"Marguerite, sir."
And the girl, with her fond memories of Vlad, was easily seduced by this man who in some ways resembled his older brother.
In the farmyard, and later inside the house, in the small room off the kitchen where she slept, Radu petted her and interrogated her. The girl's cheeks glowed and her breath came faster, and her fish soon fell to the ground forgotten.
When he thought he had all the information he was going to get, had learned all he could about Vlad's stay in this house and the breathing folk who'd sheltered him, the game which had begun as a form of lovemaking quickly grew more intense. He began the leisurely process of killing the girl, paralyzing her early in the game, sipping blood, a little from here, a little from there, and inflicting mutilation.
I know, he thought, pausing, licking blood from his long nails, listening abstractedly to the sounds of pain. This reminds me of a discussion I had once, with—someone, I forget his name. I know the very person with whom I would like to share and describe this adventure. Too bad that he is only a breather.
Marguerite's body was still shuddering, still breathing, when Radu let it slump to the floor amid stained bedding. Sniffing fastidiously, he could easily sense the flavor and the scent of Vlad upon her. Even the two small puncture wounds his brother had left upon her shapely neck were still unhealed.
He tasted her in that very spot, and then, in slow succession, at several other places on her now fully exposed body. Experimenting, to discover how quickly he could locate the nerve centers that afforded the most exquisite pain. This gave her remaining blood a delicate flavor, which could be thoroughly appreciated only by the true gourmet.
To complete his enjoyment of the young peasant girl he decided to allow himself an hour or so longer, and during that time he put aside all problems, giving himself over entirely to the experience. Regretfully he concluded that he could not spare more time than that.
Casting the still-shuddering body aside for the last time, he stretched luxuriously, put on his clothes again, and let his mind go wandering. He had quite forgotten about Marguerite before her last thread of life quietly parted.
Radu, startled out a reverie by a slight noise behind him, out in the kitchen, jumped to his feet with a pang of fear, nerves twanging like plucked catgut, then jumped again, spinning around in his tracks.
Only a mouse. Yes, only a mouse, this time.
He stood there shivering and angry, suddenly a terrified vampire. For a moment he was convinced that Vlad had lured and trapped him here…
He even feared for his life, though he knew Vlad was not going to kill him. For Radu the true death was always—almost always—a terrifying prospect.
Radu, unlike his elder brother, was not immune to fear. Far from it.
That was one reason why he hated his brother so intensely.
Reason returned, and soothed him. Yes, someday—he could not escape the thought—someday he would turn around and Vlad would be standing there, staring at him. And there would follow another century or two of punishment, of mental and physical torture that only one Dracula could devise for another…
Yes, someday. But just now Vlad was nowhere in sight. Gradually his pulse returned to normal.
Radu supposed it likely that he was never going to hear the full story of how his brother had been speared in his earth and almost done to death.
Rather it was now up to Radu to be on guard against Vlad's inevitable counterattack.
Traveling most of the way on two wings, part of the way on four legs (all his own), making faster time than on his outward journey, he was soon back in Paris. Once there, he set someone to finding out more about the owners of the chateau.
Shortly after Radu returned to Paris, one of his people reported to him with great excitement a rumor racing through the vampire world that Vlad was dead; but the younger brother was far too canny to trust to the truth of any such tale without substantial proof.
He said: "It will take very persuasive evidence indeed to convince me that he is truly dead. Never mind that for the moment. I want to know all thereis to discover about an American named Philip Radcliffe and a young Frenchwoman, Melanie Remain."
Radu the Handsome considered it prudent to invent yet another new identity for himself, to use when he chose to walk among breathers as one of them. He changed his residence as well, moving to humbler quarters though he still remained within the city.
And now, for the first time in several years, he seriously considered abandoning France, even Europe, altogether. He pictured himself fleeing, to America, or the South Seas, some land in the remotest corner of the earth. Vlad would not kill him; no, Radu felt confident of that when he thought about it calmly. But Vlad was quite capable of inflicting truly terrible punishments, indeed was ingenious at devising them. The thought of another century of nightmares was enough to make Radu feel faint. Yet he never considered abandoning his schemes against Vlad; it was as if he really had no choice.
Then Radu heard, through one of his revolutionary contacts, that Philip Radcliffe, an American who was supposedly of an aristocratic family, heir to the very manor in which Vlad had taken shelter, had been arrested at the orders of the Committee of Public Safety.
Radcliffe was being held in prison, and had already gone through a form of trial on charges of being an aristocrat—there seemed no doubt of that, given his mother's family. He was also charged with plotting, a vague but generally effective accusation.
Radu's informant shook her head and muttered: "They say that he is Franklin's bastard son, but I doubt that will be enough to save him."
Radu continued to find out all he could about the condemned suspect Radcliffe.
* * *
Knowing Vlad as well as he did, Radu was not slow to assume that Vlad considered himself bound in honor to save Radcliffe.
The younger brother thought: "Surely I can turn that to my advantage somehow."
The more the younger vampire thought about this news, the more it seemed to open a great opportunity. Now the scheming younger brother determined to lure Vlad into a trap, force him to fail in something he had sworn to do, and possibly engineer his death. He knew how his elder brother driveled on and on about what he conceived of as his honor.
