by David Drake
Mountain Magic
David Drake,
Eric Flint,
Ryk E. Spoor &
Manly Wade Wellman
This is a work of fiction. All the characters and events portrayed in this book are fictional, and any resemblance to real people or incidents is purely coincidental.
"Exit the Professor" was first published in Thrilling Wonder Stories, October 1947. "Pile of Trouble" was first published in Thrilling Wonder Stories, April 1948. "See You Later" was first published in Thrilling Wonder Stories, June 1949. "Cold War" was first published in Thrilling Wonder Stories, October 1949. Reprinted by permission of Don Congdon Associates, Inc. Copyright © 1947, 1948, 1959 by Standard Magazines, renewed 1977 by C.L. Moore. Old Nathan was first published by Baen Books, October 1991, copyright © David Drake. This is the first publication of Diamonds are Forever, copyright © 2004 by Eric Flint and Ryk E. Spoor.
All rights reserved, including the right to reproduce this book or portions thereof in any form.
A Baen Books Original
Baen Publishing Enterprises
P.O. Box 1403
Riverdale, NY 10471
www.baen.com
ISBN: 0-7434-8856-3
Cover art by Gary Ruddell
First paperback printing, October 2004
Distributed by Simon & Schuster
1230 Avenue of the Americas
New York, NY 10020
Production by Windhaven Press, Auburn, NH
Typeset by Bell Road Press, Sherwood, OR
Printed in the United States of America
To Henry Kuttner (1914–1958) and
C.L. Moore (1911–1987)
BAEN BOOKS by
DAVID DRAKE & ERIC FLINT
Mountain Magic
(with Ryk E. Spoor & Henry Kuttner)
The Belisarius series:
An Oblique Approach
In the Heart of Darkness
Destiny's Shield
Fortune's Stroke
The Tide of Victory
The General series:
The Tyrant
BAEN BOOKS by RYK E. SPOOR
Digital Knight
For a complete listing of Baen Books
by these authors, please go to our website:
www.baen.com
An Apology
Unfortunately the Kuttner estate does not allow publication of electronic versions of his works. So we had to remove all of the Kuttner stories from the WebScriptions version. In their place we've added Manly Wade Wellman's John the Balladeer stories.
Certainly they fit the books theme of Mountain Magic.
DIAMONDS ARE FOREVER
Eric Flint and Ryk E. Spoor
1. Calling Mamma
"You're getting MARRIED?!"
I had to pull the receiver away from my ear. Father always said if Mamma was in full voice she could break window glass over in the next county. "Yes, Mamma. I asked Jodi yesterday and she accepted."
"Well, that's WONDERFUL!" Another ear-saving reaction. Her voice shifted to No Nonsense mode. "Now you've put this off long enough, Clinton Jefferson Slade. You're bringin' that girl home to meet your family this very week, you hear? I know you can take that time off if'n you try, in that big fancy job that you're so important at."
When Mamma uses your whole name, there isn't anything for it but you'd better do as you're told. "Yes, Mamma. It's just . . . Mamma, she's city."
"Well, now, I know that, boy. What other kind of girl would you be meetin' in New York? We're not completely uneducated out here, you know."
I lowered my voice. "Mamma, I'll come. I'll bring her, okay. But . . . is everything okay there?"
"Well, of COURSE it—" Mamma cut off short, then sighed. "Oh. Yes, Clinton, ain't been none of that in quite a while. Daddy Zeke said you might be tryin' to hide that from this girl and that was why we hadn't met her."
"From anyone, Mamma, not just Jodi. Family's never told anyone, and I didn't aim to change that." I was slightly embarrassed to hear the Kentucky accent getting stronger; it always did when I talked to family. Not that I was really embarrassed about my family, not really, but . . . sometimes they were so weird. "So everything is okay?"
"Just FINE, dear. Now, we'll be expecting you when?"
I did a quick calculation in my head. "Say, Monday evening? We'll be driving and I'll have to make some arrangements before we go."
