by Mike Carey
The ward laid, she turned to look at me. It was a searching look that lingered speculatively on the clean shirt and the freshly sliced, mostly stubble-free chin.
‘Hey,’ I said, crossing over to her. ‘I was starting to get worried.’
She submitted to a kiss on the cheek, but I heard her sniff the air as I leaned in, so I knew she was still trawling for information on my sobriety and soundness of mind.
‘I’m sober,’ I assured her.
‘Yeah,’ she agreed dryly. ‘I’m sure that will last.’
She walked past me into the living room, threw her handbag down on the sofa, then threw herself down after it. I hadn’t really registered it until now, but she was in disguise. Instead of her usual flamboyant colours, she was wearing a suit in a subdued mid-brown, and she’d tied her hair back in a tight bun. In short, she’d done her best to avoid a second glance. Not easy for Pen: she stands five foot nothing in her cotton socks, but has intensely green eyes like chunks of radioactive kryptonite, flame-red hair and a general air – which is pretty much accurate – of being a compact container for a lot of dangerous energy. I’d had a serious thing for her once, but it was a long time ago, back when she and I and Rafi were all at college together. It might even have gone somewhere if Rafi hadn’t been an item in that list, but the chemical bond that developed between the two of them reduced the two of us, by some mysterious alchemy, into just-good-friends, which is where we’ve been ever since.
All the same, I must have looked a little like a suspicious husband as I stood over her now, arms folded and face solemnly set. ‘Where have you been?’ I demanded. ‘The birds were starving.’
‘Looking for Rafi,’ she answered shortly.
‘Overnight?’
‘He’s got a demon inside him, Fix. I don’t think demons keep office hours.’
She closed her eyes to deter further questions, so I waited to see if she was going to volunteer any more information on her own.
‘I suppose it’s too much to hope that you might have left me some of that brandy?’ she asked after a while.
I went and got her the bottle and a glass. Just the one glass, although my palms prickled at the proximity of the booze. A single medium-to-large-sized shot would set me up so right.
But that way lay madness, and another lost weekend that might easily last until the middle of next week.
Pen poured herself a generous shot, then as an afterthought she offered me the bottle. I shook my head and she grunted in what sounded like surprise but could have been approval. She emptied the glass in three swigs: not the most respectful way to treat the fruit of Monsieur Janneau’s labour of love.
‘I take it you struck out,’ I said, after a carefully judged pause.
‘Can’t hide a thing from your rapier intellect,’ Pen muttered bitterly.
‘Where did you look?’
‘Everywhere.’
‘I mean, were you working to a plan? Following any concrete leads? Or were you just thinking you’d recognise Rafi’s aftershave if you got close to him?’
Pen poured herself another. ‘He never wore it,’ she said, staring into the glass. ‘Even back when he was . . .’ a perceptible pause ‘. . . himself.’
And doesn’t that seem like a long time ago, I thought glumly.
‘I asked myself what you’d do,’ Pen said, returning unexpectedly to my last question. She shot me a look of the kind that’s usually called old-fashioned. ‘What you’d do if you weren’t totally stewed, I mean.’
I took both the compliment and the insult on the chin. ‘And?’ I prompted.
‘I decided you might try a bit of lateral thinking. Who’d know about demons?’
‘Other demons?’
‘And users. And people who want to be users. I’ve been going round the two-finger clubs, blagging my way into other people’s conversations. And the reason I stayed out all night is because I got an invite back to a house party down in Surrey where they were meant to be doing a summoning. Only it turned out it was just a bunch of ponced-up ovates who couldn’t find their arses with a map and a photofit picture.’
She stopped, registering my shocked expression. ‘What?’ she asked defensively.
