by Edna Ferber
19
The things that had mattered so vitally didn’t seem to be important, somehow, now. The people who had seemed so desirable had become suddenly insignificant. The games he had played appeared silly games. He was seeing things through Dallas O’Mara’s wise, beauty-loving eyes. Strangely enough, he did not realize that this girl saw life from much the same angle as that at which his mother regarded it. In the last few years his mother had often offended him by her attitude toward these rich and powerful friends of his—their ways, their games, their amusements, their manners. And her way of living in turn offended them. On his rare visits to the farm it seemed to him there was always some drab dejected female in the kitchen or living room or on the porch—a woman with broken teeth and comic shoes and tragic eyes—drinking great draughts of coffee and telling her woes to Selina—Sairey Gampish ladies smelling unpleasantly of peppermint and perspiration and poverty. “And he ain’t had a lick of work since November——”
“You don’t say! That’s terrible!”
He wished she wouldn’t.
Sometimes old Aug Hempel drove out there and Dirk would come upon the two snickering wickedly together about something that he knew concerned the North Shore crowd.
It had been years since Selina had said, sociably, “What did they have for dinner, Dirk? H’m?”
“Well—soup——”
“Nothing before the soup?”
“Oh, yeh. Some kind of a—one of those canapé things, you know. Caviare.”
“My! Caviare!”
Sometimes Selina giggled like a naughty girl at things that Dirk had taken quite seriously. The fox hunts, for example. Lake Forest had taken to fox hunting, and the Tippecanoe crowd kept kennels. Dirk had learned to ride—pretty well. An Englishman—a certain Captain Stokes-Beatty—had initiated the North Shore into the mysteries of fox hunting. Huntin’. The North Shore learned to say nec’s’ry and conservat’ry. Captain Stokes-Beatty was a tall, bow-legged, and somewhat horse-faced young man, remote in manner. The nice Farnham girl seemed fated to marry him. Paula had had a hunt breakfast at Stormwood and it had been very successful, though the American men had balked a little at the devilled kidneys. The food had been patterned as far as possible after the pale flabby viands served at English hunt breakfasts and ruined in an atmosphere of lukewarm steam. The women were slim and perfectly tailored but wore their hunting clothes a trifle uneasily and self-consciously like girls in the first low-cut party dresses. Most of the men had turned stubborn on the subject of pink coats, but Captain Stokes-Beatty wore his handsomely. The fox—a worried and somewhat dejected-looking animal—had been shipped in a crate from the south and on being released had a way of sitting sociably in an Illinois corn field instead of leaping fleetly to cover. At the finish you had a feeling of guilt, as though you had killed a cockroach.
Dirk had told Selina about it, feeling rather magnificent. A fox hunt.
“A fox hunt! What for?”
“For! Why, what’s any fox hunt for?”
“I can’t imagine. They used to be for the purpose of ridding a fox-infested country of a nuisance. Have the foxes been bothering ’em out in Lake Forest?”
“Now, Mother, don’t be funny.” He told her about the breakfast.
“Well, but it’s so silly, Dirk. It’s smart to copy from another country the things that that country does better than we do. England does gardens and wood-fires and dogs and tweeds and walking shoes and pipes and leisure better than we do. But those luke-warm steamy breakfasts of theirs! It’s because they haven’t gas, most of them. No Kansas or Nebraska farmer’s wife would stand for one of their kitchens—not for a minute. And the hired man would balk at such bacon.” She giggled.
“Oh, well, if you’re going to talk like that.”
But Dallas O’Mara felt much the same about these things. Dallas, it appeared, had been something of a fad with the North Shore society crowd after she had painted Mrs. Robinson Gilman’s portrait. She had been invited to dinners and luncheons and dances, but their doings, she told Dirk, had bored her.
“They’re nice,” she said, “but they don’t have much fun. They’re all trying to be something they’re not. And that’s such hard work. The women were always explaining that they lived in Chicago because their husband’s business was here. They all do things pretty well—dance or paint or ride or write or sing—but not well enough. They’re professional amateurs, trying to express something they don’t feel; or that they don’t feel strongly enough to make it worth while expressing.”
