Matty Doolin

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by Catherine Cookson




  Table of Contents

  The Catherine Cookson Story

  Matty Doolin

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  The Catherine Cookson Story

  In brief:

  Her books have sold over 130 million copies in 26 languages throughout the world and still counting . . .

  Catherine Cookson was born Katherine Ann McMullen on June 27th, 1906 in the bleak industrial heartland of Tyne Dock, South Shields (then part of County Durham) and later moved to East Jarrow which is now in Tyne and Wear.

  She was the illegitimate daughter of Kate Fawcett, an alcoholic, whom she thought was her sister. She was raised by her grandparents, Rose and John McMullen. The poverty, exploitation and bigotry she experienced in her early years aroused deep emotions that stayed with her throughout her life and which became part of her stories. Catherine left school at 13 and after a period of domestic service, she took a job in a laundry at Harton Workhouse in South Shields. In 1929, she moved south to run the laundry at Hastings Workhouse, working all hours and saving every penny to buy a large Victorian house. She took in gentleman and lady lodgers to supplement her income and took up fencing as one of her hobbies. One of her lodgers was Tom Cookson, a teacher at Hastings Grammar School and in June 1940 they married. They were devoted to each other throughout their lives together. But the early years of her marriage were beset by the tragic miscarriage of four pregnancies and her subsequent mental breakdown. This took her over a decade to recover from, which she did, often by standing in front of a mirror and giving herself a damn good swearing at!

  Catherine took up writing as a form of therapy to deal with her depression and joined the Hastings Writers’ Group. Her first novel, Kate Hannigan, was published in 1950. In 1976, she returned to Northumberland with Tom and wen3t on to write 104 books in all. She became one of the most successful novelists of all time and was one of the first authors to have 3 or 4 titles in the Bestseller Lists at the same time.

  She read widely: from Chaucer to the literature of the 1920s; to Plato’s Apologia on the trial and death of Socrates (she said that here was someone who stuck to his principles even unto death); to history of the nineteenth century and the Romantic poets; to Lord Chesterfield’s Letters To His Son and the books and booklets that abounded in her part of the country dealing with coal, iron, lead, glass, farming and the railways. She disliked it when her books were labeled as ‘romantic’. To her, they were ‘readable social history of the North East interwoven into the lives of the people’. For the millions of her readers, she brought ‘an understanding of themselves or perhaps of their dear ones. Her stories do not bring in a realism in which the worst is taken for granted, but a realism in which love, caring and compassion appear, and most certainly hope. ‘This type of realism does exist,’ Tom Cookson said of her writing. There is nothing sentimental about her writing; she is unrelenting in the strong images she invokes and the characters she portrays. They were born of her formative years and her personal struggles. Many of her novels have been transferred to stage, film and radio with her television adaptations on ITV lasting over a decade and achieving ratings of over 10 million viewers.

  Besides writing, she was an innovative painter and she believed that her father’s genes fostered the strength to work hard but also, in rare moments of freedom, to strive to better herself. Catherine was famed for her care of money but had given much to charities, hospitals and medical research in areas close to her heart and to the University of Newcastle upon Tyne who set up a lectureship in hematology. The Catherine Cookson Charitable Trust continues to donate generously to charitable causes. The University later conferred her the Honorary Degree of Master of Arts. She received the Freedom of the Borough of South Tyneside, today known as Catherine Cookson Country. The Variety Club of Great Britain named her Writer of the Year and she was voted Personality of the North East. Other honours followed: an Officer of the Order of the British Empire in 1986 and she was created Dame of the British Empire in 1993. She was appointed an Honorary Fellow at St. Hilda’s College, Oxford in 1997.

  Throughout her life but especially in the later years, she was plagued by a rare vascular disease, telangiectasia, which caused bleeding from the nose, fingers and stomach and resulted in anemia. As her health declined, she and her husband moved for a final time to Jesmond in Newcastle upon Tyne to be nearer medical facilities. For the last few years of her life, she was bed-ridden and Tom hardly ever left her bedside, looking after her needs, cooking for her and taking her on her emergency trips, often in the middle of the night, into Newcastle. Their lives were still made up of the seven day week and twelve or more hours each day, going over the fan mail, attending to charities and going over the latest dictated book, with Tom meticulously making corrections line by line, for Catherine’s eyesight had long faded in her 80’s.

  This most remarkable woman passed away on June 11th 1998 at the age of 91. Tom, six years her junior, had earlier suffered a heart attack but survived long enough to be with her at her end. He passed away on 28th June, just 17 days after his beloved Catherine.