I was both impressed with her grasp of the lingo and appalled at what she’d been doing. Only exorcists apply the term ‘user’ primarily to people who summon demons rather than people who ingest chemicals to get happy. The two-finger clubs, in the same trade-specific argot, are satanist dives – so called because the satanists like to draw their pentagrams with two arms pointing upwards and three down – symbolically rejecting the Holy Trinity. An ovate is the lowest rank in the Druidic Gorsedd, but when applied to the satanist churches it also means a wanker who can’t draw a magic circle without making it look like an Easter egg – which if you’re a demon-worshipper sends entirely the wrong kind of message.
‘You don’t want to mess with those people,’ I told Pen, meaning it. ‘In among the harmless tosspots there are some real nasty pieces of work. People who’ve hung around with Hell-kin long enough to go native.’
‘Those were the ones I was hoping to meet,’ Pen answered impatiently. ‘Don’t baby me, Fix. I know what I’m doing.’ She took a sip of her brandy and scowled at the glass as if it had done her some mortal hurt. ‘In any case,’ she said, ‘it didn’t work. I didn’t get to meet any of the big operators. Oh, there are rumours everywhere. The infernal messiah has been born at last, and he’s incubating inside the Centrepoint tower. Someone’s drawing a socking great magic circle around the whole of London by joining up the white lines on the M25. The bishops of all the satanist churches are meeting over in Kensington Palace for the biggest summoning ever seen. But you could tell when you tried to pin them down to specifics that it was all bollocks. Most of the people I was talking to knew less about what was really going on than I did.’
‘What is going on?’ I asked her. ‘I’ve been out of the loop for a few days.’
Pen snorted derisively. ‘Try two weeks,’ she suggested. ‘Time flies when you’re enjoying yourself, doesn’t it?’
I wouldn’t describe the mill I’d just been through – was still going through – as ‘enjoying myself’, but I didn’t bother to argue. ‘Are the police looking for Rafi too?’ I asked, calling a spade a spade.
Pen shrugged. ‘They must be,’ she said bleakly. ‘His fingerprints were all over Imelda’s house. Mostly in other people’s blood.’ Her face crumpled momentarily, and tears welled up in her eyes. I moved forward to hug her, but she warded me off with one hand, not ready or willing to take comfort from me. ‘I don’t know how this can end now,’ she said, her voice trembling. ‘He killed her, Fix. He killed Imelda.’
‘Asmodeus killed Imelda,’ I amended.
‘And Rafi did too. It was his hands that Asmodeus used. It doesn’t matter that he didn’t want to do it. When they catch him, they’ll lock him away for life.’ She wiped away the tears with furious energy before they could fall.
I couldn’t think of anything consoling to say. Everything she’d said was true, and she hadn’t said the worst of it. Even if London’s finest dropped the ball, and Rafi somehow got away without being had up for murder, being welded to Asmodeus was a life sentence in itself.
Back when I first met Rafael Ditko, at college in Oxford, I really didn’t know what the hell to make of him: he was a bum, essentially, but a bum with his own inimitable style. A mature student from the Czech Republic, he was older than the rest of our little circle by three years and some small change, and he had a spectacular impact on all of us: on Pen more than anyone, because she’d fallen in love with him more or less at first sight, and then had to watch while he bedded every other girl we knew, weaving his way in and out between their official boyfriends with no call-out charge and no waiting.
He was the sort of guy who never paid for a round, never cleaned up his own messes, always called the tune but left someone else to settle accounts with the piper. By rights we shoul
d probably have hated him, but he had that knack – that mix of rakish good looks, ineffable charm and perfectly faked sincerity – that makes other people love you and want to carry your burdens for you. He was destined for a happy, directionless life probably full of other people’s sofas and other people’s wives: nature had adapted and equipped him for that evolutionary niche.
But that was until he met me. I was falling fast at that time – a fall that had begun when my death-sense kicked in at full power, around my thirteenth birthday. Rafi was rising like an ego-propelled rocket, and we ricocheted off each other in a perfect example of Brownian motion. Rafi’s exuberant hedonism and the cool, arrogant way he handled the world’s slings and arrows helped me to pull out of the self-destructive anomie that I was drowning in. My effect on him was less wholesome: I triggered a fascination in him, an obsession with the dead. Rafi being Rafi, the obsession expressed itself in competition. He wanted to outdo me in delivering the necromantic goods: to go on expeditions to the undiscovered country and bring back souvenirs.
