The Exact Opposite of Okay

by Laura Steven

  First published in Great Britain in 2018

  by Electric Monkey, an imprint of Egmont UK Limited

  The Yellow Building, 1 Nicholas Road, London W11 4AN

  Text copyright © 2018 Laura Steven

  First e-book edition 2018

  ISBN 978 1 4052 8844 6

  Ebook ISBN 978 1 7803 1823 3

  www.egmont.co.uk

  A CIP catalogue record for this title is available from the British Library

  All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.

  Stay safe online. Any website addresses listed in this book are correct at the time of going to print. However, Egmont is not responsible for content hosted by third parties. Please be aware that online content can be subject to change and websites can contain content that is unsuitable for children. We advise that all children are supervised when using the internet.

  To Toria and Lucy, a.k.a. the Coven – because in

  the immortal words of Kelly Clarkson, my life

  would suck without you

  Contents

  Cover

  Title Page

  Copyright

  Dedication

  Hello

  Tuesday 13 September

  Wednesday 14 September

  Thursday 15 September

  Friday 16 September

  Saturday 17 September

  Sunday 18 September

  Monday 19 September

  Tuesday 20 September

  Wednesday 21 September

  Thursday 22 September

  Monday 26 September

  Tuesday 27 September

  Wednesday 28 September

  Thursday 29 September

  Friday 30 September

  Monday 3 October

  Tuesday 4 October

  Wednesday 5 October

  Thursday 6 October

  Friday 7 October

  Saturday 8 October

  Sunday 10 October

  Monday 11 October

  Friday 15 October

  Old White Men Love It When You Slut-shame

  The Friend Zone is as Real as Narnia

  Epilogue

  Acknowledgements

  About the Author

  Back series promotional page

  Hello

  Look, you probably bought this book because you read the blurb about how I’m an impoverished orphan and also at the heart of a national slut-shaming scandal, and you thought, Oh great, this is just the kind of heart-wrenching tale I need to feel better about my own life, but seriously, you have to relax. I am not some pitiful Oliver-Twist-meets-Kim-Kardashian-type figure. If you’re seeking a nice cathartic cry, I’m not your girl. May I recommend binge-watching some sort of medical drama for the high caliber of second-hand devastation you’re looking for.

  Either that or you saw the nudes, which, y’know. Most people have. My lopsided boobs have received more press attention than your average international epidemic, which I bet the super-virus population is furious about. All that hard work attempting to destroy the human race gone unnoticed.

  In all seriousness, I don’t know why my publisher asked me to write this book, because apart from that one time I accidentally ate a pot brownie and broke into the old folks’ home, my life really hasn’t been all that interesting. But we’ll get to that in due course. It’s not actually relevant to the sex scandal or anything, but it is hilarious on a fairly profound level.

  I know, I know, it’s highly confusing that I’m referencing the fact this is a book you bought – unless you pirated it, in which case joke’s on you because this PDF is set to self-destruct in forty-five seconds – but the reason is that I am incredibly meta and pretentious, and I wanted to make your brain hurt like it did when you watched Inception for the first time.

  First, I guess I better explain how I got to this point: eighteen and internationally reviled. But instead of wasting time typing it all up for you, what I’m going to do is copy-paste entries from my blog so you can catch up, and add valuable retrospective insights in square brackets. By my calculations this should take up at least ninety-five percent of the manuscript, which is a big win for me because it means significantly less work on my part. When in doubt, always do the least amount of work possible, in order to preserve energy for important things like laughing and sex.

  Don’t look at me like that. This is a book about a sex scandal: did you really expect me to be a nun and/or the Virgin Mary?

  Tuesday 13 September

  7.01 a.m.

  Honestly, I swear I’m the only person in the universe who realizes how pointless life is. People act like mere existence is some beautiful gift, completely overlooking the fact that said existence is nothing but the result of a freak accident that occurred a cool 13.7 billion years ago.

