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Electric Shock Page 79

by Peter Doggett


  Brewster, Bill, and Frank Broughton: The Record Players: DJ Revolutionaries (London: DJhistory.com, 2010)

  Broadcasting in Everyday Life (London: British Broadcasting Corporation, 1939)

  Broonzy, William, and Yannick Bruynoghe: Big Bill’s Blues (London: Cassell, 1955)

  Broughton, Viv: Black Gospel: An Illustrated History of the Gospel Sound (Poole: Blandford Press, 1985)

  Budds, Michael J. (ed.): Jazz and the Germans: Essays on the Influence of ‘Hot’ American Idioms on 20th Century German Music (Hillsdale: Pendragon Press, 2002)

  Burton, Humphrey: Leonard Bernstein (New York: Anchor Books, 1995)

  Butler, Mark J.: Unlocking the Groove: Rhythm, Meter and Musical Design in Electronic Dance Music (Bloomington: Indiana University Press, 2006)

  Calt, Stephen: I’d Rather Be the Devil: Skip James and the Blues (New York: Da Capo, 1994)

  Cantwell, Robert: Bluegrass Breakdown: The Making of the Old Southern Sound (Urbana: University of Illinois Press, 1984)

  Carney, Court: Cuttin’ Up: How Early Jazz Got America’s Ear (Lawrence: University Press of Kansas, 2009)

  Cash, Johnny, with Patrick Carr: Cash: The Autobiography (New York: HarperSanFrancisco, 1997)

  Castro, Ruy: Bossa Nova: The Story of the Brazilian Music that Seduced the World (Chicago: A Cappella Books, 2000)

  Chanan, Michael: Repeated Takes: A Short History of Recording and its Effects on Music (London: Verso, 1995)

  Chang, Jeff: Can’t Stop Won’t Stop: A History of the Hip-Hop Generation (London: Ebury Press, 2007)

  Charles, Ray, with David Ritz: Brother Ray (New York: Da Capo Press, 2004)

  Clapton, Eric, with Christopher Simon Sykes: Eric Clapton: The Autobiography (London: Century, 2007)

  Clayson, Alan, and Spencer Leigh (eds): Aspects of Elvis (London: Sidgwick & Jackson, 1994)

  Cliffe, Peter: Fascinating Rhythm (Baldock: Egon Publishers, 1990)

  Clover, Joshua: 1989: Bob Dylan Didn’t Have This to Sing About (Berkeley: University of California Press, 2009)

  Cohen, Harvey G.: Duke Ellington’s America (Chicago: University of Chicago Press, 2010)

  Cohen, Rich: The Record Men: The Chess Brothers and the Birth of Rock & Roll (London: Profile Books, 2005)

  Cohen, Stanley: Folk Devils and Moral Panics: The Creation of the Mods and Rockers (Oxford: Martin Robertson, 1980)

  Collier, James Lincoln: The Reception of Jazz in America: A New View (Brooklyn: Institute for Studies in American Music, 1988)

  Cooper, Daniel: Lefty Frizzell: The Honky-Tonk Life of Country Music’s Greatest Singer (New York: Little, Brown, 1995)

  Cope, Julian: Copendium (London: Faber & Faber, 2012)

  Coward, Noël: The Lyrics of Noël Coward (London: Methuen, 2002)

  Crosby, David, with Carl Gottlieb: Since Then (New York: Berkley Books, 2006)

  Crosland, Margaret: A Cry from the Heart: The Biography of Edith Piaf (London: Arcadia Books, 2002)

  Crouch, Kevin and Tanja: Sun King: The Life and Times of Sam Phillips (London: Piatkus, 2008)

  Currie, Tony: The Radio Times Story (Tiverton: Kelly Publications, 2001)

  Dawson, Jim: The Twist: The Story of the Song and Dance That Changed the World (Winchester, MA: Faber & Faber,1995)

  Delmore, Alton: Truth is Stranger Than Publicity: Alton Delmore’s Autobiography (Nashville: Country Music Foundation, 1977)

  Dewe, Mike: The Skiffle Craze (Aberystwyth: Planet, 1998)

  Echols, Alice: Hot Stuff: Disco and the Remaking of American Culture (New York: W.W. Norton & Co., 2010)

  Eisenberg, Evan: The Recording Angel: Explorations in Phonography (New York: McGraw-Hill, 1987)

