Robert B Parker - Wilderness

by Wilderness(lit)

  "I'll have a little wine, Aaron," Janet said. He poured her a glass of white wine.

  "You hungry?" Newman said to Hood.

  "For sure," Hood said.

  "There's steaks in the freezer. You want one, Jan?"

  "Yes, I'd love one. A small one, maybe half."

  "Yeah, you got a real fat problem," Newman said. He drank half the beer at one pull on the can.

  "Well, what have you guys been doing?" Janet said.

  Newman put the three steaks, still frozen, in a fry pan on the stove and turned the gas on medium. He drank the other half of the beer and felt it move through him like sap through a tree. He grinned.

  "We been stalking our quarry," he said. He opened his shirt so that Janet could see the nickel-plated.32 revolver at his belt.

  "Jesus Christ," she said. "Is that a real gun?"

  Newman opened another beer. He held one toward Hood. Hood shook his head. "Yes, m'am," Newman said, "it's real. And we have been circling in on old Adolph Karl."

  The steaks began to sizzle in the pan.

  "Well tell me about it. Tell me everything you've done today. Are you in on this too, Chris?"

  Hood nodded. Newman began to slice mushrooms into the pan with the steaks. "We found out where he lived," Newman said, "and we went and looked it over. We figure we can't get him there so we're waiting to see if he goes out, or goes to work or something like that. We need to get a place where we can hit him and get away clean. It may take some time."

  Janet Newman smiled and raised her glass. "Okay," she said. "Home from the hill is the hunter." Newman smiled back at her. Hood sipped his beer. Newman turned the steaks in the pan with a pair of tongs.

  "How long do you think it will take," Janet said.

  Hood shrugged. Newman said, "No way to tell. We'll just have to stay on him and see." He drank more beer and got another can. This time Hood had some too. Janet had another glass of wine. As he cooked, Newman could feel the swell of his biceps tightening his shirt as he bent his arm to move the mushrooms around in the pan. Janet set the table and put a plate of rolls out. Newman put the steaks on each of three plates. His movements seemed precise to him. Controlled. He added steak sauce to the mushrooms and let the sauce cook down a moment in the pan. Then he spooned a serving onto each plate with a spatula.

  He spilled none. Good at what I do, he thought.

  As they ate, Newman talked. "We watched that god damned house all day," he said. "All goddamned day, and nobody stirred."

  "Will you go back tomorrow?" Janet said.

  "Yeah. He's gotta come out sometime."

  "What about your writing?"

  "Priorities, lovey. I keep telling you there's got to be priorities.

  This is life and death. That's number one." The beer was very cold and tingled in his throat as he drank.

  "What made you decide to do it?" Janet said.

  "It has to be done," Newman said. "And the... the what... the insult of it all has to be wiped away. I can't stand to be cowed by those bastards. It's the insult. I just can't accept it."

  "Well, I think it's a good decision, whatever reason. I'm proud of you both." "Wait'll we do it, Janet," Hood said. "We botch it and you won't be proud of us."

  "I don't like to think about that," Janet said.

  "Well, it's a risk," Hood said, "you have to face that." "We won't botch it," Newman said. "We must be as smart as these bastards."

  "But it isn't just smart," Hood said, "it's also mean. Are you as mean as those bastards?"

  "If I have to be. I have always been able to do what I had to do."

  Janet nodded. She had finished her steak and was sipping wine. "That's true, Chris. He has always been able to do the things that had to be done."

  "I hope he runs to form," Chris said. "There may be some tough things to do. And when we're doing them is not the time to rethink your position on violence." "I know," Newman said. "I'm committed. I won't back off." Janet poured more wine. "My God," she said, "isn't it something.

  Sitting around eating steak, drinking wine, and talking about a killing."

  Her face was animated and full of color. / love the way her lower lip is, Newman thought. And how she looks when she's enthusiastic.

  It was nearly eleven when Chris Hood went home. They cleaned up the kitchen together. He locked the doors. And they went upstairs to bed.

  "Would you care to have a small screw," she said.

  "Don't mind if I do," he said.

  "I'll be back soon," she said, and went down the hall to the bathroom.

  He loaded the double-barreled shotgun and put it by the bed. He took the.32 off, belt and all, and hung it over the bed post. Looks like a paperback cover from the forties, he thought. My Gun Is Quick. He liked the way it looked.

  He undressed and got into bed. She came back from the bathroom, her makeup off, her face scrubbed. She locked the door behind her and went to pull the drapes closed across the windows.

  "Who do you figure will peek," he said. "Somebody up in the church steeple with a spyglass?" She smiled and pulled the rest of the drapes. Then she turned toward him and stood at the foot of the bed and undressed. The last thing she took off was her underpants, rolling them slowly down across the thrust of her pubic bone and then wiggling them down her thighs until she could step out of them.

  The red scratches on her belly were clear. AK. He felt the cortex of desire in his stomach.

