Mr. Giles does not reply. Instead he removes his hat and drapes the garment bag across a row of seats. “I have heard of your plight. And, at the request of your secretary, I have traveled a great distance in a short time.”
Edwin appraises himself in the mirror and likes what he sees. He has scrubbed his skin and now it glows a rosy pink. His time in the sun has given him a little color, and it lends him, if only temporarily, the air of a healthier, more physically adventuresome man. Perhaps one who enjoys the tedious pastime of yachting.
Mr. Giles has a different assessment. The jacket lies improperly across Edwin’s shoulders. No one else may ever notice this flaw in the work, but for Mr. Giles, it cries out for adjustment. He is keenly aware that he has a finite number of suits left in him. And he wants each to be better than the last. “Shall have to tune the jacket a little,” he says in a tone that attempts to downplay the seriousness of the matter.
“What’s wrong with it?” Edwin asks as he turns and smooths the jacket across his midsection. The dark blue fabric moves like a second skin. The suit is magnificent.
“Hmm,” says Giles. “You can wear it back to the city, but then you must give me some time with it.”
“Very well.” Edwin tugs gently on his shirt cuffs. He takes a moment to enjoy the somber, dark blue. Edwin has slogged through the filth and the absurdity to find himself in command of vast financial resources once again. Now, he can fund any scheme he deems reasonable. No more small time. No more attempting to explain the quality of the opportunities he can create to investors blinded by troublesome and antiquated morals.
“I should like another suit,” Edwin says.
“Very good Mr. Windsor.”
“Black, I should think.”
“And the cut? And the collar?”
“I leave it in your capable hands, Mr. Giles.”
Agnes enters the room. “The plane is ready.” Edwin nods. Of course the plane is ready. Everything is ready. Now it is time to begin.
Chapter Twenty-Four
Cotton Candy
If the rain falls on the just and the unjust alike, then does it not follow that the warmth of the sun should lift even the crudest spirit?
It’s the kind of a question that a thinking person ponders as he or she goes for a stroll through the city after a light spring rain, filling lungs with a rare breath of fresh air, and seeking the common thread of humanity in the endless faces that stream by on a freshly washed sidewalk. It is not, however, what Barry is thinking. As he lumbers down the sidewalk, Barry is thinking about cotton candy.
Barry has been thinking about cotton candy for three weeks. Not off and on, but straight. At night he goes to sleep with visions of spun sugar dancing in his head. And when he wakes in the morning, the pink confection is still at the front of his mind. No matter where he goes or what he does, the thought of cotton candy is with him.
This thought had been introduced by an attempt at hypnotherapy. You see, Barry is a very violent man. And, as a condition of his parole, he has been ordered to see a psychiatrist. At his last visit, the psychiatrist asked Barry to think of a pleasant memory from his childhood. Barry had responded “Cotton candy.”
“What is it about cotton candy?” asked the psychiatrist, feeling that he was finally getting somewhere with a difficult and uncommunicative patient.
“Stacy bought.”
Now the psychiatrist is excited. Barry never really speaks in sentences longer than two words. To get two, two-word sentences in one session — let alone in a row — well, the shrink feels like he’s really getting somewhere. So he decides to dig a little deeper in search of the mother lode. “Can you tell me another pleasant memory about Stacy?”
Unfortunately for the psychiatrist, and more unfortunately for his office, Barry doesn’t have any other pleasant memories of Stacy. And as he searches for them through his small, very unorganized brain, he becomes uncomfortable. Barry starts breathing erratically. He snorts and shakes his head from side to side. “This is good,” says the psychiatrist, “Work through it. Let it come.”
Barry has no idea what this means. To be fair, even the shrink doesn’t know what it means. It’s just one of those things he says. But when Barry leaves his office by walking directly through a brick wall, all his clever mental health clichés desert him.
