“Even a bum’s not stupid enough to sleep in the Hole,” Vernon Ray said. “Cold as a witch’s diddy in there.”
Dex grinned with approval. “That why you didn’t th’ow the rock, Bobby Boy? Afraid a creepy old crackhead might th’ow it back?”
“Probably just the wind,” Bobby said. “Probably there’s a bunch of other caves and the air went through just right.”
“Sure it wasn’t the Boys in Blue and Gray?” Dex said, thumbing another smoke from the pack. “Kirk’s See-Through Raiders?”
“Like you said, you can believe the stories if you want.” Still, Bobby’s gaze kept traveling to the oily orifice in the black Appalachian soil.
Learn more about Drummer Boy and the Appalachian legend that inspired the novel or view it at Amazon or Amazon UK
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Moon Dance
Vampire for Hire #1
By J.R. Rain
1.
I was folding laundry in the dark and watching Judge Judy rip this guy a new asshole when the doorbell rang.
I flipped down a pair of Oakley wrap-around sunglasses and, still holding a pair of little Anthony’s cotton briefs in one hand, opened the front door.
The light, still painfully bright, poured in from outside. I squinted behind my shades and could just made out the image of a UPS deliveryman.
And, oh, what an image it was.
As my eyes adjusted to the light, a hunky guy with tan legs and beefy arms materialized through the screen door before me. He grinned at me easily, showing off a perfect row of white teeth. Spiky yellow hair protruded from under his brown cap. The guy should have been a model, or at least my new best friend.
“Mrs. Moon?” he asked. His eyes seemed particularly searching and hungry, and I wondered if I had stepped onto the set of a porno movie. Interestingly, a sort of warning bell sounded in my head. Warning bells are tricky to discern, and I automatically assumed this one was telling me to stay away from Mr. Beefy, or risk damaging my already rocky marriage.
“You got her,” I said easily, ignoring the warning bells.
“I’ve got a package here for you.”
“You don’t say.”
“I’ll need for you to sign the delivery log.” He held up an electronic gizmo-thingy that must have been the aforementioned delivery log.
“I’m sure you do,” I said, and opened the screen door and stuck a hand out. He looked at my very pale hand, paused, and then placed the electronic thing-a-majig in it. As I signed it, using a plastic-tipped pen, my signature appeared in the display box as an arthritic mess. The deliveryman watched me intently through the screen door. I don’t like to be watched intently. In fact, I prefer to be ignored and forgotten.
“Do you always wear sunglasses indoors?” he asked casually, but I sensed his hidden question: And what sort of freak are you?
“Only during the day. I find them redundant at night.” I opened the screen door again and exchanged the log doohickey for a small square package. “Thank you,” I said. “Have a good day.”
He nodded and left, and I watched his cute little buns for a moment longer, and then shut the solid oak door completely. Sweet darkness returned to my home. I pulled up the sunglasses and sat down in a particularly worn dining room chair. Someday I was going to get these things re-upholstered.
The package was heavily taped, but a few deft strokes of my painted red nail took care of all that. I opened the lid and peered inside. Shining inside was an ancient golden medallion. An intricate Celtic cross was engraved across the face of it, and embedded within the cross, formed by precisely cut rubies, were three red roses.
In the living room, Judge Judy was calmly explaining to the defendant what an idiot he was. Although I agreed, I turned the TV off, deciding that this medallion needed my full concentration.
After all, it was the same medallion worn by my attacker six years earlier.
2.
There was no return address and no note. Other than the medallion, the box was empty. I left the gleaming artifact in the box and shut the lid. Seeing it again brought back some horrible memories. Memories I have been doing my best to forget.
I put the box in a cabinet beneath the china hutch, and then went back to Judge Judy and putting away the laundry. At 3:30 p.m., I lathered my skin with heaping amounts of sun block, donned a wide gardening hat and carefully stepped outside.
The pain, as always, was intense and searing. Hell, I could have been cooking over an open fire pit. Truly, I had no business being out in the sun, but I had my kids to pick up, dammit.