  She stood still for a moment at the foot of the bed while he looked at her, then she turned off the light and crawled from the foot of the bed up beside him. He shifted over on his right side. She lay on her left facing him. She pulled the covers over them. He put his right hand against the delta where her thighs met. He put his left arm around her and pressed her against him. She kissed him with her mouth open. He put his tongue out, and hers met it at the edge of her teeth and kept his from penetrating. He groaned slightly and pushed his right hand against her. She pressed her thighs together slightly. With her right hand she pushed his hip away slightly and put her hand on his penis. He grunted. She began to move her hand. He groaned. She moved her hand faster. He relaxed the pressure on her vulva, though his hand remained. Her thighs relaxed a little. Her hand moved steadily. He rolled over onto his back, the covers kicked off, moaning steadily, arching his back toward her moving hand, his hand fell away from her body. Her eyes were closed, her face detached and calm. He twisted toward her. She moved her hand faster and he fell back. She rose to a half-sitting position and bent over him. Her back was to his face and arms as she bent over his penis. Lying flat and twisting with sensation he reached toward her but could touch only her back and right hip.

  She sat up and lay back. She put her legs apart. He got onto his knees between her legs and she guided him into her. He lay on top of her, one hand holding her buttocks, the other beneath her back, his hand pressing between her shoulder blades. He tried to kiss her. She turned her head away. Her knees were half bent, her eyes closed, she lay quite still as he pumped above her. He put his left hand on her breast, and after a moment she pushed it away. She shifted slightly as his pelvis ground uncomfortably against her. The new position was more comfortable. She grunted once, softly, and put both hands on his rhythmic buttocks.

  He ejaculated.

  The decrescendo was brief and after a moment as he lay quietly on top of her, his face pressed in her hair, she made a small hip thrust that told him to get off. As he withdrew she shivered slightly as she always did.

  He rolled over on his back beside her, holding her hand. She squeezed his hand, then pulled hers away. And sat up on the edge of the bed.

  "I've got to get up," she said. "I'm full of glop."

  CHAPTER 10.

  In the morning Janet went to the Boston Public Library and spent the day in the microfilm room reading back issues of The Boston Globe for information about Adolph Karl. She went up to the university for her one o'clock class and came back at two-thirty and worked until five.

&nbs
p; When she got home at six that evening she knew that Karl was married, had two sons, had been in jail for five years on an armed-assault charge, had been arrested four other times for loan sharking and narcotics and had been released. She knew that one of his sons had graduated from B.C. and was now in Suffolk law school. She knew that Karl had a summer home in Fryeburg, Maine. That he liked to hunt and fish around Fryeburg, that he was probably active in organized crime, had probably killed four people. She knew that Mrs. Karl's first name was Madelyn and that her maiden name had been Corsetti and that she was active in Roman Catholic women's groups in Lynn and Boston. And she knew that Adolph Karl owned a discount furniture store on Portland Street in Boston.

  Her husband and Chris Hood learned of the store too. It was ten-thirty in the morning when Karl and two other men came out of the house and got into the blue Lincoln with the orange vinyl roof. Hood watched from the seawall and then turned and stared out to sea. Newman started the Bronco and cruised down slowly. He stopped, Hood got in, and they swung out three cars behind the Lincoln.

  "He alone?" Newman asked.

  "No. There's two men with him. He's in the back seat with one of them. The other one's driving."

  The blue Lincoln drove west along the shore drive onto the Lynnway, and south on the Lynnway. It stopped once at a doughnut shop. The man in the back seat got out and went into the shop. Newman pulled the Bronco into a gas station next door and parked by the air hose.

  "That Karl?" Hood said.

  "No."

  Hood got out and put air in the tires. The man came back out of the doughnut shop with a box of doughnuts and a paper bag. Hood got back in the Bronco. The Lincoln pulled back out into the Lynnway traffic, the Bronco fell in behind it. They drove to Boston.

  The Lincoln pulled up into a loading zone with a yellow curb and parked in front of a furniture store on Portland Street just up from North Station. The sign said Adolph Karl's Union Furniture. Karl and the two other men got out and went in. Newman drove around the block. On the next pass by Union Furniture the Lincoln was still there.

  "Why don't you go in and look around?" Newman said. "I'll keep circling."

  Hood nodded. "Let me out on the corner. I'll stroll in and act like a customer. You go around the block and be on that corner. Double-park there. If I have to come out fast I want to know you'll be there." Newman said, "I'll be there." He stopped the car.

  Hood got out of the car and strolled toward the furniture store. Newman put the car back in gear and went around the block again. He double-parked where Hood had told him to. He could see the front of the store. As he sat, a short fat woman in a tight pink dress that didn't reach her knees shuffled up to the car. She wore blue rubber clogs on her feet. She handed a card through the window of the Bronco.

  Newman took it. The card said, "I am a deaf mute. You may buy this card for a quarter." Newman dug a quarter from his pocket and gave it to the woman. Her hair was gray and in a tight coil at the back of her head. She wore sunglasses. She took the quarter and moved away up Portland Street, toward Government Center. Newman turned the card over. On the back were diagrams of sign language. She can tell herself she isn't begging, Newman thought. He stuck the card in a crack in the defroster vent.