Barry has been recommended to Edwin Windsor by a former client who is currently being held in EnSuMac. EnSuMac is the unofficial term for the Enhanced Super Maximum prison where Barry was incarcerated. Edwin has developed an outstanding relationship with a few of the guards and inmates who have the eye and aptitude to spot talents that a man like Edwin can exploit. Barry shows remarkable potential. No one really knows how strong or destructive Barry really is, but in prison the guards went to great pains to make sure Barry didn’t get angry.
The rumor is that Barry was granted early release, not because he reformed or changed in any way, but because the warden was not at all sure his prison could contain Barry. And the warden is smart enough to know it’s better not to have Barry’s eventual escape on his record. Ship the problem to someone else. Even if someone else turns out to be a defenseless and unsuspecting public.
All of this information only serves to heighten Edwin’s interest. He has watched Barry from afar, but has yet to interfere. Edwin believes that every man must make his own choices. All he can do is present the options more clearly. Ultimately, responsibility lies with the individual. Edwin is very careful not to get his hands dirty. After all, that is not his role. He is not a villain. He is merely a consultant.
Barry can almost remember that he has an appointment with Edwin. But it’s not clear. His thoughts never are. But he has this generalized feeling that he has somewhere to be. He’s pretty sure his destination is in the direction he is walking, but he can’t get a grip on it. As he lumbers along the sidewalk, a beautiful little girl crosses his path. She is holding a beautiful little kitten. Barry has limited experience with beauty, so he doesn’t really know what do to. He stops before he tramples her and just stands there, breathing through his mouth. The little girl is terrified. She holds the kitten up to Barry. “Do you want to pet my kitty? Her name is Candy.”
As if it is the most natural thing in the world, Barry eats the kitten and keeps walking.
For a long time, Barry thinks about how scratchy cotton candy is. Then he remembers that the address of the place he needs to be is written down on a piece of paper in the wallet that hangs around his neck. For the next twenty minutes, he terrorizes passersby by walking up to them and shoving the wallet in their faces. “Where?” he demands. Eventually someone points him in the right direction.
The security guards at Windsor Tower have pretty much seen it all. Even before Barry shows them his paper, they are pointing towards the express elevator to the penthouse. The sooner they get this guy out of the lobby, the less likely whatever it is he’s going to do will be their fault.
Chapter Twenty-Five
Barry BASH!
The elevator bell echoes through Edwin’s cavernous lobby. Agnes does not look up. She has schooled herself to resist a great number of urges which she perceives as appeals to her animal nature. She does not drool when bells ring. Nor does she automatically look up from her work.
She makes her final notation in a file, closes it and looks up. “Do you have an app... Oh GOOD LORD! Ah-hem.” Agnes struggles to regain control of herself. She is not the kind of person who is easily rattled. But when faced with a visage that clearly belongs to the Pleistocene era, she needs a moment. It is one thing to suspect that many of those you share the earth with are some species of subhuman, but to actually have a caveman walk through the door is something else entirely.
Barry’s wide-spaced eyes and low, sloping forehead give no indications of intelligence. The general sheen of dullard in his eyes is enhanced by three letters, C R O, that are worked in scar tissue across his forehead.
Agnes decides it is best to proceed carefully. I
n a loud, slow voice, she asks, “Are. You. Lost?”
Barry shrugs.
“Do. You. Have. An. A. Point. Ment?”
Barry holds up the small wallet of papers that hangs around his neck. On the front, in large block letters, is his name.
“Of course,” she mutters under her breath. She forces a smile and reaches for the appointment book.
In his office, Edwin sits quietly behind his desk, paging through a volume by a Polish man named Dzerzhinsky. When the intercom buzzes, he closes the book carefully and places it on the desk with some degree of reverence.
“Yes, Agnes?”
“It appears that a representative of the Union of Cavemen, Local Number Rock, is here about our yearly contribution of fire.”
“Is his name Barry?” Edwin asks.
“The creature is so labeled.”