  Ellis, Royston: The Big Beat Scene (York: Music Mentor, 2010)

  Emery, Ralph, with Tom Carter: Memories: The Autobiography of Ralph Emery (New York: Pocket Books, 1992)

  Epstein, Daniel Mark: Nat King Cole (New York: Farrar, Straus and Giroux, 1999)

  Escott, Colin, with Martin Hawkins: Good Rockin’ Tonight: Sun Records and the Birth of Rock ’n’ Roll (New York: St Martin’s Press, 1991)

  Evanier, David: Roman Candle: The Life of Bobby Darin (Emmaus: Rodale, 2004)

  Ewen, David: Panorama of American Popular Music (Englewood Cliffs: Prentice-Hall Inc., 1957)

  Faith, Adam: Poor Me: A Candid Self-Portrait (London: 4-Square/Souvenir Books, 1961)

  Farrell, Gerry: Indian Music and the West (New York: Oxford University Press, 1997)

  Feldman, Christine Jacqueline: We Are the Mods: A Transnational History of a Youth Subculture (New York: Peter Lang, 2009)

  Fidelman, Geoffrey Mark: First Lady of Song: Ella Fitzgerald for the Record (New York: Citadel Press, 1996)

  Firestone, Ross: Swing, Swing, Swing: The Life and Times of Benny Goodman (London: Hodder & Stoughton, 1993)

  Fisher, John: George Formby (London: Woburn/Futura, 1975)

  Fisher, Joseph P., and Brian Flota (eds): The Politics of Post 9/11 Music: Sound, Trauma and the Music Industry in the Time of Terror (Farnham: Ashgate, 2011)

  Fong-Torres, Ben: The Hits Just Keep On Coming: The History of Top 40 Radio (San Francisco: Backbeat, 1998)

  Fowler, David: Youth Culture in Modern Britain, c. 1920–c. 1970 (London: Palgrave Macmillan, 2008)

  Fox-Strangways, A. H., with Maud Karpeles: Cecil Sharp (London: Oxford University Press, 1933)

  Frame, Pete: The Restless Generation (London: Rogan House, 2007)

  Freedland, Michael: Al Jolson (London: Abacus, 1975)

  Fritz, Jimi: Rave Culture: An Insider’s Overview (Chemainus: Small Fry Press, 1999)

  Gammond, Peter (ed.): Duke Ellington, His Life and Music (London: Phoenix House, 1958)

  Garratt, Sheryl: Adventures in Wonderland: A Decade of Club Culture (London: Headline, 1999)

  Geijerstam, Claes af: Popular Music in Mexico (Albuquerque: University of New Mexico Press, 1976)

  Gelatt, Roland: The Fabulous Phonograph 1877–1977 (London: Cassell, 1977)

  Gelly, Dave: Stan Getz: Nobody Else But Me (San Francisco: Backbeat, 2002)

  Giddins, Gary: Bing Crosby: A Pocketful of Dreams: The Early Years 1903–1940 (New York: Little, Brown, 2001)

  Gioia, Ted: The Imperfect Art: Reflections on Jazz and Modern Culture (New York: Oxford University Press, 1988)

  Glasper, Ian: The Day the Country Died: A History of Anarcho Punk 1980–1984 (London: Cherry Red Books, 2006)

  Godbolt, Jim: All This and 10% (London: Robert Hale, 1976)

  Godbolt, Jim: A History of Jazz in Britain 1919–50 (London: Northway Publications, 2010)

  Goldman, Albert: Disco (New York: Hawthorn Books, 1978)

  Gottlieb, Robert, and Robert Kimball (eds): Reading Lyrics (New York: Pantheon Books, 2000)

  Greene, Victor: A Passion For Polka: Old-Time Ethnic Music in America (Berkeley: University of California Press, 1992)

  Grillo, Ioan: El Narco: Inside Mexico’s Criminal Insurgency (London: Bloomsbury, 2011)

  Groom, Bob: The Blues Revival (London: Studio Vista, 1971)

  Grudens, Richard: Star Dust: The Bible of the Big Bands (Stonybrook: Celebrity Profiles Publishing, 2008)

  Guralnick, Peter: Last Train to Memphis: The Rise of Elvis Presley (London: Little, Brown, 1995)

