Pretty Good Number One: An American Family Eats Tokyo

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Pretty Good Number One: An American Family Eats Tokyo Page 3

by Matthew Amster-Burton


  Later, I discovered the problem with the fish grill, in three steps:

  Present your family with succulent grilled fish. (Did I mention that, for some reason, broiling is always known as “grilling” in Japan?)

  Slide the fish grill shut so that no one takes a blow to the kidney while walking through the kitchen.

  Three days later, open the fish grill and scream. Surprise! Rancid, congealed fish grease.

  Japanese cuisine has a small footprint. Home cooks have been preparing it in tiny kitchens for generations. Some of the best parts of a Japanese meal, such as the pickles, just sit around waiting to be eaten. The same goes for rice: everyone has a rice cooker, and at any time of day it tends to be on the keep warm setting, full of cooked rice. While the two burners of the stove are occupied, the rice cooker sits quietly in the corner and treats your rice with the proper respect.

  For my first home-cooked meal in Tokyo, I took an assortment of beautiful Japanese ingredients and did what came naturally: I made Chinese food. I stir-fried some beautifully marbled kurobuta (Berkshire breed) pork with bok choy, ginger, and leeks, sauced it with soy sauce, mirin, and vinegar, and served it over rice, sprinkled with shichimi tōgarashi seven-spice mixture. This seemed like a reasonable act of Japanese-Chinese fusion. I made some quick-pickled cucumbers on the side. This was before we discovered that anything you do to a Japanese cucumber diminishes it. I should have known this; once I interviewed a Japanese-American farmer who grows more than a hundred Asian vegetables in Washington state. Naturally, I asked him about his personal favorite. Cucumber, he said.

  “How do you prepare it?” I asked.

  “Slice and eat.”

  The whole meal was about the same as something I’d make at home, but I cooked it in Japan. It was like the SpongeBob SquarePants episode where SpongeBob has to work the night shift at the Krusty Krab, and he keeps saying things like, “I’m chopping lettuce...at night!” I was slicing cucumbers...in Tokyo!

  When we moved in, our landlord, Mac, handed us an official four-page color guide explaining how to sort our garbage. “Even Japanese people have trouble,” he said. “Hang in there.” He flashed the thumbs-up. Then he walked off into the Nakano sun, leaving us alone with this document; it was like being a new parent all over again.

  I’d heard people complain about the byzantine rules of Tokyo garbage and recycling, but honestly, I had no idea. In Seattle, we sort our discards into three categories: recycling, compost, and other. The first two categories go on to theoretically productive reuse, and those unredeemables in the last category go to the landfill. I’ve grumbled about Seattle trash policy in the past; I will never do so again.

  In Tokyo, there are five main categories of trash, with multiple subcategories and exceptions. Each category is collected only on certain days. The apartment manager puts out the proper cans on the proper days, and if you don’t take the stuff out in time, it’s like missing a ferry, only smellier.

  The catchall category is Combustible waste, meaning stuff that should go to the incinerator: food scraps, nonrecyclable plastic, diapers, small yard waste (“pruned brunches,” according to the guide). The existence of this category led to many iterations of the following conversation:

  Matthew: Is this Combustible?

  Laurie: No, I think it’s Plastic.

  Matthew: Everything is combustible if you get it hot enough. That’s just physics.

  Plastic is not just any plastic. It has to be recyclable and clean without food stains. It is your responsibility as a citizen to make a good-faith effort to wash food residues (say, takoyaki grease) off the plastic before putting it in the Plastic bin. It took me a couple of weeks to realize that there’s a Plastic recycling symbol. It looks like the first two syllables of “purasuchikku” written in katakana. You’re welcome.

  Oh, but wait. Not all plastic is Plastic. PET bottles go in a separate bin and are collected on a separate day. Summer in Tokyo is high season for drink vending machines, which are so common it’s as if they’re following you. Don’t tell any of our environmentally sensitive friends in Seattle, but we probably went through 250 PET bottles over the course of the month. There’s more than one way to recycle a PET bottle: our friend Akira built a raft out of them.