It destroyed him, in the end. By some route I’ve never been able to reconstruct, he fell into the orbit of one Anton Fanke, the founder and leader and prophet-in-residence of the so-called Satanist Church of the Americas. The SCA seems to model itself on the Moonies in some respects: its deacons use total-environment conditioning, surrounding you with their own people so that the only truths you hear are theirs. Rafi dropped his old acquaintances and disappeared from our radar, much to Pen’s dismay. Ginny, his girlfriend at that time, was an SCA plant who fed Rafi’s addiction with badly photocopied grimoires, mountains of steganographic horse shit and a few nuggets of lethal, undeniable fact.
I don’t know why they chose Rafi. What I do know is that Fanke had a lot of arcane and complex ideas about how magical ritual should work, and he’d come to the conclusion that in magic the practitioner is part of the system. For some reason, that meant that when he attempted his biggest ever summoning, raising one of the most powerful demons in Hell by means of an adjuration spell adapted from Honorius’ Liber Iuratus, he decided it should be Rafi Ditko rather than himself who drew the circle and intoned the needful words.
The summoning went wrong, and Rafi ended up possessed by Asmodeus instead of commanding him. Then I sealed his fate by trying to carry out an exorcism without knowing what it was I was trying to cast out. I’d never met a demon back in those days. I was armed for bear, but I found myself drawing a bead on Leviathan.
I’ve tried many times since that night to reconstruct what it was I did, with a view to reverse-engineering my own tune and finding a way to put things right. It’s not easy, for a lot of reasons. The scene was one of violent chaos: in the bathroom of Rafi’s flat in the Seven Sisters Road, with Rafi thrashing and raving in a bathtub full of boiling water right beside me. That water had been ice about a minute and a half before, but the fierce heat that was burning Rafi up from the inside had made short work of it.
I found what I thought was the intruding spirit, and I started to weave a tune around it. The notes came quickly and fluently. I was expecting this thing, whatever it was, to put up more of a fight, but despite Rafi’s cursing and convulsions, the binding wasn’t too hard at all.
But as I was about to move on to the banishing, Rafi had a moment of lucidity. He stared at me with absolute terror in his eyes. ‘Fix . . .’ he whispered. ‘Please! Please don’t . . .’ In an instant he’d vanished again, going down for the third time in the lightless wells of his own hind brain. Asmodeus surfaced in his place, tenting the skin of Rafi’s face with the ridge poles of his own inhuman physiognomy, and blistering my ears with a curse from the arse-end of Tartarus.
I twigged it then, all of it. I knew what it was that was possessing Rafi, and I knew what I’d caught in the tightening coils of my tune. I was about to exorcise my best friend’s spirit from his own body, and leave the demon standing alone on the field.
I couldn’t just stop playing; that would destroy Rafi for sure. So I did the only thing I could think of, which was to change the tune into something else. I modulated key and pitch and tempo, trying to ground the binding power of the music in something else besides Rafi. And the demon, seeing what I was doing, fought back.
It was like being in a tug of war in which the rope is a frayed mains cable with a million volts flowing through it. I couldn’t stop, couldn’t let go, couldn’t let my concentration slacken for a moment. We wrestled for hours, the demon writhing inside my friend’s flesh, me hunched over the bathtub with the whistle jammed to my mouth, playing a skirling, nightmare arabesque.
And I won. Kind of. I bound the demon.
Only I bound it to Rafi, and I couldn’t untie them again.
It was the opposite of an exorcism: the man and the monster were welded so tightly and inextricably that they’d almost become one being. It wasn’t exactly a Jekyll and Hyde deal, though; it was worse than that. Asmodeus was calling the shots from day one. Rafi’s personality remained totally submerged, except when I was able to bring it to the surface again with another summoning.
