by David Drake
I heard Shull Cobart scream one more time, and then Kalu had him, like a bullfrog with a minnow. And Kalu was back up in the branches. Standing by the grave, still tweaking my strings, I heard the branches rustle, and no more sounds after that from Shull Cobart.
After while, I walked to where the black fiddle lay. I stomped with my foot, heard it smash, and kicked the pieces away.
Walking back to the cabin seemed to take an hour. I stopped at the door.
"No!" moaned Evadare, and then she just looked at me. "John—but—"
"That's twice you thought I was Shull Cobart," I said.
"Kalu—"
"Kalu took him, not me."
"But—" she stopped again.
"I figured the truth about Kalu and Hosea Palmer, walking out with Shull," I began to explain. "All at once I knew why Kalu never pestered you. You'll wonder why you didn't know it, too."
"But—" she tried once more.
"Think," I bade her. "Who buried Hosea Palmer, with a cross and a prayer? What dear friend could he have, when he came in here alone? Who was left alive here when it was Hosea Palmer's time to die?"
She just shook her head from side to side.
"It was Kalu," I said. "Remember the story, all of it. Hosea Palmer said he knew how to stop Kalu's wickedness. Folks think Hosea destroyed Kalu some way. But what he did was teach him the good part of things. They weren't enemies. They were friends."
"Oh," she said. "Then—"
"Kalu buried Hosea Palmer," I finished for her, "and cut his name and the prayer. Hosea must have taught him his letters. But how could Shull Cobart understand that? It wasn't for us to know, even, till the last minute. And Kalu took the evil man, to punish him."
I sat on the door-log, my arms around my guitar. "You can go home now, Evadare," I said. "Shull Cobart won't vex you again, by word of mouth or by sight of his face."
She'd been sitting all drawn up, as small as she could make herself. Now she managed to stand.
"Where will you go, John?"
"There's all the world for me to go through. I'll view the country over. Think me a kind thought once in a while when we're parted."
"Parted?" she said after me, and took a step, but not as if a web of music dragged her. "John. Let me come with you."
I jumped up. "With me? You don't want to go with me, Evadare."
"Let me come." Her hand touched my arm, trembling like a bird.
"How could I do that, take you with me? I live hard."
"I've not lived soft, John." But she said it soft and lovely, and it made my heart ache with what I hadn't had time before to feel for her.
"I don't have a home," I said.
"Folks make you welcome everywhere. You're happy. You have enough of what you need. There's music wherever you go. John, I want to hear the music and help the song."
I wanted to try to laugh that thought away, but I couldn't laugh. "You don't know what you say. Listen, I'll go now. Back to my camp, and I'll be out of here before sunup. Evadare, God bless you wherever you go."
"Don't you want me to go with you, John?" I couldn't dare reply her the truth of that. Make her a wanderer of the earth, like me? I ran off. She called my name once, but I didn't stop. At my camp again, I sat by my died-out fire, wondering, then wishing, then driving the wish from me.
In the black hour before dawn, I got my stuff together and started out of Hosea's Hollow. I came clear of it as the light rose, and mounted up a trail to a ridge above. Something made me look back.
Far down the trail I'd come, I saw her. She leaned on a stick, and she carried some kind of bundle—maybe her quilts, and what little food she had. She was following.
"That fool-headed girl," I said, all alone to myself, and I up and ran down the far side. It was hours until I crossed the bottom below and mounted another ridge beyond. On the ridge I'd left behind I saw Evadare still moving after me, her little shape barely bigger than a fly. Then I thought of that song I've told you before:
On yonder hill there stands a creature,
Who she is I do not know,
I will ask her if she'll marry . . .
Oh, no, John, no, John, no!
But she didn't stand, she came on. And I knew who she was. And if I asked her to marry she wouldn't answer no.
The rest of that day I fled from her, not stopping to eat, only to grab mouthfuls of water from streams. And in the dusky last end of the day I sat quiet and watched her still coming, leaning on her stick for weariness, and knew I must go down trail to meet her.
She was at the moment when she'd drop. She'd lost her ribbon, and the locks of her hair fell round her like a shadow. Her dress was torn, her face was white-tired, and the rocks had cut her shoes to pieces and the blood seeped out of her torn feet.
She couldn't even speak. She just sagged into my arms when I held them out to her.
I carried her to my camp. The spring trickled enough so I could wash her poor cut feet. I put down her quilt and my blanket for her to sit on, with her back to a big rock. I mixed a pone of cornmeal to bake on a flat stone, and strung a few pieces of meat on a green twig. I brought her water in my cupped hand.
"John," she managed at last to speak my name.
"Evadare," I said, and we both smiled at each other, and I sat down beside her.
"I'll cease from wandering," I vowed to her. "I'll get a piece of land and put up a cabin. I'll plant and hoe a crop for us—"
"No such thing, John! I'm tired now—so tired—but I'll get over that. Let's just—view the country over."
I pulled my guitar to me, and remembered another verse to the old song that fitted Shull Cobart's tune:
And don't you think she's a pretty little pink,
And don't you think she's clever,
And don't you think that she and I
Could make a match forever?