"That will be just fine, Clint dear." I was back to Clint now, so that was good. I hadn't been at all sure how they'd take me marrying a city girl, even though they really thought I was more than half city myself now. "We'll do you proud, boy, because we really are all proud of you, first Slade to finish college this century and all, and you done so well."
I blushed, and I know darn well Mamma could tell, even over the phone. "Aw, Mamma, ain't any big deal, really. Anyone in the family coulda done it."
"Don't you go selling yourself short, Clint dear. Even Evangeline knows perfectly well you're the genius in our family, and she's no dummy herself. Take care, and the whole family will be looking for you!"
We exchanged kisses over the phone, silly though that sounds, and I hung up.
"So," Jodi said, coming over, "were those bellows of fury, or was she happy to hear about it?"
"You could hear her?"
"Oy vey, Clint," she said, smiling. "Thought she'd break your eardrums with a couple of those."
Jodi was something of an anachronism. Her grandparents were immigrants who still spoke more Yiddish than English and had maintained an intimidatingly firm emphasis on the link between the old and new traditions. Linguistic traditions, anyway, if not religious ones. Jodi's grandfather had been active in the needle trade unions, a follower of Max Shachtman's brand of socialism. He had no use for religions of any kind, but that hadn't stopped him from maintaining a number of Jewish habits and customs. Jodi's family was almost a time capsule of clichés from the '40s and '50s, and Jodi had inherited enough to sound like a near-parody of the New York "Jewish American Princess." So why did I find her Yiddish, of all things, endearing? Especially when spoken with that New York accent that reminded me of nails on a chalkboard?
Probably just the blindness of love, I had to admit. I'd known Jodi Goldman for four years, though, so hopefully the blindness (or, in this case, deafness) would last for many years yet. "She was ecstatic," I said, answering her question. "I guess I should have more faith in my family, but they are still, well . . ."
"About as rustic backwoods as you were when you first showed up?"
I laughed. "Worse, sweetheart. I'd gone through college before that, remember. First Slade—"
"—this century, yes, I know, my fave nebbish. You mentioned it a time or two, probably because your whole family mentions it every time you go home, yes?"
"And on the phone. Look, I sorta committed us to go visit. You don't argue with Mamma."
"Yeah, sounds like my mother. When are we supposed to get there, so they can get a good look at what a horse you're bringing home?"
Jodi's sensitive about her height—she's taller than me by two inches or so, and I'm almost six feet tall. This doesn't bother me, but when she's nervous she tends to fret about it. As well as her weight, which for her height is just fine. "Don't you worry about that, Jodi. When they get a look at you, Father'll be tellin' me how lucky I am, and I'll have to watch so Adam doesn't try to steal you. Next week."
"What? Are you totally meshuggeh? What about work?"
"Mamma knows I can take the time off. What about you?"
She made a sort of growling noise in her throat, and then hummed several bars of a Streisand tune—a sign she was both thi
nking and calming herself down. "Okay, yeah, I think I can do that. They won't be thrilled, but if we want to make your Mamma happy, I can live with it. Oy, I have packing to do! Do you have electricity where you live?"
I managed to keep from laughing. "Yes. We have our own generators, actually. Every month Father or Adam trucks in to town to buy the fuel. Had to have the phone line run in special; these days I suppose we'd have done something like get a satellite link, but not back when the family first decided to get one."
Jodi blinked. "Running out a phone line just for you? That's pretty pricey, Clint."
"I said we was backwoods," I drawled, emphasizing my Kentucky accent. "Didn't say we was poor backwoods. If the Slades ain't the richest family in Crittenden County, it's only 'cause we've spent a lot of it the last few decades."
"I never knew, Clint." Jodi looked at me with surprise. "How'd your family get rich?"
