The Art of Hearing Heartbeats

Home > Literature > The Art of Hearing Heartbeats > Page 11
The Art of Hearing Heartbeats Page 11

by Jan-Philipp Sendker


  Nearly a year passed before her husband came around to a similar point of view. At first he hardly dared touch his daughter, preferring instead to hold her at arm’s length and forbidding his sons to approach her. Until one evening his wife snapped at him: “Crippled feet are not contagious.”

  He attempted to appease her. “I know, I know.”

  “Why then have you not even looked at your daughter in nearly a year?” She tore the blankets from Mi Mi’s body with a few swift hand movements.

  Moe looked from his daughter to his wife and back. Mi Mi lay naked in front of him. It was cold, and a shiver ran over her, but she did not cry. She just looked at him expectantly.

  “Why?” repeated Yadana.

  He reached out his arms and touched the little belly. He brushed his fingers along the slender thighs, the knees, gliding downward until he held the little feet in his hands. Mi Mi smiled at him.

  Her eyes reminded him of his wife’s gaze when they first met. Her smile, too, had that magic that even today he could not resist. Moe was ashamed.

  Yadana wrapped the child back in its blankets, bared her breast, and nursed Mi Mi.

  Soon it was clear to Moe that his daughter had inherited not only her mother’s beautiful eyes but also her satisfied, even-tempered, and cheerful disposition. She never cried, rarely screamed, slept through the night, and gave the impression of an individual in tune with herself and her surroundings.

  Nor did any of this change when, after more than a year, she tried for the first time to pull herself up. She had scrambled to the railing of the little porch at the front of the house. Moe and Yadana, who were standing in the yard feeding the chickens and the sow, watched their daughter hoist herself onto the uprights of the railing. She tested her weight on her twisted feet, and for one short moment she stood, staring terrified at her parents, and then she fell. She tried it again and yet again, and Moe wanted to rush to her, to help her, though he didn’t know how. Yadana held him firmly back. “Her feet will not support her. She needs to learn that,” she said, knowing that no one could alter that fact.

  Mi Mi did not cry. She rubbed her eyes and examined the railing, as if there were something wrong with the wood. She tried it again, struggling to keep her balance. On her sixth try, though, after landing on the planks again, she gave up, crawled to the staircase, sat herself up, looked at her parents, and smiled. It was the first and only time she tried to stand and walk. From that point on she laid her claim to the house and the yard on all fours. She would scramble along the porch steps so quickly that her parents could hardly keep up. She ran after the chickens, and on hot summer days, when rain had softened the ground in the yard, she loved to wallow in the mud. She would play hide-and-seek with her brothers, crawling into the remotest corners of the yard, where it was rare that anyone found her.

  By all appearances, Mi Mi retained her equanimity even later, when she came to understand more clearly how useful feet could be. When she would sit on the porch watching the neighbor children frolicking across the yard or climbing in the massive eucalyptus trees that separated the properties. Yadana sensed that her daughter accepted the constraints nature had imposed on her, which did not, however, mean that she turned away or withdrew from life. On the contrary, her freedom of movement might have been limited, but her curiosity and her talents in other aspects of life seldom knew any bounds.

  Most remarkable of all was her voice. As an infant Mi Mi spent most of her time firmly tied to her mother’s back, and Yadana had made a habit of singing to her daughter while working in the fields. Soon Mi Mi knew most of the songs by heart, and mother and daughter would sing in chorus. Mi Mi’s voice grew ever lovelier, and when the seven-year-old sang in the evening while helping her mother cook, the neighbors would gather to sit in rapt silence on the ground in front of the house. From week to week their numbers increased. Soon they filled the whole yard, standing even on the path that passed by the house or sitting in the tops of trees bordering the property. The more superstitious among them even asserted that Mi Mi’s voice possessed magical powers. They loved to tell of the sick old widow living within earshot who had not left her hut for two years, until one day in the twilight she had mingled with the crowd and begun to dance. Then there was the boy living in a shack across the way, whom everyone called the Fish. His skin was dry and covered everywhere with white eczema and scales. Not six months after Mi Mi’s song rang for the first time through the dusk, every last pustule had vanished.

