She was zeroing in on him: this was the theory his mind immediately formed, instantly and gratefully accepted. He had thought of her from the beginning as an angel—now he conceived of her as a lost angel wandering alone through Night for ages, suddenly touched by his presence, drawn like an iron filing to a magnet, pulled from exile into the realms of light and life.
He soothed her. He would wait for her, he would be a beacon—he would not leave her alone in the dark, he would love her and pull her to the light. She quieted, and they moved together, through each other, became one.
He sank deeper into Night.
He floated in himself: a Möbius band.
In the morning, he woke in the chair. A test pattern hummed on the television. The inside of his pants was sticky with semen.
Habit drives him to work. Automatically he gets up, takes a shower, puts on fresh clothes. He eats no breakfast; he isn’t hungry—he wonders, idly, if he will ever be hungry again. He lets his feet take him to the bus stop, and waits without fretting about whether or not he’d remembered to lock the door. He waits without thinking about anything. The sun is out; birds are humming in the concrete eaves of the housing project. Mason hums too, quite unconsciously. He boards the bus for work, lets the driver punch his trip ticket, and docilely allows the incoming crowd to push and jostle him to an uncomfortable seat in the back, over the wheel. There, sitting with his knees doubled up in the tiny seat and peering around with an unusual curiosity, the other passengers give him the first bad feeling of the day. They sit in orderly rows, not talking, not moving, not even looking out the window. They look like department store dummies, on their way to a new display. They are not there at all.
Mason decided to call her Lilith—provisionally at least, until the day, soon now, when he could learn her real name from her own lips. The name drifted up from his subconscious, from the residue of long, forgotten years of Sunday school—not so much because of the associations of primeval love carried by the name (although those rang on a deeper level), but because as a restless child suffering through afternoons of watered-down theology he’d always imagined Lilith to be rather pretty and sympathetic, the kind who might wink conspiratorially at him behind the back of the pious, pompous instructor: a girl with a hint of illicit humor and style, unlike the dumpy, clay-faced ladies in the Bible illustrations. So she became Lilith. He wondered if he would be able to explain the name to her when they met, make her laugh with it.
He fussed with these and other details throughout the day, turning it over in his mind—he wasn’t crazy, the dream was real, Lilith was real, she was his—the same thoughts cycling constantly. He was happy in his preoccupation, self-sufficient, only partly aware of the external reality through which he moved. He contributed only monosyllabic grunts to the usual locker-room conversations about sports and politics and pussy, he answered questions with careless shrugs or nods, he completely ignored the daily gauntlet of hellos, good-byes, how’re they hangings and other ritual sounds. During lunch he ate very little and let Russo finish his sandwich without any of the traditional exclamations of amazement about the wop’s insatiable appetite—which made Russo so uneasy that he was unable to finish it after all. Kaplan came in and told Russo and Mason in hushed, delighted tones that old Hamilton had finally caught the clap from that hooker he’d been running around with down at Saluzzio’s Russo exploded into the expected laughter, said no shit? in a shrill voice, pounded the table, grinned in jovial disgust at the thought of that old bastard Hamilton with VD. Mason grunted.
Kaplan and Russo exchanged a look over his head—their eyes were filled with the beginnings of a reasonless, instinctive fear: the kind of unease that pistons in a car’s engine might feel when one of the cylinders begins to misfire. Mason ignored them; they did not exist; they never had. He sat at the stone table and chain-smoked with detached ferocity, smoking barely half of each cigarette before using it to light another and dumping the butt into his untouched coffee to sizzle and drown. The Dixie cup was filled with floating, jostling cigarette butts, growing fat and mud-colored as they sucked up coffee: a nicotine logjam. Kaplan and Russo mumbled excuses and moved away to find another table; today Mason made them feel uneasy and insignificant.
Mason did not notice that they had gone. He sat and smoked until the whistle blew, and then got up and walked calmly in to work. He worked mechanically, raising the hammer and bringing it down, his hands knowing their job and doing it without any need of volition, the big muscles in his arms and shoulders straining, his legs braced wide apart, sweat gleaming—an automaton, a clockwork golem. His face was puckered and preoccupied, as if he were constipated. He did not see the blood; his brain danced with thoughts of Lilith.