  Paper is the worst. You’re supposed to bundle your newspapers and then slip small pieces of paper (shopping lists, unwanted love notes) in between the newspapers. These parcels are then tied up and placed at group collection points for collection by “voluntary community groups.” Laurie somehow figured out not only where and when to put out Paper, but also which type of string to bind it with. I asked her how she did this, because it seemed like sorcery. “I figured it out by watching the streets,” she replied, which is exactly how I learned to rap.

  Thermal receipt paper goes in Combustibles, not Paper. No transaction in Tokyo is finished without a receipt. I would not be at all surprised to learn that hookers give receipts.

  Noncombustibles are mainly metal things. By keeping an eye out for the Plastic symbol, I learned just how many things in life appear to be metal but are actually plastic. This struck me as deeply metaphorical.

  Is there more to it than this? you might be wondering. Oh yes, there is. Page 3 of the handout (you are referring to your handout, right?) displays a massive chart of Frequently Asked Items. Some are easy. Aluminum foil? Noncombustible. Stuffed doll 30cm or smaller (Beanie Babies)? Combustible. Larger than 30cm (Cabbage Patch Kids)? Special large item pickup; call ahead.

  The frequently asked list has 112 items. One of them, and this is not a joke, is sphygmomanometer. If you must know, it’s Noncombustible but must be put in a separate bag and labeled. Do you know how to say “sphygmomanometer” in Japanese? I barely know how to say it in English.

  Eventually, I did get the hang of garbage sorting, and I went around humming a little song about Combustibles. It took until the end of the month to figure out a solution to another form of useless cruft, small change.

  In Japan, cash is still king. Credit and debit card payments are rare, and I never saw one person pay with a cell phone. Back home in Seattle, I’m a debit card devotee, but in Tokyo, I was constantly fumbling with coins and bills, and that’s what you’d find on top of our shoe cabinet: a yogurt container overflowing with 1-yen coins, plus many precarious stacks of 10- and 5-yen coins.

  The 1-yen coins are the worst—worse than pennies. They’re made of aluminum and weigh practically nothing (1 gram, to be exact). They feel like play money.

  Japanese currency is just different enough from American to drive me nuts. One yen is equivalent to about 1 U.S. cent. There are 10,000-, 5000-, and 1000-yen bills, equivalent to $100s, $50s, and $10s. ATMs in Tokyo—at least the 7-Eleven ATMs that accepted my American ATM card—dispense only the largest 10,000-yen bills, and every merchant is happy to break a Benjamin. Actually, the 10,000-yen bill features the stern visage of Japanese enlightenment figure Yukichi Fukuzawa. I have no idea whether anyone calls the bills Fukuzawas, but I like the sound of it.

  So the bills are easy. The problem is the coins. Japan issues 500- and 100-yen coins, worth about $5 and $1, respectively. In the U.S., it’s easy to distinguish between real money and chump change: real money folds. If you get a hole in your pocket in Indiana and all your change falls into a sewer grate, big deal. In Japan, it’s easy to end up carrying $25 worth of change, particularly if you come from the U.S. and automatically reach for bills whenever you’re making a nontrivial purchase.

  To make matters worse, there is no tipping in Japan. One day, I went to a very fancy tofu restaurant for lunch. The service was, of course, fabulous. At the end of the meal I paid exactly the amount shown on the bill, which was close to $100. If I’d tried to leave even an extra 100 yen on the table, I know exactly what would have happened: a waitress would have run after me to tell me I forgot some money.

  If I were living in Japan long-term, I’d develop a coin-management strategy. I asked our friend Kate, who lives in Chi
ba, what she does with her coin hoard. “I spend it,” she said. Both cashiers and the people in line behind you are very understanding if you want to count out exact change. Or if they’re grumbling internally, they do an amazing job of hiding it. Kate also mentioned that it’s considered good luck to keep a 5-yen piece, which has a hole in the middle, in your pocket. The 5-yen is also the only piece of Japanese money with no Arabic numerals on it, so you see foreigners squinting at them a lot.

  So how did we eventually rid ourselves of those coins? We spent them at a cat cafe.

  Millions of Tokyoites find themselves in the same position as Iris. They love cats but aren’t allowed to have a cat at home. In Iris’s case, it’s because her parents are so unfair. We are unfair, in part, because we remember the time we cat-sat for a friend’s purebred Siberian for a weekend at our apartment, and the cat meowed all night and attacked our feet.