  At the market where she bought potatoes and rice with her mother, her songs drew such a concourse of people that two police officers came and asked her to desist, in the interest of public security and order. An Irish drunkard—who had nevertheless achieved the rank of major in Her Majesty’s Army and who was now spending the twilight of his life in Kalaw—requested that she sing at his deathbed. Mi Mi was invited to weddings and births, and in return her family was richly rewarded with tea, chickens, and rice. Just when Moe was seriously considering leasing his fields, though, Mi Mi announced to her parents that she would not be singing any longer.

  They were sitting on a plank in the yard. It was not yet dusk, but the cool of the evening had already asserted itself. Yadana draped a heavy jacket around her daughter’s shoulders. Mi Mi was grinding the bark of a thanakha tree in a mortar, and her mother was washing tomatoes and scallions. The pig was grunting under the house, and the water buffalo was defecating in front of the garden gate. They could smell the stench from where they sat. Moe assumed she was joking.

  “Why would you want to stop singing?”

  “It’s no fun anymore.”

  “What do you mean? What happened?”

  “Nothing happened.”

  “But your voice sounds more beautiful every day.”

  “I can’t stand to hear it anymore.”

  “You mean you never want to sing again?”

  “I want to save my voice.”

  “Save it? What for?” Moe was doubtful.

  “I’m not sure.”

  Moe knew there was no point arguing with his daughter. She had her mother’s obstinacy. She rarely insisted on anything, but once she had made up her mind, it was impossible to talk her out of it. Privately, he admired that in her.

  Yadana in particular was aware how much Mi Mi had changed recently. She had just turned fourteen, and her body was gradually assuming womanly contours. It was not only her voice that grew lovelier from day to day. True, her eyes no longer dominated her face, but they were still as radiant as ever. Her skin was the color of ground tamarind, and her hands, though she used them to prop herself up and to move about, were not stout, hard, or callused but long and slender. Her fingers were so nimble that Yadana could hardly follow them when Mi Mi helped her cook, peeling a ginger root and finely slicing or chopping it. Two years ago she had taught her to weave, and it hadn’t been long before Mi Mi had surpassed her mother in that art. Most of all, though, Yadana admired the confidence with which her daughter moved. In the past Yadana had had nightmares. She would see Mi Mi crawling like an animal through the filth or across the marketplace while onlookers ridiculed her. Sometimes she would still dream that Mi Mi wanted to take the train to Thazi and was crawling along the platform to her car when the steam engine would start rolling. Mi Mi would try to crawl faster and faster. She never caught the train.

  Even during the day Yadana would catch herself worrying how Mi Mi, the grown woman, would welcome guests into her home. Crawling to them on all fours? How mortifying!

  And now she could hardly believe how much poise her daughter commanded and with what self-assurance she moved about. There was nothing bestial or humiliating in the way she crawled. She wore only the most beautiful self-woven longyis, and although she slid across the filthy floor in them, they were never unpresentable. When she moved, gingerly placing one hand, one knee in front of the other, she radiated such dignity that people at the market would step aside and treat her with great respect.

  Chapte
r 8

  THE JULIA THAT I had known until now—and with whom I considered myself on intimate terms—would have leapt up at this point. She would have been outraged. She would have cast U Ba a disdainful, piercing glance and grabbed her little backpack without a word. Or she would have laughed in his face and declared the whole thing a lot of sappy nonsense. She would have left.