She admitted, though, that they did appreciate the things that other people did well. Visiting and acknowledged writers, painters, lecturers, heroes, they entertained lavishly and hospitably in their Florentine or English or Spanish or French palaces on the north side of Chicago, Illinois. Especially foreign notables of this description. Since 1918 these had descended upon Chicago (and all America) like a plague of locusts, starting usually in New York and sweeping westward, devouring the pleasant verdure of greenbacks and chirping as they came. Returning to Europe, bursting with profits and spleen, they thriftily wrote of what they had seen and the result was more clever than amiable; bearing, too, the taint of bad taste.
North Shore hostesses vied for the honour of entertaining these notables. Paula—pretty, clever, moneyed, shrewd—often emerged from these contests the winner. Her latest catch was Emile Goguet—General Emile Goguet, hero of Champagne—Goguet of the stiff white beard, the empty left coat-sleeve, and the score of medals. He was coming to America ostensibly to be the guest of the American Division which, with Goguet’s French troops, had turned the German onslaught at Champagne, but really, it was whispered, to cement friendly relations between his country and a somewhat diffident United States.
“And guess,” trilled Paula, “guess who’s coming with him, Dirk! That wonderful Roelf Pool, the French sculptor! Goguet’s going to be my guest. Pool’s going to do a bust, you know, of young Quentin Roosevelt from a photograph that Mrs. Theodore Roosevelt——”
“What d’you mean—French sculptor! He’s no more French than I am. He was born within a couple of miles of my mother’s farm. His people were Dutch truck farmers. His father lived in High Prairie until a year ago, when he died of a stroke.”
When he told Selina she flushed like a girl, as she sometimes still did when she was much excited. “Yes, I saw it in the paper. I wonder,” she added, quietly “if I shall see him.”
That evening you might have seen her sitting, cross-legged, before the old carved chest, fingering the faded shabby time-worn objects the saving of which Dirk had denounced as sentimental. The crude drawing of the Haymarket; the wine-red cashmere dress; some faded brittle flowers.
Paula was giving a large—but not too large—dinner on the second night. She was very animated about it, excited, gay. “They say,” she told Dirk, “that Goguet doesn’t eat anything but hard-boiled eggs and rusks. Oh, well, the others won’t object to squabs and mushrooms and things. And his hobby is his farm in Brittany. Pool’s stunning—dark and sombre and very white teeth.”
Paula was very gay these days. Too gay. It seemed to Dirk that her nervous energy was inexhaustible—and exhausting. Dirk refused to admit to himself how irked he was by the sallow heart-shaped exquisite face, the lean brown clutching fingers, the air of ownership. He had begun to dislike things about her as an unfaithful spouse is irritated by quite innocent mannerisms of his unconscious mate. She scuffed her heels a little when she walked, for example. It maddened him. She had a way of biting the rough skin around her carefully tended nails when she was nervous. “Don’t do that!” he said.
Dallas never irritated him. She rested him, he told himself. He would arm himself against her, but one minute after meeting her he would sink gratefully and resistlessly into her quiet depths. Sometimes he thought all this was an assumed manner in her.
“This calm of your—this effortlessness,” he said to her one day, “is a pose, isn’t it?” Anything to get h
er notice.
“Partly,” Dallas had replied, amiably. “It’s a nice pose though, don’t you think?”
What are you going to do with a girl like that!
Here was the woman who could hold him entirely, and who never held out a finger to hold him. He tore at the smooth wall of her indifference, though he only cut and bruised his own hands in doing it.
“Is it because I’m a successful business man that you don’t like me?”
“But I do like you.”
“That you don’t find me attractive, then.”
“But I think you’re an awfully attractive man. Dangerous, that’s wot.”
“Oh, don’t be the wide-eyed ingênue. You know damned well what I mean. You’ve got me and you don’t want me. If I had been a successful architect instead of a successful business man would that have made any difference?” He was thinking of what his mother had said just a few years back, that night when they had talked at her bedside. “Is that it? He’s got to be an artist, I suppose, to interest you.”