Wonder as I Wander:
Manly Wade Wellman
Some Footprints on John's Trail
Through Magic Mountains
Then I Wasn't Alone
Reckoning I had that woodsy place all to myself, I began to pick Pretty Saro on my guitar's silver strings for company. But then I wasn't alone; for soft fluty music began to play along with me.
Looking sharp, I saw him through the green laurels right in front. He was young. He hadn't a shirt on. Nary razor had ever touched his soft yellowy young beard. To his mouth he held a sort of hollow twig and his slim fingers danced on and off a line of holes to make notes. Playing, he smiled at me.
I smiled back, and started The Ring That Has No End. Right away quick he was playing that with me, too, soft and sweet and high, but not shrill.
He must want to be friends, I told myself, and got up and held out a hand to him.
He whirled around and ran. just for a second before he was gone, I saw that he was a man only to his waist. Below that he had the legs of a horse, four of them.
You Know the Tale of Hoph
The noon sun was hot on the thickets but in his cabin was only blue dim light. His black brows made one streak above iron-colored eyes' "Yes, ma'am?" he said.
"I'm writing a book of stories," she said, and she was rose-faced and butter-haired. "I hear you know the tale of Hoph. How sailors threw him off a ship in a terrible storm a hundred years ago, but the sea swept him ashore and then he walked and walked until he reached these mountains. How he troubled the mountain people with spells and curses and sendings of nightmares."
His long white teeth smiled in his long white face. "But you know that story already."
"No, not all of it. What was Hoph's motivation in tormenting the people?"
"His food was the blood of pretty women," was what he replied her. "Each year he made them give him a pretty woman. When she died at the year's end, with the last drop of her blood gone, he made them give him another."
"Until he died too," she tried to finish.
"He didn't die. They didn't know that he had to be shot with a silver bullet."
She screamed once.
From the dark corner where I hid I shot Hoph with a silver bullet.
Blue Monkey
"I'll turn this potful of pebbles into gold," the fat man told us at midnight, "if you all keep from thinking about a blue monkey."
He poured in wine, olive oil, salt, and with each he said a certain word. He put the lid on and walked three times around the pot, singing a certain song. But when he turned the pot over, just the pebbles poured out.
"Which of you was thinking about a blue monkey?" They all admitted they'd thought of nothing else. Except me—I'd striven to remember exactly what he'd said and done. Then everybody vowed the fat man's gold-making joke was the laughingest thing they'd seen in a long spell.
One midnight a year later and far away, I shovelled pebbles into another pot at another doings, and told the folks: "I'll turn them into gold if you all can keep from thinking about a red fish."
I poured in the wine, the olive oil, the salt, saying the word that went with each. I covered the pot, walked the three times, sang the song. Then I asked: "Did anybody think about a blue monkey?"
"But, John," said the prettiest lady, "you said not to think about a red fish, and that's what I couldn't put from my mind.'
"I said that to keep you from thinking about a blue monkey," I said, and tried to tip the pot over.
But it had turned too heavy to move, I lifted the lid. There inside the pebbles shone yellow. The prettiest lady picked up two or three. They clinked together in her pink palm.
"Gold!" she squeaked. "Enough to make you rich, John!"
"Divide it up among yourselves," I said. "Gold's not what I want, nor yet richness."
The Stars Down There
"I mean it," she said again. "You can't go any farther, because here's where the world comes to its end."
She might could have been a few years older than I was, or a few years younger. She was thin-pretty, with all that dark hair and those wide-stretched eyes. The evening was cool around us, and the sun's last edge faded back on the way I'd come.
"The world's round as a ball," and I kicked a rock off the cliff. "It goes on forever."
And I harked for the rock to hit bottom, but it didn't.
"I'm not trying to fool you," she said. "Here's the ending place of the world. Don't step any closer."
"Just making to look down into the valley," I told her. "I see mist down there."
"It isn't mist."
And it wasn't.
For down there popped out stars in all their faithful beauty, the same way they were popping out over our heads. A skyful of stars. No man could say how far down they were.
"I ask your pardon for doubting you," I said. "It's sure enough the ending place of the world. If you jumped off here, you'd fall forever and ever."
"Forever and ever," she repeated me. "That's what I think. That's what I hope. That's why I came here this evening."
Before I could catch hold of her, she'd jumped. Stooping, I saw her failing, littler and littler against the stars down there, till at last I could see her no more.
Find the Place Yourself
It might be true that there's a curse on that house. It's up a mountain cove that not many know of, and those who do know won't talk to you about it. So if you want to go there you'll have to find the place yourself.
When you reach it, you won't think at first it's any great much. Just a little house, half logs and half whip-sawed planks, standing quiet and gray and dry, the open door daring you to come in.
But don't you go taking any such a dare. Nor don't look too long at the bush by the door-stone, the one with flowers of three different colors. Those flowers will look back at you like hard, mean faces, with eyes that hold yours.