The first step was to make sure that young Radcliffe was indeed sentenced to death, despite any connection that might be shown to exist between the young man and Benjamin Franklin, and/or Tom Paine.
For his activities as far back as the 10th of August of 1792, and at a number of other times and places, Radu in one of his identities as a breathing Frenchman had even attained some minor status as a Revolutionary hero and leader. The hero had not been heard of for some time, and was now thought to be dead.
That was fine with Radu. Of course no vampire wanted to be subject to the intense scrutiny of a breathing public. More than very moderate success, in any breathers' enterprise, could draw a dangerous amount of attention to oneself, and awaken jealousy in potential rivals. Better to play the role of an almost-anonymous but recognizable and trustworthy sans-culotte. With that goal in mind, he had arranged to be signed up by Robespierre as a spy and special agent, reporting only to the Incorruptible himself.
Today Robespierre, cool as always, seeming impressively above most of the concerns of lesser men, was striking a pose of symbolic significance at one end of the green, cloth-covered table of the Revolutionary Tribunal, looming over everyone else including the judges, who were sitting.
The Incorruptible, chiding some judge for suspicious leniency, was saying calmly: "True innocence is never afraid of public vigilance." Then, glancing around suspiciously, he added in a private whisper to Radu: "See me later at the house."
The Tribunal met for most of its sessions in a huge, cave-like chamber with marble walls that in years past had accommodated the meetings of the Paris Parlement. Candles burned before the court clerk as he labored with a quill pen to keep up with the accusations made by the examining lawyers and the judgm
ents handed down.
Frequently in attendance at the Tribunal, when bad weather or some other reason kept them from the guillotine, were Madame Defarge, and the rest of the bloodthirsty tri-coteuses, the women who sat knitting through all the trials and executions.
(Narrator's note: "I don't see how those women can do that," Constantia once commented to me, when we were speaking of these women. "No?"
"No; I hate knitting.")
Later in the day Radu, doing his best to fulfill his duties as a spy, showed up at the carpenter's house, bringing Robespierre, for his eyes only, a new list of suspects. Heading the list was a name often used by his brother as an alias—Corday. And a description of Vlad, in his frequently adopted guise of a young breather.
Then, into the ears of these dedicated, incorruptible defenders of revolutionary virtue, he whispered his poisonous advice, suspicions, accusations.
Many others were doing the same thing, or trying! But Radu had access to Robespierre in his private lodgings.
Everyone in the house had seen Radu coming or going at one time or another, and everyone thought he was there as a companion or associate of someone else. Therefore he could come and go pretty much as he pleased, enjoying the situation immensely.
Duplay himself seemed under the impression that Radu was a member of the secret police, coming in at all hours anonymously to give the Incorruptible his secret reports. And Radu, struck by an inspiration, gradually maneuvered Duplay into starting work on a wooden guillotine blade, precisely shaped to fit the grooves in the machine, the edge filed and sanded as smooth and sharp as wood could be. Radu wasn't yet sure just how he could possibly induce Vlad to lie down on the plank that fed the machine, but it would please him enormously to have some possibility along that line. He gave the cabinetmaker to understand that Sanson, the chief executioner, was eager to try out such a device.
"The danger of rust is eliminated, you see," Radu improvised. "Despite the constant wetting."
The woodworker frowned, picking absently at a sore on one of his own callused fingers, where the broken fragment of a wooden splinter was trying to work its way up out of the skin. "But the edge, citizen—surely a wooden edge will break and wear away much faster? One or two tough necks…"
"We will see; but they want to make a test using wood."
"I suppose, if you say so, citizen—but in the name of the people, why?"
Radu ignored the question. Looking around, as if to see whether they were being overheard, he let an ominous undertone creep into his voice. "If I were you, Citizen Duplay, I'd work fast, and say nothing of this to anyone."
Already the younger vampire saw several possible ways of turning these things to his advantage. If he played his cards right, it was not inconceivable that he should succeed in getting his older brother's neck beneath the heavy—in his case, wooden—knife.
At about the same time an elated Robespierre, who seemed totally convinced he had the perfect society now almost within his grasp, was driving everyone to prepare for the Festival of the Supreme Being, which he had decreed would be held June 8, 1794.
When that date came around, I, Vlad Dracula, made sure to be part of the audience in the cathedral. I was still stalking my brother, of course, and incidentally marveling at the blasphemy.
On 17 November, 1793, a week after the first great Festival of Reason, the Commune had ordered all churches in Paris closed. For the Festivals of Reason that followed, Notre Dame cathedral and a number of lesser churches had been turned, at least for a few days, into pagan temples. Stained-glass windows bearing religious images were draped with canvas until their final fate could be decided. The interim effect was to dim the interior enormously, even in broad daylight, incidentally making the place vastly more comfortable for the nosferatu.
Of course every trace of Christian "superstition," in the form of ornamentation, had already been expunged from the structure. Where the high altar had stood there now rose up an imitation of some Greek temple decorated with pikes and other weapons. The music which replaced the hymns may be imagined.