“Good Lord, no! Some day I’ll probably marry a horny-handed son of toil, and if I do it’ll be the horny hands that will win me. If you want to know, I like ’em with their scars on them. There’s something about a man who has fought for it—I don’t know what it is—a look in his eye—the feel of his hand. He needn’t have been successful—though he probably would be. I don’t know. I’m not very good at this analysis stuff. I only know he—well, you haven’t a mark on you. Not a mark. You quit being an architect, or whatever it was, because architecture was an uphill disheartening job at the time. I don’t say that you should have kept on. For all I know you were a bum architect. But if you had kept on—if you had loved it enough to keep on—fighting, and struggling, and sticking it out—why, that fight would show in your face today—in your eyes and your jaw and your hands and in your way of standing and walking and sitting and talking. Listen. I’m not criticizing you. But you’re all smooth. I like ’em bumpy. That sounds terrible. It isn’t what I mean at all. It isn’t——”
“Oh, never mind,” Dirk said, wearily. “I think I know what you mean.” He sat looking down at his hands—his fine strong unscarred hands. Suddenly and unreasonably he thought of another pair of hands—his mother’s—with the knuckles enlarged, the skin broken—expressive—her life written on them. Scars. She had them. “Listen, Dallas. If I thought—I’d go back to Hollis & Sprague’s and begin all over again at forty a week if I thought you’d——”
“Don’t.”
20
General Goguet and Roelf Pool had been in Chicago one night and part of a day. Dirk had not met them—was to meet them at Paula’s dinner that evening. He was curious about Pool but not particularly interested in the warrior. Restless, unhappy, wanting to see Dallas (he admitted it, bitterly), he dropped into her studio at an unaccustomed hour almost immediately after lunch and heard gay voices and laughter. Why couldn’t she work alone once in a while without that rabble around her!
Dallas in a grimy smock and the scuffed kid slippers was entertaining two truants from Chicago society—General Emile Goguet and Roelf Pool. They seemed to be enjoying themselves immensely. She introduced Dirk as casually as though their presence were a natural and expected thing—which it was. She had never mentioned them to him. Yet now: “This is Dirk DeJong—General Emile Goguet. We were campaigners together in France. Roelf Pool. So were we, weren’t we, Roelf?”
General Emile Goguet bowed formally, but his eyes were twinkling. He appeared to be having a very good time. Roelf Pool’s dark face had lighted up with such a glow of surprise and pleasure as to transform it. He strode over to Dirk, clasped his hand. “Dirk DeJong! Not—why, say, don’t you know me? I’m Roelf Pool!”
“I ought to know you,” said Dirk.
“Oh, but I mean I’m—I knew you when you were a kid. You’re Selina’s Dirk. Aren’t you? My Selina. I’m driving out to see her this afternoon. She’s one of my reasons for being here. Why, I’m——” He was laughing, talking excitedly, like a boy. Dallas, all agrin, was enjoying it immensely.
“They’ve run away,” she explained to Dirk, “from the elaborate programme that was arranged for them this afternoon. I don’t know where the French got their reputation for being polite. The General is a perfect boor, aren’t you? And scared to death of women. He’s the only French general in captivity who ever took the trouble to learn English.”
General Goguet nodded violently and roared. “And you?” he said to Dirk in his careful and perfect English. “You, too, are an artist?”
“No,” Dirk said, “not an artist.”
“What, then?”
“Why—uh—bonds. That is, the banking business. Bonds.”
“Ah, yes,” said General Goguet, politely. “Bonds. A very good thing, bonds. We French are very fond of them. We have great respect for American bonds, we French.” He nodded and twinkled and turned away to Dallas.
“We’re all going” announced Dallas, and made a dash for the stuffy little bedroom off the studio.
Well, this was a bit too informal. “Going where?” inquired Dirk. The General, too, appeared bewildered.
Roelf explained, delightedly. “It’s a plot. We’re all going to drive out to your mother’s. You’ll go, won’t you? You simply must.”
“Go?” now put in General Goguet. “Where is it that we go? I thought we stayed here, quietly. It is quiet here, and no reception committees.” His tone was wistful.
Roelf attempted to make it clear. “Mr. DeJong’s mother is a farmer. You remember I told you all about her in the ship coming over. She was wonderful to me when I was a kid. She was the first person to tell me what beauty was—is. She’s magnificent. She raises vegetables.”
“Ah! A farm! But yes! I, too, am a farmer. Well!” He shook Dirk’s hand again. He appeared now for the first time to find him interesting.
