Bulfinch's Mythology: the Age of Fable

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by Thomas Bulfinch


  "———- goddess, sage and holy,

  Whose saintly visage is too bright

  To hit the sense of human sight,

  And, therefore, to our weaker view

  O'erlaid with black, staid Wisdom's hue.

  Black, but such as in esteem

  Prince Memnon's sister might beseem,

  Or that starred Aethiop queen that strove

  To set her beauty's praise above

  The Sea-nymphs, and their powers offended."

  Cassiopeia is called "the starred Aethiop queen," because after her death she was placed among the stars, forming the constellation of that name. Though she attained this honor, yet the Sea-Nymphs, her old enemies, prevailed so far as to cause her to be placed in that part of the heaven near the pole, where every night she is half the time held with her head downward, to give her a lesson of humility.

  "Prince Memnon" was the son of Aurora and Tithonus, of whom we shall hear later.

  THE WEDDING FEAST

  The joyful parents, with Perseus and Andromeda, repaired to the palace, where a banquet was spread for them, and all was joy and festivity. But suddenly a noise was heard of war-like clamor, and Phineus, the betrothed of the virgin, with a party of his adherents, burst in, demanding the maiden as his own. It was in vain that Cepheus remonstrated, "You should have claimed her when she lay bound to the rock, the monster's victim. The sentence of the gods dooming her to such a fate dissolved all engagements, as death itself would have done.:" Phineus made no reply, but hurled his javelin at Perseus, but it missed its mark and fell harmless. Perseus would have thrown his in turn, but the cowardly assailant ran and took shelter behind the altar. But his act was a signal for an onset by his band upon the guests of Cepheus. They defended themselves and a general conflict ensued, the old king retreating from the scene after fruitless expostulations, calling the gods to witness that he was guiltless of this outrage on the rights of hospitality.

  Perseus and his friends maintained for some time the unequal contest; but the numbers of the assailants were too great for them, and destruction seemed inevitable, when a sudden thought struck Perseus: "I will make my enemy defend me." Then, with a loud voice he exclaimed, :If I have any friend here let him turn away his eyes!" and held aloft the Gorgon's head. "Seek not to frighten us with your jugglery," said Thescelus, and raised his javelin in act to throw, and became stone in the very attitude. Ampyx was about to plunge his sword into the body of a prostrate foe, but his arm stiffened and he could neither thrust forward nor withdraw it. Another, in the midst of a vociferous challenge, stopped, his mouth open, but no sound issuing. One of Perseus's friends, Aconteus, caught sight of the Gorgon and stiffened like the rest. Astyages struck him with his sword, but instead of wounding, it recoiled with a ringing noise.

  Phineus beheld this dreadful result of his unjust aggression, and felt confounded. He called aloud to his friends, but got no answer; he touched them and found them stone. Falling on his knees and stretching out his hands to Perseus, but turning his head away, he begged for mercy. "Take all," said he, "give me but my life." "Base coward," said Perseus, "thus much I will grant you; no weapon shall touch you; moreover you shall be preserved in my house as a memorial of these events." So saying, he held the Gorgon's head to the side where Phineus was looking, and in the very form in which he knelt, with his hands outstretched and face averted, he became fixed immovably, a mass of stone!

  The following allusion to Perseus is from Milman's Samor:

  "As 'mid the fabled Libyan bridal stood

  Perseus in stern tranquillity of wrath,

  Half stood, half floated on his ankle-plumes

  Out-swelling, while the bright face on his shield

  Looked into stone the raging fray; so rose,

  But with no magic arms, wearing alone

  Th' appalling and control of his firm look,

  The Briton Samor; at his rising awe

  Went abroad, and the riotous hall was mute."

  Then Perseus returned to Seriphus to King Polydectes and to his mother Danae and the fisherman Dicte. He marched up the tyrant's hall, where Polydectes and his guests were feasting. "Have you the head of Medusa?" exclaimed Polydectes. "Here it is," answered Perseus, and showed it to the king and to his guests.