  Not to rain on the parade or anything, but we’re all doomed to a limited number of sun orbits before we finally kick the bucket and end up in the same infinite hell as Donald Trump and Adolf Hitler. Perhaps I’m overthinking it, but what we do between now and then barely seems worth getting out of bed for.

  Maybe I’m being melodramatic. I just really hate getting out of bed.

  2.47 p.m.

  Just had a career counseling session with Mr Rosenqvist, who is Swedish and very flamboyant. Like Brüno but less subtle. Actually I think Brüno was Swiss or Austrian or something, but whatever. The point is I can’t look at Mr Rosenqvist without seeing Sacha Baron Cohen in a blond wig.

  The dude tries really, really hard to make sure everyone FOLLOWS THEIR DREAMS [he is very shouty, hence the caps lock] and TAKES THE PATH LEAST TRAVELED and STOPS INJECTING HEROIN ON WEEKENDS. [I hilariously added that last one myself. To clarify: nobody at Edgewood High is in the habit of injecting heroin on such a regular basis that it would be of concern to our career counselor. In fact, if you are a lawyer who’s reading this, please ignore every such allegation I make throughout this manuscript, because I really don’t need to add a libel suit to my spectacular list of problems.]

  We’re sitting in Rosenqvist’s minuscule, windowless office, which I’m pretty sure is just a repurposed broom closet, if the lingering scent of carpet cleaner is anything to go by. He sits behind a tiny desk that would be more suitable for a Borrower. There are filing cabinets everywhere, containing folders on every single student in the entire school. I would imagine there’s probably some sort of electronic database which could replace this archaic system, but Bible Belt schools really love to do things the Old-fashioned Way™.

  So he’s all: “Miss O’Neill, have you given mach thought to vat you vould like to study ven you go to college next fall?”

  [I’m going to stop trying to type in dialect now as I don’t want to appear racist. If you can even be racist to white Scandinavian men, which I’m not sure you can be.]

  Breathing steadily through my mouth in a bid to prevent the bleach smell from burning away my nostril hair, I’m all: “Um, no, sir, I was thinking I might do a bit of traveling, you know, see the world and such.”

  And, to be fair, his subsequent line of questioning regarding my economic situation is probably quite legitimate, given that my grandma and I currently require more financial support than the US Army.

  “So do you have money saved up to fund your flights at least?” he asks, completely unperturbed by the decades-old feather duster that’s just taken a nosedive from the top shelf behind him. As an aspiring comedian and all-round idiot, it’s very challenging for me to refrain from scoring the duster according to Olympic diving standards. 8.9 for difficulty, etc.

&
nbsp; But back to the issue at hand: my negative bank balance. “No, sir, for I am eighteen and unemployed.”

  Patiently moving the feather duster to a more secure location in his desk drawer, he shoots me a sympathetic look. A waft of moldy apple stench floats out of the open drawer, and he hastily slams it shut again. This place must violate at least a dozen health codes. Is that the patter of tiny mouse feet I hear?

  “I see. And have you tried to find a job?”

  “Good God, that’s brilliant!” I gasp, faux-astounded. “I had not previously considered this course of action! Have you ever considered becoming a career counselor?”

  In all seriousness, this is a sore point. For the third time this year, I just handed out my résumé to every retailer, restaurant and hotel in town. But there are too few jobs and too many people, and I’m never top of the pile.

  He sighs. “I know it’s stating the obvious. But, well . . . have you?”

  Grinding my teeth in mild irritation, I sigh back. “Yessir, but the problem is, even the most basic entry-level jobs now require at least three years’ experience, a degree in astrophysics and two Super Bowl trophies to even be considered for an interview. Unfortunately, due to my below-average IQ and complete lack of athletic prowess, I am thus fundamentally unemployable.”

  So ultimately we both agree that jet-setting to South Africa to volunteer in an elephant sanctuary, while very noble and selfless, is not a viable option at present.