So I hurried from the front steps and crossed the driveway and into the open garage. My dream was to have a home with an attached garage. But, for now, I had to make the daily sprint.
Once in the garage and out of the direct glare of the spring sun, I could breathe again. I could also smell my burning flesh.
Blech!
Luckily, the Ford Windstar minivan was heavily tinted, and so when I backed up and put the thing into drive, I was doing okay again. Granted, not great, but okay.
I picked up my son and daughter from school, got some cheeseburgers from Burger King and headed home. Yes, I know, bad mom, but after doing chores all day, I definitely was not going to cook.
Once at home, the kids went straight to their room and I went straight to the bathroom where I removed my hat and sunglasses, and used a washcloth to remove the extra sunscreen. Hell, I ought to buy stock in Coppertone. Soon the kids were hard at work saving our world from Haloes and had lapsed into a rare and unsettling silence. Perhaps it was the quiet before the storm.
My only appointment for the day was right on time, and since I work from home, I showed him to my office in the back. His name was Kingsley Fulcrum and he sat across from me in a client chair, filling it to capacity. He was tall and broad shouldered and wore his tailored suit well. His thick black hair, speckled with gray, was jauntily disheveled and worn long over his collar. Kingsley was a striking man and would have been the poster boy for dashing rogues if not for the two scars on his face. Then again, maybe poster boys for rogues did have scars on their faces. Anyway, one was on his left cheek and the other was on his forehead, just above his left eye. Both were round and puffy. And both were recent.
He caught me staring at the scars. I looked away, embarrassed. “How can I help you, Mr. Fulcrum?”
“How long have you been a private investigator, Mrs. Moon?” he asked.
“Six years,” I said.
“What did you do before that?”
“I was a federal agent.”
He didn’t say anything, and I could feel his eyes on me. God, I hate when I can feel eyes on me. The silence hung for longer than I was comfortable with and I answered his unspoken question. “I had an accident and was forced to work at home.”
“May I ask what kind of accident?”
“No.”
He raised his eyebrows and nodded. He might have turned a pale shade of red. “Do you have a list of references?”
“Of course.”
I turned to my computer, brought up the reference file and printed him out the list. He took it and scanned the names briefly. “Mayor Hartley?” he asked.
“Yes,” I said.
“He hired you?”
“He did. I believe that’s the direct line to his personal assistant.”
“Can I ask what sort of help you gave the mayor?”
“No.”
“I understand. Of course you can’t divulge that kind of information.”
“How exactly can I help you, Mr. Fulcrum?” I asked again.
“I need you to find someone.”
“Who?”
“The man who shot me,” he said. “Five times.”
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Bonus short story:
SCARECROW BOY
By Scott Nicholson
Co
pyright ©1998 Scott Nicholson
The sun raised a sleepy eye over the north Georgia hills. Short-leafed pines shivered here and there in the breeze, surrounded by the black bones of oak. Ground mist rose and waltzed away from the light. A stream cut a silver gash in the belly of the valley on its way to the Chattahoochee, the only thing in a hurry on the late-autumn morning. Inside a warped barn, the scarecrow boy rose from its dreams of brown fields and barbwire.
Jerp rubbed his eyes to wipe away the glare of dawn as he walked with his grandpa to the barn. The grass crunched under his boots and his breath painted the thick vapor in the air. A banty rooster bugled a reveille. Wrens fluttered from under the tin eaves of the barn, on their way to scratch earthworms from the hard ground. The sky was ribbed with clouds, a thin threat of snow.
Jerp glanced at the second-story windows of the barn. No scarecrow boy yet. But Jerp knew it was in there somewhere, flitting between cracks with a sound like dry paper crumpling. But maybe it only came alive at night, when the darkness kissed its moon-white face.
"Quit your daydreaming, boy. Got chores to do." Grandpa roped a stream of tobacco juice onto the ground. Steam drifted from his spit and he shifted the bucket from one gloved hand to the other.
