“It occurred to me, Oscar, that a stomach pump might serve the same purpose. Instead of being used as planned, it served to introduce ten ounces of neat alcohol into the stomach of Virgil Dobie. Which is why he talked so freely—and why he made the tremendous mistake of trying to repeat his perfect murder with me as the victim!”
The inspector was suddenly hilarious. “Hildegarde! You mean to tell me that you got the poor guy swached on ten ounces of alcohol that he never even tasted on the way down?”
She nodded. “Perhaps it wasn’t quite fair. But it was the only way to break down his reserves and make him talk.”
“Talk? Virgil Dobie is so swozzled that his hangover will last him until he gets into the lethal chamber. He’ll probably go down in history as the only killer who was ever booked while singing ‘Down in the Lehigh Valley’ at the top of his voice.” Piper shook his head. “Serves him right. But all this is going to be pretty tough on that cute little wife of his….”
“Good heavens, yes!”
Miss Withers leaped to her feet, and they set out in search of Jill. “The poor child must be in need of comfort if anybody ever was….”
They hurried out of the Writers’ Building, down the narrow and deserted studio streets to the test stage. It was empty, unlighted.
On to Mr Nincom’s offices where the mouselike Miss Smythe was busily typing in the outer office. “You can go right in,” she said.
Thorwald L. Nincom sat alone in his palatial office, his heavy head resting on his arm. His eyes were alight with inspiration….
“What a Lizzie Borden!” he breathed softly toward the ceiling. “What power, what fire!”
“You mean the test of Jill came out satisfactorily?” asked Miss Withers, at once surprised and relieved.
“Huh?” With difficulty Mr Nincom brought his thoughts back to earth. “Oh no. Impossible, of course. The girl doesn’t photograph at all. And she can’t act. Froze up like a clam when they turned the lights on her. I knew it all the time….”
“But how can you tell before you see the film run off?” Miss Withers demanded.
“Film? You don’t think we waste film in a courtesy test like that, do you? We gave Jill her screen test with an empty camera, of course. She’s just as happy—”
“Happy?” broke in Miss Withers. “Hasn’t anybody told her about her husband?”
“Oh, that!” said Mr Nincom. “Yes, I believe they did. She won’t have any trouble in getting an annulment under the circumstances. I don’t believe she’ll take it very hard….”
“But where is she?” demanded the schoolteacher.
Mr Nincom frowned, “Jill? Oh, I believe that one of the messenger boys is taking her home. Young Haight….”
“That’s Buster,” Miss Withers explained to the inspector.
Mr Nincom nodded. “Nice boy. A real future in this business. His father is J. Winston Haight, you know, who owns all the preferred stock of the studio.”
“When your little friend Jill finds that out,” the inspector said softly, “her broken heart will mend itself pronto. Well, Hildegarde, you’re going to get your happy ending after all….”
Miss Withers wasn’t feeling particularly happy at the moment. What she wanted was a nice, quiet padded cell somewhere….
“What a Lizzie Borden,” Mr Nincom was repeating softly to himself. “What an actress! A bit young, perhaps, but we can fix that.” He turned to his callers. “Think of it! Think of the headlines! Shirley Temple makes her comeback in the role of Lizzie Borden!” He sighed. “It’s a box-office natural!”
Miss Hildegarde Withers closed her eyes and slumped quietly into her chair.
“Overtired, eh?” said Mr Nincom sympathetically. “You’d better take her home. I’ll have my secretary call you a taxi.”
The taxicab roared up to the studio gates just as taxicabs do in the movies and stopped with a screech of brakes. “Where d’you want to go?” the driver demanded when his passengers were safely inside.
“Times Square,” said the inspector fervently.
Turn the page to continue reading from the Hildegarde Withers Mysteries
Warning to the reader:
SOME OF YOU MAY be upset to encounter some stereotypical dialog on the part of some of the black characters in this book and put it down to the racial attitudes of the times. Be advised that this is not the case. The patient reader will soon discover that the very funny Mr. Palmer may well have been ahead of his times. The wise reader will also encounter a character “borrowed” from the work of another mystery writer. We wouldn’t dream of spoiling that surprise.
