Some big toff, no doubt. Turner remembered having seen him on the line before.
The guard unlocked a second door, separating the firsts in the centre of the train from another row of thirds, in front of them. Just beyond it, he met his assistant, who had walked down the train from the front van. “What’s up, Ted?” he asked.
“Everything O.K. my end,” replied the other. “I thought Bert must have run over somebody, or something. But he’s pushing her along again now, so it can’t have been that. Perhaps he dropped a sixpence off the engine, and wanted to go back and look for it.”
They exchanged a few more words, then each returned to his own van. Two or three minutes had been lost on schedule by the slowing down and gathering speed again. But this lost time was made good without difficulty. As the train approached Stourford, Turner noticed that the hands of his watch were barely past six o’clock. They would be well on time.
Once more he walked up the train, until he reached the first-class compartment occupied by the big toff, as he mentally styled him. The old gentleman was still asleep, and in the same position, as though he had not stirred since Blackdown Tunnel. Turner unlocked the door between the compartment and the corridor, and slid it back. “Just running into Stourford, sir!” he said loudly but respectfully.
The passenger did not move. So utterly still was he that Turner felt a sudden misgiving. He entered the compartment and laid his hand on the old gentleman’s shoulder. This having no effect, he shook him gently. To his horror, the passenger swayed, and appeared to lose his balance. He fell sideways, and subsided uneasily across the arm-rest. Turner, who had been through a course of first-aid, felt his pulse, but could detect no beating. He loosened his collar, and set him in an easier position.
By this time the train was running into the station. Turner went back to the corridor, which in this particular coach was on the left-hand side, opened the window, and put his head out. The station-master was standing on the platform. As the train drew slowly past him, Turner spoke. “I’d like a word with you, Mr. Cutbush,” he said quietly.
The station-master opened the door, and swung himself on to the train. “What is it?” he asked.
“There’s a passenger in here I don’t like the look of,” replied Turner. “He was all right when we left Cannon Street, but he’s pretty dicky now, I’m afraid.”
The station-master entered the compartment. “Hallo, it’s Sir Wilfred Saxonby, from Helverden!” he exclaimed. “He went up by the 9.50 this morning, and his car is in the yard now to meet him. Whatever can be the matter with him, I wonder?” As he spoke, the station-master unbuttoned the passenger’s overcoat, and opened it out. He started back in horror. On the breast of the dark grey suit beneath it was a patch of wet blood.
Mr. Cutbush was fully equal to the emergency. He wasted no more time in fruitless examination of the body. “Slip out and send a couple of chaps for the stretcher, and then come back here and help get him into the waiting-room. We’ll take this coach off here, and I’ll take the names and addresses of the passengers in it. And when you’ve got Sir Wilfred into the waiting-room, slip into the booking- office and tell the clerk to ring up Dr. Frant.”
Turner carried out his instructions to the letter. The body was removed from the train, and carried into the waiting-room, at the door of which a porter took up his post to keep out the inquisitive. The booking clerk was instructed to ring up Dr. Frant. Then Turner walked along the platform to the engine. “We’re going to take off a first-class coach here, Bert,” he said.
“All right,” replied the engine-driver. “What’s up? Hot box, or something?”
“No. The coach is all right, but there’s a toff in it who must have committed suicide. Mr. Cutbush knows him. Sir Wilfred Somebody. He said we were to take the coach off. Thinks the police will want to have a look at it, I expect. By the way, what was wrong with you to pull up in the tunnel like that?”
“There wasn’t anything wrong with me. Chap working on the line showed a red light. Then, just as I got to him, he turned it to green. So I came on.”
“Chap working on the line!” Turner exclaimed. “There’s nothing in the notices about any chaps working in Blackdown Tunnel!”
“I know that. But there was them blinking lights. You ask Charlie. He saw them, just the same as I did.”
The fireman, who was leaning out of the cab, nodded. “Yes, I saw them,” he said. “Chap was swinging them backwards and forwards, low down, just clear of the rails.”