In the trees over you will be wings fluttering, but not bird wings. Round about you will whisper voices, so soft and faint they're like voices you remember from some long-ago time, saying things you wish you could forget.
If you get past the place, look back and you'll see the path wiggle behind you like a snake after a lizard. Then's when to run like a lizard, run your fastest and hope it's fast enough.
I Can't Claim That
When I called Joss Kift's witch-talk a lie, Joss swore he'd witch-kill me in thirteen days.
Then in my path a rag doll looking like me, with a pin stuck through the heart. Then a black rooster flopping across my way with his throat cut, then a black dog hung to a tree, then other things. The thirteenth dawn, a whisper from nowhere that at midnight a stick with my soul in it would be broken thirteen times and burnt in a special kind of fire.
I lay on a pallet bed in Tram Colley's cabin, not moving, not speaking, not opening my mouth for the water Tram tried to spoon to me. Midnight. A fire blazed outside. Its smoke stunk. My friends around me heard the stick break and break and break, heard Joss laugh. Then Joss stuck his head in the window above me to snicker and say. "Ain't he natural-looking?"
I grabbed his neck with both hands. He dropped and hung across the sill like a sock. When they touched him, his heart had stopped, scared out of beating.
I got up. "Sorry he ended thataway," I said. "I was just making out that I was under his spell, to fool him."
Tram Colley looked at me alive and Joss dead. "He'll speak no more wild words and frightful commands," he said.
"I reckon it's as I've heard you say, Grandsire," said a boy. "Witch-folks can't prevail against a pure heart."
"I can't claim that," I said.
For I can't. My heart's sinful, and each day I hope it's less sinful than yesterday.
Who Else Could I Count On
"I reckon I'm bound to believe you," I admitted to the old man at last. "You've given me too many proofs. It couldn't be any otherwise but that you've come back from the times forty years ahead of now."
"You believe because you can believe wonders, John," he said. "Not many could be made to believe anything I've said."
"This war that's going to be," I started to inquire him, "the one the nobody's going to win—"
"The war that everybody's going to lose," he broke in. "I've come back to this day and time to keep it from starting if I can. Come with me, John. We'll go to the men that rule this world. We'll make them believe, too, make them see that the war mustn't start."
"Explain me one thing first," I said.
"What's that?" he asked.
"If you were an old man forty years ahead of now, then you must have been young right in these times." I talked slowly, trying to clear the idea for both of us. "If that's so, what if you meet the young man you used to be?"
So softly he smiled: "John," he said, "why do you reckon I sought you out of all men living today?"
"Lord have mercy!" I said.
"Who else could I count on?"
"Lord have mercy!" I said again.
Farther Down the Trail
Manly Wade Wellman
JOHN'S MY NAME
Where I've been is places and what I've seen is things, and there've been times I've run off from seeing them, off to other places and things. I keep moving, me and this guitar with the silver strings to it, slung behind my shoulder. Sometimes I've got food with me and an extra shirt maybe, but most times just the guitar, and trust to God for what I need else.
I don't claim much. John's my name, and about that I'll only say I hope I've got some of the goodness of good men who've been named it. I'm no more than just a natural man; well, maybe taller than some. Sure enough, I fought in the war across the sea, but so does near about every man in war times. Now I go here and go there, and up and down, from place to place and from thing to thing, here in among the mountains.
Up these heights and down these hollows you'd best go expecting anything. Maybe everything. What's long time ago left off happening outside still goes on here, and the tales the mountain folks tell sound truer here than outside. About what I tell, if you believe it you migh
t could get some good thing out of it. If you don't believe it, well, I don't have a gun out to you to make you stop and hark at it.
WHY THEYRE NAMED THAT
If the gardinel's an old folks' tale, I'm honest to tell you it's a true one.
Few words about them are best, I should reckon. They look some way like a shed or cabin, snug and rightly made, except the open door might could be a mouth, the two little windows might could be eyes. Never you'll see one on main roads or near towns; only back in the thicketty places, by high trails among tall ridges, and they show themselves there when it rains and storms and a lone rarer hopes to come to a house to shelter him.
The few that's lucky enough to have gone into a gardinel and win out again, helped maybe by friends with axes and corn knives to chop in to them, tell that inside it's pinky-walled and dippy-floored, with on the floor all the skulls and bones of those who never did win out; and from the floor and the walls come spouting rivers of wet juice that stings, and as they tell this, why, all at once you know that inside a gardinel is like a stomach.
Down in the lowlands I've seen things grow they name the Venus flytrap and the pitcher plant, that can tole in bugs and flies to eat. It's just a possible chance that the gardinel is some way the same species, only it's so big it can tole in people.
Gardinel. Why they're named that I can't tell you, so don't inquire me.
NONE WISER FOR THE TRIP
Jabe Mawks howdied Sol Gentry, cutting up a fat deer in his yard. Sol sliced off enough for a supper and did it up in newspaper for Jabe to carry home, past Morg McGeehee's place that you can see from Sol's gate, and from where you can see Jabe's cabin.