I remember hearing Hebert, one of the most vicious of the Revolutionary rabble-rousers, remark with a chuckle: "How angry the good God must be! No doubt the trumpets of judgment are about to sound."
But now Hubert himself was dead, reduced to the status of a headless corpse. He and eighteen of his colleagues and supporters had been fed to Moloch a few months back, on the 24th of March.
I remember Reason, sitting in her litter, borne by drunken men in what were meant to be Roman togas, swilling wine and brandy out of consecrated chalices.
I remember the burning of saints' relics, and ancient churchly books and documents, making a strange, rich incense. At such a time, I rejoiced that I was not compelled to breathe.
In the midst of all this sacrilege I moved, now wearing my own carmagnole as protective coloration, stalking my brother patiently, knowing that he would hardly be able to deny himself such sights and sounds as these.
Often I scowled at the blasphemous goings-on, and once or twice I came near doing violence. But in the end I made no move to interfere, thinking I could not allow myself to be distracted from my search.
On the 19th of the new month Prairial, all citizens had been invited to decorate their dwellings with flowers and live branches, a display of living things in honor of Robespierre's new friend, the Supreme Being. In the Jardin National, an amphitheater had been created, and in the most prominent place a statue representing Wisdom was temporarily camouflaged as the dingy, ugly figure of Atheism.
Toward the end of the Festival, someone ritually set fire to the straw man of Atheism, which, having been made for the purpose, obligingly burst into flames. The symbols did not quite all fall into place for Robespierre, though, as Wisdom emerged from the trial somewhat blackened and obscured.
A wax bust of Jean-Paul Marat, the martyred Friend of the People, was hauled around in a triumphal chariot, labeled:
TO MARAT, FRIEND OF THE PEOPLE THIS IS HOW THE PEOPLE HONORS ITS FRIENDS
The vampire had never met the murdered man in the flesh, but if the Friend of the People had really been as ugly as everyone said he was, then the wax image, which must have been modeled by Marie Grosholtz, was impressively lifelike.
By now the Terror was in full stride and threatening to consume Paris like a fire. The chief concern of many of the supposed leaders of the people was now nothing more than keeping themselves alive.
Indeed, I had begun to think that this Revolution of the French was something the world had never seen before, an event transcending ordinary wars, rebellions, and foolishness, far surpassing all the common outbreaks of bloodlust and madness. Casting my thoughts back through the three-hundred-plus years of my existence, I could come up with nothing very much like it. Mere horrors and blasphemies, of course, abound in every age. Wars come and go with the inevitability of thunderstorms, and rebellions and mutinies were not uncommon. But this…
Almost two hundred years earlier, at the court of Ivan the Terrible, I had seen horrors unbelievable… but no, that had been different; Ivan and his terror prefigured Hitler, a case of one man's madness infecting multitudes. This new French Terror had no such focal point. At the height of the infection, there was no individual, not even the Incorruptible himself, whose elimination would have broken the fever. Truly it seemed to swell up out of the People themselves. But it eventually proved self-limiting; the very individuals, the cells and organs of the body politic by which the game of guillotining was enforced, were the same ones on whom the blade fell with most dreadful frequency.
It is, I think, a significant fact that, as one historian has written, no high-ranking Revolutionary authority ever attended any execution but his own.
Chapter Eighteen
Sensing a great opportunity in the fact of Radcliffe's sentencing, though not yet sure just how to take advantage of it, the younger Dracula began a personal search of all the prisons within several miles of Paris, trying t
o locate the American. In this task he proceeded warily, wanting to locate Vlad also, but afraid of being seen by him. In Radu's recent few years aboveground, it had become his habit, when things were dull, to cruise prisons and asylums in search of amusement. There was such a nice variety of such places now to choose from.
Anyway, the exquisite sufferings of… what had been the name of that last peasant girl?… of dear little Marguerite had put Radu in mind of a certain breathing prisoner he'd met, a year or two ago, in one of the asylums.
Radu, having identified the general character of the place from the outside, was not immediately certain whether he was entering an asylum or a prison; the clientele overlapped a great deal between the two kinds of institutions. Many of them were not really surprised to observe a man entering their rooms, despite locked doors and apparently solid walls, then later taking his departure by the same mysterious means. Nor would the authorities pay much attention when some inmates told them this had happened.
If Radu wanted to know about prisons, the former Marquis de Sade was the one to talk to—the man seemed to have spent most of his adult life in them.
Radu did not particularly wish to know more about prisons and asylums—only about certain of their clientele. Looking around him now, Radu noted that this place had the look of a converted convent. Religious images had been scrupulously torn down, in pursuit of Revolutionary orthodoxy. What had once been a well-tended garden was rapidly running to seed and ruin.
The man in the cell was of average height, about five and a half feet, and was now past fifty years of age. A rather jolly fellow, by all appearances. His light chestnut hair was thinning and going gray. His body was comfortably stout, his fair face marked by comparatively few smallpox scars. At the moment his pale blue eyes were wide with surprise under a high forehead.
Obviously the prisoner had been startled by the silent intrusion of an unexpected visitor. But he needed only a moment to recover.
A Sharpness on the Neck d-9 Page 19