“Well, I’ll have to put it in my report, I suppose,” said Turner. “I’ll get along now and see to the uncoupling of that coach.”
The coach was removed and shunted into a siding, where all the windows were closed and the doors locked. The train continued on its journey. At twenty minutes past six, Dr. Frant arrived at the station, where he was shown into the waiting-room by Mr. Cutbush.
A very brief inspection served to show that Sir Wilfred Saxonby was dead. “Not very long, hardly an hour, I should imagine,” said the doctor. “Now, let’s see if we can find out what he died of. Just help me to undo his coat and waistcoat, and we’ll see where that blood came from.”
The cause of death was soon apparent. Upon Sir Wilfred’s chest being bared, a small wound, surrounded with blood, was found in the region of the heart. A similar wound, but a trifle larger, was found in the back. The two wounds were level, that is to say that had the body been in an upright position, they would have been the same height above the ground.
“H’m!” said the doctor. “Pierced clean through the heart. By a bullet, I should say, though it might have been a very fine stiletto. Let’s have a look at his overcoat.”
Even in the not very powerful light of the waiting-room, the doctor found what he was looking for. “Here you are!” he exclaimed. “There’s a very small hole, corresponding with the position of the wound. And round it you can see some black specks, where the cloth has been burnt. Those specks were made by burning grains of powder. Sir Wilfred was shot with a pistol of some kind, probably a very small automatic, fired at very short range. Has the compartment in which he was found been searched?”
The station-master shook his head. “I’m a servant of the railway company, doctor, not a policeman,” he replied. “Every man to his trade, say I.”
“Well, perhaps you’re right,” said Dr. Frant. “The police will want to look into this, and they’ll be glad to find things undisturbed. It’s a bad job, altogether. You realise, I suppose, that this wound could have been self-inflicted?”
Mr. Cutbush nodded. “Sir Wilfred was alone in the compartment, so the guard informs me,” he said.
“Well, the best thing you can do is to get in touch with the police at once. I’ll make arrangements for the body to be taken to the mo
rtuary. There’s nothing more I can do here, I’m afraid.”
It was not long before the police, in the person of Inspector Marden, of the local constabulary, arrived on the scene. As the result of Marden’s investigations, it was decided to call in the help of Scotland Yard. Not that there was much doubt as to what had happened, but it was just as well to make sure.
II
Inspector Arnold, of the Criminal Investigation Department, arrived at Stourford early on the following morning. He was met by Marden, who gave him a brief statement of the facts. “I don’t think there’s any doubt that it’s a case of suicide,” he said. “But the dead man is a pretty important person in these parts, and my chief is very anxious that everything should be done to clear the matter up. Shall we have a look round the compartment in which the body was found?”
“Hold on a minute,” Arnold replied. “I’d like a little more information first. Who was this man, Sir Wilfred Saxonby?”
“A big man locally. Chairman of the bench of magistrates, and that sort of thing. He lived at Mavis Court, a big place near Helverden, about five miles from here. Lady Saxonby died some years ago. Sir Wilfred had a son and a daughter, but they are both married, and don’t live at Mavis Court. Since Lady Saxonby’s death Miss Olivia Saxonby, Sir Wilfred’s niece, has kept house for him. Sir Wilfred was chairman of a firm with offices in the City somewhere, and used to go up to London once a week or so.”
Arnold nodded. “Good enough. That’ll do to go on with. Now I’m ready to have a look at that railway carriage of yours.”
They summoned the station-master from his office; and the three of them walked across the metals to the siding on which stood the disconnected coach. It was nearly new stock, built of steel, a corridor coach of eight first-class compartments, with a lavatory at each end.
Mr. Cutbush produced a railway key, and unlocked one of the doors on the corridor side. They hoisted themselves into the coach, and Marden led the way to one of the end compartments. “This is the place,” he said. “Now then, Mr. Cutbush, perhaps you’ll be good enough to tell this gentleman where Sir Wilfred was sitting when the train came in.”