Agnes shows Barry into Edwin’s high, sunlit office. At this point, most people take a moment to comment on the decor, or marvel at the view. Barry just throws his carcass into a chair. The chair, a very tasteful and expensive piece that is hand-crafted from maple and artisan leather, collapses under Barry’s weight. Barry doesn’t seem to notice. Perhaps it is because this kind of thing happens to Barry all the time. Whatever the case, Barry looks at Edwin and sucks on his fist.
“I have heard that you are possessed of unusual talents," Edwin begins carefully.
Barry takes his fist out of his mouth and holds it above his head. A thin line of drool stretches from his mouth to the knuckle of his middle finger. Barry looks at the strand for a moment. When it snaps, he drops his arm downward and smashes a hole in the floor beside what is left of the chair. Edwin stretches over his desk and considers the damage. “Impressive,” says Edwin.
Barry raises his hand to strike again. Edwin acts quickly “No, no, no. Another demonstration will not be necessary.” Barry stops. He does not look happy, or at all familiar, with the exercise of self-control.
“I have been informed that you are at a loss for what to do with your talents.”
“Barry BASH!” he roars.
“Yes, of course but what do you bash? Or more to the point, what should you bash?”
Barry shrugs.
“Well,” says Edwin, rising from behind his desk, “I can help you with that.” Edwin moves gracefully in front of a projector screen that is dropping from the ceiling. The title screen on the presentation reads, “Barry Banister, Bashing for Profit.”
“Barry, you have a set of unique physical talents.”
“Barry BASH!”
“Yes. That is exactly what I’m talking about. You are an incredibly destructive individual. And, if I may venture a personal insight, an incredibly misunderstood one as well. If I’m right, all your life people have told you not to break things.”
Barry nodded.
“Yet all your life — ”
“Barry BASH!” This time the floor escapes unharmed, but a Travertine topped end table is pulverized by a flick of Barry’s finger. Edwin decides he’d better finish his pitch quickly, while he still has an office.
“That’s right. And how much money have you made by bashing things?” Barry looks confused. In truth, “Barry BASH!” is his all-purpose response. But it doesn’t seem appropriate here. Barry is a one-note kind of guy. But like a Neil Young guitar solo, he makes the most of a limited tonal range.
Edwin advances the presentation to the first slide. It is a picture of a gigantic sporting arena. “Now, as a general rule, I am not a fan of destruction. My purpose is to build wealth. Building wealth means creating value. Maximizing the scarce resources of time and talent.”
Barry looks around the room for something else to break.
“But this is the exception to the rule. Municipal authorities paid nine million dollars to demolish this building.” As he says this, the still picture transitions to video and Barry sees a series of precise detonations that result in the building’s collapse.
Barry giggles and claps his hands together concussively. “BOOM!”
“Yes,” Edwin says, “Boom. So what I propose is that we move you from the destruction business, to the de-construction business.”
Barry gives Edwin another one of his world-class blank looks. Edwin loathes to be so blunt about it, but he recognizes that it is time to take a simpler tack. “Do you want to get paid to wreck buildings?”
Barry becomes excited again. He nods vigorously. “Barry BASH!”
Edwin directs Barry to a small table on the side of his office. On the table is a contract. On top of the contract is an ink pad. Edwin offers Barry a ball-peen hammer.
“Merely smash the ink on this contract and we have a deal.”
Barry ignores the hammer and, laughing, smashes his fist clear through the table. Ink soaks into the contract. The deal is closed.
Edwin walks Barry to the elevator, talking mostly nonsense and using soothing, gentle tones. As the elevator doors close Edwin says, “We’ll be in touch when we have a project.” With Barry was safely out of the office and hurtling towards the ground floor, Edwin breathes a sigh of relief.
“What in God’s name was that?” asks Agnes.
“That may be our most significant opportunity to date.”
“What, you mean that brute with forehead villainous low?”
“Yes. He is powerful. And, I hope, not smart enough to ruin my plans for him with some terrible scheme of his own.”