  At some point, we’ll probably give in. But Tokyo offers cat cafes, a commercial solution to the problem of wanting to commune with cats but being unwilling or unable to have one at home.

  Iris’s favorite cat cafe is Nekorobi, in the Ikebukuro neighborhood. When I first heard about cat cafes, I imagined something like Starbucks with a cat on your lap. Wrong. Nekorobi is what you’d get if you asked a cat-obsessed kid to draw a floorplan of her dream apartment: a bathroom, a drink vending machine (free with admission), a snack table, video games, and about ten cats and their attendant toys, scratching posts, beds, and climbing structures. Oh, and the furniture is in the beanbag chic style.

  Considering all the attention they get, the cats were amazingly friendly, and I’d never seen such a variety of cat breeds up close. (Nor had I ever spent more than ten seconds thinking about cat breeds.) My favorite was a light gray cat with soft fur, which curled up and slept near me while I sat on a beanbag and read a book. Iris made the rounds, drinking a bottomless cup of the vitamin-fortified soda C.C. Lemon and making sure to give equal time to each cat, including the flat-faced feline that looked like it had been beaned with a skillet in old-timey cartoon fashion.

  When it was time to pay, we brought out 2000 yen in 10-yen coins. “Subarashii!” said the woman working the desk. Excellent! I apologized for the unorthodox payment method and offered to count the money myself, but she assured me that wasn’t necessary and she would count it later. By the time we got our shoes on, however, she’d already counted out two hundred coins and returned our plastic container.

  By the end of our third visit to Nekorobi, I started to get used to having a cat nudge me possessively with the top of its head when I tried to read a book. But I’ve already made the mistake of admitting in print that we might let Iris get a cat someday, so I’m not going to do that again.

  Every day when we walked under the green gateway marking the entrance to Pretty Good #1 Alley, an electric eye detected our approach, and a sliding glass door opened and released a cloud of cigarette smoke, the sound of millions of tortured souls crying out from the depths of hell, and a less infernal blast of chilled air. It was the Kokusai Center pachinko parlor.

  “You should go in there,” said Iris.

  “Forget it,” I said. “I don’t know how to play, and if it’s this loud on the street, imagine how loud it is in there.”

  “But you have to try it.”

  Pachinko is Japan’s favorite form of gambling, a vertical pinball machine augmented in recent decades with colorful computer screens and sound effects. The video game Peggle is loosely based on pachinko, in that you launch a ball and then wait to see what happens; there are no flippers. (Please, do not send me emails about how you can earn flippers in Peggle.) In pachinko, the player shoots steel balls into the play area and, depending on where they land, receives more steel balls as a prize.

  I know this because when I was a kid, I had my own pachinko machine. It was a fully manual model with a satisfying spring-loaded lever to launch the balls. Looking at photos of classic pachinko machines online, I think mine was quite authentic. Once the ball is launched, it plinks down into a forest of metal pegs and settles into an array of holes that determine your prize. I spent hours playing this thing, because my parents wouldn’t buy me an Atari 2600.

  Gambling for money in Japan is illegal. Pachinko addicts, however, are not kittens obsessed with shiny objects. Here, as I understand it, is how the money part works: when you win a sackful of silver balls, you can exchange them for a variety of carnival prizes, like at Chuck E. Cheese’s. Next door to the pachinko parlor is a pawnshop that will buy your dumb stuffed animals for cash. The pachinko employees aren’t supposed to direct anyone to the pawnshop, but if I know the drill, everyone does.

  “When are you going to that pachinko parlor, Dada?” asked Iris.

  “If you’re so curious, why don’t you go in there?”

  “I don’t think they allow kids. Besides, it would be a good story for your book.”

  Just down the block from the pachinko parlor was a fugu restaurant, serving raw and cooked blowfish meat. Every time I suggested we try it, Iris said, “NO! You are NOT eating fugu!” Improperly prepared fugu is fatally poisonous. The only people who actually die of fugu poisoning are adrenaline junkies who can’t resist just one little taste of the toxic liver, not restaurant patrons. Meanwhile, she couldn’t wait to send me into the pachinko parlor to lose all our money.

