But if the gray sheath was severe, there was no hiding the heavy womanliness of Nancy’s hips and breasts; also, her heavy hair, which usually rested on her shoulders, was too thick and not quite long enough to be held neatly up and kept off her neck—especially if she danced. Strands of her hair would come loose; Nancy would soon look uncontained. The screenwriter decided that he wanted Nancy to dance with Dhar; after that, the possible scenes began to flow.
Farrokh put a towel around his waist and poked his head into the dining room, where Julia was serving some snacks; although it would be a long time before the midnight supper at the Duckworth Club, no one really wanted to eat. The doctor decided to send Dhar down to the alley, where the dwarf was waiting in the Ambassador. Dr. Daruwalla knew that Vinod was acquainted with many of the exotic dancers at the Wetness Cabaret; possibly there was one who owed the dwarf a favor.
“I want to get you a date,” Farrokh told John D.
“With a stripper?” John D. asked.
“Tell Vinod the more tarted up she is, the better,” the screenwriter replied. He guessed that New Year’s Eve was an important night at the Wetness Cabaret; whoever the exotic dancer was, she’d have to leave the Duckworth Club early. That was fine with Farrokh; he wanted the woman to make something of a production over leaving before midnight. Whoever she was, the screenwriter knew that her choice of dress would be the opposite of demure—she certainly wouldn’t look very Duckworthian. She’d be sure to get everyone’s attention.
On such short notice, Vinod wouldn’t have a wide range of choices; of the women at the Wetness Cabaret, the dwarf picked the one with the exotic-dancing name of Muriel. She’d impressed Vinod as being more sensitive than the other strippers. After all, someone in the audience had thrown an orange at her; such blatant disrespect had upset her. To be hired for a little dancing at the Duckworth Club—particularly, to be asked to dance with Inspector Dhar—would be quite a step up in the world for Muriel. Short notice or not, Vinod delivered the exotic dancer to the Daruwallas’ apartment in a hurry.
When Dr. Daruwalla had finished dressing, there was barely time for John D. to rehearse the dialogue. Both Nancy and Muriel needed coaching, and Detective Patel had to get Mr. Sethna on the phone; the detective recited quite a long list of instructions to the steward, which doubtless left the old eavesdropper with a surfeit of disapproval. Vinod would drive Dhar and the exotic dancer to the Duckworth Club; Farrokh and Julia would follow with the Patels.
John D. managed to pull Dr. Daruwalla aside; the actor steered the screenwriter out on the balcony. When they were alone, Dhar said, “I’ve got a question regarding my character, Farrokh, for you seem to have given me some dialogue that is sexually ambiguous—at best.”
“I was just trying to cover every contingency, as you would say,” the screenwriter replied.
“But I gather that I’m supposed to be interested in Mrs. Dogar as a woman—that is, as a man would be interested in her,” Dhar said. “While at the same time, I seem to be implying that I was once interested in Rahul as a man—that is, as a man is interested in another man.”
“Yes,” Farrokh said cautiously. “I’m trying to imply that you’re sexually curious, and sexually aggressive—a bit of a bisexual, maybe …”
“Or even strictly a homosexual whose interest in Mrs. Dogar is, in part, because of how interested I was in Rahul,” John D. interrupted. “Is that it?”
“Something like that,” said Dr. Daruwalla. “I mean, we think Rahul was once attracted to you—we think Mrs. Dogar is still attracted to you. Beyond that, what do we really know?”
“But you’ve made my character a kind of sexual mystery,” the actor complained. “You’ve made me odd. It’s as if you’re gambling that the weirder I am, the more Mrs. Dogar will go for me. Is that it?”
Actors are truly impossible, the screenwriter thought. What Dr. Daruwalla wanted to say was this: Your twin has experienced decidedly homosexual inclinations. Does this sound familiar to you? Instead, what Farrokh said was this: “I don’t know how to shock a serial killer. I’m just trying to attract one.”
“And I’m just asking you for a fix on my character,” Inspector Dhar replied. “It’s always easier when I know who I’m supposed to be.”
There was the old Dhar, Dr. Daruwalla thought—sarcastic to the core. Farrokh was relieved to see that the movie star had regained his self-confidence.