  Rifling through my shockingly empty file, Mr Rosenqvist then tries another tactic. “What subjects do you most enjoy in school?” He tries to disguise the flinch as he spots my grade point average.

  I think about this for a while, tugging at a loose thread on the cushioned metal chair I’m perched on. “Not math because I’m not a sociopath.”

  He laughs his merry Swedish laugh.

  “Or science. See above.”

  Another endearing chuckle.

  As a feminist I feel immediately guilty because everyone is trying to encourage girls into STEM subjects now, but to be honest I’m not dedicated enough to the Vagenda to force myself to become a computer programmer. Sometimes you have to pick your battles.

  The thing is, I know exactly what career I’d like to pursue, but I’m kinda scared to vocalize it. Most career counselors are interested in one thing and one thing only: getting you into college. Schools are rated higher according to the percentage of alumni who go on to get a college education, and thus career guidance is dished out with this in mind. If the Ivy Leagues don’t teach it, it’s not worth doing. And, believe it or not, the Ivy Leagues do not teach comedy.

  Plus, the chances of success in my dream job are not high. Especially for a girl like me.

  Rosenqvist continues his gentle coaxing. “What about English?”

  Nodding noncommittally, I say, “I like English, especially the creative writing components. And drama.” Before I can talk myself out of it, I add, “Sometimes I write and perform sketches with my friends. You know, just for fun. It’s not serious or anything.” Judging by the tingling heat in my cheeks, I’ve flushed bright red.

  But despite my pathetic trailing off, he loves this development. His little blond-gray mustache jumps around his face like a ferret stuck in a combustion engine.

  “FANTASTIC! FOLLOW YOUR DREAMS, MISS O’NEILL!” [Told you.]

  So now, despite the fact that it’s not exactly a reliable career path, I have a backpack stuffed full of information on improvization troupes and drama school and theaters that accept script submissions. I’m actually pretty grateful to Rosenqvist for not immediately dismissing my unconventional career ambitions, as so many teachers have before.

  He even told me about his friend who does reasonably priced headshots for high-school students. Granted, this sounds incredibly dodgy, but I am giving him the benefit of the doubt here because I would be quite upset to discover Mr Rosenqvist was earning commission by referring his students to a pedophilic photographer as a side hustle.

  5.04 p.m.

  On Mr Rosenqvist’s jolly recommendation, I find myself voluntarily staying behind after school to talk to Mrs Crannon, our drama teacher, about my career. Like, I am actually spending more time on campus than is absolutely necessary. Of my own free will. This is clear, unequivocal evidence that mind control is real, and that my lovely, albeit shouty, Scandinavian career advisor is in fact some sort of telepathic Dark Lord. It’s the only explanation. Well, not the only explanation. For those who do not believe in the supernatural, it is of course possible that Rosenqvist performed some sort of lobotomy on me during our session.

  [For all my cynicism and wit, I do actually genuinely care about writing. But, as much as I would love to be, I’m not clever in the traditional bookish way – more in the “watches a lot of movies” and “is very talented at taking the piss out of everything” way. Which means academia is not exactly my preferred environment, due to the lack of emphasis on movies, and the general dissuasion of piss-taking. It’s almost like teachers don’t want to be told their subject of expertise is a cruel and unusual punishment for being born. Weird.]

  Anyway, Mrs Crannon’s office is up a random back staircase behind the theater. I traipse up there once the final bell has rung and all other sound-of-mind students have evacuated the premises. I’m armed with a notepad, a sample script, and a metric crap-ton of peanut butter cups, since I assume talking to teachers in your spare time is much like getting a tattoo – you have to keep your blood sugar consistently high in order to survive the pain without passing out.

  Mrs Crannon is a lovely woman. She dresses in purple glasses and Birkenstocks and crazy tunics, and veers toward the eccentric side of the personality scale. And she always gives me great parts in school plays because I’m loud enough that the tech department doesn’t need to supply a microphone. I’m currently playing Daisy in The Great Gatsby, for example, despite not being elegant or glamorous in the slightest.