  Catherine Cookson’s Books

  NOVELS

  Colour Blind

  Maggie Rowan

  Rooney

  The Menagerie

  Fanny McBride

  Fenwick Houses

  The Garment

  The Blind Miller

  The Wingless Bird

  Hannah Massey

  The Long Corridor

  The Unbaited Trap

  Slinky Jane

  Katie Mulholland

  The Round Tower

  The Nice Bloke

  The Glass Virgin

  The Invitation

  The Dwelling Place

  Feathers in the Fire

  Pure as the Lily

  The Invisible Cord

  The Gambling Man

  The Tide of Life

  The Girl

  The Cinder Path

  The Man Who Cried

  The Whip

  The Black Velvet Gown

  A Dinner of Herbs

  The Moth

  The Parson’s Daughter

  The Harrogate Secret

  The Cultured Handmaiden

  The Black Candle

  The Gillyvors

  My Beloved Son

  The Rag Nymph

  The House of Women

  The Maltese Angel

  The Golden Straw

  The Year of the Virgins

  The Tinker’s Girl

  Justice is a Woman

  A Ruthless Need

  The Bonny Dawn

  The Branded Man

  The Lady on my Left

  The Obsession

  The Upstart

  The Blind Years

  Riley

  The Solace of Sin

  The Desert Crop

  The Thursday Friend

  A House Divided

  Rosie of the River

  The Silent Lady

  FEATURING KATE HANNIGAN

  Kate Hannigan (her first published novel)

  Kate Hannigan’s Girl (her hundredth published novel)

  THE MARY ANN NOVELS

  A Grand Man

  The Lord and Mary Ann

  The Devil and Mary Ann

  Love and Mary Ann

  Life and Mary Ann

  Marriage and Mary Ann

  Mary Ann’s Angels

  Mary Ann and Bill

  FEATURING BILL BAILEY

  Bill Bailey

  Bill Bailey’
s Lot

  Bill Bailey’s Daughter

  The Bondage of Love

  THE TILLY TROTTER TRILOGY

  Tilly Trotter

  Tilly Trotter Wed

  Tilly Trotter Widowed

  THE MALLEN TRILOGY

  The Mallen Streak

  The Mallen Girl

  The Mallen Litter

  FEATURING HAMILTON

  Hamilton

  Goodbye Hamilton

  Harold

  AS CATHERINE MARCHANT

  Heritage of Folly

  The Fen Tiger

  House of Men

  The Iron Façade

  Miss Martha Mary Crawford

  The Slow Awakening

  CHILDREN’S

  Matty Doolin

  Joe and the Gladiator

  The Nipper

  Rory’s Fortune

  Our John Willie

  Mrs. Flannagan’s Trumpet

  Go tell It To Mrs Golightly

  Lanky Jones

  Bill and The Mary Ann Shaughnessy

  AUTOBIOGRAPHY

  Our Kate

  Let Me Make Myself Plain

  Plainer Still

  Matty Doolin

  Matty is fifteen and, in his Tyneside home in the 1960s, this means it is time for him to leave school and follow his father into the docks and get a job in ship building. All Matty really wants, however, is to work with animals, tend them, help them and care for them. But he has no qualifications and his parents have no real understanding of his ambition – they won’t even let him keep Nelson, the old stray dog he befriends and takes home.

  Yet, finally, it is because of Nelson that Matty gets permission to go on a camping holiday with his friends, Joe and Willie. And this holiday, on a farm high on the fells, will take Matty through unexpected dangers but to a new and satisfying way of life.

  An exciting and heartwarming tale that will strike a chord of recognition with all children with a desire to choose their own path in life.

  MATTY DOOLIN

  Catherine Cookson

  Copyright © The Catherine Cookson Charitable Trust 1965

  The right of Catherine Cookson to be identified as the Author of the Work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1998

  This book is sold subject to the condition it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form.

  ISBN 978-1-78036-083-6

  Sketch by Harriet Anstruther

  Except where actual historical events and characters are being described, all situations in this book are fictitious and any resemblance to living persons is purely coincidental.

  Published by

  Peach Publishing

  Chapter One

  ‘Doolin! Did you hear what I said?’

  ‘Yes, sir.’

  ‘What did I say?’

  Matty Doolin’s thickset body made an uneasy movement. The seat of his desk was pressing against the back of his knees – it always did when he stood up – but if he should step out into the aisle and stand straight old Bore would, as usual, say, ‘Going someplace, Doolin?’

  ‘Well, come along, I’m waiting.’

  ‘You were talkin’ about stellar conglomerations, sir.’ Matty wasn’t surprised at himself for remembering that mouthful, because his mother was always using the word conglomeration. ‘Look at all this conglomeration,’ she would say when she came into his room in the morning, or, ‘Get that conglomeration off the table; I want to set the tea.’ But she used the word most when referring to Nelson, and somehow Matty didn’t think it fitted in this last case because Nelson was just one thing. Well, not a thing; Nelson was his dog. She misused the word conglomeration a lot when she talked of Nelson: ‘Get that conglomeration outside!’ or ‘Look at the conglomeration of dirt on my floor from that beast’s feet!’ The thought of Nelson disturbed Matty. And then there was the pain in the back of his legs. And now Mr Borley’s voice was coming at him again, sharp-edged with sarcasm. ‘Stellar conglomerations . . . I would say you were about’ – the master paused and looked ceilingwards before again dropping his narrow lids in Matty’s direction – ‘about one light year behind us, Doolin. Since you took your attention from us we have traversed quite a bit of the sky, but now that you have deigned to give us your attention once more do you think you can name one globular cluster which is visible to the naked eye? You might remember we spoke of these at the beginning of the lesson.’