Jerp wanted to tell Grandpa again about the scarecrow boy. About how it smiled at him when he was alone in the barn, how it danced from its nail on the wall, swinging its ragged limbs as if caught in a December crosswind. About how Jerp got the feeling that the scarecrow boy wanted something, a thing that only Jerp could give it. But Grandpa would say, "Got no time for such foolishness."
Grandpa held open the barnyard gate and waited until Jerp followed him inside, then closed the gate as carefully as if he were performing a ritual.
"Always close up behind you. We do things right around here." Those were the same words he had said every morning and night when they came down to do chores.
Grandpa passed the bucket to Jerp and removed his gloves. Jerp watched as the big-knuckled hands slammed the hasp into place. The noise echoed across the hill, maybe waking the scarecrow boy.
The milk pail banged against Jerp's knee as he followed Grandpa across the barnyard. A sow grunted under her breath in one of the side pens, mistaking the sound for the arrival of the slop bucket. She rolled over in the marsh of her own waste and glared at Jerp. Jerp wasn't scared of her. He was more worried about the scarecrow boy who would be waiting in rafters or cribs or dark corners for Jerp to step within reach.
Jerp followed Grandpa to the front of the barn. Its rough gray planks were split from decades of harsh weather and ten-penny nail heads stuck out like little brown eyes. Grandpa slid open the heavy door, which hung from wheels that rolled across a steel track overhead. They ducked under the oily ropes that had been dipped in chemicals and stretched across the barn opening. The horse and cows liked to rub their backs against the ropes and the chemicals were supposed to keep the flies away, but the flies were like the sun, reliable and stubborn.
"Gonna be a real corker of a day, Jerp." Grandpa crinkled his eyes, the closest he ever came to smiling. "Maybe we can get some work done around here."
"Yes, sir," Jerp said, checking the barn windows once more for any sign of the scarecrow boy. The windows were empty.
The barn air smelled of hay and dust, manure and animal hair. The cows mooed from their stalls, in a dull hurry to be turned out. Grandpa took a three-legged stool down from the wall and carried it to the milk cow's stall. He sat on the stool and reached underneath the cow and began tugging up and down as if picking fruit. Jerp held the pail so that the cow couldn't kick it over, watching the shadows for the scarecrow boy until at last the pail was full.
"Fetch some ears of corn for the chickens, and I'll meet you back at the house," Grandpa said. He was going to leave Jerp alone in the barn. No, not quite alone.
"But what about—" Jerp knew he was going to sound like a whimpering little city boy. He gulped and finished, "What about breakfast?"
"We see to the animals first. You know that." Grandpa juddered his head as he drew up to spit again. Jerp nodded and turned, walking to the corncrib with feet as heavy as International Harvesters. He heard Grandpa teasing the sow out in the barnyard. Jerp put a trembling hand on the latch.
He turned the latch and the door creaked open. Rats and their shadows scurried for the corners, their rustling making them sound as big as bobcats. He looked under the stairs that led to the hayloft, searching the darkness for movement. At first he saw only rotted pieces of harness and a broken cross-saw blade, its teeth reddened with age. Then he saw the scarecrow sitting among the sun-bleached husks. A smile stitched itself across the faded face. The scarecrow was looking at Jerp as if one of them was a mirror, with eyes as flat as old coins.
It was the boy in the barn, the one he had tried to tell Grandpa about. The one he had seen many times from his bedroom window, through the fog his breath had made on the glass. The scarecrow boy that had swayed like a sheet on a clothesline, its skin glowing sickly in the dark loft. The scarecrow boy that had stared from the barn window as if knowing it was being watched. The scarecrow boy that looked as if it were waiting.
But it's not real, Jerp told himself as he reached down to the grooved skin of the corn husks. The scarecrow boy is not there if you don't see it.
Jerp tried not to look under the stairs, even though the sweat was coming now and his eyes strained toward the corners of their sockets and the sunlight wasn't pouring fast enough through the cracks between the siding planks.
Had it moved? No, it was only a pile of old crumbling rags. Rotten cloth and straw never hurt nobody, just like Grandpa had said. Even though Jerp had seen the scythe of its smile. He gathered an armful of corn to his chest and ducked back, slamming the crib door shut with his foot and elbowing the latch into place.