I realized my big mouth had me dangerously close to the secret. Time to follow the honorable Slade tradition of ducking the truth. "One of my ancestors, Winston Slade, made a ton of money mining, and brought it with him to the homestead when he settled down." That was, as one of my online friends would put it, "telling the truth like a Jedi"—it was true "from a certain point of view." If I'd done the casual voice right, though, she'd never suspect a thing. Once we were married, we'd be living near New York and just visit the family homestead once in a while, so the chances were she'd never have to know.
"Well, that'll be a relief for my more cynical relatives," Jodi said, throwing back her long black hair. "They were kinda worried about just what your background was, especially with your nickname."
I wasn't very surprised. "I suppose 'Crowbar' Slade does sound either like a real honest-to-god Good Ole Boy, or like a wannabe wrestler." Truth was, I'd gotten the nickname in college because my roommates noticed I had a crowbar in my baggage when I moved in, and that I had that particular bag with me most of the time.
"Look," Jodi said, "if we're leaving to get there Monday like I think I heard you say, I gotta get moving. We just got tomorrow to get ready. And like I didn't already have a busy schedule tomorrow? You know what sort of planning I have to do for the wedding, and now we have to schlep all the way to Kentucky." She leaned slightly down and we both shut up for a while for the good-bye kiss, which lasted for several kisses as usual before she finally got out the door.
I sighed and grinned. Hey, maybe this would be fun.
2. Meet the Slades
"Ow! I see why you have this oversuspended monster now." A larger bump than normal jolted Jodi against the harness. "And boy am I glad we put the equipment in those transport cases."
"I wouldn't have pulled out of the driveway if you hadn't. You want to keep doing work on our vacation, I'm at least going to make sure you can't wreck half the lab's equipment getting there. 'Sides, that one weren't nothing. Right after winter you should see the potholes we get and have to fill in afore—I mean, before—we can really drive the road well." I kicked myself mentally. One night sleeping over in a southern West Virginia motel on the way and a few stops at regional gas stations and I was already falling back into dialect. Pretty soon Jodi wouldn't even understand me.
"No bigger than the one on Seventeenth last month," Jodi said dismissingly. I had to remember that New Yorkers are like Texans: their potholes are worse, their taxicab drivers more dangerous, and their people tougher than anyone else, damn what the facts might be.
"Construction areas don't count as potholes." I responded. "Holy—!"
I slammed on the brakes just in time to keep from going over into the ravine that now cut squarely across the packed and oiled rock-dirt roadway leading to the Slade homestead. Last time I'd been here there hadn't been a sign of such a thing; now it yawned, a raw gash in the earth, fully forty feet from the edge I sat on to the other side, eight feet deep on the right dropping to ten or twelve on the left as it passed out of sight into the old-growth forest.
We sat there for a few moments in silence, me waiting for my heart to stop pounding before I slowly backed the truck a few more feet from the edge, just in case. Jodi turned to me. "So you had to prove me wrong. Okay, that is bigger than the one on Seventeenth." She looked at the ravine with slightly wide eyes, the only sign she was going to let this disturb her New York sangfroid. "So, what, are we supposed to fill that in with our bare hands?"
"Stay here a minute." I reached down into the bag and grabbed the crowbar.
I walked to the edge, so I could look to the left and right. I could see, down below, the mound of jumbled dirt, trees, and rocks which marked the slide. The thing that bothered me—really, really bothered me—was how straight and selective this was. The slide started about fifty feet up the slope, cut across the road in a perfect right angle, and ended about a hundred feet below. I poked at the dirt with the crowbar; it crumbled like normal, not too wet, packed hard where the road was. There wasn't any sign of the usual slumping you get when the earth's moving because it's gotten too soggy and all. The road looked like someone had just cut a piece out of it with a giant knife, like a Bunyan-sized slice of earth pie. I listened. Not a sound except some water dripping off the trees in the fog—and the fog wasn't common this time of year, either. Seemed like the air was colder here than ought be. No animal sounds, the critters were quiet.
Maybe Mamma had been premature. This sure 'nuff looked like that kind of trouble to me.