“Of course I’ll go. Does Mother know you’re coming? She has been hoping she’d see you but she thought you’d grown so grand——”
“Wait until I tell her about the day I landed in Paris with five francs in my pocket. No, she doesn’t know we’re coming, but she’ll be there, won’t she? I’ve a feeling she’ll be there, exactly the same. She will, won’t she?”
“She’ll be there.” It was early spring; the busiest of seasons on the farm.
Dallas emerged in greatcoat and a new spring hat. She waved a hand to the faithful Gilda Hanan. “Tell any one who inquires for me that I’ve felt the call of spring. And if the boy comes for that clay pack picture tell him to-morrow was the day.”
They were down the stairs and off in the powerful car that seemed to be at the visitors’ disposal. Through the Loop, up Michigan Avenue, into the south side. Chicago, often lowering and gray in April, was wearing gold and blue to-day. The air was sharp but beneath the brusqueness of it was a gentle promise. Dallas and Pool were very much absorbed in Paris plans, Paris reminiscences. “And do you remember the time we . . . only seven francs among the lot of us and the dinner was . . . you’re surely coming over in June, then . . . oils . . . you’ve got the thing, I tell you . . . you’ll be great, Dallas . . . remember what Vibray said . . . study . . . work . . .”
Dirk was wretched. He pointed out objects of interest to General Goguet. Sixty miles of boulevard. Park system. Finest in the country. Grand Boulevard. Drexel Boulevard. Jackson Park. Illinois Central trains. Terrible, yes, but they were electrifying. Going to make ’em run by electricity, you know. Things wouldn’t look so dirty, after that. Halsted Street. Longest street in the world.
And, “Ah, yes,” said the General, politely. “Ah, yes. Quite so. Most interesting.”
The rich black loam of High Prairie. A hint of fresh green things just peeping out of the earth. Hot-houses. Coldframes. The farm.
It looked very trim and neat. The house, white with green shutters (Selina’s dream realized), smiled at them from among the willows that were already burgeoning hazily under the wooing of
a mild and early spring.
“But I thought you said it was a small farm!” said General Goguet, as they descended from the car. He looked about at the acreage.
“It is small,” Dirk assured him. “Only about forty acres.”
“Ah, well, you Americans. In France we farm on a very small scale, you understand. We have not the land. The great vast country.” He waved his right arm. You felt that if the left sleeve had not been empty he would have made a large and sweeping gesture with both arms.
Selina was not in the neat quiet house. She was not on the porch, or in the yard. Meena Bras, phlegmatic and unflustered, came in from the kitchen. Mis’ DeJong was in the fields. She would call her. This she proceeded to do by blowing three powerful blasts and again three on a horn which she took from a hook on the wall. She stood in the kitchen doorway facing the fields, blowing, her red cheeks puffed outrageously. “That brings her,” Meena assured them; and went back to her work. They came out on the porch to await Selina. She was out on the west sixteen—the west sixteen that used to be unprolific, half-drowned muckland. Dirk felt a little uneasy, and ashamed that he should feel so.
Then they saw her coming, a small dark figure against the background of sun and sky and fields. She came swiftly yet ploddingly, for the ground was heavy. They stood facing her, the four of them. As she came nearer they saw that she was wearing a dark skirt pinned up about her ankles to protect it from the wet spring earth and yet it was spattered with a border of mud spots. A rough heavy gray sweater was buttoned closely about the straight slim body. On her head was a battered soft black hat. Her feet, in broad-toed sensible boots, she lifted high out of the soft clinging soil. As she came nearer she took off her hat and holding it a little to one side against the sun, shaded her eyes with it. Her hair blew a little in the gentle spring breeze. Her cheeks were faintly pink. She was coming up the path now. She could distinguish their faces. She saw Dirk; smiled, waved. Her glance went inquiringly to the others—the bearded man in uniform, the tall girl, the man with the dark vivid face. Then she stopped, suddenly, and her hand went to her heart as though she had felt a great pang, and her lips were parted, and her eyes enormous. As Roelf came forward swiftly she took a few quick running steps toward him like a young girl. He took the slight figure in the mud-spattered skirt, the rough gray sweater, and the battered old hat into his arms.