  Halberstadt, Alex: Lonely Avenue: The Unlikely Life and Times of Doc Pomus (London: Jonathan Cape, 2007)

  Hall, Fred: Dialogues in Swing: Intimate Conversations with the Stars of the Big Band Era (Ventura: Pathfinder Publishing, 1989)

  Hamilton, Marybeth: In Search of the Blues: Black Voices, White Visions (London: Jonathan Cape, 2007)

  Hamm, Charles: Putting Popular Music in its Place (Cambridge: Cambridge University Press, 1995)

  Hancock, John: Benny Goodman: The Famous 1938 Carnegie Hall Concert (Shrewsbury: Prancing Fish Publishing, 2009)

  Harker, Dave: Fakesong: The Manufacture of British ‘Folksong’ 1700 to the Present Day (Milton Keynes: Open University Press, 1985)

  Harris, Charles K.: How to Write a Popula
r Song (Chicago: self-published, 1906 [1897])

  Heath, Ted: Listen to My Music: An Autobiography (London: Frederick Muller, 1957)

  Hechinger, Grace and Fred M.: Teen-Age Tyranny (London: Gerald Duckworth, 1964)

  Hernandez, Deborah Pacini, Héctor Fernández-L’Hoeste, and Eric Zolov (eds): Rockin’ Las Americas: The Global Politics of Rock in Latin/o America (Pittsburgh: University of Pittsburgh Press, 2004)

  Heylin, Clinton (ed.): The Penguin Book of Rock & Roll Writing (London: Viking, 1992)

  Hill, Donald R.: Calypso Calaloo: Early Carnival Music in Trinidad (Gainesville: University Press of Florida, 1993)

  Hopkins, Jerry: Elvis (London: Abacus Books, 1974)

  Isaacson, Walter: Steve Jobs (London: Little, Brown, 2011)

  Jasen, David A., and Trebor Jay Tichenor: Rags and Ragtime: A Musical History (New York: Seabury Press, 1978)

  Johnson, Bruce, and Martin Cloonan: Dark Side of the Tune: Popular Music and Violence (Farnham: Ashgate, 2009)

  Jordan, Matthew F.: Le Jazz: Jazz and French Cultural Identity (Urbana: University of Illinois Press, 2010)

  Kaplan, James: Frank: The Making of a Legend (London: Sphere, 2010)

  Katz, David: Solid Foundation: An Oral History of Reggae (London: Bloomsbury, 2003)

  Katz, David: Jimmy Cliff: An Unauthorised Biography (London: Macmillan Signal, 2011)

  Katz, Mark: Capturing Sound: How Technology Has Changed Music (Berkeley: University of California Press, 2004)

  Katz, Mark: Groove Music: The Art and Culture of the Hip-Hop DJ (New York: Oxford University Press, 2012)

  Kelly, Sarah: Teen Idols (New York: Pocket Books, 2002)

  Kenney, William Howland: Chicago Jazz: A Cultural History 1904–1930 (New York: Oxford University Press, 1993)

  Kirby, David: Little Richard: The Birth of Rock ’n’ Roll (New York: Continuum, 2009)

  Kirn, Peter (ed.): Keyboard Presents: The Evolution of Electronic Dance Music (Milwaukee: Backbeat Books, 2011)

  Krivine, J.: Juke-Box Saturday Night (London: New English Library, 1977)

  Lahickey, Beth (ed.): All Ages: Reflections on Straight Edge (Huntington Beach: Revelation Books, 1997)

  Laird, Tracey E. W.: Louisiana Hayride: Radio and Roots Music along the Red River (New York: Oxford University Press, 2005)

  Lanza, Joseph: Elevator Music (London: Quartet, 1995)

  Larkin, Philip: All What Jazz: A Record Diary 1961–68 (London: Faber & Faber, 1970)

  Laurie, Peter: The Teenage Revolution (London: Anthony Blond, 1965)

  Lauterbach, Preston: The Chitlin’ Circuit and the Road to Rock ’n’ Roll (New York: W.W. Norton & Co., 2011)

  Leader, Zachary (ed.): The Letters of Kingsley Amis (London: HarperCollins, 2001)

  Leigh, Spencer: Everyday: Getting Closer to Buddy Holly (London: SAF, 2009)

  Leslie, Peter: Fab: The Anatomy of a Phenomenon (London: MacGibbon & Kee, 1965)