  But I did not move a muscle. Though I felt an impulse to stand up, it was a powerless one, like a reflex from another time. I didn’t know what to think of U Ba’s tale. It was too much for me. Was I supposed to believe that my father had not only been blind as a young man, but had lost his heart to a cripple? Was this woman supposed to be the reason he left us, his family, high and dry after nearly thirty-five years? After fifty years of separation? It seemed absurd to me. At the same time, I couldn’t help thinking of something my father had said: There is nothing, for good or for evil, of which a person is incapable. That was his response when we learned that one of my mother’s cousins, a pious Catholic, had had an affair with the sixteen-year-old babysitter. My mother couldn’t get over it: That’s just not like Walter, she said again and again. My father thought that was a mistake. He seemed to think anyone was capable of anything, or at least he wouldn’t exclude the possibility just because he thought he knew the person. And he insisted that this did not represent the worldview of an embittered pessimist. On the contrary, he had said. It would be much worse to expect good from other people, only to be disappointed when they didn’t measure up to our high expectations. That would lead to resentment and contempt for humanity.

  In many of the traits and mannerisms U Ba described, I was beginning to discern the outlines of my father. I felt as if I was eavesdropping on a quarrel between opposing, internal voices. One voice was the attorney. She remained skeptical. She wanted facts. She was looking for guilty parties, a judge who could pass sentence or who would, by dint of his authority, put an end to the charade. The other was a voice I’d never heard before. Wait, it cried, don’t run away. Don’t be afraid.

  “You must be hungry.” U Ba interrupted my thoughts. “I took the liberty of having a little something prepared for us.” He called a name I didn’t understand, and almost immediately a young woman came out of the kitchen with a tray. She bowed with just the hint of a curtsy. U Ba rose and handed me two chipped plates. On one lay three thin, round flatbreads. The other held rice, brown sauce, and pieces of meat. With it he gave me a frayed white napkin and a thin bent spoon.

  “Burmese chicken curry. Very mild. We eat it with Indian flatbread. I hope it’s to your liking.”

  I must have looked doubtful. U Ba laughed and tried to reassure me. “I have asked my neighbor to pay special attention to cleanliness in the preparation of this meal. I know that our food does not always agree with our guests. But even we are not immune. Believe me, I, too, have spent countless hours of my life chained to a toilet.”

  “That’s not exactly a comfort,” I ventured, biting into one of the breads. I had read in my travel guide that one ought to be wary especially of salads, raw fruit, untreated water, and ice. Bread and rice, by contrast, were thought to be comparatively unproblematic. I tried some rice with sauce. It was a little bitter, almost earthy, but not bad. The chicken was so tough I could hardly chew it.

  “Where’s my father?” I asked after we had eaten for a while in silence. It sounded more severe and demanding than I’d meant it to. The voice of the attorney.

  U Ba regarded me for a long time. With the last piece of flatbread, he wiped his plate clean. “You are getting closer to him all the time. Can’t you feel it?” he said, and wiped his mouth with the old napkin. He took a sip of tea and leaned back in his armchair. “I could tell you in one sentence where he is. But now that you have waited so long, more than four years, what difference will a few hours more or less make? You will never again have the chance to learn so much about your father. Wouldn’t you like to know how he and Mi Mi fared? How she changed his life? Why she meant so much to him? Why she will change your life, too?”

  U Ba did not wait for my response.

  Chapter 9

  SU KYI NOTICED at once that something extraordinary had happened to Tin Win. She was sitting in front of the garden gate waiting for him and had just begun to worry. The road was in a wretched state. Continued heavy rains two days earlier had softened the ground, and the oxcarts had subsequently cut deep tracks in the muck. The sun had dried the mud, and now the surface was hard and crusted over and riddled with depressions and ruts—tricky enough even for a sighted person. Had it been a good idea to let him walk alone, today of all days? Then she recognized his red and green longyi and his white shirt coming up the hill. But his gait was different. Was that really Tin Win?

  That evening he was talkative as never before. He regaled her with full details of U May and how excited he, Tin Win, was as he stepped all alone from the monastery gate into the street, how in his distraction he fell and grew angry, but how from now on he intended to manage the trip entirely without her help. He told of noises, of bird feathers and bamboo leaves he had heard floating to the ground, of beating hearts that sounded like voices in song. Su Kyi delighted in his imagination.