  The ancient prophecy which Acrisius had so much feared at last came to pass. For, as Perseus was passing through the country of Larissa, he entered into competition with the youths of the country at the game of hurling the discus. King Acrisius was among the spectators. The youths of Larissa threw first, and then Perseus. His discus went far beyond the others, and, seized by a breeze from the sea, fell upon the foot of Acrisius. The old king swooned with pain, and was carried away from the place only to die. Perseus, who had heard the story of his birth and parentage from Danae, when he learned who Acrisius was, filled with remorse and sorrow, went to the oracle at Delphi, and there was purified from the guilt of homicide.

  Perseus gave the head of Medusa to Minerva, who had aided him so well to obtain it. Minerva took the head of her once beautiful rival and placed it in the middle of her Aegis.

  Milton, in his Comus, thus alludes to the Aegis:

  "What was that snaky-headed Gorgon-shield

  That wise Minerva wore, unconquered virgin,

  Wherewith she freezed her foes to congealed stone,

  But rigid looks of chaste austerity,

  And noble grace that dashed brute violence

  With sudden adoration and blank awe!"

  Armstrong, the poet of the Art of Preserving Health, thus describes the effect of frost upon the waters:

  "Now blows the surly North and chills throughout

  the stiffening regions, while by stronger charms

  Than Circe e'er or fell Medea brewed,

  Each brook that wont to prattle to its banks

  Lies all bestilled and wedged betwixt its banks,

  Nor moves the withered reeds. . . .

  The surges baited by the fierce Northeast,

  Tossing with fretful spleen their angry heads,

  E'en in the foam of all their madness struck

  To monumental ice.

  * * * * *

  Such execution,

  So stern, so sudden, wrought the grisly aspect

  Of terrible Medusa,

  When wandering through the woods she turned to stone

  Their savage tenants; just as the foaming lion

  Sprang furious on his prey, her speedier power

  Outran his haste,

  And fixed in that fierce attitude he stands

  Like Rage in marble!"

  Imitations of Shakespeare

  Of Atlas there is another story, which I like better than the one told. He was one of the Titans who warred against Jupiter like Typhoeus, Briareus, and others. After their defeat by the king of gods and men, Atlas was condemned to stand in the far western part of the earth, by the Pillars of Hercules, and to hold on his shoulders the weight of heaven and the stars.

  The story runs that Perseus, flying by, asked and obtained rest and food. The next morning he asked what he could do to reward Atlas for his kindness. The best that giant could think of was that Perseus should show him the snaky head of Medusa, that he might be turned to stone and be at rest from his heavy load.

  Chapter X Monsters. Giants. Sphinx. Pegasus and the Chimaera. Centaurs. Griffin. Pygmies

  Monsters, in the language of mythology, were beings of unnatural proportions or parts, usually regarded with terror, as possessing immense strength and ferocity, which they employed for the injury and annoyance of men. Some of them were supposed to combine the members of different animals; such were the Sphinx and the Chimaera; and to these all the terrible qualities of wild beasts were attributed, together with human sagacity and faculties. Others, as the giants, differed from men chiefly in their size; and in this particular we must recognize a wide distinction among them. The human giants, if so they may be called, such as the Cyclopes, Antaeus, Orion
, and others, must be supposed not to be altogether disproportioned to human beings, for they mingled in love and strife with them. But the superhuman giants, who warred with the gods, were of vastly larger dimensions. Tityus, we are told, when stretched on the plain, covered nine acres, and Enceladus required the whole of Mount AEtna to be laid upon him to keep him down.

  We have already spoken of the war which the giants waged against the gods, and of its result. While this war lasted the giants proved a formidable enemy. Some of them, like Briareus, had a hundred arms; others, like Typhon, breathed out fire. At one time they put the gods to such fear that they fled into Egypt, and hid themselves under various forms. Jupiter took the form of a ram, whence he was afterwards worshipped in Egypt as the god Ammon, with curved horns. Apollo became a crow, Bacchus a goat, Diana a cat, Juno a cow, Venus a fish, Mercury a bird. At another time the giants attempted to climb up into heaven, and for that purpose took up the mountain Ossa and piled it on Pelion. They were at last subdued by thunderbolts, which Minerva invented, and taught Vulcan and his Cyclopes to make for Jupiter.