  Leslie, Peter: A Hard Act to Follow: A Music Hall Review (New York: Paddington Press, 1978)

  Letts, Don, with David Nobakht: Culture Clash: Dread Meets Punk Rockers (London: SAF, 2007)

  Lewis, Jerry Lee, with Charles White: Killer! (London: Century, 1993)

  Lloyd, A. L.: Folk Song in England (London: Lawrence & Wishart, 1967)

  Lombardo, Guy, with Jack Altshul: Auld Acquaintance: An Autobiography (Garden City: Doubleday, 1975)

  Mabey, Richard: The Pop Process (London: Hutchinson Educational, 1969)

  Macan, Edward: Rocking the Classics: English Progressive Rock and the Counterculture (New York: Oxford University Press, 1997)

  Maggin, Donald L.: Dizzy: The Life and Times of John Birks Gillespie (New York: HarperEntertainment, 2005)

  Malins, Steve: Depeche Mode: A Biography (London: Andre Deutsch, 1997)

  Malone, Bill C.: Singing Cowboys and Musical Mountaineers (Athens: University of Georgia Press, 1993)

  Mann, William J.: Hello Gorgeous: Becoming Barbra Streisand (London: The Robson Press, 2012)

  Manuel, Peter: Popular Musics of the Non-Western World (New York: Oxford University Press, 1988)

  Manuel, Peter: Caribbean Currents: Caribbean Music from Rumba to Reggae (Philadelphia: Temple University Press, 1995)

  Margolick, David: Strange Fruit: Billie Holiday, Café Society and an Early Cry for Civil Rights (Edinburgh: Canongate, 2001)

  Martland, Peter: Recording History: The British Record Industry 1888–1931 (Lanham: Scarecrow Press, 2013)

  McCarthy, Albert: The Dance Band Era (London: Spring Books, 1974)

  McGee, David: B.B. King: There Is Always One More Time (San Francisco: Backbeat, 2005)

  McGowan, Chris, and Ricardo Pessanha: The Brazilian Sound: Samba, Bossa Nova and the Popular Music of Brazil (New York: Billboard Books, 1991)

  McKagan, Duff: It’s So Easy and Other Lies (London: Orion, 2011)

  Mendl, R. W. S.: The Appeal of Jazz (London: Philip Allen & Co., 1927)

  Miller, James: Almost Grown: The Rise of Rock (London: Arrow Books, 2000)

  Moore, Carlos: Fela: This Bitch of a Life (London: Omnibus Press, 2010)

  Morrell, Brad: Nirvana & the Sound of Seattle (London: Omnibus Press, 1996)

  Murray, Albert: Stomping the Blues (London: Quartet, 1978)

  Murray, Charles Shaar: Boogie Man: The Adventures of John Lee Hooker in the American Twentieth Century (Edinburgh: Canongate, 2011)

  Murray, Mitch: How to Write a Hit Song (London: B. Feldman & Co., 1964)

  Murrells, Joseph: The Book of Golden Discs (London: Barrie & Jenkins, 1978)

  Myrie, Russell: Don’t Rhyme for the Sake of Riddlin’: The Authorized Study of Public Enemy (New York: Grove Press, 2008)

  Nelson, Stanley R.: All About Jazz (London: Heath Cranton, 1934)

  Ogren, Kathy J.: The Jazz Revolution: Twenties America and the Meaning of Jazz (New York: Oxford University Press, 1989)

  Oliver, Paul: Blues Off the Record (Tunbridge Wells: The Baton Press, 1984)

  Oliver, Paul: Barrelhouse Blues (New York: BasicCivitas Books, 2009)

  Osbourne, Ozzy: I Am Ozzy (London: Sphere, 2009)

  Ospina, Hernando Calvo: Salsa! Havana Heat: Bronx Beat (London: Latin American Bureau, 1995)

  Parsonage, Catherine: The Evolution of Jazz in Britain, 1880–1935 (Aldershot: Aldgate, 2005)

  Payne, Jack: This Is Jack Payne (London: Sampson Low, Marston & Co., 1932)

  Perrone, Charles A., and Christopher Dunn (eds): Brazilian Popular Music and Globalization (New York: Routledge, 2002)

  Peterson, Oscar: A Jazz Odyssey (New York: Continuum, 2002)

