And the evening closed in upon me thus—and then the darkness came, and tarried, and went—and the day again dawned—and the mists of a second night were now gathering around—and still I sat motionless in that solitary room—and still I sat buried in meditation—and still the phantasma of the teeth maintained its terrible ascendency, as, with the most vivid and hideous distinctness, it floated about amid the changing lights and shadows of the chamber. At length there broke in upon my dreams a cry as of horror and dismay; and thereunto, after a pause, succeeded the sound of troubled voices, intermingled with many low moanings of sorrow or of pain. I arose from my seat, and, throwing open one of the doors of the library, saw standing out in the ante-chamber a servant maiden, all in tears, who told me that Berenicë was—no more! She had been seized with epilepsy in the early morning, and now, at the closing in of the night, the grave was ready for its tenant, and all the preparations for the burial were completed.
I found myself sitting in the library, and again sitting there alone. It seemed that I had newly awakened from a confused and exciting dream. I knew that it was now midnight, and I was well aware that since the setting of the sun Berenicë had been interred. But of that dreary period which intervened I had no positive, at least no definite comprehension. Yet its memory was replete with horror—horror more horrible from being vague, and terror more terrible from ambiguity. It was a fearful page in the record of my existence, written all over with dim, and hideous, and unintelligible recollections. I strived to decypher them, but in vain; while ever and anon, like the spirit of a departed sound, the shrill and piercing shriek of a female voice seemed to be ringing in my ears. I had done a deed—what was it? I asked myself the question aloud, and the whispering echoes of the chamber answered me,—‘What was it?’
On the table beside me burned a lamp, and near it lay a little box. It was of no remarkable character, and I had seen it frequently before, for it was the property of the family physician; but how came it there, upon my table, and why did I shudder in regarding it? These things were in no manner to be accounted for, and my eyes at length dropped to the open pages of a book, and to a sentence underscored therein. The words were the singular but simple ones of the poet Ebn Zaiat:—‘Dicebant mihi sodales si sepulchrum amicae visitarem, curas meas aliquantulum fore levatas.’ Why, then, as I perused them, did the hairs of my head erect themselves on end, and the blood of my body become congealed within my veins?
There came a light tap at the library door—and, pale as the tenant of a tomb, a menial entered upon tiptoe. His looks were wild with terror, and he spoke to me in a voice tremulous, husky, and very low. What said he?—some broken sentences I heard. He told of a wild cry disturbing the silence of the night—of the gathering together of the household—of a search in the direction of the sound; and then his tones grew thrillingly distinct as he whispered me of a violated grave—of a disfigured body enshrouded, yet still breathing—still palpitating—still alive!
He pointed to my garments; they were muddy and clotted with gore. I spoke not, and he took me gently by the hand: it was indented with the impress of human nails. He directed my attention to some object against the wall. I looked at it for some minutes: it was a spade. With a shriek I bounded to the table, and grasped the box that lay upon it. But I could not force it open; and, in my tremor, it slipped from my hands, and fell heavily, and burst into pieces; and from it, with a rattling sound, there rolled out some instruments of dental surgery, intermingled with thirty-two small, white, and ivory-looking substances that were scattered to and fro about the floor.
MORELLA
Αυτο κα0’ αντο με0’ αντον, μονο ειδεζ αιει ον.
Itself, by itself solely, ONE; everlastingly, and single.
PLATO.Sympos*
WITH a feeling of deep yet most singular affection I regarded my friend Morella. Thrown by accident into her society many years ago, my soul, from our first meeting, burned with fires it had never before known; but the fires were not of Eros, and bitter and tormenting to my spirit was the gradual conviction that I could in no manner define their unusual meaning, or regulate their vague intensity. Yet we met; and fate bound us together at the altar; and I never spoke of passion, nor thought of love. She, however, shunned society, and, attaching herself to me alone, rendered me happy. It is a happiness to wonder;—it is a happiness to dream.
Morella’s erudition was profound. As I hope to live, her talents were of no common order—her powers of mind were gigantic. I felt this, and, in many matters, became her pupil. I soon, however, found that, perhaps on account of her Presburg education,* she placed before me a number of those mystical writings which are usually considered the mere dross of the early German literature. These, for what reason I could not imagine, were her favorite and constant study—and that, in process of time they became my own, should be attributed to the simple but effectual influence of habit and example.