  Chris Hood came out of Union Furniture and walked slowly down Portland Street toward Newman. He got in the car.

  "Nothing," he said.

  "Karl in there?"

  "If he was I didn't see him. There were a couple of salesmen. Then there's some stairs along the left wall in the back, and like a balcony of offices across the back on the second floor. I would assume Karl was up there."

  "Did it look like a place we could hit him?"

  Hood shrugged. "Got to see the upstairs layout. In the store itself it doesn't look promising."

  "Do we really need to see upstairs too?"

  Hood looked at him for a span of ten seconds. "Yeah, we have to see upstairs. We have to see everything. This isn't Capture The Flag, Aaron. You don't go in unprepared. Here, anywhere. You gotta know what you can expect." Newman said, "Okay. You're probably right. How we going to do it?"

  Hood picked the card off the defroster slot and read it. "First let's park this thing," he said.

  Newman found a meter past the store on the right.

  "First off, it's gotta be you," Hood said. He put the card back in the defroster slot. "The salesmen have seen me in there. They'll be too suspicious if I'm caught trying to go up to the offices."

  Newman felt the fear again. It surged in his stomach and flashed along his arms and into his fingertips. He kept his face still.

  "How about I use that card?"

  Hood looked at the card again.

  "Go in and pretend to be a deaf-mute beggar and go upstairs and wander around?" "Yes," Newman said. His throat was stiff. "And if anyone catches me I hand them the card."

  Hood pursed his lips and raised his eyebrows. "Not bad," he said. "But you look too good."

  He reached into the glove compartment and brought out a felt fishing hat. "Try the crusher," he said. "Just put it on and let it be as wrinkled and mangy as it is. Don't smooth it out."

  Newman put the hat on. "Okay," Hood said. "And we'll have to do something with the shirt." He took the skinning knife from his pocket and opened the blade. "Mind if I ruin the shirt? I'll cut the sleeves off almost at your shoulders." "Go ahead," Newman said. His breath was short.

  Hood cut the sleeves off. When he finished Newman leaned over and rolled his pants legs up over his ankles. His bare legs were pale above his blue Pumas. He put the deaf-mute card in his hat band.

  "I'll go in first," Hood said. "I told them I wanted to shop around and I might be back. Then you come in and head for the back left.

  You'll see the stairs."

  Newman nodded.

  "If there's trouble, start yelling. I'll be up in half a second. And don't be afraid to use the gun. That's what you got it for."

  "Okay."

  Hood grinned. "Okay, I'm going. You come right behind me."

  "Okay."

  Hood grinned again. Made a thumbs-up gesture and got out of the car.

  Newman sat in stillness. He felt thick, as if there were insulation around him and reality were distant and unclear. Hood went into the store and Newman got out of the car and went to the store behind him.

  The store was shabby and the furniture was cheap and garish, imitation plush in bright reds and blues. Wooden love seats with small print slip covering that pretended to be colonial. To his right as he went in, Newman had a sense of Hood talking to a salesman. In the far right back corner of the store another salesman bent over a table, writing in a notebook. Newman walked straight to the back left and up the stairs.

  Nobody said anything. At the top of the stairs there was a balcony that ran off at right angles to the stairs across the back of the store. There were three frosted glass doors at intervals in the back wall of the balcony. The salesman who'd been writing was now out of sight under the balcony, the other was still talking with Hood.

  Newman felt disconnected. His jaws hurt and he realized he was clenching his teeth. He relaxed his jaw. He couldn't seem to feel the gun against his groin as he had before. He ran his left hand over the area as if scratching a bite. The gun was there. He waited for the surge of reassurance but nothing came.

  Promptly he moved onto the balcony and opened the first glass door. The room was windowless and empty. The only light came through the open door and the frosted glass partition that separated it from the next office. There was a gray metal conference table and five folding chairs in the room. On the table was a newspaper and an empty cardboard pizza box in which a few crusts of pizza remained. Two paper coffee cups were near the box. In the corner of the room there was a stand-up electric fan. There was nothing else in the room.

  Newman closed the door as quietly as he could. Every movement he made he had to think of. Nothing was natural. Nothing automatic. He stepped back from the door. There was ligh
t in the next office. I could tell Chris I tried and it was locked and that there was no one up here. I could turn now and go down and out and go home. And be safe.

  He stepped to the next door. There was light behind it. He could hear a voice. From the floor below a voice said, "Hey, what the hell are you doing?"

  His fear saved him. He was numb and slow with it and didn't react.

  Instead, mindless' and terrified he turned the knob and walked in.

  Adolph Karl sat at a desk facing the door with his feet up and his coat off talking into the telephone. I could shoot him now. To his left, at a small table against the wall, the two men who'd been with him all day were playing cards. In front of each there was a card up and a card down. Blackjack, Newman thought.