  Petkov, Steve, and Leonard Mustazza (eds): The Frank Sinatra Reader (New York: Oxford University Press, 1995)

  The Picture Show Annual 1929–1934 (London: Picture Show magazine, 1928–1933)

  Pollack, Howard: George Gershwin: His Life and Work (Berkeley: University of California Press, 2006)

  Poschardt, Ulf: DJ Culture (London: Quartet Books, 1998)

  Pugh, Martin: We Danced All Night: A Social History of Britain between the Wars (London: The Bodley Head, 2008)

  Rau, Rutherford: Stars Off the Record (London: Eldon Press, 1955)

  Redhead, Steve (ed.): The Clubcultures Reader: Readings in Popular Culture Studies (Oxford: Blackwell, 1998)

  Ribowsky, Mark: The Supremes (Cambridge, MA: Da Capo Press, 2009)

  Rijff, Ger (ed.): Long Lonely Highway: A 1950s Elvis Scrapbook (Ann Arbor: Pierian Press, 1987)

  Roach, Martin: Take That Now and Then: The Illustrated Story (London: HarperCollins, 2009)

  Robb, David (ed.): Protest Song in East and West Germany since the 1960s (Rochester: Camden House, 2007)

  Rodgers, Nile: Le Freak (London: Sphere, 2011)

  Rombes, Nicholas: A Cultural Dictionary of Punk 1974–1982 (New York: Continuum, 2009)

  Roth, David Lee: Crazy from the Heat (London: Ebury Press, 1997)

  Russell, Tony: Blacks, Whites and Blues (New York: Stein & Day, 1970)

  Russell, Tony: Country Music Records:
A Discography, 1921–1942 (New York: Oxford University Press, 2004)

  Rust, Brian: The Complete Entertainment Discography from the mid-1890s to 1942 (New Rochelle: Arlington House, 1973)

  Rust, Brian: The American Dance Band Discography 1917–1942 (2 vols) (New Rochelle: Arlington House, 1975)

  Rust, Brian: Jazz Records 1897–1942 (2 vols) (New Rochelle: Arlington House, 1978)

  Rust, Brian, and Sandy Forbes: British Dance Bands on Record: 1911 to 1945 (Harrow: General Gramaphone [sic] Publications, 1987)

  Ryback, Timothy W.: Rock around the Bloc: A History of Rock Music in Eastern Europe and the Soviet Union (New York: Oxford University Press, 1990)

  Sanjek, Russell: American Popular Music and its Business: The First Four Hundred Years (3 vols) (New York: Oxford University Press, 1988)

  Savage, Jon: England’s Dreaming: Sex Pistols and Punk Rock (London: Faber & Faber, 1991)

  Savigliano, Marta E.: Tango and the Political Economy of Passion (Boulder: Westview Press, 1995)

  Scannell, Paddy, and David Cardiff: A Social History of British Broadcasting. Vol. 1 1922–1939: Serving the Nation (Oxford: Basil Blackwell, 1991)

  Schafer, William J., and Johannes Riedel: The Art of Ragtime: Form and Meaning of an Original Black American Art (New York: Da Capo, 1977)

  Schuller, Gunther: Early Jazz: Its Roots and Development (New York: Oxford University Press, 1968)

  Schuller, Gunther: The Swing Era: The Development of Jazz 1930–1945 (New York: Oxford University Press, 1989)

  Schwartz, Roberta Freund: How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom (Aldershot: Ashgate, 2007)

  Self, Geoffrey: Light Music in Britain since 1870: A Survey (Aldershot: Ashgate, 2001)

  Self, Philip: Guitar Pull: Conversations with Country Music’s Legendary Songwriters (Nashville: Cypress Moon, 2002)

  Shapiro, Nat, and Nat Hentoff (eds): Hear Me Talkin’ to Ya: The Story of Jazz by the Men Who Made It (Harmondsworth: Penguin, 1962)

  Sharp, Cecil: English Folk-Song: Some Conclusions (London: Novello & Co., Simpkin & Co., 1907)

  Shaw, Arnold: The Rock Revolution (New York: Macmillan, 1969)

  Shaw, Artie: The Trouble with Cinderella: An Outline of Identity (New York: Da Capo, 1979)

  Siegel, Carol: Goth’s Dark Empire (Bloomington: Indiana University Press, 2005)

 

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