Well, no help for it now. I studied the lay of the land. Awfully steep in parts but . . . I could probably make it around the upper end. Old-growth forest has some advantages, like usually bigger distances between the trees. I got back into the truck. "Jodi, get out and wait a ways down. I'll try and drive around."
"If you aren't scared to drive it, I'm not scared to ride it. And it's chilly out there."
"I am scared to drive it, but I ain't leavin' the truck parked here neither!" I heard my voice head all the way back home. Shoot, this wasn't good. "Look, Jodi, sweetheart, this kind of driving's really tricky, and I'll do better if I'm not worrying about you as a passenger while I'm trying to hold her steady on the slope."
Jodi rolled her eyes, then kissed my cheek and got out. I knew she would if I put it that way; it made practical sense, sure, but more importantly, it told her I didn't doubt her courage, just my concentration.
There was one really sticky moment when the earth near the top of the gouge started to give, but I gave her the gas and bounced clear before I could get dragged sideways. With only a couple of minor scratches to the side panels, I made it to the far side of the road. "YEEAH! Try 'n' stop a Slade that way, willya? Ha!" I shook the crowbar at the silent woods. "Okay, honey, you can come on over. Walk around the way I drove."
"Walk? You need sidewalks here, Clint! This isn't walking, this is an obstacle course!" Despite her complaints, Jodi was making her way through the woods at a respectable clip. She'd done hiking before. "I—yow!" Her figure seemed to vanish into the earth.
"Jodi!" I shouted in horror. Damnation, I should have made her take the crowbar! I had the whole car to protect me!
"Calm down, Clint!" Relief flooded me as I saw her rise back into sight, brushing leaves and dirt off. "I was just being a schlemiel and looking at you instead of where I was putting my big feet. Honestly, you worry like my grandmother." She emerged from the forest and got back into the car. "Well, so much for my perfect grooming."
"Don't worry none about that." I dropped the crowbar back into the bag and put the car in gear. "It's their fault for not watching for the slide and preventing it." That wasn't true, of course, if it was really what I suspected, but either way the family wouldn't blame Jodi for not looking her best. And as far as I was concerned, she'd look as good in jeans and a dirty T-shirt as in a formal gown.
There were no more incidents on the way up. We crested the last hill, came around the much smoother bend that led to Slade's Hollow, and came down through the woods into the open. "Whoa!" said Jodi involuntarily.
&n
bsp; I couldn't repress a grin. "Yeah, y'all expected a couple log cabins and an outhouse, didn't you? Admit it, the Slades don't have a half-bad spread."
The Slade House really is something of a mansion, even if it is more spread out than up. Every generation adds a room or two somewhere, sorta like Lord Valentine's Castle. We try to keep a sort of style to it, but you can still tell where one generation left off and another started. The main part used for living these days was a massive mansion whose architecture was natural-looking logs and hewn stone—sort of a magnified version of what the earlier stuff had been, but if you knew anything about building you could tell that this thing hadn't been raised up by two farmers and their families; serious construction work had gone into the three-story, semicircular building.
"The original house is that small squarish part, off-center," I told Jodi, pointing. "That's where Winston Slade put his house back in 1802. It's used mostly for storage now. The funny addition over there is our generator shed, and on the other side's storage for tools, stuff like that. Got farm equipment in the barn there, even though we don't use it all that much—don't have to do much farming, so it's mostly just for the family."
"It's a mishmash all right, but pretty, you know? And this valley!"
"Yeah, the Hollow's pretty. One reason old Winston chose it was because it was already clear for building; figured it was a sign and built his house smack in the middle of the Hollow, on this little rise. And here we are."
I killed the engine and got out, Jodi doing the same on the other side. Our feet barely touched the ground before the front doors burst open and the Slade clan came running out, Mamma in the lead as usual. She was wearing her best dress, which was a pretty lace-embroidered blue and white affair that she'd only had to let out a size or two since she got married to Father and which set off her complexion and dark brown hair. There still wasn't a trace of gray in that thick hair. Either she just aged well or used dye that no one caught her at, but no one would have the guts to ask her.