  THE SPHINX

  Laius, king of Thebes, was warned by an oracle that there was danger to his throne and life if his new-born son should be suffered to grow up. He therefore committed the child to the care of a herdsman, with orders to destroy him; but the herdsman, moved to pity, yet not daring entirely to disobey, tied up the child by the feet, and left him hanging to the branch of a tree. Here the infant was found by a herdsman of Polybus, king of Corinth, who was pasturing his flock upon Mount Cithaeron. Polybus and Merope, his wife, adopted the child, whom they called OEdipus, or Swollen-foot, for they had no children themselves, and in Corinth OEdipus grew up. But as OEdipus was at Delphi, the oracle prophesied to him that he should kill his father and marry his own mother. Fighting against Fate, OEdipus resolved to leave Corinth and his parents, for he thought that Polybus and Merope were meant by the oracle.

  Soon afterwards, Laius being on his way to Delphi, accompanied only by one attendant, met in a narrow road a young man also driving in a chariot. On his refusal to leave the way at their command, the attendant killed one of his horses, and the stranger, filled with rage, slew both Laius and his attendant. The young man was OEdipus, who thus unknowingly became the slayer of his own father.

  Shortly after this event the city of Thebes was afflicted with a monster which infested the high-road. It was called the Sphinx. It had the body of a lion, and the upper part of a woman. It lay crouched on the top of a rock, and stopped all travellers who came that way, proposing to them a riddle, with the condition that those who could solve it should pass safe, but those who failed should be killed. Not one had yet succeeded in solving it, and all had been slain. OEdipus was not daunted by these alarming accounts, but boldly advanced to the trial. The Sphinx asked him, "What animal is that which in the morning goes on four feet, at noon on two, and in the evening upon three?" OEdipus replied, "Man, who in childhood creeps on hands and knees, in manhood walks erect, and in old age with the aid of a staff." The Sphinx was so mortified at the solving of her riddle that she cast herself down from the rock and perished.

  The gratitude of the people for their deliverance was so great that they made OEdipus their king, giving him in marriage their queen Jocasta. OEdipus, ignorant of his parentage, had already become the slayer of his father; in marrying the queen he became the husband of his mother. These horrors remained undiscovered, till at length Thebes was afflicted with famine and pestilence, and the oracle being consulted, the double crime of OEdipus came to light. Jocasta put an end to her own life, and OEdipus, seized with madness, tore out his eyes, and wandered away from Thebes, dreaded and abandoned hy all except his daughters, who faithfully adhered to him; till after a tedious period of miserable wandering, he found the termination of his wretched life.

  PEGASUS AND THE CHIMAERA

  When Perseus cut off Medusa's head, the blood sinking into the earth produced the winged horse Pegasus. Minerva caught and tamed him, and presented him to the Muses. The fountain Hippocrene, on the Muses' mountain Helicon, was opened by a kick from his hoof.

  The Chimaera was a fearful monster, breathing fire. The fore part of its body was a compound of the lion and the goat, and the hind part a dragon's. It made great havoc in Lycia, so that the king Iobates sought for some hero to destroy it. At that time there arrived at his court a gallant young warrior, whose name was Bellerophon. He brought letters from Proetus, the son-in-law of Iobates, recommending Bellerophon in the warmest terms as an unconquerable hero, but added at the close a request to his father-in-law to put him to death. The reason was that Proetus was jealous of him, suspecting that his wife Antea looked with too much admiration on the young warrior. From this instance of Bellerophon being unconsciously the bearer of his own death- warrant, the expression "Bellerophontic letters" arose, to describe any species of communication which a person is made the bearer of, containing matter prejudicial to himself.

  Iobates, on perusing the letters, was puzzled what to do, not willing to violate the claims of hospitality, yet wishing to oblige his son-in-law. A lucky thought occurred to him, to send Bellerophon to combat with the Chimaera. Bellerophon accepted the proposal, but before proceeding to the combat consulted the soothsayer Polyidus, who advised him to procure if possible the horse Pegasus for the conflict. For this purpose he directed him to pass the night in the temple of Minerva. He did so, and as he slept Minerva came to him and gave him a golden bridle. When he awoke the bridle remained in his hand. Minerva also showed him Pegasus drinking at the well of Pirene, and at sight of the bridle, the winged steed came willingly and suffered himself to be taken. Bellerophon mounting, rose with him into the air, and soon found the Chimaera, and gained an easy victory over the monster.