That was when Nancy came out on the balcony. “I’m not interrupting anything, am I?” she asked, but she went straight to the railing and leaned on it; she didn’t wait for an answer.
“No, no,” Dr. Daruwalla mumbled.
“That’s west, isn’t it?” Nancy asked. She was pointing to the sunset.
“The sun usually sets in the west,” Dhar said.
“And if you went west across the sea—from Bombay straight across the Arabian Sea—what would you come to?” Nancy asked. “Make it west and a little north,” she added.
“Well,” Dr. Daruwalla said cautiously. “West and a little north from here is the Gulf of Oman, then the Persian Gulf …”
“Then Saudi Arabia,” Dhar interrupted.
“Keep going,” Nancy told him. “Keep going west and a little north.”
“That would take you across Jordan… into Israel, and into the Mediterranean,” Farrokh said.
“Or across North Africa,” said Inspector Dhar.
“Well, yes,” Dr. Daruwalla said. “Across Egypt… what’s after Egypt?” he asked John D.
“Libya, Tunisia, Algeria, Morocco,” the actor replied. “You could pass through the Straits of Gibraltar, or touch the coast of Spain, if you like.”
“Yes—that’s the way I want to go,” Nancy told him. “I touch the coast of Spain. Then what?”
“Then you’re in the North Atlantic,” Dr. Daruwalla said.
“Go west,” Nancy said. “And a little north.”
“New York?” Dr. Daruwalla guessed.
“I know the way from there,” Nancy said suddenly. “From there I go straight west.”
Both Dhar and Dr. Daruwalla didn’t know what Nancy would come to next; they weren’t familiar with the geography of the United States.
“Pennsylvania, Ohio, Indiana, Illinois,” Nancy told them. “Maybe I’d have to go through New Jersey before I got to Pennsylvania.”
“Where are you going?” Dr. Daruwalla asked.
“Home,” Nancy answered. “Home to Iowa—Iowa comes after Illinois.”
“Do you want to go home?” John D. asked her.
“Never,” Nancy said. “I never want to go home.”
The screenwriter saw that the zipper of the gray sheath dress was a straight line down her back; it clasped at the top of her high mandarin collar.
“If you wouldn’t mind,” Farrokh said to her, “perhaps you could have your husband unfasten the zipper of your dress. If it were unzipped just a little—down to somewhere between your shoulder blades—that would be better. When you’re dancing, I mean,” the doctor added.
“Wouldn’t it be better if I unzipped it?” the actor asked. “I mean, when we’re dancing?”
“Well, yes, that would be best,” Dr. Daruwalla said.
Still looking west into the sunset, Nancy said, “Just don’t unzip me too far. I don’t care what the script says—if you unzip me too far, I’ll let you know it.”
“It’s time,” said Detective Patel. No one was sure how long he’d been on the balcony.
In departing, it was fortunate that none of them really looked at one another; their faces conveyed a certain dread of the event, like mourners preparing to attend the funeral of a child. The deputy commissioner was almost avuncular; he affectionately patted Dr. Daruwalla’s shoulder, he warmly shook Inspector Dhar’s hand, he held his troubled wife at her waist—his fingers familiarly spreading to the small of her back, where he knew she felt some occasional pain. It was his way of saying, I’m in charge—everything’s going to be okay.
Bu
t there was that interminable period when they had to wait in the policeman’s car; Vinod had taken Dhar and Muriel ahead. As the driver, the deputy commissioner sat up front with the screenwriter, who wanted Dhar and Muriel to be already dancing when the Daruwallas and their guests, the Patels, arrived. In the back seat, Julia sat with Nancy. The detective avoided his wife’s eyes in the rearview mirror; Patel also tried not to grip the steering wheel too tightly—he didn’t want any of them to see how nervous he was.
The passing headlights flowed like water along Marine Drive, and when the sun finally dipped into the Arabian Sea, the sea turned quickly from pink to purple to burgundy to black, like the phases of a bruise. The doctor said, “They must be dancing by now.” The detective started the car, easing them into the flow of traffic.
In a misguided effort to sound positive, Dr. Daruwalla said, “Let’s go get the bitch, let’s put her away.”
“Not tonight,” Detective Patel said quietly. “We won’t catch her tonight. Let’s just hope she takes the bait.”