In all this, if I err not, my reason had little to do. My convictions, or I forget myself, were in no manner acted upon by the ideal, nor was any tincture of the mysticism which I read, to be discovered, unless I am greatly mistaken, either in my deeds or in my thoughts. Persuaded of this, I abandoned myself implicitly to the guidance of my wife, and entered with an unflinching heart into the intricacies of her studies. And then—then, when, poring over forbidden pages, I felt a forbidden spirit enkindling within me—would Morella place her cold hand upon my own, and rake up from the ashes of a dead philosophy some low, singular words, whose strange meaning burned themselves in upon my memory. And then, hour after hour, would I linger by her side, and dwell upon the music of her voice—until, at length, its melody was tainted with terror,—and there fell a shadow upon my soul—and I grew pale, and shuddered inwardly at those too unearthly tones. And thus, joy suddenly faded into horror, and the most beautiful became the most hideous, as Hinnom became Ge-Henna.*
It is unnecessary to state the exact character of those disquisitions which, growing out of the volumes I have mentioned, formed, for so long a time, almost the sole conversation of Morella and myself. By the learned in what might be termed theological morality they will be readily conceived, and by the unlearned they would, at all events, be little understood. The wild Pantheism of Fichte; the modified παλιγγενεσια of the Pythagoreans; and, above all, the doctrines of Identity as urged by Schelling, were generally the points of discussion presenting the most of beauty to the imaginative Morella. That identity which is termed personal, Mr Locke, I think, truly defines to consist in the sameness of a rational being. And since by person we understand an intelligent essence having reason, and since there is a consciousness which always accompanies thinking, it is this which makes us all to be that which we call ourselves—thereby distinguishing us from other beings that think, and giving us our personal identity. But the principium individuationis, the notion of that identity which at death is or is not lost forever, was to me, at all times, a consideration of intense interest; not more from the perplexing and exciting nature of its consequences, than from the marked and agitated manner in which Morella mentioned them.*
But, indeed, the time had now arrived when the mystery of my wife’s manner oppressed me as a spell. I could no longer bear the touch of her wan fingers, nor the low tone of her musical language, nor the lustre of her melancholy eyes. And she knew all this, but did not upbraid; she seemed conscious of my weakness or my folly, and, smiling, called it Fate. She seemed, also, conscious of a cause, to me unknown, for the gradual alienation of my regard; but she gave me no hint or token of its nature. Yet was she woman, and pined away daily. In time, the crimson spot settled steadily upon the cheek, and the blue veins upon the pale forehead became prominent; and, one instant, my nature melted into pity, but, in the next, I met the glance of her meaning eyes, and then my soul sickened and became giddy with the giddiness of one who gazes downward into some dreary and unfathomable abyss.
Shall I then say that I longed with an
earnest and consuming desire for the moment of Morella’s decease? I did; but the fragile spirit clung to its tenement of clay for many days—for many weeks and irksome months—until my tortured nerves obtained the mastery over my mind, and I grew furious through delay, and, with the heart of a fiend, cursed the days, and the hours, and the bitter moments, which seemed to lengthen and lengthen as her gentle life declined—like shadows in the dying of the day.
But one autumnal evening, when the winds lay still in heaven, Morella called me to her bed-side. There was a dim mist over all the earth, and a warm glow upon the waters, and, amid the rich October leaves of the forest, a rainbow from the firmament had surely fallen.
‘It is a day of days,’ she said, as I approached; ‘a day of all days either to live or die. It is a fair day for the sons of earth and life—ah, more fair for the daughters of heaven and death!’
I kissed her forehead, and she continued:
‘I am dying, yet shall I live.’
‘Morella!’
‘The days have never been when thou couldst love me—but her whom in life thou didst abhor, in death thou shalt adore.’
‘Morella!’
‘I repeat that I am dying. But within me is a pledge of that affection—ah, how little!—which thou didst feel for me, Morella. And when my spirit departs shall the child live—thy child and mine, Morella’s. But thy days shall be days of sorrow—that sorrow which is the most lasting of impressions, as the cypress is the most enduring of trees. For the hours of thy happiness are over; and joy is not gathered twice in a life, as the roses of Pæstum twice in a year. Thou shalt no longer, then, play the Teian with time, but, being ignorant of the myrtle and the vine, thou shalt bear about with thee thy shroud on earth, as do the Moslemin at Mecca.’*
‘Morella!’ I cried, ‘Morella! how knowest thou this?’—but she turned away her face upon the pillow, and, a slight tremor coming over her limbs, she thus died, and I heard her voice no more.