  After the conquest of the Chimaera, Bellerophon was exposed to further trials and labors by his unfriendly host, but by the aid of Pegasus he triumphed in them all; till at length Iobates, seeing that the hero was a special favorite of the gods, gave him his daughter in marriage and made him his successor on the throne. At last Bellerophon by his pride and presumption drew upon himself the anger of the gods; it is said he even attempted to fly up into heaven on his winged steed; but Jupiter sent a gadfly which stung Pegasus and made him throw his rider, who became lame and blind in consequence. After this Bellerophon wandered lonely through the Aleian field, avoiding the paths of men, and died miserably.

  Milton alludes to Bellerophon in the beginning o the seventh book of Paradise Lost:

  "Descend from Heaven, Urania, by that name

  If rightly thou art called, whose voice divine

  Following above the Olympian hill I soar,

  Above the flight of Pegasean wing,

  Up-led by thee,

  Into the Heaven of Heavens I have presumed,

  An earthly guest, and drawn empyreal air,

  (Thy tempering;) with like safety guided down

  Return me to my native element;

  Lest from this flying steed unreined, (as once

  Bellerophon, though from a lower sphere,)

  Dismounted on the Aleian field I fall,

  Erroneous there to wander, and forlorn."

  Young in his Night Thoughts, speaking of the skeptic, says,

  "He whose blind thought futurity denies,

  Unconscious bears, Bellerophon, like thee

  His own indictment; he condemns himself,

  Who reads his bosom reads immortal life,

  Or nature there, imposing on her sons,

  Has written fables; man was made a lie."

  Vol. II.1,12.

  Pegasus, being the horse of the Muses, has always been at the service of the poets. Schiller tells a pretty story of his having been sold by a needy poet, and put to the cart and the plough. He was not fit for such service, and his clownish master could make nothing of him. But a youth stepped forth and asked leave to try him. As soon as he was seated on his back, the horse, which had appeared at first vicious, a
nd afterwards spirit-broken, rose kingly, a spirit, a god; unfolded the splendor of his wings and soared towards heaven. Our own poet Longfellow also records an adventure of this famous steed in his Pegasus in Pound.

  Shakespeare alludes to Pegasus in Henry IV, where Vernon describes Prince Henry:

  "I saw young Harry, with his beaver on,

  His cuishes on his thighs, gallantly armed,

  Rise from the ground like feathered Mercury,

  And vaulted with such ease into his seat,

  As if an angel dropped down from the clouds,

  To turn and wind a fiery Pegasus,

  And witch the world with noble horsemanship."

  THE CENTAURS

  The Greeks loved to people their woods and hills with strange wild people, half man, half beast. Such were the Satyrs men with goats' legs. But nobler and better were the Centaurs, men to the waist, while the rest was the form of a horse. The ancients were too fond of a horse to consider the union of his nature with man's as forming any very degraded compound, and accordingly the Centaur is the only one of the fancied monsters of antiquity to which any good traits are assigned. The Centaurs were admitted to the companionship of man, and at the marriage of Pirithous with Hippodamia, they were among the guests. At the feast, Eurytion, one of the Centaurs, becoming intoxicated with the wine, attempted to offer violence to the bride; the other Centaurs followed his example, and a dreadful conflict arose in which several of them were slain. This is the celebrated battle of the Lapithae and Centaurs, a favorite subject with the sculptors and poets of antiquity.

  But all the Centaurs were not like the rude guests of Pirithous. Chiron was instructed by Apollo and Diana, and was renowned for his skill in hunting, medicine, music, and the art of prophecy. The most distinguished heroes of Grecian story were his pupils. Among the rest the infant Aesculapius was intrusted to his charge, by Apollo, his father. When the sage returned to his home bearing the infant, his daughter Ocyroe came forth to meet him, and at sight of the child burst forth into a prophetic strain (for she was a prophetess), foretelling the glory that he was to achieve. Aesculapius, when grown up, became a renowned physician, and even in one instance succeeded in restoring the dead to life. Pluto resented this, and Jupiter, at his request, struck the bold physician with lightning and killed him, but after his death received him into the number of the gods.

 

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