  Concerning Mi Mi he said nothing, and so poor Su Kyi was also at a loss to explain what was happening to Tin Win. He, who regularly hunched silently in a corner for hours at a time, was hardly able to sit still. He marched restlessly through the house and yard. He took a sudden interest in the market, wanting to know why it convened only every fifth day and inquiring repeatedly when it would be time again. His appetite waned from meal to meal until on the third day he would drink only tea. Su Kyi didn’t know what to do. Tin Win was ill, that much was certain, but he complained of no ailment. Gradually, the tales of the noises he was hearing began to trouble her. Clearly he was losing his mind.

  Tin Win counted the days—and the hours and the minutes—until the next market. How long a day could be. Why did it take an eternity for the earth to turn once about its axis? Time crept by as slowly as a snail across the forest floor. Could he do nothing to hasten its passage? He asked U May, who merely laughed.

  “Be patient,” he said. “Sit down and meditate. Then time will lose its meaning.”

  Meditation had served Tin Win well in the preceding few years, but little good it did him now. He tried sitting amid the monks in the monastery, in a meadow, and on the stump in front of his house. Whatever he tried, wherever he was, he heard her heart knocking. He heard her voice. He felt her skin. He felt her weight against his back.

  The scent of her filled his nose. That soft, sweet, unmistakable fragrance. On the eve of the next market day he could get no rest. He heard Su Kyi lowering herself onto the mat next to him, turning onto her side, and pulling the covers up to her ears. Shortly thereafter her heart, too, settled down for its nightly repose. It beat slowly and evenly, as if it would never cease. His own heart raced. A wild and fierce beating. He did not even know what was exciting him so; it was a world in which eyes played no part in seeing, where motion did not depend on feet.

  How best to locate Mi Mi that morning among all the booths and people? From Su Kyi’s descriptions Tin Win imagined the market like a flock of birds descending on a field. A tumult of voices, sounds, and smells. It’ll be crowded, he thought, and they’ll push and shove, and no one will be watching out for me. Curiously, the thought did not frighten him, he who was otherwise so wary of people. He felt certain he would find Mi Mi quickly. He would recognize the sound of her heartbeat. He would follow her scent. He would hear her voice, even if she merely whispered something into her brother’s ear.

  For a few minutes Tin Win stood motionless by the side of the road. He retied his longyi. Sweat stood in little beads on his brow and nose. Voices of the market were both louder and more intimidating than he had anticipated, like a rushing brook swollen into a threatening and impassable torrent. How to get his bearings? He did not know the paths between the booths. He did not know the quir
ks of the ground. Not one voice was familiar to him.

  He set one foot in front of the other, slowly but without hesitating. He would let himself be swept along by the stream of people. Someone shoved him from behind. He felt an elbow in his ribs. “Watch where you’re stepping,” a man barked at him. The betel nut chewers smacked their lips and spit juice onto the street. An infant whimpered. So many voices and hearts snorted, groaned, coughed, and rattled around him. Their guts rumbled. It was so loud, that he was unable to distinguish one from the other. But he would find her. He knew this. Nothing was troubling him but the heat. He’d had too little water at the monastery and was sweating more than usual. His shirt was wet, his mouth dry. Suddenly he noticed that the throng was splitting off into two directions, and he tried to stand his ground, but the pressure from behind was too great. He followed those turning to the right.

  “Watch out,” yelled a woman. He heard a cracking sound and felt something soft and moist on his feet and between his toes. Eggs.

  “Are you blind?”

  He turned toward her. She saw the milky white in his eyes and mumbled a shocked apology. Tin Win was swept along. These must be the fish stands. He caught the salty tang of dried fish. Next he had the bitter scent of coriander in his nose, then the spicy-sour goldenseal, an aroma that went right to his head and burned on his mucous membranes when he inhaled. He caught the fragrances of cinnamon, of curry, and of chili pepper. Of lemongrass and ginger. Interspersed again and again with the luscious, heavy, cloying fragrance of overripe fruit.

 

‹ Prev