And Rafi’s body was locked up in a silver-lined cell at the Charles Stanger Care Home in Muswell Hill, silver being a good specific against demons as well as the undead. The official diagnosis was schizophrenia, but the Stanger knew what they were dealing with and took no chances. They kept the demon down with wards and charms and neuroleptic drugs, administered in industrial quantities.
That was how things stayed for the next three years. I tried a hundred times to recreate the tune that had turned Rafi and Asmodeus into spiritual Siamese twins, but I never even got close. And without that starting point to work from, I didn’t have a bastard clue how to separate them out again. There’s no sieve in the world with a mesh fine enough for souls.
And now I’d run out of time. Asmodeus was walking the streets, leaving a trail of dead bodies in his wake. Something had to be done, and now that I’d sobered up long enough to string two thoughts together, I knew that it was me who had to do it. It was either that or stay smashed out of my skull for the rest of my life.
Thus conscience does make cowards of us all. It’s a bitch.
After finishing her second brandy, Pen tried to re-establish an air of normality by mucking out the rats’ cage. I left her to it and went back up to my room to make another pass at the mess: a parallel process really, except that my room smelled a lot worse than rat shit.
I worked with more of a will this time, and made some inroads into the chaos. Just having something to do was therapeutic, although I still felt fragile from the heroic abuses of the past few days and I had to take things slow.
Every so often random flashes of memory would play across my inner eye. I let them come and go again without trying to force them, intriguing though some of them were. As with birds, chasing after them would be the surest way to make them scatter.
I remembered sitting on cooling asphalt and trying to find a new note on my whistle, convinced that I was hearing the note in the air all around me. I could almost hear it again now, but it remained tantalisingly just out of reach, like a dream that’s already started to evaporate as you wake up piecemeal from a troubled sleep.
The withdrawal pangs hit me again, harder than ever, prickling my skin and covering me in an instant with cold sweat. I hardly even noticed. That note, that elusive ostinato, remained wedged in the doorway of my mind like an overlarge piece of furniture that couldn’t be pulled or pushed. It wouldn’t come into clear focus and it wouldn’t leave me alone.
I took out my whistle, put it to my mouth and blew a few random chords. A, C and then G took me by a sort of natural progression into ‘Henry Martin’, a wholesome little tune about murder, exploitation and the irreversible loss of innocence.
There were three brothers in merry Scotland,
In merry Scotland there were three,
And they did cast lots as to which one should go
To turn robber all on the salt sea.
Whe
n Henry Martin was swinging from the gallows tree, I moved on to another equally pleasant ditty, and then another after that. The evening wore on into night as I played, and an unsettling feeling crept over me by degrees: a solid conviction based on the most fleeting and ephemeral of impressions.
Imagine you woke up to find yourself a prisoner in an unfamiliar room, in total darkness, with your hands and feet tied. Unable to move, unable to see, you’d have no way of finding out what kind of place you were in. But when you shouted for help, the echoes of your own voice would come back to you, and give you some sense of the size of the room: the extent and maybe even the shape of the volume of air that surrounded you.
That was kind of what I felt right then: playing the whistle woke up my death-sense, and my death-sense told me that the world had changed. The echoes of the simple, dolorous tune described a space that was subtly, infinitesimally altered from what I knew, what I’d expected. I wondered what in Hell that might mean.
Disconcerted, I lowered the whistle. I was about to try another tune when I saw Pen standing in the doorway, staring in at me. There was a tension in her pose and in her expression. ‘You’re upsetting the birds,’ she said.
I put the whistle down on the table beside my bed. ‘Everyone’s a critic,’ I deadpanned.
She stared at the whistle for a moment, then shook her head, visibly giving it up. She turned away, towards the stairs, but an afterthought struck her and she stopped on the top step, looking back at me over her shoulder. ‘You had some calls,’ she said.