“He is rather hard on the office furniture.”
“Yes, well. I trust you will lose no time in expensing the damage.”
“Edwin, are you sure this is wise? He does not seem like a reasonable man. Or reasoning. Or even a man at all really.”
“I understand your concern, but I assure you, I have the matter well in hand.”
Agnes makes an unpleasant face.
“No, really. All of my earlier setbacks have the same root cause. I was expecting unintelligent people to do intelligent things. It was a lack of wisdom on my part. But that is the genius. Not only are we asking Barry do what he loves doing and is already very good at, but we simply cannot overestimate his intelligence. He has none.”
“Edwin, he is a brute animal," says Agnes, not convinced.
“And animals can be trained.”
“But how will you communicate with this creature? You are not a trainer. You do not think like a brute or savage.”
Edwin smiles. “I have just the man for the job.”
Chapter Twenty-Six
Enlisting the Little Savage
Topper struggles to keep up with his large friend. He takes three steps to every one. Every ten steps or so, Topper must jog to catch up. He seems even more frantic than usual.
“Topper, I have a special job for you,” says Edwin.
“If it’s a special job, why don’t you hire a specialist?”
“I am. I mean, I have. And that specialist is you.”
“Yeah, well, I’m a lawyer. And I don’t particularly feel like being a lawyer right now.”
“That’s perfect, I don’t want you to be a lawyer right now,” says Edwin
“E, ya got me to thinkin’ that day on the golf course. See, my life isn’t like I thought it would be. I thought that being a lawyer would let you get away with stuff. That I would learn the rules and learn how to work them, y’know? I didn’t think you’d have to obey them. I thought I’d just get to stick it to the other guy. I didn’t want to play by somebody else’s rules. That just sucks.”
Edwin nods thoughtfully. He is gaining a new insight into his little friend. “So your caseload is manageable at the moment?”
“Manageable? I’m not the kind of guy who manages things. I make sure somebody else is there to catch the ball and then I feign total incompetence.”
“I respect the efficiency of that.”
“Yeah, so that frees me up to spend time on the really important things. Broads and booze and all the little extras that make life worth living. That’s why I’m so relaxed an
d well-adjusted.”
Edwin says nothing. Not only is there no point arguing with the little savage, he has found that having the discipline to say nothing at all is a powerful conversational tool. It makes most people so uncomfortable that they all but give in. Besides, there is far too much useless chatter in the world.
“So,” Topper says, still struggling to keep up, “What’s the play? And how do I help?” Edwin explains Barry’s unique talents and his plan for them.
“So, we gotta find somebody who needs a building knocked over,” Topper sums up.
Edwin waves a hand dismissively. “Merely an executional concern; I need someone to handle Barry.”
“Yeah, but it’s those executional concerns that bite you in the ass. Do you have a guy to pay you to knock a building down?”
“No, I generally don’t associate with the laboring trades. But there is someone out there.”
“En-henh. Well, I know a guy.”
“You see, the easy problems solve themselves. That’s why they are called the easy problems.”
“So aside from hooking you up with a demolition deal, how am I supposed to help?”
“As you may have noticed, I am far more cerebral than you are.”
“Dull is the word you’re looking for. Unless you just want to come right out and call me stupid. And then I’m going to reach up and punch you in your freakishly tall shins, you lanky bastard.” Topper pants as he catches up with Edwin again.
“What I’m trying to say, with great patience, is that I live mostly in my head. Whereas you feel life mostly in your — ”
“Balls!”
“Stomach. The word I was looking for was stomach,” Edwin says. “My point is that Barry is an appetitive creature. And as eloquent as I may be, I simply don’t speak his language. I think you will have better luck communicating with him. On an operational basis, I mean.”
“Okay, okay, I get it. And you’re right. But can we stop for a second?” Topper points to the bar that they have conveniently stopped in front of. They go inside and Topper orders a double scotch rocks. Edwin has a glass of soda water.
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