“She’ll take it,” Nancy said from the back seat.
There was nothing the deputy commissioner wanted to say. He smiled. He hoped he looked confident. But the real policeman knew there was really no getting ready for Rahul.
Just Dancing
Mr. Sethna had to wonder what was going on; wonderment was not among the few expressions that the old Parsi favored. To anyone who observed the steward’s sour, intolerant visage, Mr. Sethna was simply expressing his contempt for New Year’s Eve; he thought the party at the Duckworth Club was superfluous. Pateti, the Parsi New Year, comes in the late summer or the early fall; it is followed a fortnight later by the anniversary of the prophet Zarathustra’s birth. By the time of the New Year’s Eve party at the Duckworth Club, Mr. Sethna had already celebrated his New Year. As for the Duckworthian version of New Year’s Eve, Mr. Sethna viewed it as a tradition for Anglophiles. It was also morbid that New Year’s Eve at the Duckworth Club was doubly special to those many Duckworthians who enjoyed the party as an anniversary—this year it was the 90th anniversary—of Lord Duckworth’s suicide.
The steward also thought that the events of the evening were foolishly ordered. Duckworthians, in general, were an older crowd, especially at this time of year; with a 22-year waiting list for membership, one would expect the members to be “older,” but this was also the result of the younger Duckworthians being away at school—for the most part, in England. In the summer months, when the student generation was back in India, Duckworthians appeared to be younger. But now here were all these older people, who should be eating their dinners at a reasonable hour; they were expected to drink and dance until the midnight supper was served—an ass-backward order of events, Mr. Sethna believed. Feed them early and then let them dance—if they’re able. The effects of too much champagne on empty stomachs were particularly deleterious to the elderly. Some couples lacked the stamina to last until the midnight supper. And wasn’t the point of the silly evening—apparently, the only point—to last until midnight?
From the way he was dancing, Dhar couldn’t last until midnight, Mr. Sethna presumed; yet the steward was impressed at how the actor had rebounded from his dreadful appearance of the day before. On Saturday, the diseased man had been ghostly pale and dabbing at his penis over the urinal—a sickening sight. Now here he was on Sunday night, tanned and looking positively beefy; he was dancing up a storm. Perhaps the actor’s sexually transmitted disease was in remission, Mr. Sethna speculated, as Dhar continued to hurl Muriel around the dance floor. And where had the movie-star slime found a woman like that?
Once, there’d been a banner draped from the marquee of the Bombay Eros Palace, and the woman painted on that banner had looked like Muriel, Mr. Sethna remembered. (The woman had actually been Muriel, of course; the Wetness Cabaret was a step down from the Bombay Eros Palace.) Mr. Sethna had never seen a Duckworthian in such a costume as Muriel wore. The glitter of her turquoise sequins, her plunging neckline, her miniskirt at midthigh… her dress hugged her bum so tightly, Mr. Sethna expected that some of her sequins would pop off and litter the dance floor. Muriel had maintained the high, hard athletic bum of a dancer; and although she was certainly a few years older than Inspector Dhar, she looked as if she could both outdance and outsweat him. Their dancing lacked the element of courtship; they were brutally aggressive—astonishingly rough with each other—which implied to the disapproving steward that dancing was merely the public forum in which they lewdly hinted at the violence of their more private lovemaking.
Mr. Sethna also observed that everyone was watching them. By design, Mr. Sethna knew, they kept to that portion of the dance floor which was visible from the main dining room, forcing numerous couples to see them perform their gyrations. Nearest to this view of the ballroom was the table Mr. Sethna had reserved for Mr. and Mrs. Dogar; the steward had followed Detective Patel’s instructions to the letter, taking care that the second Mrs. Dogar was shown to the chair that offered her the very best view of Dhar dancing.
From the Ladies’ Garden, the Daruwallas’ table looked in upon the main dining room; from where the doctor and the detective were seated, they could observe Mrs. Dogar but not the ballroom. It wasn’t Dhar they wanted to see. Blessedly, the big blonde had hidden her unusual navel, Mr. Sethna observed; Nancy was dressed like the headmistress of a school—or a nanny, or a clergyman’s wife—but the steward nevertheless detected her lawlessness, her penchant for unpredictable or inexplicable behavior. She sat with her back to Mrs. Dogar, staring into the gathering darkness beyond the trellis; at this hour, the bougainvillea had the luster of velvet. The exposed nape of Nancy’s neck—the downy blond hair that looked so soft there—reminded Mr. Sethna of her furry navel.