  Matty’s chin jerked, causing a strand of his thick red hair to fall across his brow. He pushed it upwards out of his eyes as if to give him a better view of the master, and he hesitated a moment before saying in a tight voice, ‘Century.’

  ‘Century?’ repeated the master, making a small motion with his head. ‘I thought you would remember that one. But it is not Century, Doolin, it is Cen-tauri, Centauri. Would you like to repeat that?’

  ‘Centauri.’ The word seemed to have to struggle through Matty’s tight lips. His whole face felt tight, as did his body; it always went like that when he was angry. He had a desire to step out into the aisle, square his shoulders, and walk boldly up to the undersized, pasty-faced Mr Borley and say, ‘Who are you going to torment next term, because in just four weeks’ time I’ll be gone?’ He hated Borley; he was the only master in the school he disliked. He would have liked school if it hadn’t been for Borley; he would have also liked astronomy lessons, because he liked looking at the sky.

  ‘Sit down.’

  Matty did not immediately respond to the master’s bark, and before he sat down he lowered his head and looked towards his desk. And he was still looking at the desk when he felt the soft nudge in his thigh. Joe, who sat next to him, always made this sympathetic gesture after old Bore had been doing his stuff.

  Joe Darling and he had been pals all through their schooldays. They had started in the primary school together.

  Matty realised he was going to miss Joe when they left school, but that was his own fault because he could do the same as Joe was going to do, he could go in the yards part-time and attend the Technical School part-time. But he didn’t want to go into the shipyards, or the mines, and he wasn’t cut out for an office. Oh, he knew that he wasn’t cut out for an office. Well, what did he want to do? He didn’t know, not really . . . but yes, he did; yes, he knew all right. But could he tell Mr Funnell?

  After this lesson he was due to go and talk to Mr Funnell again. The careers master had been very patient; he had suggested all kinds of things, except the one thing that Matty knew in his heart he wanted to be. Mr Funnell hadn’t mentioned that because probably it hadn’t dawned on him that Matty Doolin wanted to be a vet, because Mr Funnell knew, and he knew, you had to have a certain education to be a vet. A love of animals wasn’t enough.

  ‘All right, you can go . . . AND QUIETLY!’

  Matty eased himself out of his seat and joined the throng in the aisle, and no-one spoke until they were passing from the classroom into the wide corridor. And here Matty received a dig in the ribs which came with a hoarse whisper, ‘Old Bore loves you, Ginger Doormat, doesn’t he?’

  With the quickness of a judo expert Matty turned on his tormentor and a nothing-barred fight seemed imminent, but it was strangled at its source by the incisive voice of Mr Borley saying, ‘You’re asking for trouble, aren’t you, Doolin? And you, Cooper. Break it up.’

  Bill Cooper dashed towards the playground while Matty, accompanied by Joe, followed more slowly.

  ‘You shouldn’t take any notice,’ said Joe; ‘he just does it to get your back up. He’s as bad as old Bore. It’s funny, you know, about nicknames, Matty, ’cos you don’t rise when you’re called Ginger or Doormat separate, just when they’re put together. I can’t see the difference meself. And anyway it’s nothing really, man. What would you do if you were stuck with a name like mine, Darlin’, and all the ways they say it? Joe Darlin’, JOE DARLIN’, Joe DARLIN�
�.’ Joe mimicked the way his name was pronounced. ‘At first it made me want to fight, and I did in the Primary, as you know, but when I came up here I realised . . . well, you can have a punch like a boxer, but it’s not much use if a bloke as big as Bill Cooper comes at you, and me my size. So I just let them get on, and I make meself laugh when they shout Joe Darlin’. And that’s what you should do, Matty, make yourself laugh.’

  ‘Oh, shut up, man. Laugh at Cooper? It’s him that’ll be laughin’, and on the other side of his face. I’ll have it out with him afore I leave, you’ll see.’

  When Matty continued past the door that led into the school yard Joe pulled at his arm, saying, ‘Here, where are you going?’

  ‘I’m to see Mr Funnel.’

  ‘What, again?’

  ‘Aye, again.’

  ‘Well, you can do it after school; he usually sees them after school.’

  ‘He said I had to come along at break.’

  ‘Well you haven’t anything fresh to tell him, have you?’

  ‘No.’ Matty poked his chin down towards his friend. ‘So I’d better go and tell him that, hadn’t I?’

  Joe gazed up for a moment into the large grey eyes; then, a grin spreading across his face, he said, ‘Huh! I can’t make you out.’

  ‘Well, don’t strain yourself tryin’.’

  On this and with a shake of his head, Matty turned from his friend and made his way along the corridor and to the room where he was to see the careers master.

  On knocking upon the door and being told to enter Matty did as he was bidden, and was greeted from behind a paper-strewn desk by a tall, thin man with a face that spread upwards over the top of his head, which, but for the merest fringe behind his ears, was devoid of hair, which earned him the obvious nickname of Curly.

 

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