Cast of Characters
Pat Montague. A recently discharged young Army lieutenant.
Helen Abbott Cairns. Pat’s former sweetheart, now married to another.
Huntley Cairns. Her nouveau riche husband, a repugnant tub of a man.
Lawn Abbott. Helen’s moody, headstrong younger sister.
Thurlow Abbott. Helen’s father, a former musical comedy star.
Midge and Adele Beale. A happily quarrelsome couple. She was once romanced by Huntley Cairns.
Jed Nicolet. A young hotshot lawyer who respects Miss Withers.
Beulah and Jeff MacTavish. Servants to the Cairns. Don’t be fooled by their thick plantation accents.
Bill Harcourt. A professional partygoer.
Harry Radebaugh. A young surgeon and acting deputy coroner.
Joe Searles. The Knowles’ gardener, a disreputable old recluse.
Commander Sam Bennington. A retired Navy officer.
Albert Vinge. The local sheriff, who feels he’s out of his depth here.
Mame and Trudy Boad. A society matron and her daughter.
Miss Hildegarde Withers. A prim, angular retired schoolteacher and tropical fish fancier, fond of meddling in murder.
Oscar Piper. A New York police inspector-and longtime admirer of Miss Withers who alternately tolerates and is infuriated by her snooping.
Mr. Malone. A slick Chicago lawyer.
Plus assorted neighbors, friends, and law enforcement officials.
Chapter One
FAR OFF THERE WAS thunder, in spite of the summer sunshine which blazed down on the solitary young man who walked along the curving highway. Thunder on the left, Pat Montague thought, was supposed in the Greek tragedies to portend significant and marvelous events. Or maybe this was simply more Navy maneuvers, except that they wouldn’t be apt to hold forth in Long Island Sound.
Ahead of him in the roadway there danced a little whirlpool, a midget tornado of dead leaves and dust. The pixie thing spun wildly, swooped and lifted and fell again, and finally went pirouetting off across the green slopes towards the trees.
Pat kept on walking; not that he had to walk. There was a fat wad of mustering-out pay in his pocket, and he could have taken a taxi. It was only that he felt more at home afoot, having just unpinned the crossed muskets of the infantry. Walking gave him more time to think, more time to brood about the clipping in his billfold. He had carefully extracted it from the society column of an Oyster Bay newspaper, where he had found it only by the purest accident only a few days ago, and it was already almost worn out.
Too, walking gave him more chance to change his mind. Until he had actually committed himself by ringing the doorbell he could turn around at any moment and head back to town, pretending that he had just been out for a stroll in the fresh air, practicing at being a civilian. He wasn’t at all sure that he was going to ring that doorbell, because when he tried to think about Helen his mind went round and round like the dust whirlpool and settled nowhere.
Men without women, men forced into the unnaturally monastic routines of training camps and troop carriers, usually had tried to stop thinking about the opposite sex. The pinup girls with their exaggerated curves of breast and leg were taken down after the first month or two. But Helen’s picture had been with him always, because it had been printed on his mind at sunrise one morning in what seemed to be indelibl
e colors.
He had even found himself talking to that picture sometimes. That was the way things got out of proportion, and the line between actual memory and daydreams became indistinct. He could remember long conversations with Helen, but whether they occurred when they were together or during the three long years between, he couldn’t have sworn.
Somehow it wasn’t as easy being Mr. Montague again as he had thought. The Army had spent a few days cramming him with rehabilitation, teaching him how to be a civilian. The dull and unpleasant overseas camping trip which he had been forced to make, in company with some millions of other healthy, bored young men, was finished and done for. There wasn’t a stitch of government-issue clothing on his body, and he had even bought a new billfold, a new penknife. But he sensed that it was going to take more than that.