Twice that day he thought he felt her brush at his mind, the faintest of gossamer touches, but there were too many distractions—he couldn’t concentrate enough. As he washed up after work, he felt the touch again: a hesitant, delicate, exploratory touch, as if someone were groping through his mind with feather fingers.
Mason trembled, and his eyes glazed. He stood, head tilted, unaware of the stream of hot water against his back and hips, the wet stone underfoot, the beaded metal walls; the soap drying on his arms and chest, the smell of heat and wet flesh, the sharp hiss of the shower jets and the gargle of water down the drain; the slap of thongs and rasp of towels, the jumbled crisscross of wet footprints left by men moving from the showers to the lockers, the stuffiness of steam and sweat disturbed by an eddy of colder air as someone opened the outer door; the rows of metal lockers beyond the showers with Playboy gatefolds and Tijuana pornography and family snapshots pinned to the doors, the discolored wooden benches and the boxes of foot powder, the green and white walls of the dressing room covered with company bulletins and joke-shop signs…Everything that went into the making of that moment, of his reality, of his life. It all faded, became a ghost, the shadow of a shadow, disappeared completely, did not exist. There was only here, and Lilith here. And their touch, infinitely closer than joined fingers. Then the world dragged him away.
He opened his eyes. Reality came back: in a babble, in a rush, mildly nauseating. He ignored it, dazed and incandescent with the promise of the night ahead. The world steadied. He stepped back into the shower stream to wash the soap from his body. He had an enormous erection. Clumsily, he tried to hide it with a towel.
Mason takes a taxi home from work. The first time.
That night he is transformed, ripped out of himself, turned inside out. It is pleasure so intense that, like pain, it cannot be remembered clearly afterward—only recollected as a severe shock: sensation translated into a burst of fierce white light. It is pleasure completely beyond his conception—his most extreme fantasy not only fulfilled but intensified. And yet for all the intensity of feeling, it is a gentle thing, a knowing, a complete sharing of emotion, a transcendental empathy. And afterward there is only peace: a silence deeper than death, but not alone. I love you, he tells her, really believing it for the first time with anyone, realizing that words have no meaning, but knowing that she will understand, I love you.
When he woke up in the morning, he knew that this would be the day.
Today she would come. The certainty pulsed through him, he breathed it like air, it beat in his blood. The knowledge of it oozed in through every pore, only to meet the same knowledge seeping out. It was something felt on a cellular level, a biological assurance. Today they would be together.
He looked at the ceiling. It was pocked with water stains; a deep crack zigzagged across flaking plaster. It was beautiful. He watched it for a half hour without moving, without being aware of the passage of time; without being aware that what he was watching was a “ceiling.” Then, sluggishly, something came together in his head, and he recognized it. Today he didn’t begrudge it, as he had Wednesday morning. It was a transient condition. It was of no more intrinsic importance than the wall of a butterfly’s cocoon after metamorphosis.
Mason rolled to his feet.
Fatigue and age had vanished. He was filled with bristly, crackling vitality, every organ, every cell seeming to work at maximum efficiency: so healthy that “healthy” became an inadequate word. This was a newer, higher state.
Mason accepted it calmly, without question. His movements were leisurely and deliberate, almost slow motion, as if he were swimming through syrup. He knew where he was going, that they would find each other today—that was predestined. He was in no hurry. The same inevitability colored his thoughts. There was no need to do much thinking now, it was all arranged. His mind was nearly blank, only deep currents running. Her nearness dazzled him. Walking, he dreamed of her, of time past, of time to come.
He drifted to the window, lazily admiring the prism sprays sunlight made around the edges of the glass. The streets outside were empty, hushed as a cathedral. Not even birds to break the holy silence. Papers dervished down the center of the road. The sun was just floating clear of the brick horizon: a bloated red ball, still hazed with nearness to the earth.
He stared at the sun.
Mason became aware of his surroundings again while he was dressing. Dimly, he realized that he was buckling his belt, slipping his feet into shoes, tying knots in the shoelaces. His attention was caught by a crisscross pattern of light and shadow on the kitchen wall.
He was standing in front of the slaughterhouse. Mason blinked at the building’s filigreed iron gates. Somewhere in there, he must have caught the bus and ridden it to work. He couldn’t remember. He didn’t care.