  Eventually, Iris wore me down. She demanded my wallet, then waited outside while I walked into Kokusai Center carrying only a 1000 yen bill, about $10.

  Here are a few places quieter than the interior of the Kokusai Center:

  A firing range catering to AK-47 enthusiasts.

  A fire station responding to a massive call, with sirens blaring and engines about to pull out of the garage.

  A metal cast parts factory in full production. (I can vouch for this one, because my father used to work at a cast parts company.)

  An overenrolled preschool after skipping naptime.

  Krakatoa during the 1883 eruption.

  But I looked around at the old smoking guys playing pachinko and figured, hey, if these guys aren’t deaf, I can hang out here for a few minutes. In retrospect, those guys are unquestionably deaf.

  I sat down at one of Kokusai’s several hundred pachinko machines and slipped my bill into the slot. Nothing happened. An attendant came over, gave me an unmistakable “you don’t belong here” look, and pushed a button to release a few dozen metal balls into an internal tray. Modern pachinko machines don’t have a spring-loaded lever like my childhood game; they have a motorized cannon capable of firing several balls per second. All of the strategy is in aiming your balls with tiny degrees of precision.

  Even though I used to own a pachinko machine and am a certified Peggle Grand Master (and have been trying for years to figure out a way to brag about this in print), I lost all my money in five minutes. Thank God. At one point, I believe I won a few balls and immediately recycled them back into the machine, but who knows?

  “So, how was it?” asked Iris.

  “What? Speak up!” I replied.

  Ramen

  ラーメン

  On our first evening in Tokyo, after a ten-hour flight and shuttling efficiently through customs, we took our seats on the Keisei Skyliner, a high-speed train serving Narita Airport. A man asked to see our tickets. He wasn’t a conductor; we’d unknowingly sat down in his reserved seat. After finding our actual seats, I went to the vending machine and bought a bottle of C.C. Lemon to share with Laurie and Iris. We drank the fizzy stuff, turned to the window, and watched the city draw us in.

  By the time we checked in at our hotel, it was about 6:30 p.m. Tokyo time. That’s 2:30 a.m. Seattle time, and it felt like it. The rule for avoiding jet lag (eat and sleep on the local schedule immediately) clashed with the rule for sleepy children (let them stay up a minute too long, and you will be very, very sorry). Hunger lured us out into the streets of Asakusa to look for dinner. We wanted something quick, filling, and cheap. Ramen was preordained
. To start, however, we’d have to contend with our first ramen ticket machine.

  A ramen ticket machine is an aptitude test, menu, and robot in one box. It stands outside (or just inside) the entrance to a ramen restaurant and has a push button for each menu item: ramen, gyōza, side of rice, and so on. Ticket machines are common at ramen places and rare at other types of restaurants. Some ticket machines have color photos on the buttons, and some have only Japanese writing. If you find yourself in line for a ticket machine that looks problematic, you can order by price and position—the button near the top denoting something that costs between 700 yen and 1000 yen will probably get you a basic bowl of ramen, or you can hit the same button as the person in front of you.

  This machine, on Kaminarimon-dōri, had photos. I recognized tonkotsu (pork broth) ramen and gyōza. (Tonkotsu is different from tonkatsu, although the “ton” in each refers to pork.) We fed some bills into the machine, received our tickets, and presented them to a waiter. Why do the ticket machines exist? To save the waitstaff from having to stand at your table while you say, “Hmm, maybe I’ll have the—no, wait, make that....” Why do they exist only at ramen joints? I don’t know.

  In Tokyo, ramen is a playground for the culinary imagination. As long as the dish contains thin wheat noodles, it’s ramen. In fact, there’s a literal ramen playground called Tokyo Ramen Street in the basement of Tokyo Station, with eight top-rated ramen shops sharing one corridor. We stopped by one evening after a day of riding around on the Shinkansen. After drooling over the photos at establishments such as Junk Garage, which serves oily, brothless noodles hidden under a towering slag heap of toppings, we settled on Ramen Honda based on its short line and the fact that its ramen seemed to be topped with a massive pile of scallions. However, anything in Tokyo that appears to be topped with scallions is actually topped with something much better. You’ll meet this delectable doppelgänger soon, and in mass quantities.

 

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