Anyway, he was free again, and his legs were moving out of cadence. Even the weather was mixed up in his mood. On a fresh, gusty afternoon like this, with warm sunshine pouring down and yet with squalls over the Sound, it wasn’t hard for a young man to convince himself that the whole world loves a lover and that things are bound to come right in the end.
Even though the girl was married. The newspaper clipping had forcibly reminded him of that. “… Mrs. Cairns, the former Helen Virginia Abbott of New York City and …”
But that was quite in the classical tradition too, Pat reminded himself. The other Helen had been married to some meatball named Menelaus. So had Guinevere, and Isolde, and Balkis Queen of Sheba, and Deirdre, and Scarlett O’Hara.
All, all married, to men they didn’t love. Each waiting for the lover to come along.
So it was that with a quick-frozen dream in his heart and a large chip on his shoulder Pat Montague marched along an elm-shaded roadway in a very expensive section of Long Island, drawn by the most powerful magnetic force known to mankind. He walked, without realizing it, almost in the center of the road and was very nearly clipped off at the pockets by a small convertible roadster which came roaring around the curve behind him. It was a very close thing for a fraction of a second, and then Pat flung himself towards the edge of the road and safety.
The little car swerved and went rocketing by, its horn blatting furiously. Pat swore with the easy profanity of the soldier, but it was more at himself than at the driver. She had looked like a remarkably pretty girl. Maybe if that little man hadn’t been sitting beside her she’d have stopped and offered him a ride. People were apt to do that nowadays, even if you weren’t still wearing the uniform.
Pat began to wonder if he was developing a blister on his right heel. The new black shoes—he had sworn never to wear brown again—were lighter in weight than the ones he was used to. Also, it seemed to be farther to the Cairns place than he had imagined it would be, with more uphill to it.
Then he came around a turn and saw the salmon-colored house silhouetted against the Sound, big and new and imposing. Pat knew without a moment’s hesitation that this was the right place, because only Huntley Cairns would create a thing like this, half Riviera villa and half Los Angeles Moorish.
Snatches of South American dance music drifted back to him, and Pat began to breathe a little faster. He rehearsed again what he was going to do and what he was going to say. He had it pretty well worked out if it happened to be Cairns himself who came to the door. He would say, “Well, Fatso! Still leading with your right?”
More probably it would be a servant. In that case he would give out with his best smile and say, “I’m Pat Montague, an old friend of the family.”
But if Helen herself came to the door …
Surprisingly enough, Pat found his long legs carrying him right past the gateway of the new house and on along the crest of the hill. After a little way his stride shortened, and finally he stopped for breath. He climbed upon the tree bank so he could look down on the place. There must have been ten acres of it, maybe more if it ran all the way down to the shore. It was all terraced and landscaped and set with the proper shrubbery, and what ancient trees had been allowed to remain were all neatly pruned and trimmed and daubed around the trunk with white stickum.
Huntley Cairns, after raising that pastry cook’s dream of a house, couldn’t have waited for anything to grow. It all had the dreadful impermanence of things which are too new and perfect and shining.
Pat could see nothing of Helen’s personality anywhere, nothing that could have been her choice. That made it easier, somehow. She didn’t belong here; she didn’t belong in Fatso Cairns’s house, or in his arms.
There was a barrier fence of split logs bright with whitewash, and beyond that the green lawns sloped away, studded with round flower gardens, littered with rustic benches and pebbled walks. From where he was standing he could see the side of the house and one end of a balcony. To the rear of the house the ground sloped down more sharply to the garage and toolshed, beyond them a smaller white building.
Farther still was the glimmer of green-blue water. Pat walked on a few steps so that he could see, between the buildings, a narrow glimpse of an oval swimming pool bordered with bright-colored tiles. The sun disappeared now and there was a spatter of rain, but Pat Montague did not notice it.
Beside the pool, which must have been a good quarter of a mile away from where he stood, there was the flash of white, which disappeared immediately. Pat forgot to breathe as he realized who it must be. He started to climb the fence, the blood pounding in his temples. As long as he had known her, Helen’s bathing suits had always been white.