Yet, as she had foretold, her child—to which in dying she had given birth, and which breathed not until the mother breathed no more—her child, a daughter, lived. And she grew strangely in stature and intellect, and was the perfect resemblance of her who had departed, and I loved her with a love more fervent than I had believed it possible to feel for any denizen of earth.
But, ere long, the heaven of this pure affection became darkened, and gloom, and horror, and grief, swept over it in clouds. I said the child grew strangely in stature and intelligence. Strange indeed was her rapid increase in bodily size—but terrible, oh! terrible were the tumultuous thoughts which crowded upon me while watching the development of her mental being. Could it be otherwise, when I daily discovered in the conceptions of the child the adult powers and faculties of the woman?—when the lessons of experience fell from the lips of infancy? and when the wisdom or the passions of maturity I found hourly gleaming from its full and speculative eye? When, I say, all this became evident to my appalled senses—when I could no longer hide it from my soul, nor throw it off from those perceptions which trembled to receive it—is it to be wondered at that suspicions, of a nature fearful and exciting, crept in upon my spirit, or that my thoughts fell back aghast upon the wild tales and thrilling theories of the entombed Morella? I snatched from the scrutiny of the world a being whom destiny compelled me to adore, and in the rigorous seclusion of my home, watched with an agonizing anxiety over all which concerned the beloved.
And, as years rolled away, and I gazed, day after day, upon her holy, and mild, and eloquent face, and pored over her maturing form, day after day did I discover new points of resemblance in the child to her mother, the melancholy and the dead. And, hourly, grew darker these shadows of similitude, and more full, and more definite, and more perplexing, and more hideously terrible in their aspect. For that her smile was like her mother’s I could bear; but then 1 shuddered at its too perfect identity—that her eyes were like Morella’s I could endure; but then they too often looked down into the depths of my soul with Morella’s own intense and bewildering meaning. And in the contour of the high forehead, and in the ringlets of the silken hair, and in the wan fingers which buried themselves therein, and in the sad musical tones of her speech, and above all—oh, above all—in the phrases and expressions of the dead on the lips of the loved and the living, I found food for consuming thought and horror—for a worm that would not die.
Thus passed away two lustra of her life, and, as yet, my daughter remained nameless upon the earth. ‘My child’ and ‘my love’ were the designations usually prompted by a father’s affection, and the rigid seclusion of her days precluded all other intercourse. Morella’s name died with her at her death. Of the mother I had never spoken to the daughter;—it was impossible to speak. Indeed, during the brief period of her existence the latter had received no impressions from the outward world save such as might have been afforded by the narrow limits of her privacy. But at length the ceremony of baptism presented to my mind, in its unnerved and agitated condition, a present deliverance from the terrors of my destiny. And at the baptismal font I hesitated for a name. And many titles of the wise and beautiful, of old and modern times, of my own and foreign lands, came thronging to my lips, with many, many fair titles of the gentle, and the happy, and the good. What prompted me, then, to disturb the memory of the buried dead? What demon urged me to breathe that sound, which, in its very recollection was wont to make ebb the purple blood in torrents from the temples to the heart? What fiend spoke from the recesses of my soul, when, amid those dim aisles, and in the silence of the night, I whispered within the ears of the holy man the syllables—Morella? What more than fiend convulsed the features of my child, and overspread them with hues of death, as, starting at that scarcely audible sound, she turned her glassy eyes from the earth to heaven, and, falling prostrate on the black slabs of our ancestral vault, responded—‘I am here!’
Distinct, coldly, calmly distinct, fell those few simple sounds within my ear, and thence, like molten lead, rolled hissingly into my brain. Years—years may pass away, but the memory of that epoch—never! Nor was I indeed ignorant of the flowers and the vine—but the hemlock and the cypress overshadowed me night and day. And I kept no reckoning of time or place, and the stars of my fate faded from heaven, and therefore the earth grew dark, and its figures passed by me, like flitting shadows, and among them all I beheld only—Morella. The winds of the firmament breathed but one sound within my ears, and the ripples upon the sea murmured evermore—Morella. But she died; and with my own hands I bore her to the tomb; and I laughed with a long and bitter laugh as I found no traces of the first, in the charnel where I laid the second—Morella.