Jerp's heart hammered in his ears as he shucked the corn and rubbed the grains loose with his thumbs. The kernels fell like golden teeth, and the chickens gathered around his feet, pecking at the grommets of his boots. He was trying to tell himself he hadn't seen the boy in the barn. That the scarecrow boy wasn't wearing a ragged flannel shirt and jeans with holes in the knees. It didn't have skin as white as raw milk and eyes that glimmered with a hunger that even biscuits and hamfat gravy wouldn't ease, nor was its hair as black as a crow nor its teeth as green as stained copper. It hadn't sat there through the frozen night, chattering until whatever served as its bones worked themselves loose.
It had to be a straw puppet, tossed in the corner until growing season. Only weeds and fabric. Only a scarecrow. But Grandpa didn't use scarecrows.
"Scarecrows are for the birds," Grandpa had said. He used pie pans on strings and shotgun blasts and bait laced with battery acid to drive away the magpies and crows. He said every scarecrow he'd ever put out had been covered in droppings by the end of the afternoon. As far as Grandpa was concerned, all a scarecrow did was provide a shady picnic area for the little thieves.
Jerp wasn't going to think about the scarecrow boy in the barn. He had more chores to do, and he didn't want Grandpa to give him the look, the one where he raised one white eyebrow and furrowed his forehead and twitched the corner of his mouth a little. It was a look of disappointment, his wordless way of saying Jerp, you've come up short, can't cut the mustard, maybe you really oughta be in Atlanta with your parents, where you can be just another big-city sissy and everybody can call you "Jerald."
Jerp would rather run through a barn full of thin, silent scarecrow boys than to have Grandpa give him the look.
So Jerp pretended to forget the scarecrow boy as he curried the mare and turned it out for the day, then gathered the eggs that the game hens had squirreled away in their dusty nests. He checked on the two boars to see if they had enough water and dumped a bucketful of mashed grain and sorghum into their trough. Grandpa didn't name any of the animals. He said he didn't think it was right that people gave names to things that they were going to eat.
"What's go
od for the goose is good for the gander," Grandpa had said, without bothering to explain what that meant. Jerp thought that maybe he meant everything died just the same.
Death was part of life on the farm. Thanksgiving brought a blessing to all but the turkey. Hens who went barren because their eggs were stolen soon steamed on the table, stunted legs in the air. Hogs and cattle found a hundred different uses in the kitchen, baked, broiled, fried, or barbecued.
"God bless this bounty on our table," Grandpa said before each meal. Jerp thought maybe he should do the prayers while the animals were still alive. The way he had done for Grandma.
Jerp had peeked once during the dinner prayer, and saw Grandpa looking out the window to the barn at the same moment he added the part that went, "And, please, dear Lord, spare us from evil."
Jerp shivered with the memory of that word, evil, and the way Grandpa's voice had cracked just a little as he said it. Jerp put away the currying brush and feed bucket, but the chill continued down his spine. Because he heard a soughing, scratchy sound from the hayloft above. He looked up just as a few strands of straw fell through the cracks in the floorboards. He hurried out of the barn, careful to latch the gate just as he had promised Grandma before she died.
Jerp had sat with her one night, when her spark of life was fading rapidly. She looked at him with burning, fevered eyes, looked past and through him to the window, to the long shadows of the barn.
"There’s a season for ever thing," she had gurgled. "The gate..."
Jerp thought she meant the Pearly Gates. He waited for her to say more. But she closed her eyes to the lamplight and slept.
Now Grandma was dead but the scarecrow boy was alive. Last year's piglet had grown plump and earned its place in the kitchen while the scarecrow boy still had its own moldy bristles. The cornfield was a dry graveyard, with not a morsel for the birds to scavenge, but the scarecrow boy still played silent sentinel. In seasons of change, seasons of slaughter, seasons of harvest, the scarecrow boy had patiently held its ground.
Scott Nicholson Library Vol 3 Page 74