His guardian angel looked the other way, and there was laughter in hell as Pat Montague walked slowly down across the grass, threading his way along the terraces, around the flower gardens and the rustic benches, and at last came around the corner of the little white bathhouse which overlooked the pool. He stopped then, and went on more slowly.
There was nobody here, nobody at all. He wondered if he had been seeing things, if his imagination had been playing him tricks again. The swimming pool was a peaceful turquoise green, troubled only by the sprinkle of rain and by the little chill wind which was rolling up from the sound.
A shadow flitted by him, and Pat looked up to see a brown hawk wheeling overhead, whistling and watching.
Then a disreputable station wagon pulled into the service driveway and stopped, with a rattling gasp and a final rattle of buckets, tools, and patched garden hose. From it, after a moment, emerged a wiry, spare man of about sixty, clad in filthy blue overalls, with a sack of manure on his shoulder.
He looked towards the pool, dropped the sack, and started hurrying. Pat Montague, kneeling beside the pool, heard the sound of feet and looked up, his face gray and pasty. He had been prodding down into the water with a garden rake.
“Lose something, mister?”
Pat did not answer, and the old man came closer, squinting with moist and bloodshot eyes down into the greenish depths at the deep end of the pool, under the diving board. Staring back at him was the round white face of his employer, Huntley Cairns, under two fathoms of carefully warmed and heavily chlorinated water.
Somehow the two men raked and tumbled the body out on to the tiles. It was dressed in some weird and outlandish garment which seemed to be a combination corset and underdrawers, stiff with stays and tight elastic. Pat whispered through stiff lips: “He may not be dead. We could try first aid. Sometimes you can bring them back—”
The old man shook his head brusquely. His cracked, thin voice was commanding. “Never mind that,” he ordered. “You get in there and phone for an ambulance, do you hear?” He was pointing to the open door of a dressing room in the white bathhouse behind them.
If there was anything odd about the old man, except for his smell, Pat didn’t notice it then. It seemed to him the most natural thing in the world to follow orders. He rose and ran obediently into a long bare room with a shower at the far end, a room which he vaguely noticed was furnished with wooden benches and wall hooks, presumably meant to be used by the masculine guests of the house
hold. A couple of bathing trunks hung on the hooks, a towel and a wet suit lay in a puddle on the concrete floor, and a bathrobe and some men’s clothing were spread out neatly on a bench.
The extension telephone hung on the rear wall, near the shower. Pat grabbed the receiver, jiggled the hook feverishly, and then heard the door slam shut behind him. It wasn’t the wind, either, because a second later there was the definite, final sound of a key being turned in the lock.
Even then Pat didn’t have the slightest idea of what was happening, or of the trap into which he had walked so willingly. He peered out of the one window, which was placed so that it gave only a glimpse of whitish-gray sky. The door was securely locked; he made sure of that. Dazed, he went back to the telephone again, but when he put the instrument to his ear he could hear the cracked, excited voice of the gardener. “… yes, Searles! I work days for Mr. Cairns. I said he was murdered—I caught a young fellow in the act, I tell you!”
The voice at the other end of the line was masculine and calm. “Somebody’ll be right out there. Can you keep him?”
“Sure, sure. I got him all right! But make it snappy.”
Pat stood there, a foolish, frozen grin on his face. He watched a daddy-long-legs doing acrobatics up the side of the wall. And then the impact struck him, a delayed-action bomb going off in his head.
It was he—Pat Montague—they were talking about!
He turned and threw himself breathlessly at the locked door. In spite of the fact that his technique was exactly the same as he had always seen in the movies, nothing happened. His shoulder began to throb numbly. He backed up, took a deep breath, and prepared to try again.
Then he suddenly froze in what must have been an exceptionally ridiculous position as the lock clicked. Light struck him in the face, and he saw that a girl stood there, silhouetted against the stormy sky. It was a girl whom Pat had not seen for years and would have been very happy never to have seen again.
Puzzle of the Happy Hooligan Page 18