Copyright & Information
The Open House
First published in 1972
© Michael Innes Literary Management Ltd.; House of Stratus 1972-2011
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.
The right of Michael Innes to be identified as the author of this work has been asserted.
This edition published in 2011 by House of Stratus, an imprint of
Stratus Books Ltd., Lisandra House, Fore Street, Looe,
Cornwall, PL13 1AD, UK.
Typeset by House of Stratus.
A catalogue record for this book is available from the British Library and the Library of Congress.
ISBN: 0755121090 EAN: 9780755121090
This is a fictional work and all characters are drawn from the author’s imagination.
Any resemblance or similarities to persons either living or dead are entirely coincidental.
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About the Author
Michael Innes is the pseudonym of John Innes Mackintosh Stewart, who was born in Edinburgh in 1906. His father was Director of Education and as was fitting the young Stewart attended Edinburgh Academy before going up to Oriel, Oxford where he obtained a first class degree in English.
After a short interlude travelling with AJP Taylor in Austria, he embarked on an edition of Florio’s translation of Montaigne’s Essays and also took up a post teaching English at Leeds University.
By 1935 he was married, Professor of English at the University of Adelaide in Australia, and had completed his first detective novel, Death at the President’s Lodging. This was an immediate success and part of a long running series centred on his character Inspector Appleby. A second novel, Hamlet Revenge, soon followed and overall he managed over fifty under the Innes banner during his career.
After returning to the UK in 1946 he took up a post with Queen’s University, Belfast before finally settling as Tutor in English at Christ Church, Oxford. His writing continued and he published a series of novels under his own name, along with short stories and some major academic contributions, including a major section on modern writers for the Oxford History of English Literature.
Whilst not wanting to leave his beloved Oxford permanently, he managed to fit in to his busy schedule a visiting Professorship at the University of Washington and was also honoured by other Universities in the UK.
His wife Margaret, whom he had met and married whilst at Leeds in 1932, had practised medicine in Australia and later in Oxford, died in 1979. They had five children, one of whom (Angus) is also a writer. Stewart himself died in November 1994 in a nursing home in Surrey.
Part One
AROUND MIDNIGHT
1
The sudden immobilizing of his car hadn’t much discomposed John Appleby, but the subsequent failure of his electric torch was another matter.
Not that what had happened to the car wasn’t absurd enough to make anybody cross. The night was uncommonly dark and the road unfrequented; he had neither overtaken nor met any other vehicle for miles; there seemed to be no nocturnal pedestrianism or bicycling in this part of the countryside, so that his powerful headlights had the verges comfortably to themselves. Then suddenly there had been the tail lights of a slow-moving van ahead of him and the brow of a hill beyond. So he had slowed, and changed down to third. Only the gears somehow hadn’t engaged, and in a moment he knew why. He was waving the gear-lever in the air.
It hadn’t been difficult to steer on to a reliable-looking grass verge, and there he had come to a halt and investigated. He was in neutral, he found, and in neutral he was going to remain. The confounded lever had broken off close to the gearbox. There was nothing whatever to be done.
Appleby switched on the light above his head, and regarded the useless object he was left with. Grasped in reverse, it could be employed to crack a dangerously violent criminal on the head. With its knob suitably padded, it might serve a painter as a maulstick. But these were idle speculations. Appleby chucked the thing behind him, and got out a map. What he had to find was a tolerable pub. The car wasn’t of a make that was exactly thick on the ground; in fact it was a recent acquisition of Lady Appleby’s, and rather exotic. A new gear- lever would have to come from goodness knew where. Since the hour was not far short of midnight, Appleby was booked for a strange bed. He located his approximate position, which certainly seemed to be in notably uninhabited terrain. But not much more than a mile ahead, a little way down a side-road of a minor sort to the right, was inscribed the word Inn. It seemed in an isolated situation for an hostelry; there didn’t appear to be so much as a hamlet nearby. But he could either get a room there, or make a nuisance of himself until they found him a hired car. Appleby rummaged in his suitcase, shoved a few necessary articles into a small bag, locked up the disgraced vehicle, and took to the road.
There was no moon, but the heavens did show a faint powdering of stars. Although he had a torch in his pocket – a small but powerful torch – it didn’t at first occur to him that he would need it except to consult his map or read a signpost. English darkness is seldom so entire as to render an alert walker hopelessly blundering on an unimpeded road. And to walk with confidence under such conditions can be rather fun.
But in fact it was very dark. The blanket of the dark, Appleby said to himself as he moved cautiously forward. Nor heaven peep through the blanket of the dark to cry ‘Hold, hold!’ One of Appleby’s academically inclined children had once solemnly assured his father that here was a textual corruption, and that Shakespeare had really written blank height of the dark. But that was nonsense, Appleby told himself now. The tactile quality of a blanket was just what, in this Tartarean blackness, his own nose felt uncomfortably up against. So he switched on his torch after all, and moved more rapidly forward. He would need it, in any case, if he was not to miss that unnoticeable side-road on his right. And if a car came along behind him it might help him to get a lift.