The doctor’s sleek tuxedo and black silk tie clashed with the deputy commissioner’s badly wrinkled Nehru suit; Mr. Sethna determined that most Duckworthians were never in contact with that element of society which could recognize policemen by their clothes. The steward approved of Julia’s gown, which was a proper gown—the long skirt almost brushing the floor, the long sleeves ruffled at the cuffs, the neckline not a mandarin choker but a decent distance above any discernible cleavage. Ah, the old days, Mr. Sethna mourned; as if anticipating his thoughts, the band responded with a slower number.
Dhar and Muriel, breathing hard, relaxed a little too languidly into each other’s arms; she hung on his neck, his hand resting possessively on the hard beaded sequins at her hip. She appeared to be whispering to him—actually, she was just singing the words to the song, for Muriel knew every song that this band knew, and many more besides—while Inspector Dhar smiled knowingly at what she was saying. There was his sneer, which was almost a smirk—that look of disdain, which was at once decadent and bored. Actually, Dhar was amused by Muriel’s accent; he thought the stripper was very funny. But what the second Mrs. Dogar saw did not amuse her. She saw John D. dancing with a tart, a presumably loose woman—and one close to Mrs. Dogar’s age. Women like that were so easy; surely Dhar could do better, Rahul thought.
On the dance floor, the staid Duckworthians who dared to dance—they’d been waiting for a slow number—kept their distance from Dhar and Muriel, who was clearly no lady. Mr. Sethna, the old eavesdropper and lip-reader extraordinaire, easily caught what Mr. Dogar said to his wife. “Has the actor brought an actual prostitute to the party? I must say she looks like a whore.”
“I think she’s a stripper,” said Mrs. Dogar—Rahul had honed a sharp eye for such social details.
“Perhaps she’s an actress,” Mr. Dogar said.
“She’s acting, but she’s no actress,” Mrs. Dogar replied.
From what Farrokh could see of Rahul, the transsexual had inherited the reptilian scrutiny of her Aunt Promila; it was as if, when she looked at you, she were seeing a different life-form—certainly not a fellow human being.
“It’s hard to tell from here,” said Dr. Daruwalla. “I don’t know if she’s attracted to him o
r if she wants to kill him.”
“Maybe with her,” said the deputy commissioner, “the feeling is one and the same.”
“Whatever else she feels, she’s attracted,” Nancy said. Her back was the only part of her that Rahul could see, if Rahul had been looking. But Rahul had eyes for John D. only.
When the band played a faster number, Dhar and Muriel grew even rougher with each other, as if invigorated by the slower interlude or by their closer contact. A few of the cheap sequins were torn from Muriel’s dress; they glittered on the dance floor, reflecting the light from the ballroom chandelier—when Dhar or Muriel stepped on them, they crunched. A constant rivulet of sweat ran its course in Muriel’s cleavage, and Dhar was bleeding slightly from a scratch on his wrist; the cuff of his white shirt was dotted with blood. Because of how tightly he held Muriel at her waist, a sequin had scratched him. He paid the scratch only passing attention, but Muriel took his wrist in her hands and covered the cut with her mouth. In this way, with his wrist to her lips, they kept dancing. Mr. Sethna had seen such things only in the movies. The steward didn’t realize that this was what he was seeing: a screenplay by Farrokh Daruwalla, a movie starring Inspector Dhar.
When Muriel left the Duckworth Club, she made a fuss over her departure. She danced one last dance (another slow one) with her shawl on; she downed a nearly full glass of champagne in the foyer. Then the exotic dancer leaned on Vinod’s head while the dwarf walked her to the Ambassador.
“A to-do worthy of a slut,” said Mr. Dogar. “I suppose she’s going back to the brothel.”
But Rahul merely glanced at the time. The second Mrs. Dogar was a close observer of Bombay’s low life; she knew that the hour for the first show at the Eros Palace was fast approaching, or maybe Dhar’s tart worked at the Wetness Cabaret—the first show there was 15 minutes later.
A Son of the Circus Page 68