LIGEIA
And the will therein lieth, which dieth not. Who knoweth the mysteries of the will, with its vigor? For God is but a great will pervading all things by nature of its intentness. Man doth not yield himself to the angels, nor unto death utterly, save only through the weakness of his feeble will.
JOSEPH GLANVILL*
I CANNOT, for my soul, remember how, when, or even precisely where, I first became acquainted with the lady Ligeia. Long years have since elapsed, and my memory is feeble through much suffering. Or, perhaps, I cannot now bring those points to mind, because, in truth, the character of my beloved, her rare learning, her singular yet placid cast of beauty, and the thrilling and enthralling eloquence of her low musical language, made their way into my heart by paces so steadily and stealthily progressive that they have been unnoticed and unknown. Yet I believe that I met her first and most frequently in some large, old, decaying city near the Rhine. Of her family—I have surely heard her speak. That it is of a remotely ancient date cannot be doubted. Ligeia! Ligeia! Buried in studies of a nature more than all else adapted to deaden impressions of the outward world, it is by that sweet word alone—by Ligeia—that I bring before mine eyes in fancy the image of her who is no more. And now, while I write, a recollection flashes upon me that I have never known the paternal name of her
who was my friend and my betrothed, and who became the partner of my studies, and finally the wife of my bosom. Was it a playful charge on the part of my Ligeia? or was it a test of my strength of affection, that I should institute no inquiries upon this point? or was it rather a caprice of my own—a wildly romantic offering on the shrine of the most passionate devotion? I but indistinctly recall the fact itself—what wonder that I have utterly forgotten the circumstances which originated or attended it? And, indeed, if ever that spirit which is entitled Romance—if ever she, the wan and the misty-winged Ashtophet* of idolatrous Egypt, presided, as they tell, over marriages ill-omened, then most surely she presided over mine.
There is one dear topic, however, on which my memory fails me not. It is the person of Ligeia. In stature she was tall, somewhat slender, and, in her latter days, even emaciated. I would in vain attempt to portray the majesty, the quiet ease, of her demeanor, or the incomprehensible lightness and elasticity of her footfall. She came and departed as a shadow. I was never made aware of her entrance into my closed study save by the dear music of her low sweet voice, as she placed her marble hand upon my shoulder. In beauty of face no maiden ever equalled her. It was the radiance of an opium dream—an airy and spirit-lifting vision more wildly divine than the phantasies which hovered about the slumbering souls of the daughters of Delos. Yet her features were not of that regular mould which we have been falsely taught to worship in the classical labors of the heathen. ‘There is no exquisite beauty,’ says Bacon, Lord Verulam, speaking truly of all the forms and genera of beauty, ‘without some strangeness in the proportion.’ Yet, although I saw that the features of Ligeia were not of a classic regularity—although I perceived that her loveliness was indeed ‘exquisite,’ and felt that there was much of ‘strangeness’ pervading it, yet I have tried in vain to detect the irregularity and to trace home my own perception of ‘the strange.’ I examined the contour of the lofty and pale forehead—it was faultless—how cold indeed that word when applied to a majesty so divine!—the skin rivalling the purest ivory, the commanding extent and repose, the gentle prominence of the regions above the temples; and then the raven-black, the glossy, the luxuriant and naturally-curling tresses, setting forth the full force of the Homeric epithet, ‘hyacinthine!’ I looked at the delicate outlines of the nose—and nowhere but in the graceful medallions of the Hebrews had I beheld a similar perfection. There were the same luxurious smoothness of surface, the same scarcely perceptible tendency to the aquiline, the same harmoniously curved nostrils speaking the free spirit. I regarded the sweet mouth. Here was indeed the triumph of all things heavenly—the magnificent turn of the short upper lip—the soft, voluptuous slumber of the under—the dimples which sported, and the color which spoke—the teeth glancing back, with a brilliancy almost startling, every ray of the holy light which fell upon them in her serene and placid, yet most exultingly radiant of all smiles. I scrutinized the formation of the chin—and here, too, I found the gentleness of breadth, the softness and the majesty, the fullness and the spirituality, of the Greek—the contour which the God Apollo revealed but in a dream, to Cleomenes, the son of the Athenian. And then I peered into the large eyes of Ligeia.
Selected Tales (Oxford World's Classics) Page 6