It was some ten minutes later that the torch failed. He fiddled with it, but to no effect. The battery couldn’t thus abruptly have exhausted itself. The trouble was probably in the little bulb. One ought always to carry a spare bulb. This time, and at a halt in the darkness, Sir John Appleby actually was upset. Long ago – long before he had become Sir John – he had let his life depend on an electric torch more than once. He had also let it depend on toy pistols, knotted sheets, implausible disguises, ridiculous bluffs. But at the moment, somehow, torches seemed almost symbolically important. A policeman, however retired, who permitted a torch to let him down like this was slipping up badly on the elements of his craft.
&
nbsp; Dismissing this nonsense from his head, Appleby got under way again. But now he was going to be in real difficulty. It was his guess that, in a middle-of-the-road way, he could forge ahead indefinitely without coming a cropper; something that appeared mere instinct, but that in fact must be the ghost of sight, was going to guide his steps. But sensing that side-road was another matter. To manage that he must keep very close to the right-hand verge. It wasn’t clear to him that this mightn’t at any moment tumble him into a ditch. So perhaps his best plan was to abandon the idea of making that inn, and keep straight on until he came on some other inhabited place. He’d better take a look at his map by matchlight. It seemed inconceivable that the road should be totally devoid of human dwellings for more than three or four miles at the most. But he’d have a look. He ought to have checked on the point at the start. He took the map from his pocket, and felt for his matches. He hadn’t any. And instantly he could see, almost like a hallucination, the dashboard of his car, with his pipe, tobacco-pouch and matchbox conveniently ranged on the little shelf above it. Appleby’s displeasure with himself grew. He meditated briefly a return to the car, and waiting in it until something came along – which might conceivably not be till daylight. But this seemed defeatism. He moved slowly forward.
He found the side-road – or thought he did – after all. The illuminated dial of his wrist-watch told him it was still twenty minutes short of midnight, and the inn couldn’t now be more than two or three hundred yards away. Appleby was not at all tired, but he did suddenly feel uncommonly hungry. He had been driving most of the day, and his last wayside meal had been a light one early in the evening. He supposed that even at this hour a pub would find him bread and cheese. If he spent the night there he would count as a resident and even be allowed a drink. He found himself moving forward at what was almost a reckless pace.
It was now darker still, and this seemed to be because even the ineffective stars had vanished. Or they had vanished except for a few straight overhead. Appleby realized that this humble little road – or lane – to nowhere in particular was either passing through woodland (of which he could recall no indication on the map) or lined on either side with trees of a considerable height. This was the only explanation of what had happened in the heavens.
Closing-time having arrived more than an hour ago, it was likely enough that the people at the pub would have gone to bed. Certainly there was no glimmer of light ahead – any more than behind or to either side of him. He hadn’t seen any such glimmer, indeed, since leaving his car. If the pub proved to be untenanted – long since closed down through lack of custom in this seemingly unpopulated region – he would be reduced to breaking into an outbuilding and burrowing into straw, if there was any straw. But if it had tenants he certainly wouldn’t make any bones about rousing them up.
The night was very still. His ear, it occurred to him, was having to get along on as short commons as his eye. Rural writers are fond of enumerating the multitudinous sounds which even the most silent-seeming night will offer to the instructed listener: hedgehogs puffing across the path, Appleby thought, and worms wriggling beneath the sod. But he had himself distinguished nothing except a train in the distance and the hoot of a single discontented owl. That, and his own footfalls. His own footfalls… Appleby listened to them again now. He halted, and stirred at the surface beneath his tread with an exploring toe. He stooped, and let his fingers confirm the message. This was no sort of byroad or country lane down which he was advancing, for what was beneath him was fine gravel, evenly raked. And of course the trees, too, were now explained. He had turned off along something quite different from what he had supposed; he was on a well-tended avenue leading to some private house. Unless, indeed, ‘inn’ on the map meant nothing of the kind, but some more pretentious establishment of the kind nowadays known as a country-house hotel.
Such a place would at least be bound to offer some sort of hospitality. Appleby moved on, and almost at once sensed that he was heading for an even deeper opacity than that which had hitherto surrounded him. Deep and large. A great rectangular block of blackness, which for a moment he thought to interpret as an enormous barn. And then, in another moment, the scene (if it could be called that) was shatteringly transformed. In place of blinding obscurity there was equally blinding light. For seconds Appleby’s night-attuned vision was utterly confounded. Then he saw that what had sprung into existence before him was an imposing mansion-house. Its every window was uncurtained – and all had been simultaneously illuminated. The effect was as of a great fanfare of trumpets released upon the dark.