Walking down a corridor. A machine booms far away.
He was in an elevator. People. Going down.
Time clock.
A door. The dressing room, deep in the plant. Mason hesitated. Should he go to work today? With Lilith so close? It didn’t matter—when she came, Lilith would find him no matter where he was. It was easier meanwhile not to fight his body’s trained responses; much easier to just go along with them, let them carry him where they would, do what they wanted him to do.
Buttoning his work uniform. He didn’t remember opening the door, or the locker. He told himself that he’d have to watch that.
A montage of surprised faces, bobbing like balloons, very far away. Mason brushed by without looking at them. Their lips moved as he passed, but he could not hear their words.
Don’t look back. They can turn you to salt, all the hollow men.
The hammer was solid and heavy in his hand. Its familiar weight helped to clear his head, to anchor him to the world. Mason moved forward more quickly. A surviving fragment of his former personality was eager to get to work, to demonstrate his regained strength and vigor for the other men. He felt the emotion through an ocean of glass, like ghost pain in an amputated limb. He tolerated it, humored it; after today, it wouldn’t matter.
Mason walked to the far end of the long white room. Lilith seemed very close now—her nearness made his head buzz intolerably. He stumbled ahead, walking jerkily, as if he were forcing his way against waves of pressure. She would arrive any second. He could not imagine how she would come, or from where. He could not imagine what would happen to him, to them. He tried to visualize her arrival, but his mind, having only Disney, sci-fi, and religion to work with, could only picture an ethereally beautiful woman made of stained glass descending from the sky in a column of golden light while organ music roared: the light shining all around her and from her, spraying into unknown colors as it passed through her clear body. He wasn’t sure if she would have wings.
Raw daylight through the open end of the room. The nervous lowing of cattle. Smell of dung and sweat, undertang of old, lingering blood. The other men, looking curiously at him. They had masks for faces, viper eyes. Viper eyes followed him through the room. Hooves scuffed gravel outside.
Heavy-lidded, trembling, he took his place.
They herded in the first cow of the day, straight up to Mason. He lifted the hammer.
The cow approached calmly. Tranquilly she walked before the prods, her head high. She stared intently at Mason. Her eyes were wide and deep—serene, beautiful, and trusting.
Lilith, he named her, and then the hammer crashed home between her eyes.
A DREAM AT
NOONDAY
I remember the sky, and the sun burning in the sky like a golden penny flicked into a deep blue pool, and the scuttling white clouds that changed into magic ships and whales and turreted castles as they drifted up across that bottomless ocean and swam the equally bottomless sea of my mind’s eye. I remember the winds that skimmed the clouds, smoothing and rippling them into serene grandeur or boiling them into froth. I remember the same wind dipping low to caress the grass, making it sway and tremble, or whipping through the branches of the trees and making them sing with a wild, keening organ note. I remember the silence that was like a bronzen shout echoing among the hills.
—It is raining. The sky is slate-gray and grittily churning. It looks like a soggy dishrag being squeezed dry, and the moisture is dirty rain that falls in pounding sheets, pressing down the tall grass. The rain pocks the ground, and the loosely packed soil is slowly turning into mud and the rain spatters the mud, making it shimmer—
And I remember the trains. I remember lying in bed as a child, swathed in warm blankets, sniffing suspiciously and eagerly at the embryonic darkness of my room, and listening to the big trains wail and murmur in the freight yard beyond. I remember lying awake night after night, frightened and darkly fascinated, keeping very still so that the darkness wouldn’t see me, and listening to the hollow booms and metallic moans as the trains coupled and linked below my window. I remember that I thought the trains were alive, big dark beasts who came to dance and to hunt each other through the dappled moonlight of the world outside my room, and when I would listen to the whispering clatter of their passing and feel the room quiver ever so slightly in shy response, I would get a crawly feeling in my chest and a prickling along the back of my neck, and I would wish that I could watch them dance, although I knew that I never would. And I remember that it was different when I watched the trains during the daytime, for then even though I clung tight to my mother’s hand and stared wide-eyed at their steam-belching and spark-spitting they were just big iron beasts putting on a show for me; they weren’t magic then, they were hiding the magic inside them and pretending to be iron beasts and waiting for the darkness. I remember that I knew even then that trains are only magic in the