  I’ve always liked Mrs Crannon, but in a Stockholm Syndrome sort of way. I mean, do any of us really like our teachers? These are the important philosophical questions, people.

  When I walk in, she’s sitting behind a desk piled high with playbooks, coffee mugs and a massive beige computer from the nineties [good old budget cuts]. The whole room smells of dusty stage costumes and stale hairspray. My favorite smell in the world.

  “Izzy! It’s lovely to see you outside of rehearsals for once.”

  She ushers me in and I take a seat on quite literally the most uncomfortable plastic chair I’ve ever had the misfortune to encounter. It is the Iron Maiden of the chair world. I’m not exaggerating.

  “Thanks,” I say, trying to give off the pleasant expression of someone who is not in severe physical discomfort at the hands of a chair-come-torture-device. “I brought peanut butter cups to compensate for the fact I’m keeping you from getting home to Mr Crannon.”

  “Actually, I have a Mrs Crannon.” She grins, waggling her left hand at me. Her engagement ring has a Dwayne Johnson of a diamond on it, and an elaborate wedding band sits next to it. “I’m gay.  And married. Which, as a combination, is apparently difficult for a lot of the population to comprehend.”

  “Oh! Awesome. But let me get this straight.” [Or should it be “let me get this gay”? Honestly, what a minefield.] “You’re both called Mrs Crannon? Does that not get confusing?”

  She laughs, cracking heartily into the packet of peanut butter cups I’ve plonked in front of her. “Yes, in hindsight we probably should’ve kept our own names. But I had to do something to keep my traditional Catholic parents happy.”

  I grin. “Aren’t you tempted to write some sort of farcical sketch about two wives with the exact same name?”

  Mrs Crannon smiles warmly. “Which leads us nicely onto your writing. Mr Rosenqvist told me you’ve been writing your own scripts? That’s great! Tell me more about that.” She leans back in her chair [a delightful padded malarkey, you’ll be pleased to know, if you’re at all
concerned about the well-being of my drama teacher’s backside].

  Suddenly I feel a little embarrassed, mainly because I can tell I’m expected to hold a normal adulty conversation at this point, not one that’s peppered with inappropriate gags and self-deprecating humor. And I’ve sort of forgotten how to do that.

  Mumbling idiotically about Nora Ephron, I reach into my satchel, which is decorated with an assortment of pins and badges to give the illusion that I am halfway cool, and pull out the sample screenplay I brought along. It’s a feature-length film I wrote over the summer. The logline [i.e. a one-sentence pitch] is this: a broke male sex worker falls for a career-obsessed client with commitment issues. Basically, it’s an updated Pretty Woman that challenges gender stereotypes while also telling an impressive array of sex jokes. [Be honest. You would so see this movie.]

  “You’ve already written an entire screenplay?” Mrs Crannon gapes at me, clapping her hands together like a performing monkey. “Izzy, that’s fantastic! So many aspiring screenwriters struggle to even finish one script, and they’re professionals who’ve been to film school. When I was a working theater director I used to despair of writers who seemed incapable of seeing an idea through to the end. You should be very proud of yourself. Writing ‘fade out’ is quite the accomplishment.”

  “Really?”

  “Really!” She takes the script from me, examining the professional formatting and neatly typed title page. [My best friend Danny pirated the proper software for me on account of my severe brokeness. Don’t tell the internet police. Or, you know, the actual police.] “I’d love to take it home with me to read. Can I?”

  This show of unbelievable support catches me way off guard. “You’d do that? Spend your own free time reading my work?”

  “Of course I would!” She crams another peanut butter cup in her mouth, tossing the paper in the overflowing trash can behind her. It’s full of empty candy wrappers and soda cans. Obviously she is just as nutrition-conscious as me, which is precisely not at all. “I know how talented you are through working with you on school plays. You have me in stitches with your clever ad libs and witty improv.”