2
This confusion of the senses – which the learned would have described as a synaesthesia – lasted only for a moment; but Appleby’s mere bewilderment didn’t so quickly abate. For time, too, was playing a trick upon him. He might have been Proust’s Marcel, hard upon inbibing the displeasing little sopped madeleine which brought his childhood flooding back to memory. Appleby was a small provincial boy again; and there had arrived the grand climax of the Christmas holidays. The Cave of the Demon King – a murky place at best – had vanished momentarily into entire darkness, and had been succeeded in a flash by the dazzling and breath-taking splendours of the Palace of the Fairy Prince. The ‘transformation scene’ of the pantomime had begun.
The anachronistic promise did not, of course, fulfil itself. The massive Palladian façade before which he stood at gaze showed no sign of twitching, quivering, revolving, lifting, parting in order to reveal those farther and interior splendours amid which the entire company would presently assemble to receive the just plaudits of the audience. Appleby’s surprising encounter was with quite solid stone and mortar.
He stepped quickly behind a tree. This might have been judged an odd reaction on the part of a respectable citizen to the sudden appearance before him of an even more respectable house. But old-established professional habit was at work; he had often enough found swift evasive movement to be healthy when something abruptly enigmatic occurred. The mysterious, moreover, was apt to associate itself in his mind with crime, whether achieved or designed; and it was because of this that his thought now took the turn it did. What confronted him, he conjectured, might be a species of eccentric but effective burglar alarm. Unauthorized nocturnal intrusion within the purlieus of this august habitation automatically produced not a ringing of bells or the like but a deluge of light calculated to appal and repel even the most temerarious burglar. The measure was certainly an extravagant one, and there seemed an unnerving possibility that the mind devising it might have backed it up with others more positively disagreeable. The landed gentry of England – not to speak of the great territorial aristocracy – harboured a good many individuals inclined to linger behind the times. The trend of modern social legislation being disposed to develop on somewhat democratic and even egalitarian lines, the employment of man-traps and spring-guns designed to ensure that an Englishman’s castle should be his castle had undoubtedly fallen largely into desuetude. But here and there squirarchal persons disposed to walk in the ancient ways might be continuing to direct such engines upon intruders disposed to walk where they shouldn’t. Alternatively – and more prosaically – a dangerously excited proprietor, or even butler, might at any moment emerge from the alerted house with a loaded shotgun. It was with appropriate caution that Appleby peered out from his shelter now.
The house perched, as such places do, upon a basement storey out of which alone a good many reasonably commodious dwellings might have been carved. There was a dominating central block with a Corinthian portico, and on each side of this quadrant corridors connected with substantial and symmetrical wings. It seemed probable that the same effect was repeated at the back – in which case what one would view from the air would be something like a giant crab or sprawled four-footed beast. The whole pile wasn’t all that vast; one might have called it – Appleby reflected – a Kedleston Hall cunningly miniaturized; but it was undeniably imposing, all the same. Whatever its pres
ent eonomic hinterland, it had been built for somebody who knew himself to be the person of principal consequence for a great many miles around. And here it was, consuming electricity at a prodigious rate for reasons which remained decidedly unclear.
For the burglar-alarm theory didn’t at all explain all those uncurtained windows. The effect of sudden pervasive illumination would be quite adequately startling even through drawn curtains or lowered blinds, and that the whole mansion should be condemned to a kind of lidless vigil in order to produce a marginally more striking impact upon some hypothetical housebreaker made no sense at all. So Appleby tried another guess. Might the place be both untenanted and disfurnished – a mere empty shell in which some defective master-switch or the like intermittently produced this weird manifestation? Electrical contrivances did, after all, behave badly at times. His own torch had done so, only half an hour ago.
This seemed excessively improbable, too. And certainly the house was not abandoned. The light pouring from it illuminated everything immediately round about, and the resulting suggestion was of a property in apple-pie order. The windows, moreover, could be distinguished as not mere bleak rectangles; one could discern the silhouette of curtains formally drawn back, blinds lowered by the prescriptive few inches of day-time use, and here and there what might be the looking-glass on a dressing-table. In one wing, furthermore, the ground-floor windows came down to the level of the terrace upon which they gave; and through these it was possible for Appleby to view the book-lined walls of a library.
His gaze travelled up to the roof. He was too close to the house to command anything here except a long bold cornice and a crowning balustrade. Behind this there possibly lurked lines of attic windows. No chimneys were visible. But when he raised a hand to shade his eyes from the main glare he could just detect against the dark sky beyond a single faint column of smoke. For a moment he wondered whether the place was on fire. If the house was closed and untenanted, and a fire had broken out through some faulty electrical installation, it was conceivable that the untoward spectacle to which he was being treated was in some way a result.
The Open House Page 1