night and only dance when no one can see them. And I remember that I couldn’t go to sleep at night until I was soothed by the muttering lullaby of steel and the soft, rhythmical hiss-clatter of a train booming over a switch. And I remember that some nights the bellowing of a fast freight or the cruel, whistling shriek of a train’s whistle would make me tremble and feel cold suddenly, even under my safe blanket-mountain, and I would find myself thinking about rain-soaked ground and blood and black cloth and half-understood references to my grandfather going away, and the darkness would suddenly seem to curl in upon itself and become diamond-hard and press down upon my straining eyes, and I would whimper and the fading whistle would snatch the sound from my mouth and trail it away into the night. And I remember that at times like that I would pretend that I had tiptoed to the window to watch the trains dance, which I never really dared to do because I knew I would die if I did, and then I would close my eyes and pretend that I was a train, and in my mind’s eye I would be hanging disembodied in the darkness a few inches above the shining tracks, and then the track would begin to slip along under me, slowly at first then fast and smooth like flowing syrup, and then the darkness would be flashing by and then I would be moving out and away, surrounded by the wailing roar and evil steel chuckling of a fast freight slashing through the night, hearing my whistle scream with the majestic cruelty of a stooping eagle and feeling the switches boom and clatter hollowly under me, and I would fall asleep still moving out and away, away and out.
—The rain is stopping slowly, trailing away across the field, brushing the ground like long, d
angling gray fingers. The tall grass creeps erect again, bobbing drunkenly, shedding its burden of water as a dog shakes himself dry after a swim. There are vicious little crosswinds in the wake of the storm, and they make the grass whip even more violently than the departing caress of the rain. The sky is splitting open above, black rain clouds pivoting sharply on a central point, allowing a sudden wide wedge of blue to appear. The overcast churns and tumbles and clots like wet heavy earth turned by a spade. The sky is now a crazy mosaic of mingled blue and gray. The wind picks up, chews at the edge of the tumbling wrack, spinning it to the fineness of cotton candy and then lashing it away. A broad shaft of sunlight falls from the dark undersides of the clouds, thrusting at the ground and drenching it in a golden cathedral glow, filled with shimmering green highlights. The effect is like that of light through a stained-glass window, and objects bathed in the light seem to glow very faintly from within, seem to be suddenly translated into dappled molten bronze. There is a gnarled, shaggy tree in the center of the pool of sunlight, and it is filled with wet, disgruntled birds, and the birds are hesitantly, cautiously, beginning to sing again—
And I remember wandering around in the woods as a boy and looking for nothing and finding everything and that clump of woods was magic and those rocks were a rustlers’ fort and there were dinosaurs crashing through the brush just out of sight and everybody knew that there were dragons swimming in the sea just below the waves and an old glittery piece of Coke bottle was a magic jewel that could let you fly or make you invisible and everybody knew that you whistled twice and crossed your fingers when you walked by that deserted old house or something shuddery and scaly would get you and you argued about bang you’re dead no I’m not and you had a keen gun that could endlessly dispatch all the icky monsters who hung out near the swing set in your backyard without ever running out of ammunition. And I remember that as a kid I was nuts about finding a magic cave and I used to think that there was a cave under every rock, and I would get a long stick to use as a lever and I would sweat and strain until I had managed to turn the rock over, and then when I didn’t find any tunnel under the rock I would think that the tunnel was there but it was just filled in with dirt, and I would get a shovel and I would dig three or four feet down looking for the tunnel and the magic cave and then I would give up and go home for a dinner of beans and franks and brown bread. And I remember that once I did find a little cave hidden under a big rock and I couldn’t believe it and I was scared and shocked and angry and I didn’t want it to be there but it was and so I stuck my head inside it to look around because something wouldn’t let me leave until I did and it was dark in there and hot and very still and the darkness seemed to be blinking at me and I thought I heard something rustling and moving and I got scared and I started to cry and I ran away and then I got a big stick and came back, still crying, and pushed and heaved at that rock until it thudded back over the cave and hid it forever. And I remember that the next day I went out again to hunt for a magic cave.
Morning Child and Other Stories Page 11